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Peter Sculthorpe"Clouds for Autumn"
About the Item
Jim’s of Lambertville is proud to offer this artwork by:
Peter Sculthorpe (born 1948)
Peter Sculthorpe was born in Ontario, Canada, in 1948. His talent was evident even as a child and developed rapidly in high school, where he was awarded an art scholarship in his senior year. He studied at the Pennsylvania Academy of Fine Arts, and the Hussian School of Fine Art under William Palmer Lear. He is a recipient of the Daisy Jamison Art Scholarship.
Sculthorpe's work is represented in private and corporate collections including General Electric, AT&T, DuPont, and Nabisco. His paintings are in the permanent collections of the Delaware Art Museum in Wilmington, Delaware; the William Penn Art Museum in Harrisburg, Pennsylvania; and the Brandywine River Museum in Chadds Ford, Pennsylvania.
He has presented his work in exhibitions including the American Watercolor Society, the National Academy of Design in New York, the Philadelphia Sketch Club, the American Artists Professional League, and Watercolor USA.
Among the awards he has received for his watercolors and oils are the American Artists Professional League Award in New York and an award from the Philadelphia Sketch Club.
- Creator:Peter Sculthorpe (1948, American)
- Dimensions:Height: 16 in (40.64 cm)Width: 19 in (48.26 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Lambertville, NJ
- Reference Number:Seller: JOL041818011stDibs: LU3743616182
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By Daniel Garber
Located in Lambertville, NJ
In an original Harer frame.
Illustrated in "Daniel Garber Catalogue Raisonne" Vol. II, pg. 271, and in book titled "Blue Chips", pg. 33
Jim’s of Lambertville is proud to offer this artwork by:
Daniel Garber (1880-1958)
One of the two most important and, so far, the most valuable of the New Hope School Painters, Daniel Garber was born on April 11, 1880, in North Manchester, Indiana. At the age of seventeen, he studied at the Art Academy of Cincinnati with Vincent Nowottny. Moving to Philadelphia in 1899, he first attended classes at the "Darby School," near Fort Washington; a summer school run by Academy instructors Anshutz and Breckenridge. Later that year, he enrolled at the Pennsylvania Academy of the Fine Arts. His instructors at the Academy included Thomas Anshutz, William Merritt Chase and Cecilia Beaux. There Garber met fellow artist Mary Franklin while she was posing as a model for the portrait class of Hugh Breckenridge. After a two year courtship, Garber married Mary Franklin on June 21, 1901.
In May 1905, Garber was awarded the William Emlen Cresson Scholarship from the Pennsylvania Academy, which enabled him to spend two years for independent studies in England, Italy and France. He painted frequently while in Europe, creating a powerful body of colorful impressionist landscapes depicting various rural villages and farms scenes; exhibiting several of these works in the Paris Salon.
Upon his return, Garber began to teach Life and Antique Drawing classes at the Philadelphia School of Design for Women in 1907. In the summer of that same year, Garber and family settled in Lumbertville, Pennsylvania, a small town just north of New Hope. Their new home would come to be known as the "Cuttalossa," named after the creek which occupied part of the land. The family would divide the year, living six months in Philadelphia at the Green Street townhouse while he taught, and the rest of the time in Lambertville. Soon Garber’s career would take off as he began to receive a multitude of prestigious awards for his masterful Pennsylvania landscapes. During the fall of 1909, he was offered a position to teach at the Pennsylvania Academy as an assistant to Thomas Anshutz. Garber became an important instructor at the Academy, where he taught for forty-one years.
Daniel Garber painted masterful landscapes depicting the Pennsylvania and New Jersey countryside surrounding New Hope. Unlike his contemporary, Edward Redfield, Garber painted with a delicate technique using a thin application of paint. His paintings are filled with color and light projecting a feeling of endless depth. Although Like Redfield, Garber painted large exhibition size canvases with the intent of winning medals, and was extremely successful doing so, he was also very adept at painting small gem like paintings. He was also a fine draftsman creating a relatively large body of works on paper, mostly in charcoal, and a rare few works in pastel. Another of Garber’s many talents was etching. He created a series of approximately fifty different scenes, most of which are run in editions of fifty or less etchings per plate.
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Jim’s of Lambertville is proud to offer this artwork.
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