Alan Bray Art

Vibrant watercolor of Pacific coastal waters crashing in the the cliffs, by an unknown artist (American, 20th Century). Presented in a dark green mat w...

Vintage mountain landscape painting, oil on canvas of horses pulling a Stage Coach along the Front Range of Colorado by Alfred Wands (1904-1998). Autumn trees, golden grass, river and snowy mountains. Presented in a vintage frame, outer dimensions measure 29 ½ x 35 ½ x 1 inches. Image size is 24 x 30 inches. Painting is in very good condition - please contact us for a detailed condition report. Expedited and international shipping is available - please contact us for a quote. About the Artist: Born in Cleveland, Ohio, Alfred Wands graduated from the Cleveland School of Art with honors. Following that, he spent six months in Paris studying at the Academie Julian. In the late 1920's, Wands returned to Ohio to teach painting at the Cleveland School of Art and the Cleveland Museum of Art. In 1930, Wands moved to Denver to direct the art program at Colorado Women's College. He remained at the Women's College for the next 17 years. During his time in Denver, Wands frequently traveled to Taos, New Mexico. He and his family spent eleven summers there between 1930 and 1940. By 1943, he had become the Camp Artist at the YMCA of the Rockies, where he taught summer art classes. He later became the Chairman of their Religious Programs and Adult Advisory Committees. By 1947, he quit his teaching position at the Colorado Woman's College to devote full time to his painting. By 1955, Wands opened his own studio and gallery in Estes Park, Colorado. Known as the "Dean of Colorado Landscape Painters", he served three times as the President of the Denver Artists Guild. He was the Chairman of the Denver Art Commission for 16 years. Wands was a long-time member of the Denver Artists Guild and the Denver Art Commission. He was also a member of the Cleveland Society of Artists, Ohio Watercolor Society, and Chicago Galleries Association. ©David Cook Galleries...

Brian Sostrom's (US based) "Pink" is an original, handmade acrylic painting that depicts a fluffy cumulus cloud floating above the landscape, glowing pink and purple from the sun. ...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and hotspots of contemporary city life." - Financial Times, Baya Simons. This painting depicts an impressionistic scene of Figures dining at Cipriani, a New York City Restaurant...

Original vintage 1941 Colorado landscape painting with autumn leaves and Pikes Peak blanketed in snow by Charles Bunnell (1897-1968). Inscribed verso, "To Laura, November 22, 1941", egg tempera on board. Signed by the artist in the lower left corner and titled verso. Presented in a custom frame, outer dimensions measure 15 ½ x 19 ¼ x 1 ¼ inches. Image size is 7 ¾ x 11 inches About the Artist: Artist and teacher, Charles ("Charlie") Bunnell worked in a variety of styles throughout his career because as an artist he believed, "I’ve got to paint a thousand different ways. I don’t paint any one way." At different times he did representational landscapes while concurrently involved with semi- or completely abstract imagery. He was one of a relatively small number of artists in Colorado successfully incorporating into their work the new trends emanating from New York and Europe after World War II. During his lifetime he generally did not attract a great deal of critical attention from museums, critics and academia. However, he personally experienced a highpoint in his career when Katherine Kuh, curator at the Art Institute of Chicago, personally chose one of his paintings - Why? - for its large exhibition of several hundred examples of abstract and surrealist art held in 1947-48, subsequently including it among the fifty pieces selected for a traveling show to ten other American museums. An only child, Bunnell developed his love of art at a young age through frequent drawing and political cartooning. In high school he was interested in baseball and golf and also was the tennis champion for Westport High School in Kansas City. Following graduation, his father moved the family to Denver, Colorado, in 1916 for a better-paying bookkeeping job, before relocating the following year to Colorado Springs to work for local businessman, Edmond C. van Diest, President of the Western Public Service Company and the Colorado Concrete Company. Bunnell would spend almost all of his adult life in Colorado Springs. In 1918 he enlisted in the United States Army, serving in the 62nd Infantry Regiment through the end of World War I. Returning home with a 10% disability, he joined the Zebulon Pike Post No. 1 of the Disabled American Veterans Association and in 1921 used the benefits from his disability to attend a class in commercial art design conducted under a government program in Colorado Springs. The following year he transferred to the Broadmoor Art Academy (founded in 1919) where he studied with William Potter and in 1923 with Birger Sandzén. Sandzén’s influence is reflected in Bunnell’s untitled Colorado landscape (1925) with a bright blue-rose palette. For several years thereafter Bunnell worked independently until returning to the Broadmoor Art Academy to study in 1927-28 with Ernest Lawson, who previously taught at the Kansas City Art Institute where Bunnell himself later taught in the summers of 1929-1930 and in 1940-41. Lawson, a landscapist and colorist, was known for his early twentieth-century connection with "The Eight" in New York, a group of forward-looking painters including Robert Henri and John Sloan whose subject matter combined a modernist style with urban-based realism. Bunnell, who won first-place awards in Lawson’s landscapes classes at the Academy, was promoted to his assistant instructor for the figure classes in the 1928-29 winter term. Lawson, who painted in what New York critic James Huneker termed a "crushed jewel" technique, enjoyed additional recognition as a member of the Committee on Foreign Exhibits that helped organize the landmark New York Armory Exhibition in 1913 in which Lawson showed and which introduced European avant-garde art to the American public. As noted in his 1964 interview for the Archives of American Art in Washington, DC, Bunnell learned the most about his teacher’s use of color by talking with him about it over Scotch as his assistant instructor. "Believe me," Bunnell later said, "[Ernie] knew color, one of the few Americans that did." His association with Lawson resulted in local scenes of Pikes Peak, Eleven Mile Canyon, the Gold Cycle Mine near Colorado City and other similar sites, employing built up pigments that allowed the surfaces of his canvases to shimmer with color and light. (Eleven Mile Canyon was shown in the annual juried show at the Carnegie Institute in Pittsburgh in 1928, an early recognition of his talent outside of Colorado.) At the same time, he animated his scenes of Colorado Springs locales by defining the image shapes with color and line as demonstrated in Contrasts (1929). Included in the Midwestern Artists’ Exhibition in Kansas City in 1929, it earned him the gold medal of the Kansas City Art Institute, auguring his career as a professional artist. In the 1930s Bunnell used the oil, watercolor and lithography media to create a mini-genre of Colorado’s old mining towns and mills, subject matter spurned by many local artists at the time in favor of grand mountain scenery. In contrast to his earlier images, these newer ones - both daytime and nocturnal -- such as Blue Bird Mine essentially are form studies. The conical, square and rectangular shapes of the buildings and other structures are placed in the stark, undulating terrain of the mountains and valleys devoid of any vegetation or human presence. In the mid-1930s he also used the same approach in his monochromatic lithographs titled Evolution, Late Evening, K.C. (Kansas City) and The Mill, continuing it into the next decade with his oil painting, Pikes Peak (1942). During the early 1930s he studied for a time with Boardman Robinson, director of the Broadmoor Art Academy and its successor institution, the Colorado Springs Fine Arts Center from 1930 to 1947. In 1934 Robinson gave him the mural commission under the Public Works of Art Project (PWAP) for West Junior High School in Colorado Springs, his first involvement in one of several New Deal art...

Derek Penix's (US based) "Under the Canopy" is an oil painting that depicts several developed sycamores with a blue sky in the background. Bio/Artist Statement: Derek Penix was bo...

A lively, impressionistic depiction of a Car-racing Scene at a crowded race track embracing the excitement of its final lap that creates movement seamlessly. We are whisked away in t...

The Calm Sea Oil on mahogany panel, 8 7/16 x 6 1/2 inches Signed lower left (see photo) This work was inspired by Haskell's frined, teacher and mentor, James ...

Once The Master - Mid Century Figurative Landscape "Once the Master" a portrait of a Zuni Master Potter in contrast with the emergent modernism around him. He is beneath an adobe an...

A fine naive landscape painting with a windmill by American artist Janet Munro (b. 1949). Munro was born in Woburn, MA, and her work focuses o...

Beautiful large scale landscape of Yosemite with Half Dome and El Capitan above the Merced River by William Lemos (American, 1861-1942). Rendered in cool grays and blues, Half Dome r...

"Jamaican Scene 03.30.2021" by Nelson H. White, is an abstraction of a landscape in Jamaica. One can see the suggestion of natural light peeking through the loose rendering of trees....