Late 20th Century Landscape Paintings

A fine naive landscape painting with a windmill by American artist Janet Munro (b. 1949). Munro was born in Woburn, MA, and her work focuses o...

Frameless.

"Reflections in the Pond" is an original mixed media on board by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworld...

This is a beautiful oil painting on canvas, depicting a landscape with a mountain view, signed in the lower right corner, R Dean. The painting has amazing detail and brush strokes an...

Etretat by Georges Bordonave (French contemporary) signed and dated 1970 verso oil painting on board, unframed board: 13 x 16 inches condition: very good provenance: from a large pri...

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 22, Plate #025 Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph Ba...

Painted sculpted cardboard Unique work Coming from the artist's studio

Title: View of Cadaqués with Boats Artist: Ramón Pichot Soler (Figueres, 1924 – Barcelona, 1996) Medium: Oil on panel Dimensions: 33 x 55 cm (13 x 21.7 in) Date: c. 1975 Signatu...

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 21 #024 Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf. A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes and hundreds of used paint tubes...

Armand Tatossian, Canadian, 1948-2012 Montreal Sous la neige Oil on canvas 30 x 40 in Signed lower right framed

Original oil painting on wooden panel of a bustling Venice square by the American artist, Albert Munghard. Signed by the artist lower right. Circa 1975. Condition is excellent. Th...

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

Fishing Boats signed by Georges Bordonave (French contemporary) dated 1869 oil painting on canvas, unframed canvas: 18.5 x 22 inches condition: very good provenance: from a large pri...

5164 American Modern monochromatic seascape Image size 24x19" Framed Signed Jerry Gaster

Ben Avraham Nhamani Hand signed by artist to corner. Depicts doves over an archway leading to Old City Jerusalem Dimensions: Frame 18 X 23.5 image 8 X 13. Ben Avraham Nahmani is a self-taught artist who began painting in his native Meknes, Morocco at age seven. After his immigration to Israel he studied at the Avraham Ofek School of Art in Tel Aviv. He paints in an impressionist style and expresses his love and devotion to Judaism and Israel through varied media techniques including copper beating, pastel colors, and oil paints. Presently, he combines these various media which heighten the joyous tone of his works. Ben Avraham Nhamani draws his subjects from Jewish life, Kabbalah, faith and Jewish tradition. Each of his miniatures has its own motif but all of his themes are tied an overriding theme of world peace. Ben Avraham Nhamani says "Each painting is for me a special experience both spiritually and artistically as I express it here in a mixed-media: an integrated technique, combining different artistic mediums: pastels, acrylic paint, aquarelle, ink , spray oil; each technique lending its own effect to achieve the total harmonious presence of the work as a whole. The basis of corrugated cardboard of different layers adds depth to the painting and its meaning." One can recognize the holly city of Jerusalem surrounded by its wall and its famous gate living peacefully. Ben Avraham Nhamani adds: "The white dove symbolizes peace finally coming; it has an olive twig in its beak as it was when Noah sent a dove after the flood (which also symbolizes wars) to check then if the water dried out and the world could be a peaceful place to live. The dove hangs over Jerusalem and the city is even part of the dove's wing so peaceful it is. The flowers express beauty and growth that exist only when there is peace as well as prosperity represented here by the gold and silver colors. The ideal peace will exist when the Messiah son of David will come expressed here by the Shofar. His coming can be hurried by our good deeds and our longing for him. In microcosm Jerusalem represents every Jewish home which is the basis of the Jewish people and of one's life; spiritually, emotionally and physically as well as stated in the Talmud that the whole blessing a man receives is for his wife and a good wife is attuned to her husband as well. The Shofar expresses the nullification to Gd.'s will as it is at Rosh Hashana (the new Jewish Year) when we take upon ourselves the Yoke of Gd. In a couple or family it means that all the members make an effort and don't have it "their way" but "our way" by compromising." Ben Avraham Nhamani says "Each painting is for me a special experience both spiritually and artistically as I express it here in a mixed-media: an integrated technique, combining different artistic mediums: pastels, acrylic paint, aquarelle, ink, spray oil; each technique lending its own effect to achieve the total harmonious presence of the work as a whole. The basis of corrugated cardboard of different layers adds depth to the painting and its meaning." One can recognize the holy city of Jerusalem surrounded by its wall and its famous gate living peacefully. While their works bear a certain similarity this is not to be confused with Israeli Indian artist Edward ben Avram from Bombay, India. He has shown in prominent galleries in Safed, Tzfas with the other well known artists from the artists colony such as Nicky Imber, Shalom of Safed, Dorit Gur, Doron Cohen, Frenel Frankel, ·Kaszemacher, Raphael Abecassis...

Theodore Waddell's sophisticated modernist paintings have attracted widespread recognition. A native Montanan cattle rancher, Waddell most often paints freely-rendered range animals ...

ARTIST: John Harvey STISA (1935-2023) British TITLE: "Cornstooks Zennor Cornwall" SIGNED: unsigned - acquired directly from the artists family MEDIUM: oil on canvas SIZE: 82cm x ...

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s . Hand signed. Very good condition.

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

Gretchen Oldfather Troibner (American, b. 1953) Strange Woods Casein on paper Signed with monogram lower right 16.5 x 12.75 inches 27.5 x 22.5 inches Gretchen Troibner is an America...

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

Artist/ School: Guy Benard (French b.1928) signed lower corner. Painter from Rouen, Normandy, exhibited throughout France. Title: ''Giverny" Medium: oil...

Etching Edition 143/175 Last 2 left, new, not preowned Video attached This is a series of original etchings from respected European artist Cuca Romley. Ms Romley is 91 years and cur...

Mixed medium ,wood, acrylic paint, sculptural piece. 3D Sculpture/painting piece Hand signed and dated verso bears gallery label Bruce Robbins (born 1948) is an American abstract p...

William Henry Innes (1905-1999) Innes first exhibited his work during the Second World War while he was in the Royal Air Force. He showed extensively at the Royal Academy, New Engla...

One of the most exciting races between American clipper ships took place between October, 1852 and January, 1853. The vessels involved were the crack clippers FLYING FISH, JOHN GILPIN and WILD PIGEON. Departing New York, each a few days apart, the three ships met up off Cape Horn and proceeded, often in sight of one another, to fly up the west coast to San Francisco. The JOHN GILPIN gambled by heading farther west into the pacific where a strong northerly got her to San Francisco first. FLYING FISH and WILD PIGEON remained in sight of one another for most of the voyage in their dash up the coast. FLYING FISH arrived a day after GILPIN, but having left New York three days behind her adversary, was declared the winner. This view shows an excellent starboard view of the great FLYING FISH on her entry into San Francisco Bay. The water has superb light and reflection while the Marin headlands show as her backdrop, with the ever-present misty atmosphere of this important California port. A well captured moment of one of the fastest and most powerful 19th century great sailing ships created. Sight Size: 18 x 34 inches Vallejo Gallery...

Image dimensions: 46cm x 62cm / 18 inches x 24½ inches Framed dimensions: 55.8cm x 71cm / 22 inches x 28 inches Signed with fly insignia (lower left); further signed, inscribed and ...

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 40, plate #046. Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf. A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes and hundreds of used paint tubes...

Farm in the Woods at Winter in the English Countryside with Warm Brown Colours by 20th Century British Artist, Christopher Osborne. Art measures 12 x 8 inches Frame measures 16 x ...

4094 Lost in Time Futurist painting on stretched gallery canvas, signed by P.Russo Rapped canvas no frame required

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

Katherine Bowling (American, b. 1955) Oil on spackle on wood 1988 Hand signed, titled and dated verso, Dimensions: 48"h x 48"w Provenance: From an Important Private Collection, NYC; bears gallery label from Blum Helman Gallery, NYC Notes/Literature: Exhibited: "Earth and Sky: Recent Paintings by Katherine Bowling, Joan Nelson and Ellen Phelan", Hood Museum of Art, Dartmouth College 1992 Katherine Bowling (born 1955, Washington, D.C.) is a modernist painter known for her layered landscape paintings that draw inspiration from nature in the Hudson Valley. Katherine Bowling grew up in Tidewater, Virginia. She received her BFA from Virginia Commonwealth University in 1978. Bowling's first New York show, as well as her first solo exhibition, was in 1987. Bowling's works tend to be luminous landscape paintings that often feature woods and fields as well as roads. Many of her paintings are based on her photographs of woods and fields surrounding and in Schoharie County, where she rents a house. As Molly O'Neill notes in an essay on Bowling and her work, this area is "fifty miles northwest of the vistas that inspired the Hudson River School painters in the mid-1800s." Bowling focused in particular on the imagery of roads for the theme of her exhibition at Greenberg Van Doren, Divide. As the title implies, writes Lilly Wei in the exhibition's accompanying catalog, Bowling views the roads as "abstract marks in the landscape that divide and order space." Even with roads she has often traveled, Bowling finds something new on closer inspection that alters her perception of the familiar and mundane. Bowling explains that the roads "function as a metaphor for memory and displacement." In 2001, Bowling exhibited a number of seascape paintings. In her essay on the exhibition, art historian and critic Nancy Princenthal writes that, far from being an aberration from Bowling's typically home-based scenes, the ocean paintings are "a return to childhood memories and life long inclinations. A native of Virginia, she spent her first summers at the Atlantic shore and on the Chesapeake Bay." Primarily, however, Bowling's works focus on capturing the play of light and shadow. Art critic Eleanor Heartney notes that "Her paintings, like those of Monet, Pissarro, and Renoir, focus on the ephemeral moment and the fleeting impression, conjuring the flicker of sunlight through the trees, the shifting shadows of early evening, the reflections of clouds and foliage glancing across the rippling surface of a lake." They have a luminist quality to them. O'Neill argues that Bowling additionally "has an innate sense of abstraction and she ranges happy as an uncaged chicken, pecking elements from the Impressionists' obsession with light; from modern photography; and the drip paintings of Jackson Pollock." Bowling is influenced by the use of light in the paintings of European Romantics such as J. M. W. Turner and John Constable as well as by the later work of George Inness:  Her paintings also recall landscapes by Claude Lorraine, Albert Pinkham Ryder and Camille Corot. Bowling is known for her use of spackle. She uses a long process of layering and sanding to create the "back-lit" effect found in her paintings. First, the paintings begin as a photograph which she typically takes near her rented house in the Hudson Valley. Then, she uses these photographs, which serve as her "preliminary drawings," to aid in the painting process. She also paints from memory and direct observation. Bowling paints on square panels of plywood. Bowling considers rectangular pieces to be too horizontal and rife of implications already of landscapes and horizons. She sometimes paints on one of these square and sometimes paints on several square panels together. The seams between these adjoined panels are left visible. Next, Bowling applies layers of spackle. O'Neill remarks that "Inspired, perhaps, by her day job of painting houses, [Bowling] turned to more industrial media: damp vinyl spackle, a building compound that is applied to wooden panels to create a matte, fresco-like surface. Thinned oil pigments are poured, allowed to dry, and then the Sisyphean task of sanding begins."  Initial layers generally correspond with the color of the light—varying from pinks, golds, blues, and oranges. Through this layering and sanding, she creates a luminous quality in her landscapes. Despite rigorous sanding, air bubbles within the spackle layers are revealed occasionally on the surface. Rather than disguise them, Bowling integrates them. Heartney writes that Bowling "allows these irregularities to become part of the painting so that the viewer's perception of the play of light and shadow across the image cannot be separated from an awareness of surface itself." In later stages of painting, Bowling stands above panels to throw, dribble, and splatter paint with a hair dryer, recalling the techniques of Abstract Expressionist artists such as Jackson Pollock. Awards and honors 1991 National Endowment for the Arts Grant 1989 New York State Foundation for the Arts Fellowship 1988 Mid Atlantic Arts Foundation Fellowship Notable public collections The Metropolitan Museum of Art, New York, NY Brooklyn Museum of Art, New York, NY Mary and Leigh Block Museum of Art, Evanston, IL Phoenix Art Museum, Phoenix, AZ Norton Museum of Art, West Palm Beach, CA Fisher Landau Center, New York, NY Select exhibitions 2025 PS122 Gallery Lower East Side, New York 2022 Katherine Bowling: Trees Winston Wachter Fine Art, New York 2013 Woods, Lovely Dark and Deep. DC Moore Gallery Chelsea NY Featuring: Eric Aho, Milton Avery, Romare Bearden, Dozier Bell, Jake Berthot, Katherine Bowling, Charles Burchfield, Mary Frank, Noriko Furunishi, April Gornik, Marsden Hartley, Daniel Heidkamp, David Hilliard, Mark Innerst, Max Jansons, Sissel Kardel, Whitfield...

Bold figurative work by Richard Cronin (American, b. 1952). Two figures stand on a patio, turned away from each other. The figures and scene are rendere...

Original acrylic on canvas painting by the well known Saint Tropez artist, Michel Guy Nochet. Signed lower left “Guy Nochet. Dated in pencil on fra...

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

Pastel on arches paper

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Title: Marseille Watercolor of Knife Grinder Near Église des Augustins by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper, mounted Size: 15.75 x 11.75 (height x width) Provenance: From the artists atelier collection, South of France Description: This captivating watercolor transports viewers to Marseille, France, depicting a traditional knife grinder (remouleur) at work near the historic Église des Augustins. The richly detailed street scene showcases the craftsman sharpening a blade at his wooden grinding wheel, surrounded by colorful Provençal architecture...

This artwork Titled "Mount Shasta in Spring" c.1970 is an oil painting on canvas by California artist Robert Wagner. It is signed at the lower right corner by the artist. The canvas ...

5-3299 Alps Landscape, vintage acrylic palette technique on board,set in a wood frame,signed by F.Johensen .Image size 13 H x 11 W. Losses on the frame

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

🏞️ River Village with Bridge by C. Kern Original Oil Painting on Canvas – European Landscape Scene Step into a peaceful European countryside with this captivating original oil pain...

Title: French Watercolor Painting of “La Plage de Bidart” with Coastal Landscape by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper, unfr...

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

Pair of Landscapes: Dijon France, Burgundy Canal B Jean Boulay (French, 1937-1994) Oil on canvas Signed and dated 21 1/2 x 15 inches (each) The pair landscape...

Title: Little Garden Medium: Oil on canvas Size: 24 x 24 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paint...

Gaston Sebire French, 1920-2001 Sunset On the Coast Oil on canvas 29 by 36 ¼ in, w/ frame 36 ¼ by 43 ¾ in Signed lower right Gaston Sebire was born August 18, 1920, in Saint-Samson...

Miniature Landscape with Waterfall - Vintage Oil Painting by British Artist, David James. Art measures 10 x 7 inches Frame measures 13 x 10 i...

Title: French Watercolor Painting of the Picturesque Village of Biriatou by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper, unframed Siz...

Canvas measures 61x50 cm. Frameless He was born in 1951. Under the direction of the master Pedro Bermejo, he began his artistic career, quickly highlighting and observing in his works an unusual mastery of drawing. A very mature painter who has known how to stop time in all his works. His themes are preferably costumbristas although in his work the usual thing is to see eight century themes, with horse carriages, hats, umbrellas and still lifes. Observing his work reminds us, by the subject, of Maestro...

"Ducks & Habitat" is an original acrylic on paper and wood construction by Tom Shelton. The artist signed the piece on the reverse. This piece depicts many different types of ducks f...

Signed lower right

This artwork titled "Charleston's Garden Perfume" is an oil painting on canvas by noted Canadian artist Guy Begin, born 1944. It is signed at the lower right corner by the artist. Th...

Cosmic Splash - Abstract Expressionist Composition in Acrylic on Canvas Vibrant and expressive composition by California artist Charles "Dave" Francis (American, 1951-2018). Artis...

Tuna Fishing by Gilbert Fulio signed, dated 1993 and titled oil on canvas, framed Framed: 27 x 31 inches Canvas: 21 x 26 inches Provenance: private collection, France Condition: very...

Oil on plywood realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.