Stephanie Peek

Urban Retreat

2021

'Green Refuge', 2021 is 50 x 50 inches. By focusing on a single subject, the artist immerses herself in the nuanced lines, shapes, and tones that the oil paint offers. Contemporary a...

'Transition', 2011 is 30 x 30 inches. By focusing on a single subject, the artist immerses herself in the nuanced lines, shapes, and tones that the oil paint offers. Contemporary and mysterious monochromatic and inspired by the garden at night...

Contemporary and mysterious oil painting inspired by 'La Grande Serre' gardens in Paris, France, at dusk. The lush work in mainly forrest greens with floating flowers and splashes of...

'Leaves', 2006 is 16.5 x 13.5 inches, framed 24 x 21 inches. By focusing on a single subject, the artist immerses herself in the nuanced lines, shapes, and tones that the oil paint o...

Karen Woods paints a traveler’s view through the window of a moving vehicle rendered in subtly nuanced gestures in oil on canvas or panel. These views from the front seat of a car looking through an often rain-splattered windshield or side window, are always about water: water from above, as a rainstorm, or from below, as a man-made sprinkler system. She is drawn to the interplay of water and light, and how it affects our perception of reality through reflection, distortion, and transformation. The compositions often include a bit of the car - the edge of a window, a side mirror, the clear curved area left by a windshield wiper - these markers situate the viewer on the journey Woods is on - we are taken inside the vehicle and shown the vignettes that catch Woods’ eye. The paintings reclaim that point in time, explore its detail, and unearth its emotional content. Woods’ work freezes and compresses a moment of everyday life; then elongates and decelerates it and in so doing, reveals its accompanying emotional weight: its anticipation, reflection, isolation, and longing. Woods is coaxing us to recognize the transcendent experiences offered by the most mundane or ordinary surroundings of our daily lives. Karen Woods was born in Seattle, WA, in 1963. She received her BFA from the California College of the Arts (Oakland, CA) in 1987 with additional studies at California Polytechnic State University and Studio Art Centers International, Florence, Italy. Her paintings have been exhibited throughout the United States with solo exhibitions in Los Angeles, New York, and Boston, among others, and her work has been published in New American Paintings, American Art Collector, art ltd, Artweek, Western Art & Architecture, Fine Art Connoisseur, and the Idaho Statesmen. Woods’ paintings are included the public collections of the Bodleian Library, Oxford, UK, James Castle...

Represented by George Billis Gallery, NYC & LA -- Humanity is archival, like the strata that compose the earth. Our structures and art, superfund sites to cathedrals, exist because o...

Mansard Window, Oil on canvas, cityscape Sixth Avenue, Park Slope, Brooklyn Dr. Rowland S. Russell PhD. writes about his experience directly witnessing Greg's practice as a “plein a...

“I do think the big problem in a way…is how you deal with ordinary life—that is not extraordinary, that does not involve heroism, that does not involve crises, really. But the way in...