American Impressionist Landscape Paintings

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 64, plate #075. Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph B...

Plein Air Creekside by Lu Haskew Oil 8x9" image size Landscape Painting This painting is unframed, canvas on gator board, the price reflects that it is unframed. ​ ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is good to me. Being able to go to my studio five days weekly and paint for several hours, living in a supportive community, having family and friends who encourage me--all have contributed to helping me become an artist. Being fortunate to study with some of the artists I admire has kept me painting from the garden, people and my favorite things. With the support of galleries, teaching and doing demos, how could I do anything else? My goal is to try to be the best I can be by always being a student, looking for new ideas and stretching my horizons." Upon retirement from a 33-year teaching career, Lu rented a studio in Loveland and began concentrating on her oil and watercolor painting. Learning from artists she had followed and admired throughout the years her painting became a full time career that lasted 17-years. Beginning in 1992, she studied with renowned painters Richard Schmid, Clyde Aspevig, Joyce Pike...

Painted en plein air in Rattvik, Sweden, a red barn stands amidst a dirt road. This shaded dirt road is depicted not with many shades or brown, rather many shades of blue. A bright g...

Painted en plein air, in Chinati. A Vast expanse of Italian vineyards, hills and roads. Marc Dalessio was born in 1972 in Los Angeles, California. Even in his earliest years, it was evident that his passion was art. In 1989 he started at the University of California at Santa Cruz where he focused on both art and biology. During his time in Santa Cruz, Marc experimented with different schools of painting and spent much of his spare time studying the history and culture of the profession. He finished his outstanding academic career, graduating Phi Beta Kappa...

"First view of Liberia Airport" is a small scale painting of the view during the artist's recent travels to Central America. Using a thin application of paint, Yektai smoothly conve...

"View from South Ferry" depicts the astonishing view from Sag Harbor's South Ferry that looks directly at Shelter Island. Nelson H. White was born in New London, Connecticut in 1932. White has been surrounded by art and artists from the time he was born. He received his earliest art instruction from his grandfather, Henry Cooke White (1861-1952) and his father Nelson Cooke White (1900-1989), both important American artists. The family lived in Waterford, Connecticut and the elder White had been an early member of the art colony in Old Lyme, Connecticut. Known for his paintings of the Connecticut landscape and shoreline, Henry Cooke White became a teacher to his son, Nelson Cooke White. Living with his parents at the Florence Griswold house in Old Lyme, he met some of the most important and influential artists of the day, Childe Hassam, Will Howe Foote and Harry Hoffman. Later, Nelson White's father began to take his family to summer on Shelter Island and became friendly with many of the artists of the Peconic colony such as Irving Wiles, an important American impressionist. After graduating from the Tabor Academy in Marion, Massachusetts in 1951, Nelson H. White began to study at Mitchell College in Connecticut but left to pursue studies in the violin, musical theory and composition. At this time, he began to spend more time studying art with his father and grandfather. By 1955, Nelson H. White had decided to devote himself to a career as a painter and traveled to Florence, Italy to become an apprentice to Pietro Annigoni, the world-renowned Florentine master. Within two years, the young White had won two awards for his work. While in Florence he also studied with the great Italian teacher, Nerina Simi. Today, White divides his time between the United States and Florence. Although he has received instruction from some very important artists, White's work is highly individual. He paints with great spirit. Upon seeing his work one quickly senses White’s great love for nature and the outdoors. Through his eyes we are able to view and interpret nature in an intimate manner. Whether Nelson H. White is painting the Connecticut shore...

American, b. 1942 John Charles Terelak is recognized as one of America's finest living impressionists. Born in Boston, Massachusetts, he received formal art instruction at the Vespe...

One of Johann Berthelsen's iconic nocturne views of New York City across the Hudson River. Bridge Nocturne (c.1945) Oil on canvas, 22" x 28" 29 ½" x 36" x 2" framed Signed "Johann ...

"Oak in Spring" is a 1930 American Impressionist oil painting of an oak tree landscape. Painted en plein-air, in an almost pointillist style, H.C. White depicts a classic Connecticut landscape. A Tall wiry tree stands as the focal point, having just bloomed its first leaves; foliage still thin enough to outline every single branch. Reds and browns scattered throughout the foreground connote autumn leaves that had yet to be cleared. Henry Cooke White (b. 1861) in Hartford Connecticut. His career in art was founded at the age of 14, when he met the famous American Tonalist painter, Dwight William Tyron. The two became lifelong friends, and White even wrote Tyron’s major biography, The Life and Art of Dwight William Tyron (pub. 1930). In the late 1880’s, Tyron pushed White to move to New York City to further his artistic training at the Art Students League. During this time, White studied under many talented artist’s; Kenyon Cox, John H. Twatchman, and William Merritt Chase. From 1896-1897, White spent time travelling in Europe. Upon his return to the states, he began to spend most of his time in Connecticut, following his favorite painting seasons. Spring in Hartford was followed a week later by spring in Old Lyme, and then finally at Waterford. He’d experience his favorite seasons three times over each year. Once immersed into Connecticut’s community, White was encouraged to paint habitually in Old Lyme; where an art colony was developing, beginning in the spring of 1903. Inspired by European artists, including Claude Monet, and Pierre Auguste-Renoir, the Old Lyme Art Colony defined American Impressionism by memorializing the serene qualities of rural New England life through use of vibrant palettes and broken strokes on wood and canvas. The Colony comprised upwards of 200 artists during its three decades of creating nature-based scenes in oils and pastels; Frederick Childe Hassam...

Dinghies Two 10.0 x 81.0 x 1.0, 5.0 lbs Oil Paint Hand signed by artist Description: An original, contemporary oil painting by Carol Tippit Woolworth...

Signed lower left: G. J. Stengel

Henriette Amiard Oberteuffer (1878 - 1962) Low Tide - Brittany, France Oil on canvasboard 18 x 21 1/2 inches Signed lower right Painter, printmaker, and teacher Henriette Amiard Oberteuffer (1878-1962) was born in Le Havre, France and studied at the Academie Julian in Paris with Jean-Paul Laurens and Benjamin Constant. She moved with her husband and fellow artist George Oberteuffer...

Latex acrylic

Bray has explored a smaller, more demure 8.5 x 11 inch format for two of these casein on panel paintings. When coupled with his rich palette and tightly hatched bed of brushstrokes, ...

Painted en plein-air in Italy, Nelson depicts a beach, sanding in the foreground, and then diagonally runs a shoreline, The horizon is met by a dark, mountainous, landform, and sits ...

"Sheridan Herd" is an original oil painting on masonite by Heather Foster. The artist initialed the work in the lower right. This painting depicts a herd of cows in a yellow hilly me...

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 60, plate #070. Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf. A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes...

A fine impressionist coastal scene of the Provincetown docks or piers by Estonian American artist Andrew George Winter (1893-1958). Winter was born in Sindi, Estonia and spent much o...

Splash of Light - Italy by Lu Haskew Oil 10x8" image size Travel Landscape Painting This painting is unframed, canvas on gator board, the price reflects that it is unframed. Shippi...

Signed lower left: "Olive P. Black" Olive Parker Black uses many of the compositional devices of French Barbizon landscape painting. Her style also incorporates Impressionist techni...

Acclaimed artist Topher Straus brings Yosemite National Park's Half Dome into stunning focus with this captivating digital landscape. Straus' passion for the outdoors shines through...

Oil painting of a bustling street at night. Carl Bretzke cheekily renames the street "C. Bretzke Av" in his rendition of the scene. A bright squiggle of blue neon light ribbons acros...

An oil painting of a rocky inlet on a hazy day. Artist Bio Rachel Personett was born in Hawaii, but raised in Colorado. Being the daughter of a pilot she has always traveled extensively. She has studied part time at the Savannah College of Art and Design, The Angel Academy of Art, and finally settled on the Florence Academy of Art, graduating in 2015. In January 2016 she apprenticed the painter Odd...

"Grey Day on the Bay" by Lu Haskew Oil 24x28" framed, 16x20" image size Signed lower left When Lu visited her sister in Oregon she always made a point of visiting the ships at dock ...

Painted en plein air in Tuscany, an early morning landscape painted at sunrise. The sky turns from a deep lilac on top, to a soft pink and bright pale yellow towards the horizon. A b...

Charles Movalli shows the bright colors of fall with bold reds, oranges, and golden yellows, set against the white trunks of birch trees. The painting feels full of energy and joy. M...

Nelson H. White was born in New London, Connecticut in 1932. White has been surrounded by art and artists from the time he was born. He received his earliest art instruction from his...

Aspen Autumn by Lu Haskew Oil 12x9" image size Landscape Painting This painting is unframed, canvas on gator board, the price reflects that it is unframed. Shipping price includes ...

Classic Truck by Lu Haskew Oil Painting 8x10" image size Pickup Truck in a Landscape This painting is unframed, canvas on gator board, the price reflects that it is unframed. Ship...

Flower Market by Lu Haskew Oil 16x12" image size Figurative Painting This painting is unframed, canvas on gator board, the price reflects that it is unframed. Shipping price includ...

An oil painting of high tide at Spooners Cove, California. Artist Bio Joseph Paquet, while pursuing a Bachelor of Fine Arts at the School of Visual Arts in New York, had the good fortune of finding mentors in artists James McMullan and John Foote who opened his eyes to the joys of drawing the human figure. After graduating, Paquet met another major influence in his life, John Osborne, who was uniquely gifted artist and teacher. Osborne believed that a landscape painting should begin on location, but that its poetic essence should be completed in the solitude of the artist's studio. Paquet experienced a demanding and rewarding apprenticeship, in which he learned to fuse field studies with the image he could see in his mind's eye. Increasingly however, Paquet is creating most of his work from life, believing that the direct correspondence with nature increases the potential for greater feeling. "Intellect, he says, doesn't keep one warm at night." He has been featured in the Washington Post Sunday Magazine, The Artist's Magazine, American Artist, Southwest Art and Plein Air Magazine. Paquet's awards include both Artist's Choice and Collector's Choice from The 2007 Laguna Beach Plein Air Invitational as well as the 2008 Alden Bryan...

Impressionists rejected the “academic” techniques of earlier movements in favor of short, bold brushstrokes that captured light and color rather than fine details. Impressionists mos...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right. Joseph Barrett (b. 1936) Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the ...

Kevin Weckbach's (US based) "City Cruising" is an original, hand made oil painting that depicts a bustling city street and sidewalk , in early evening, filled with cars and walking c...

Nelson H. White was born in New London, Connecticut in 1932. White has been surrounded by art and artists from the time he was born. He received his earliest art instruction from h...

Charles Caryl Coleman (Buffalo 1840 – Capri 1928), Peasant woman at work in the fields of Capri (1901) Oil painting on canvas 35 x 49 cm, signed, located and dated Capri 1901 lower ...

Kevin Weckbach's (US based) "Deep Blue" is an original, hand made oil painting that depicts an aerial view of expansive land with a blue patterns from a water source with sectioned ...

A fine landscape of a golf course, probably The Country Club, Brookline, MA by American artist Arthur Clifton Goodwin (1864-1929). Born in Portsmouth, New Hampshire, Goodwin lived an...

An oil painting of a rose bush with bright pink dots of paint to depict the roses. This is his fourth in his series of rose bush paintings 2017. N...

English Impressionist sketch of yachts sailing off the English Channel Charles Bertie Hall is a painter from England and America. He painted in a...

Painted en plein air on a beach in Italy. Sheets are strung up and stretched with driftwood, and create a shaded area for beach-goers to sit beneath. The rigid driftwood poles arrang...

Kevin Weckbach's (US based) "Fall Leaves" is an original, hand made oil painting that depicts a closeup view of a tree in fall, ablaze with yellow and gree...

Kevin Weckbach's (US based) "Ring Cove" is an original, hand made oil painting that depicts a rocky inlet of a lake or ocean swirling with blue and green patterns and large cliffs in...

Dale O Roberts' "Fog Silver" is an original, hand made encaustic painting that depicts a metal and concrete overpass bridge in profile with atmospheric ...

Rain on the windshield makes a fine mist that creates a sparkling, atmospheric veil, between you and the rest of the world. This one in a series of "windshield paintings" is painterl...

Oil painting of lush cliffs overlooking the water in California. Frame options available. Artist Bio Marc Dalessio was born in 1972 in Los Angeles, California. Even in his earlie...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Walter Emerson Baum (1884 - 1956). Born in Sellersville, Pennsylvania, Walter Baum was one of the only membe...

Walter Griffin (1861 - 1935) Eleventh Century Romance Oil on canvas 34 x 36 inches Signed lower right; signed on the reverse and titled on the stretche...

Painting of a painter, painting with watercolor on a beach in Italy. The figure, female, rests in the shade in a chair, beneath a sunhat, she looks ah...

"Red Sails in the Moonlight" is an original oil painting created by Thomas Buchs. Artwork Size: 18" x 18" Frame Size: 22 1/8" x 22 1/8" Artist Stat...

'East River, From Astoria' 2020 by American artist, Lawrence Kelsey. Oil on canvas, 6.5 x 10.5 in. / Frame: 11 x 14 in. Depicting a view of the East River from Astoria in New York Ci...

This beautiful vintage landscape painting from the 1950s, created by the talented woman artist Zola Zaugg (1890-1983), showcases the serene beauty of the mountains near Colorado Spri...

This original vintage oil painting, titled "Harbor Master's House, Santa Cruz, California," was created by the talented artist Jon Blanchette (1908-1987). Painted in the 1950s-1960s, this serene coastal landscape captures the beauty of Northern California, featuring iconic palm trees, charming white cottages, and the tranquil coastal setting of Santa Cruz. The painting is executed in the American Impressionist style, with soft, harmonious colors like green, blue, white, light brown, red, and beige, creating a peaceful and inviting scene. The artwork is signed by the artist in the lower right corner and titled on the verso, adding a personal touch to this stunning piece of history. Presented in a custom, dark-toned brown frame, the painting's outer dimensions are 31 x 27 x 1.125 inches, with the image size measuring 24 x 20 inches. About the Artist: Jon Blanchette was born in England in 1908 and moved to the United States with his family in 1918, settling in Battle Creek, Michigan. He studied at the Pittsburgh Art Institute before moving to Los Angeles in 1932, where he worked as a commercial artist for Fox Studios. In 1948, Blanchette made Santa Cruz, California, his permanent home, where he focused on painting and gave private art lessons. A member of the Santa Cruz Art League and the Marin County Artists, Blanchette is best known for his captivating oil paintings of Northern California landscape...

"Mother Russia" depicts a serene winter scene. The foreground shows a figure, perhaps a local resident, walking through the snow-covered landscape, adding a human element to the architectural focus. Cool tones and soft brushstrokes enhance the cold, tranquil atmosphere, highlighting the contrast between the warmth of the church's golden domes...

Oltrarno was painted en plein-air in Florence, Italy. Oltrarno literally translates to "beyond the Arno" referring to the Arno River. Painted within the region of the Palazzo Pitti, ...

Eugène Laurent Vail (1857 - 1934) Soir de Novembre, Dordrecht Oil on canvas 19 1/4 x 25 3/4 inches Signed lower left; titled in two places on the stretcher with various other inscriptions, stamped "MADAME G:VAIL A" and inscribed "177" in ink and "#43" in pencil on a partial label from Garde-Meuble Maple affixed to the stretcher Eugene Vail (Saint-Servan, France September 29, 1857 - Paris, December 28, 1934), the son of a French mother and an American father, Lawrence Eugene Vail, studied at the Stevens Institute of Technology in Hoboken, New Jersey (where Alfred Stieglitz was born in 1864) and graduated with a degree in mechanical engineering in 1877. Then he became a student of William Merritt Chase and J. Carroll Beckwith at the Art Students League before returning to France. He entered the Ecole des Beaux-Arts in 1882 where he was instructed by Alexandre Cabanel, Raphaël Collin, and Dagnan-Bouveret (1852-1929), known as an extreme naturalist. When Bastien-Lepage died in 1884, Dagnan-Bouveret became the leader of the Naturalist School. He definitely made an indelible impression on Vail. According to Louise Cann, Vail soon became an independent painter working at Pont-Aven and Concarneau. It is difficult to determine when he separated from his teachers since he is listed as a student whenever he exhibited at the Paris Salon — that is, until 1899 when he dropped the mention of élève. A picture of a peasant girl, Seulette was his Salon debut painting in 1883, the same year that he sent two scenes of Brittany to the Pennsylvania Academy of the Fine Arts' exhibition, which documents his stay in that region. The next year he exhibited in the Salon: Fishing Port, Concarneau, which went to the Luxembourg Museum (it is now in the Musée Municipal of Brest). It has the Naturalist brown and gray palette and tonalist atmosphere but already shows that Vail had direct experience with scenes of life in coastal villages: "So convincing was his familiarity with the French coast that the critic Thiébault-Sisson claimed him as a Frenchman and declared that no American marine painter could touch his skill." (Maureen C. O'Brien, in Blaugrund, 1989, p. 218). In 1885, Vail exhibited Inner Port at Dieppe and in the following year On the Thames (Private collection), which later won him the Grand Diploma of Honor from an international jury in Berlin in 1891. Widow, the title of Vail's entry in the Salon of 1887 (unlocated), is a striking image of a woman standing on a beach, looking out to the expanse of the ocean where her husband obviously met his end. The innocent child who looks at us may have the same fate in store for him. Then in 1888, Vail completed his masterpiece, Ready, About! a "wall-size" 94 x 125½ inch canvas. The painting won a first-class gold medal in the Salon of 1888, then at the Paris Universal Exposition of 1889, Vail won another gold medal. The first precedent that comes to mind is Théodore Géricault's colossal Raft of the Medusa of 1819 (Louvre), the celebrated romantic image of castaways about to be rescued after being lost at sea. But while Géricault presents a massive, sculpturesque group of figures struggling on a raft just beyond our designated viewing space, Vail pulls the viewer into the picture, or more exactly, extends the diagonally rocking boat into the spectator's area, vividly anticipating the effects of cinematography. There is no more effective way to engage the spectator's attention and sympathies, and the illusionism is especially effective in this life-size picture. Vail's vigorous brushwork — a uniform use of rectangular strokes — adds to the motion-filled, dynamic actuality of this image, and the overall green-gray tonalities evoke the constantly menacing, cold and wet travails in the life of the fishermen in the Atlantic's rough waters. Theodore Child (1889, p. 518) wrote about this painting: "very beautiful in color, and amongst the very strongest and best pictures of this kind in the Exhibition." Dordrecht (unlocated) was Vail's painting exhibited at the Pennsylvania Academy in 1892, and in the following year he showed Fisherman — The North Sea at the Paris Salon, the same year in which he re-exhibited Dordrecht and On the Thames at the World's Columbian Exposition in Chicago. Vail won the coveted Légion d'Honneur in 1894. Some of his paintings found their way to European museums, for example, Soir de novembre (Odessa Museum) and Soir de Bretagne (Museo d'Arte Moderna, Venice). The latter was exhibited at the Exposition Universelle of 1900 in Paris. Also there was Voix de la mer (Voices of the Sea), which we identify as the painting that appears in an interior view of the American section, just to the right of a doorway (fig. 20 in Fischer, 1999), a simple marine painting. Some time after 1900, Vail turned to both impressionism and post-impressionism but no one seems to have charted this course. His Autumn near Beauvais, illustrated in International Studio (1902, p. 211), The Flags, St. Mark's Venice (1903; National Gallery of Art), and Grand Canal, Venice, ca. 1904 (Museum of Art, Rhode Island School of Design) demonstrate an impressionist technique with broken color. Mandel (1977, p. 202) wrote on the latter: "applied in short strokes juxtaposing brilliant hues of orange, blue, white, black and red, with a strong interplay between the warm pink tones of the walls and the green shadows of the black boats which are silhouetted against them." Cann (1937) believed that in Venice, Vail "found his true self." The Flags forecasts the Armistice Day pictures by Hassam and others, painted fifteen years later. Vail became involved in the Society of American Artists in Paris and the Société Internationale de Peinture et de Sculpture, whose membership included Frank Brangwyn, Charles Cottet (1863-1924), the famous Naturalist sculptor Constantin Meunier (1831-1905), Frits Thaulow...

The present artwork is an unusual example of the paintings of Fritzi Brod. It is painted on both sides: on one side, an image of three Native Americans on ...

Hayley Lever (1876 - 1958) Concarneau, Brittany, France, 1905 Oil on panel 6 3/4 x 9 1/2 inches Signed by the artist lower left Inscribed by another hand on the reverse Provenance: Clayton-Liberatore Galleries, Bridgehampton, New York Hayley Lever’s (1875-1958) versatility has worked against his posthumous reputation. He was never associated with a single artistic movement, instead producing impressionist, post-impressionist, and expressionist works. While best known as a painter of post-impressionist marine scenes, his subject matter included landscapes, urban scenes, and still lifes across his 60-year career. This lack of a singular style or subject has given him an amorphous place in U.S. art history despite his obvious accomplishments. [Richard] Hayley Lever was born in Bowden, South Australia in 1875. He excelled in painting classes at Prince Alfred College (1883-91) and Norwood Art School (1891-93) in Adelaide. In the 1890s, Lever moved to England, studying art in London and painting at St. Ives, a fishing port and popular artistic colony on the Cornish coast. In St. Ives, Lever shared a studio with Frederick Waugh, and studied painting with Albert Julius Olsson and Algernon Talmage. Lever was a plein air painter particularly interested in the effect of sunlight on the sea. He painted in a distinctive style, strongly influenced by the works of Vincent van Gogh, that might now be called post-impressionism. He used a limited palette to paint the St. Ives harbor, particularly at dusk or in the moonlight. His strong contrasting colors and thick use of paint created a crisp and physical surface that earned him acclaim in Europe. Lever’s many St. Ives seascapes are among his most popular works. In 2017, his painting entitled “The Old Lighthouse and Fleets of St. Ives” sold at auction for $162,500. In 1912, Lever moved to New York to test the art market in the United States. In Manhattan, Lever met prominent U.S. painters such as Ernest Lawson, Robert Henri, William Glackens, John Sloan, and George Bellows. Lever exhibited with this group regularly in New York City, painting parks, streets, bridges and the Manhattan waterfront. However, he soon discovered the scenic potential of Gloucester, Rockport, and Marblehead in the Cape Ann area of Massachusetts...

'The New 42nd Street' 2004-2005 by American artist, Lawrence Kelsey. Gouache, 8 x 10.25 in. / Frame: 16.5 x 20.5 in. Depicting a night view of 42nd Street in New York City, this impr...

Immersing himself in majestic surroundings is part of Jim Lamb’s daily routine, whether it’s Washington’s Cascade Mountains or California’s pacific Coast beaches. Capturing the beauty of the natural world is his every day reality. Lamb is an award-winning participant in the selective Northwest Rendezvous group of painters. He is also a regular participant in a number of well known California shows, including the Laguna Beach plein air painting invitational and Sonoma plein air show. "A large percentage of my paintings are created on location, "en plein air." Painting outdoors is invigorating to me. I enjoy the solitude, the sights and sounds...