20th Century Landscape Paintings

The Young Family by Benedikt Paul Kögl (German, 1892-1973) signed oil on canvas, framed Framed: 16 x 18.5 inches Canvas: 10 x 12 inches Provenance: private collection, UK Condition: ...

A masterful oil painting depicting a colorful British country side with a couple strolling in the distance along a beautiful pathway. As an Impressionist painter, Clymer was known fo...

Gorgeous mid century Arts & Craft landscape of rolling Indiana farmland with haystacks, trees, and verdant hills in the distance by Harry E. Wood, Sr. (American, 1879-1951), 1948. Signed lower right; letter of provenance provided. Exhibited in New York's Salmugundi Art Club in 1948. Presented in gilt-toned frame. Image size: 14"H x 20"W. Framed size: 18"H x 23.50"W. Harry E. (Emsley) Wood, Sr., was born 26 September 1879 near Lexington, Illinois, the third child of Emsley Harrison Wood, Jr., and Florence Robinson Wood. The family moved to Indianapolis shortly after Harry was born. Florence Robinson Wood died around 1882 and Emsley Wood married Sallie Bunger Lewis eleven months later. Emsley Harrison Wood worked in various jobs, including real estate sales and as a grocery clerk. Harry E. Wood attended public schools in Indianapolis until about 1889 when he contracted Scrofulous, a strain of tuberculosis. The condition, coupled with his family's poverty, disrupted his formal education. He attended Manual Training High School in 1899 and worked as a cartoonist for the Indianapolis Star in 1900. Wood illustrated Our Public Servants, a column of political satire written by Kin Hubbard. Wood's affiliation with Indianapolis Public Schools (IPS) as an educator began in fall 1900 when he returned to Manual Training High School as an assistant art instructor under Otto Stark...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 27 x 33 Frame Size: 35 x 41 Medium: Oil On Canvas Late 1940s-Early 1950s "Bluebonnet Time" Texas Hill Country Landscape Biography Porfirio Salinas (1910-1973) Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields that grow there in the springtime. Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as landscape painter, Robert Wood. Wood is said to have paid Salinas five dollars a picture to paint bluebonnets because "he hated to paint bluebonnets". Salinas served in the military from 1943 to 1945. Although he was assigned to Fort Sam Houston, he was allowed to live at home. At the fort, Colonel Telesphor Gottchalk assigned him to paint murals for the officer's lounge and various other projects, and Salinas continued to be able to paint during his entire conscripted period. Even before he achieved notoriety among galleries, dealers, and museums, Salinas was widely followed and appreciated by many Texans, including former President Lyndon B. Johnson, who may be considered responsible for launching Salinas popularity beyond the boundaries of Texas. In 1973, Texas capital, Austin, honored Salinas for having "done much to bring the culture of Mexico and Texas closer together with his paintings". Salinas died in April 1973 in San Antonio, Texas. From the years of the Great Depression through President Lyndon Johnson's Great Society of the 1960s, Texan Porfirio Salinas (1910-1973) remained one of the Lone Star State's most popular artists. Today, his works remain popular with Texas collectors and those who love landscapes of the beautiful "Hill Country" that lies in the center of the state. One of the first Mexican-American painters to become widely recognized for his art, Salinas was a favorite of President Lyndon Johnson and his wife, Lady Bird Johnson, as well as of Sam Rayburn, the longest-serving Speaker of the House of Representatives, and Texas Governor John Connelly. In fact, President Johnson was so enamored with his Salinas paintings that the artist will forever be associated with America's first Texas-born President. Works by Porfirio Salinas are in a number of museum collections, grace the halls of the Texas State Capitol and the Governor's Mansion in Austin, and are included in virtually every major private collection of Early Texas Art. Porfirio Salinas was born on November 6, 1910 near the small town of Bastrop, Texas, about thirty miles from Austin. His father, Porfirio G. Salinas (1881-1967), and his mother, Clara G. Chavez, struggled to make a hardscrabble living as tenant farmers, but eventually were forced to give up farming. The family moved to San Antonio, where Salinas' father was able to get a job working as a laborer for the railroad, but the scenic area around Bastrop, with its pine trees and the wide expanse of the Rio Grande River, would forever remain a touchstone for the artist. For the rest of his life, Salinas and his brothers went back frequently to visit their grandmother in her little farmhouse. When in Bastrop, Porfirio painted on the banks of the Rio Grande or in the groves of pine trees. The Salinas family was close-knit and Porfirio was the middle child of five children, so he had an older brother and sister as well as a younger brother and sister. His mother was a native of Mexico, so throughout his childhood the family made the long drive to Mexico to visit Clara Salinas' family. As a child growing up in the bi-lingual section of San Antonio, Salinas drew and painted incessantly and by the time he was ten, he was already producing work that was mature enough to sell to his schoolteachers. Many years later in an article in the New York Times he was described as a "boy whose textbooks were seldom opened and whose sketchbook was never closed." Instead of studying, the young artist spent his spare time watching artists paint in and around San Antonio. As an aspiring painter, Salinas was fortunate to grow up in the historic city, which had the most active art scene in Texas. It was his exposure to older, professional painters that encouraged the precocious young painter to leave school early in order to help his family and pursue a career as a professional artist, despite his father's inability to see art as a career with any future for his son. When Salinas was about fifteen he came to know the artist Robert W. Wood (1889-1979). He met Wood while he was employed in an art supply store and he soon began to work as an assistant to the English-born painter, who had moved from Portland to San Antonio in 1924. Although the diminutive Englishman was already an established professional artist, he did not have a great deal of formal art training and so he was then studying with the academically trained Spanish painter Jose Arpa (1858-1952) in order to augment his knowledge and give his work a more polished look. Salinas was an eager young man, and while working in Wood's downtown San Antonio studio he learned to stretch canvases, frame paintings and to sketch in larger compositions from small plein-air studies for the English artist. He began to accompany Wood and Arpa to the hills outside San Antonio, where they painted small Plein-air studies of fields of blue lupin - the state flower, the famous "Bluebonnets" of Texas - in the springtime and scenes of the gnarled Red Oaks as they changed color in the fall. He was soon assisting Wood in the tedious work of painting the tiny blue flowers that collectors wanted to see in the landscapes they purchased of central Texas. According to a 1972 newspaper story, "Legend has it that one day in the 1920s artist Robert Wood decided he could not bear to paint another bluebonnet in one of his landscapes. He hired young Porfirio Salinas to paint them in for him at five dollars a painting." Whether this story is accurate or apocryphal isn't clear, but the ambitious and independent young Salinas wasn't destined to be anyone's assistant for very long. The formative event of Porfirio Salinas' teenage years was the Texas Wildflower Competitive Exhibitions, a Roaring-Twenties dream of the eccentric oilman Edgar B. Davis (1873-1951). These competitive shows of paintings of wildflowers and Texas life were mounted in San Antonio from 1927 to 1929. Held at the newly opened Witte Museum each spring, the exhibition featured large cash prizes donated by the philanthropic Davis, which were an inducement for artists to travel from all over the United States to paint in the Hill Country of Texas. The "Davis Competitions," as they were known, helped to cement San Antonio's reputation as an art center, a legacy that remains with the "River City" today. The shows generated a great deal of excitement in the area, helping to make celebrities of the some of the artists who had already settled there and encouraging others to make San Antonio their home. Over the three years that the wildflower competitions were held, more than 300 paintings were exhibited, and many thousands of viewers saw the paintings at the Witte Museum and on tours throughout the state and in New York. Each year Davis would generously purchase the winning paintings and then donate them to the San Antonio Art League. Young Porfirio Salinas would have been able to not only watch his two mentors - Robert W. Wood and Jose Arpa - paint the works that they entered in the Davis Competitions, he would have been able to see Arpa take several of the major prizes, receiving the judge's accolades for "Verbena," "Cactus Flower" and "Picking Cotton," works that are still on view at the San Antonio Art League Museum today. Unfortunately, Davis eventually put his donations to work in other charitable endeavors, bringing to an end the wildflower events, but only after they inspired Salinas and other young painters and had helped to make wildflower paintings the most sought-after subject for traditionalist Texas collectors. In 1930, when he was only twenty, Salinas hung out a shingle and began to paint professionally, augmenting the sales of his easel paintings with what little business he could garner by painting signs for local concerns. It was a struggle for the young artist to make a living, as the effects of the Great Depression were settling in. His early works are very similar to those of Robert Wood's, both in subject matter and treatment. Salinas did small paintings of Bluebonnets for the tourists who visited San Antonio to see the famous Alamo as well as paintings of the Texas missions. While a few of his early works have a soft, tonalist quality, with subtle gradations of sunset colors, most were painted in a style that fits well within the currents of the late American Impressionist style, with solid drawing and a warm, chromatic palette. Like Robert Wood's works of the 1930s, the paintings Salinas produced as a young man were usually well composed and detailed views of the spring wildflowers in full bloom in the Texas countryside. In contrast to Wood's work, however, early Salinas compositions were usually pure landscapes without the pioneer farms or dilapidated fences that Wood often used to add visual interest to his wildflower scenes, and he also painted scenes of San Antonio itself as his mentor Jose Arpa had done. To residents of the Hill Country, Salinas was especially adept at accurately capturing the palette of the region and its unique atmosphere. In 1939 Salinas began working with Dewey Bradford (1896-1985), one of the great characters of Texas art. Bradford was a second-generation dealer whose family operated the Bradford Paint Company in Austin, where they sold art supplies, framed artwork, restored paintings and exhibited paintings by Texas artists. Salinas was struggling when he met Bradford, but the older man took the young artist under his wing and began to sell his work reliably, even though the prices that people would pay for a painting were still low due to the lingering effects of the Great Depression. Bradford was a born salesman with a gift for storytelling, and truth be told, a bit of embroidery. The relationship between Bradford and Salinas was often rocky, but it was to last the rest of the artist's life and give him a modest sense of loyalty and security, things which are all too rare in the art world. While Bradford could be critical of his work, Salinas knew that he had a dealer who encouraged him, believed in him and was not shy about singing his praises to anyone who entered Bradford's store on Guadalupe Street. During the early years of World War II Salinas met a pretty Mexican woman from Guadalajara named Maria Bonillas, who was working as a secretary for the Mexican National Railways office in San Antonio. While he was walking downtown with a painting of a bullfighter under his arm, he started a conversation with the young woman, and things progressed rapidly. The couple were married on February 15, 1942 and settled into life in bi-lingual San Antonio and they eventually purchased a tidy stone home on Buena Vista street that had a detached studio in back. By the time the United States entered World War II, Salinas was starting to make a decent living selling his art and beginning to garner recognition across Texas. However, in 1943, like millions of other young men, he was drafted into the service of his country. Fortunately, as an older Army draftee with special talents, after his training he was assigned to Fort Sam Houston, right in San Antonio, allowing him to remain at home while still completing his obligation to "Uncle Sam." Because of his artistic abilities, Salinas was asked to do paintings for the Army as well as a mural for the Officer's Club, which has been re-discovered in recent years. In his spare time he kept working on landscapes and when the war ended in 1945, he was not faced with the same rocky transition from military to civilian life as many veterans. That same year, Salinas became a father as he and Maria celebrated the birth of his only child, Christina Maria Salinas. Like most landscape artists of the era, Salinas was an avid Plein-air painter, and he took his easel and paint box with him on trips throughout Texas and into Mexico. He and his wife traveled deep into her native country, where the artist painted the majestic volcanic peaks of Iztaccihuatl (known as the "Sleeping Woman" because of its unique shape) and Popocatepetl (called the "smoking mountain" because the volcano is still active), south of Mexico City. Salinas also painted studies of rustic villages and their residents. While his most popular paintings were always the scenes of the Texas Bluebonnets and other wildflowers that bloom all over the Hill Country in the spring, he also painted scenes of the twisted Texas oak trees of central Texas, the more arid landscapes of the Texas panhandle and West Texas, and the historic Texas missions; he even sold rapidly executed scenes of bullfights and cockfights for Mexican-American collectors. By the late 1940s, the American economy was finally growing again and wealthier Texans began to collect Salinas paintings, purchasing them from galleries in San Antonio and Dallas and at Dewey Bradford's County Store Gallery in Austin. Salinas also sold work to the Atlanta dealer Dr. Carlton Palmer, who represented Robert W. Wood for many years. In 1948 Palmer sold two large Salinas paintings to the Citizen National Bank in Abilene, Texas. Because Austin was the state capitol, Bradford counted many of the state's elite among his patrons, and due to his interest in history and literature, he played a large role in the cultural history of central Texas. Bradford introduced a number of the major Texas political figures to Salinas' work, including Lyndon Baines Johnson (1908-1973), who was then in the House of Representatives and on his way to winning a controversial election that vaulted him in the United States Senate. Johnson became an enthusiastic collector, as did his political mentor, the legendary House Speaker Sam Rayburn (1882-1961). Johnson decorated his Washington offices with Salinas paintings and he brought a number of them home to his vast LBJ Ranch, near Johnson City, Texas. In spite of his important patrons, Salinas went through a fallow and difficult period in the late 1950s. He had a volatile temperament, which made relationships difficult, and it took great patience for his wife to help him manage his career. As Salinas entered middle age his work began to sell steadily, but except for tourists who purchased his paintings in San Antonio, he was known primarily only to Texas art collectors. All that changed in 1961 with the election of John F. Kennedy (1917-1963) to the Presidency of the United States and his running mate Lyndon Johnson to the Vice Presidency. Johnson was an expansive, larger-than-life character and his status as a long, tall Texan in a cowboy hat was a large part of his imposing political image. During his storied career in the House of Representatives and the United States Senate, Johnson and Lady Bird Johnson (1912-2007) spent their time in Washington in a modest house on the edge of Rock Creek Park, but this home would not do for a Vice President. So, in 1961, the Johnsons purchased a French chateau-styled home in the Spring Valley section of the Capitol. Obtained from the famed socialite and ambassador Perle Mesta (1889-1975), the house came with a fine collection of French furniture and tapestries, and the designer Genevieve Hendricks was hired to meld the French look with objects from the Johnsons' overseas travels and paintings of the flora and fauna of their native Texas. Featured prominently in the foyer were the paintings of Porfirio Salinas. Because of the Johnsons' patronage, his work was mentioned in Time Magazine and other national publications. Lady Bird Johnson loved her landscapes of the Texas Hill Country and told reporters that, "I want to see them when ever I open the door, to remind me where I come from." After President Kennedy's death thrust Lyndon Johnson into the Presidency, he brought his Salinas paintings into the historic halls of the White House, further enhaning the Texas painter's national reputation. At the time of the President Kennedy's assassination, Salinas had completed a scene of a horse drinking titled "Rocky Creek" that was to have been presented to Kennedy during his ill-fated visit to Dallas. Instead, in an effort to memorialize the fallen President, Salinas painted a symbolic work of a lone horse depicted against foreboding clouds. During his tenure in the White House, President Johnson presented a Salinas landscape as a state gift to the President of Mexico, Gustavo Diaz Ordaz (1911-1979). During the 1960s, Salinas paintings sold briskly and, thanks to Presidential patronage, for escalating prices. In an interview with a writer from the New York Times, President Johnson enthused about the work of "his favorite artist" and said that, "his work reminds me of the country around the ranch." Salinas was invited to the LBJ Ranch frequently during the Johnson administration and his paintings were hung throughout the ranch, in the President's offices and even in the private quarters of the White House. The connection to President Johnson was a great boon to sales of Salinas paintings, and in 1964, when the demand was at its height, Texas Governor John Connelly (1917-1993) was told that all Salinas'work was sold and that he would have to wait for a painting. In 1960, a half century after his birth, Salinas was honored by his home town of Bastrop, a celebration that touched the modest artist. In 1962 Salinas was given a solo exhibition at the Witte Museum in San Antonio that featured more than twenty of his works. By the early 1960s, sales of reproductions of the artist's landscapes by the New York Graphic Society and other publishers grew rapidly, enlarging his audience throughout the United States. In 1967, Dewey Bradford helped to organize the production of a book of Texas stories titled "Bluebonnets and Cactus" (Austin: Pemberton Press: 1967), which was profusely illustrated with paintings by Salinas. His works were still popular when Salinas died after a brief illness in April of 1973, just a few months after former President Johnson's passing. He was memorialized in the City of Austin by Porfirio Salinas Day, which honored him for having "done much to bring the culture of Mexico and Texas together with his paintings." Bastrop, Texas, the city of the artist's birth, has been holding a Salinas Art Exhibition annually since 1981. He painted hundreds of scenes of the wildflowers, including the various varieties of Blue Lupin, the state flower, as well as other flowering flora. These show the influence of his artistic mentors Robert W. Wood and Jose Arpa Y Perea. Salinas also painted a number of scenes of Prickly Pear Cactus that show the influence of the English painter Dawson Dawson-Watson (1864-1939), who painted many such works during his tenure in Texas. He painted the more arid Texas landscape infrequently and these works are very rare today and sought after by collectors from the Texas Panhandle and West Texas. Salinas also painted many river landscapes along the Guadalupe, Rio Frio, the San Antonio and the Rio Grande. On trips to his wife's homeland of Mexico, he painted a number of scenes of the volcanic peaks as well as scenes of peasant villages and villagers. Figurative paintings are rare among Salinas' works and these scenes of bullfights, fandangos and cock fights are probably the least sought after of his paintings. There are also a small number of modest marines, painted on trips to the Texas and California coast. Salinas paintings are highly prized by collectors of early Texas art, with the paintings of wildflowers in greatest demand. Works by Porfirio Salinas can be found in a number of public collections, including the Panhandle Plains Historical Museum in Canyon, Texas; the Texas State Capitol; the Texas Governor's Mansion; the Lyndon Baines Johnson Ranch; the Sam Rayburn Library and Museum in Bonham, Texas; Amarillo High School; the Witte Museum in San Antonio; the historic Joan and Price Daniel House in San Antonio; the Stark Museum in Orange, Texas; the R.W. Norton Art Gallery in Shreveport, Louisiana; the Sangre de Cristo Arts Center in Pueblo, Colorado; Texas A & M University and the Modern Art Museum of Fort Worth. Salinas has been featured in a number of reference works as well as anthologies devoted to American Western Art...

Abstract Expressionist Landscape by Gerard Guegueniat (French 1970's) signed oil painting on board, framed framed: 22 x 14 inches board: 19 x 11 inches provenance: private collection...

Rustic European Village by Georges Bordonave (French contemporary) oil painting on canvas, unframed canvas: 25 x 21.5 inches condition: very good signed verso provenance: from a larg...

Provence by Max Toutain (1935-2006) oil painting on canvas, unframed canvas : 24 x 29 inches Provenance: all the paintings we have by this artist have come from the artists estate in...

Signed oil on canvas landscape circa 1930 by German post impressionist painter Max Clarenbach. The work depicts a winter scene, with snow laying thick on the ground. To the foregroun...

A Summer’s Day by William Miller Frazer (1864-1961) depicts a tranquil countryside scene of sheep grazing and resting. Frazer’s sheep find numerous ways to enjoy the pleasantries of ...

Antique American impressionist seascape beach scene oil painting. Oil on board. No signature found. Framed. Image size, 18L x 14H.

A whimsical oil painting depicting a Courtyard Scene with a cafe of figures in France by Luigi Cagliani. As an Italian Impressionist artist, most of Cagliani's works were produced in...

Title: Impressionist French Floral Still Life Oil of Le Bouquet du Cinquantenaire By Fanch Lel Signed: Yes Size: 18 x 15 inches (height x width) Oil painting on board, unframed Condi...

Sally Gaywood was born in Chester and from a very early age showed a natural aptitude for painting. She trained to be a dancer, but her dream was always ...

"Bridge Over the Neckar, Town of Heidelberg" - Original Oil Painting on Canvas A beautiful German landscape, by American painter, Betty Brenner (1922-2016), captures the Karl Theodor Bridge and its reflection. Commonly known as the Old Bridge (Alte Brücke), it is an arch bridge in Heidelberg that crosses the Neckar river. It connects the Old City with the eastern part of the Neuenheim district of the city on the opposite bank. The current bridge, made of Neckar sandstone and the ninth built on the site, was constructed in 1788 by Elector Charles Theodore, and is one of the best-known landmarks and tourist destinations in Heidelberg. Brenner, Betty (American, 1922-2016) - Raised in Washington, Brenner attended Cornish School...

Claudine Berechel (1925-2011) Parisian Rooftops, ca. 1955-60 Oil on canvas measuring 15 x 24 inches. Framed measurement, 20 x 29 inches. Signed lower center. Janet Fleisher Ga...

The Old Town, Nice Tony Minartz (French, 1873 - 1994) signed lower corner watercolour on artist paper painting : 16.5 x 13 inches Provenance: private collection in the South of Fr...

Impressionist winter pastoral scene of a quaint snow covered home in Tinicum, Bucks County, PA. Willett has portrayed this charming scene in a most intimate, yet energetic way, and h...

Drying Nets Spanish School, late 20th century signed lower corner and inscribed verso oil on canvas, framed framed: 29.75 x 41 inches canvas: 28.5 x 29.5 inches provenance: private c...

This romantic landscape painting captures a peaceful Alpine scene, with rustic wooden chalets nestled against a backdrop of towering mountains. Unsigned. Well presented in a gilt fra...

ARTIST: Stephen Bone NEAC (1904-1958) British TITLE: 'Evening In Stockholm Sweden" SIGNED: lower right MEDIUM: oil on canvas SIZE: 81cm x 71cm inc frame CONDITION: very good DETAIL:...

Mid-century figurative seascape with boats by Henryk Dzienczarski, (Poland, b-1917). Signed "H. Dzienczarski" lower right. Displayed in a wood fra...

Twentieth Century Marine Oil on Panel depicting the iconic Cutty Sark Tall Sailing Ship in dry dock at Greenwich by one of the undisputed masters of the Mid Twentieth Century. Belov...

Artist: Antoni Llobet Aracil (Barcelona, 1910 - 1983) Title: Catalan Landscape with Masia Technique: Oil on board Dimensions: 13 x 16.1 in Support: Board Framing: Unframed Period: 19...

Beautiful oil on fiberboard painting of fishing boats at the docks of Gloucester by the well known North Fork Long Island artist Caroline M. Bell. Circa 1945. Signed lower left by the artist. Condition is very good. Housed in its original silver leaf over wood frame in restored condition. Overall framed measurements are 20 by 18 inches. Provenance: Sarasota, Florida estate. Biography: Caroline M. Bell (1874 -1870) Caroline Bell was the leader of a group of artists known as the Peconic Bay...

Title: Mid-20th Century French Pastel Landscape of Bethonvilliers Village in Hills by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper Size: ...

Oil size 54x81 cm. Frameless

Title: French Impressionist Oil Painting of Sailboats in Regatta at Saint-Lunaire Bay By Fanch Lel (French b. 1930) Size: 4.5 x 6.25 inches (height x width) Signed: Yes Oil painting ...

Greek Town Rooftops signed by Georges Bordonave (French contemporary) dated 1987 oil painting on canvas, unframed canvas: 24 x 29 inches condition: very good provenance: from a large...

Large, impressive seascape of rolling surf pounding the rocky shore of Capri. Signed lower left by the Italian artist Guido Odierna. Circa 1975. Conditi...

The Dutch Street by Jony Gaston (British 20th century) signed oil on board, framed framed: 25.5 x 22 inches board: 18 x 14 inches provenance: private collection, UK condition: very g...

Signed figures in cityscape oil on canvas circa 1905 by French impressionist painter Maximilien Luce. The piece depicts a view of Paris in France. In the foreground is a bustling st...

Super detailed French impressionist train depot painting. Oil on board. Signed. Framed. Image size, 16"H x 20"L.

“The Holy Hour” German School, circa 1930's signed lower corner oil painting on canvas, framed The painting is a copy after the earlier work: THE HOLY HOUR; DIE HEILIGE STUNDE. by LUDWIG FAHRENKROG (1867-1952). painting: 51cm x 81cm provenance: private collection, Germany Fine quality Symbolist oil painting from the 1930...

Measures Painting 20 x 25 inches Framed 24 x 39 inches (approximately) This luminist and atmospheric evening seascape by Granville Redmond (1871 - 1935) was painted on Catalina Island off the California coast c.1920. Redmond was a very prominent California Impressionist known for his serene tranquil and mood-filled California coastal paintings bathed in moonlight with waves gently rolling onto the shore. As a deaf mute, he explained that without speech and hearing, his abilities to see things in a detailed and poetic way were much more honed and enhanced. He was renowned for his Impressionist landscapes, particularly those featuring California wildflowers, coastal scenes, and tonal moonlit settings. Despite his deafness from a young age, Redmond achieved significant acclaim for his art and even acted in silent films, becoming friends with Charlie Chaplin, who built an art studio for him on his large movie lot. Redmond lost his hearing due to scarlet fever as a child and later attended the California School for the Deaf in Berkeley, where his artistic talents were nurtured. He studied at the California School of Design in San Francisco before continuing his studies in Paris at the Académie Julian. He became a highly respected landscape painter, shifting between vibrant Impressionist poppy...

Title: Impressionist Oil Painting Port Scene with Green Dome and Fishing Boats By Fanch Lel Signed: Yes Size: 13.25 x 16.25 inches (height x width) Oil painting on board, unframed C...

Amazing early American surrealist nude male portrait landscape. Painted by Charles W St Clair. Oil on board. Framed. Image size, 24L x 30H. Super detailed and rare!

The Highland Loch Scottish School, early 20th century oil on board, framed framed: 7 x 8.5 inches board: 6 x 7.5 inches provenance: private collection, UK condition: very good and s...

This painting by Jurgen Winter depicts a beautiful figure with a parasol overlooking the scene along the Seine river in Paris France, a popular subject of the times painted by many i...

A delightful oil study depicting cottages lining a street in Glenbeigh in County Kerry, Ireland. There scene is captured in a charmingly simple style using vibrant colours. Signed an...

Signed lower right, "Di Gesu" for Victor Di Gesu (American, 1914-1988); additionally, signed, verso, titled, 'One Last Look (Lighthouse + Dickman, Now Monterey) and inscribed with th...

Arturo Mercado (1938 -2016) Austin Artist Image Size: 20 x 14.5 Frame Size: 30 x 25 Medium: Oil ON CANVAS "Early Mornin Snow" Biography Arturo Mercado (1938 -2016) Arturo Mercado w...

Oil on Canvas Canvas size: 24 x 36 in. Frame Size: 33 x 39 in. "Turning them North" is an exhilarating scene of the American Old West by Gary Lynn Roberts (b. 1953, American) execut...

Title: French Ink Drawing of Market Scene with Figures and Umbrella by Fanch Lel By Fanch Lel Signed: Yes Size: 6.5 x 8.5 inches (height x width) Ink on cardboard, unframed Condition...

California Image by well known watercolorist Milford Zornes (1908-2008). This work in mint condition, is signed lower right “Zornes,” and dated ‘67. The watercolor is also signed on the verso ‘Milford Zornes, ANA’ and titled “From Dana Point.” This painting is unframed and measures 21"h x 27"w. It’s a beautiful depiction of Dana Point in Orange County. A prominent artist in the watercolor movement known as the California Style, Milford Zornes became especially known for his application of watercolor in broad brush strokes to large sheets of paper. He was born in Camargo, Oklahoma, and moved to Los Angeles while a teenager. In Santa Maria, California, he enrolled in Santa Maria Junior College, where he had art instruction from Stanley Breneiser and lived for a period of time with him and his wife, Babs Breneiser who was an art teacher at the local high school. Then at age 20, he began adventurous travel that took him across the United States that had him working on the docks of New York City, and then shipping out to Denmark as a merchant seaman, a job that eventually led to a tour of Europe. He returned to Los Angeles by 1930, and studied at the Otis Art Institute with F. Tolles Chamberlain, and at Pomona College where Millard Sheets was his teacher. Throughout the 1930s, he was exhibiting widely including the 1938 Art Institute of Chicago International Watercolor Exhibition, Seventeenth Year. Zornes did murals during World War II for the Federal Arts Project of the W.P.A., and was a United States Army artist correspondent in Burma and India. Because of the distinction of his W.P.A. and other wartime artwork, he was honored with a one-person exhibition at the Corcoran Gallery in Washington DC, and one of his paintings was selected by President and Mrs. Franklin Roosevelt for the White House Collection. This attention brought him much positive publicity. After the war, he lived in several locations in California and in 1963, Milford and his wife Pat, bought the Maynard Dixon summer home and studio in Salt Lake City, Utah from Edith Hamlin...

Springtime: Almond Tree in Bloom (Printemps: Amandier en Fleur) Raymond Thibesart (France, 1874-1968) Oil on canvas, circa 1920s 19 x 25 1/2 (22 3/4 x 28 1/2 framed) inches Raymond ...

Farm in the English Countryside with Warm Golden Brown & Lush Green Colours by 20th Century British Artist, Christopher Osborne. Art measures 10 x 8 inches Frame measures 13 x 11 ...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 12 x 9 Frame Size: 26 x 23 1985 "My Garden" G. Harvey (Gerald Harvey Jones) (19...

Rare and wonderfully painted pointillist landscape by Carmelo Vegas. Thick impasto and a fine composition. Housed in a period giltwood frame. Ready to hang. Oil on board. Signed.

An abstract Mid-Century piece with a bright color palette, with the use of green, yellow, orange, red, burnt sienna, black, pink, white, and blue, among others. In this abstract comp...

Coastal Seascape by Georges Bordonave (French contemporary) signed oil painting on canvas, unframed dated 1965 canvas: 21 x 26 inches condition: very good provenance: from a large p...

A beautiful oil on board painting by American artist Maurice Monnard. Monnard was a Post-Impressionist painter known for his colorful cityscapes depict...

Signed lower right indistinctly, ( A.B. Delarova? ) and dated, '68''. Inscribed verso, 'Manila, Cathedral of the Immaculate Conception viewed from General Luna Street'. A deftly-painted, tonalist oil painting showing of this elegant section of Manila with the silhouette of the dome of the cathedral as viewed from the far end General Luna Street. This minor basilica (Catedral Metropolitana de la Inmaculada Concepción), also known as Manila Cathedral, is located in Intramuros, the historic walled city located in the heart of today's modern city of Manila. It is dedicated to the Immaculate Conception of the Blessed Virgin Mary...

Artist/ School: French School, 20th century Title: Lady reading in garden, beautiful French Impressionist work Medium: oil painting on canvas, unframed ...

Nicely painted mid century abstract cubist oil painting. Great color and composition. Framed.

Street scene in the French Quarter of New Orleans, Louisiana by New Orleans artist Melba Hildreth Dukes Gianelloni (American/Great Britain, 1914-2012). ...

A charming mid 20th century French oil on board depicting a tranquil river landscape. Lovely quality atmospheric work in excellent original condition. Presented in a beautiful carve...

Winter, La Place De La Concorde Paris, early 20th Century by William Samuel HORTON (1865-1936) American Impressionist - sales to $85,000 Large 19th Century American Impressionist v...

Joseph Kardonne (1911-1985).Male Figure at Beach, 1952.. Gouache on cardboard panel, 9 x 10 inches, 14.5 x 15.25 inches in maple frame. Signed, dated lower le...