Peter Durieux

Overgrown Tree- 21st century Contemporary French landscape painting

2022

Peter Durieux In the near of Belvès 18 x 51 cm * (Framed in silver metallic wooden frame, included, 23 x 56 cm) This painting is made by Dutch artist Peter Durieux. Painting in his studio in Groningen he feels like he is back in the Ardèche in France. There, sitting on a tiny chair...

Mitzy Renooy Step by step 80 cm Ø Frame included in price, size with frame: 95 cm Dutch artist Mitzy Renooy, a former camera woman for national television, did follow art academy to...

Mitzy Renooy Step by step 80 x 40 cm Frame included in price, size with frame: 85 x 42 cm Dutch artist Mitzy Renooy, a former camera woman for national television, did follow art ac...

Esther Schlebos won "The Prix de Norvège" on her graduation in July 2019 for her landscape paintings with which she graduated. Together with Marein Kon...

"Munich, parc", oil on wood panel, original painting by Marc Tanguy, 2018 35 x 35 x 2 cm Signed and date on the back Framed with a natural oak floating frame (40 x 40 x 3,5 cm frame...

Acrylic & oil on wooden panel Marie-Pierre Autonne is a French artist born in 1960 who lives & works in Angers, France. She studied at Penninghen in Paris, France. She worked for se...

Acrylic & ink on wooden panel Marie-Pierre Autonne is a French artist born in 1960 who lives & works in Angers, France. She studied at Penninghen in Paris, France. She worked for se...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...