Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Ruth Armer
Landscape with Cows

More From This Seller

View All
Knight’s Lodging
Located in Los Angeles, CA
This painting is part of our exhibition American Coast to Coast: Artists of the 1930s Knight’s Lodging, 1941, oil on canvas panel, signed and dated lower left, 16 x 20 inches, exhi...
Category

1940s American Realist Figurative Paintings

Materials

Oil

The People
By Arnold Blanch
Located in Los Angeles, CA
The People, 1938, oil on canvas, signed lower right, 36 x 48 inches, label verso reads “348 / 89 / Carnegie Institute, Pittsburgh, PA, USA / _____ The People / _______ Arnold Blanch ...
Category

1930s American Realist Figurative Paintings

Materials

Canvas, Oil

Factory Worker
Located in Los Angeles, CA
This painting is part of our exhibition America Coast to Coast: Artists of the 1930s Factory Worker, c. 1936, oil on canvas, signed lower right, 18 ¼ x 36 inches; exhibited in City ...
Category

1930s American Realist Figurative Paintings

Materials

Oil

Mother and Son (Colt and Mare)
By Herman Maril
Located in Los Angeles, CA
(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan) Oil on canvas, 18 x 14 inches unframed, 22 x 18 inches framed, signed and dated lower right, inscribed “Mother and Son by Herman Maril ‘31” and “property Edward B. Rowan Falls Church VA” verso Literature: i) Dows, Olin, Herman Maril, The American Magazine of Art, Vol. 28, No. 7 (July 1935), p. 407 (illustrated with the title “Mare and Colt...
Category

1930s American Modern Animal Paintings

Materials

Oil

Autumn Landscape
By Robert Vickrey
Located in Los Angeles, CA
Autumn Landscape, by 1958, tempera on Masonite, 24 x 36 inches, signed lower left, exhibited: 1) 133rd Annual Exhibition of the National Academy of Design, New York, NY, February 20 – March 16, 1958 (Henry Ward Ranger Purchase Prize); and 2) Henry Ward Ranger Centennial Exhibition, National Academy of Design, New York, NY, September 25 - October 12, 1958, #133 (see Levin, Meyer, Illustrative Paintings Gathered for Ranger Show at National Academy, St. Petersburg Times, October 13, 1958 (“There’s a warm, low-keyed picture of golden fields, with distant structures, called “Autumn Landscape,” by Robert Vickrey, whose magic realism is felt in so “regular” a subject.”), literature: 1) Watson, Ernest William, Composition in Landscape and Still Life, Watson-Guptill Publications, New York, 1959, pp. 24, 155 and 157 (illustrated); and 2) Vickrey, Robert and Cochrane, Diane, New Techniques in Egg Tempera, Watson-Guptill Publications, New York, 1973, p. 111 (illustrated); ex collection National Academy of Design Reflecting on his art, Robert Vickery...
Category

1950s American Realist Landscape Paintings

Materials

Masonite, Egg Tempera

Industry and Commerce
Located in Los Angeles, CA
This mural study is part of our exhibition America Coast to Coast: Artists of the 1930s Industry and Commerce, 1936, tempera on panel, 16 ½ x 39 ½ inches, signed verso “John Ballator, Portland Ore.” provenance includes: J.C. Penney Company, represented by Russell Tether Fine Arts Assoc.; presented in a newer wood frame About the Painting Industry and Commerce is a prime example of WPA Era muralism. Like a Mediaeval alter, this mural study is filled with icons, but the images of saints and martyrs are replaced with symbols of America's gospel of prosperity through capitalism. Industry and Commerce has a strong narrative quality with vignettes filling the entire surface. Extraction, logistics, design, power generation, and manufacturing for printing, chemicals, automobiles and metal products are all represented. To eliminate any doubt about the mural's themes, Ballator letters a description into the bottom of the study. Ballator also presents an idealized version of industrial cooperation, as his workers, lab-coated technicians and tie-wearing managers work harmoniously toward a common goal in the tidy and neatly designed environments. Although far from the reality of most industrial spaces, Ballator's study reflects the idealized and morale boosting tone that many mural projects adopted during the Great Depression. About the Artist John R Ballator achieved success as a muralist, lithographer, and teacher during the Great Depression. Born in Oregon, he studied at the Portland Museum Art School, the University of Oregon and at Yale University where he received a Bachelor of Fine Art. In 1936, Ballator was commissioned to paint a mural panel for the new Department of Justice Building in Washington DC, an important project that spanned five years with several dozen artists contributing a total of sixty-eight designs. Ballator completed murals for the St. Johns Post Office and Franklin High School, both in Portland, Oregon. He also contributed to the 1938 murals at Nathan Hale School in New Haven, Connecticut. During the late 1930s, Ballator taught art for several years at Washburn College in Topeka, Kanas, where he completed a mural for the Menninger Arts & Craft Shop before accepting a professorship at Hollins College...
Category

1930s American Realist Figurative Paintings

Materials

Tempera

You May Also Like

Afternoon Ride, Pair of Equestrian Landscape Paintings of Horses with Riders
Located in Doylestown, PA
Afternoon ride is a pair of, 13 x 9 inches each, equestrian paintings by Pennsylvania painter James N Hess. One is signed in the lower left, one is signed in the lower right. Animal...
Category

1880s American Realist Landscape Paintings

Materials

Oil, Board

Dog and fawn
By Robert Franz Curry
Located in Genève, GE
Work on canvas
Category

Mid-20th Century American Realist Animal Paintings

Materials

Oil

Four Sheep in the Field, Realist, Light/ Shadow Oil Painting 36" x 24" Farm
By Luke Autrey
Located in Houston, TX
Four Sheep in the Field, Realist, Light/ Shadow Oil Painting 36" x 24" Farm The third and fourth photos show thow this painting will look after being professionally taken by 2/23...
Category

2010s American Realist Animal Paintings

Materials

Oil, Panel

Cowboy on Horseback in the Rain
By Bob Kuhn
Located in Miami, FL
Oil on Board painting for American Weekly Magazine November 15, 1953. The decisive moment of a Cowboy and Horse is captured. As a determined team, t...
Category

1950s American Realist Animal Paintings

Materials

Oil

Chestnut Racehorse with a Jockey Up On a Training Strap
By Henry H. Cross
Located in New York, NY
It was Henry Cross's portraits of horses belonging to the prominent breeders and trainers of the second half of the nineteenth century that won the artist renown as an animal painter. Born and raised in upstate New York, Cross's proficiency in both drafting and caricature was revealed while he was still a student at the Binghamton Academy, New York. In 1852, when he was only fifteen years old, Cross joined a traveling circus that took him to Minneapolis, Minnesota, and to the first of many Indian encampments that he would draw upon for subject matter throughout his career. Biographers differ as to the year Cross left for Europe, however, he was in Paris from 1852 to 1853 or 1854, where he studied with Rosa Bonheur, a highly esteemed French painter of horses. Upon Cross's return to the United States he was commissioned to paint the studs of wealthy horsemen, including those of Commodore Cornelius Vanderbilt, Robert Bonner, the owner-publisher of The New York Ledger, and "Copper King" Marcus Daly, whose 18,000 acre stock farm was reputed to be the greatest and most valuable horse ranch in the world. Although Cross received the highest pay of any equine artist of his day (up to $35,000. for one order, according to The Horse Review of April 10, 1918, p. 328), he frequently joined traveling circuses and painted the locales where they visited. He also painted portraits of notable contemporaries, such as President Abraham Lincoln, ex-president Ulysses S. Grant, King Edward VII of England, W. F. "Buffalo Bill...
Category

19th Century American Realist Animal Paintings

Materials

Canvas, Oil

Egret in the Creeks
By Marla Korr
Located in Greenwich, CT
Marla Korr attended Brooklyn College, earning both a B.A. and a M.F.A. There she studied with Philip Pearlstein, Lennart Anderson and Jimmy Ernst. She has also studied at Stevenson...
Category

2010s American Realist Landscape Paintings

Materials

Linen, Oil

Recently Viewed

View All