Hudson River School Landscape Paintings

Signed lower right. Albert Nemethy Jr. is part of a well known artistic family from the Catskill region of New York State. The father Albert Nemethy Sr...

Signed lower right. A landscape and marine painter, William Ongley was born in England in 1836 and came to America with his family and settled in New York. His art studies took him ...

Signed and dated lower left: W.R. Miller. 1877.

Alfred S. Wall (American, 1825-1896) Untitled (Building the Railroad), 1859 Oil on canvas 14 1/2 x 18 1/2 inches Signed and dated lower left For Christmas, 2008, the Pittsburgh Post-Gazette featured Alfred Wall's painting, Old Saw Mill from the collection of the Westmoreland Museum of American Art in Greensburg, PA. It was painted in 1851 in the town of Lilly, Pennsylvania in the Allegheny Mountains. The newspaper description stated that "though the saw mill is long gone, it still conveys all the warmth and coziness of this time of year. The article, written by Patricia Lowry, continued: At first glance, Alfred S. Wall's painting of a saw mill in snowy woods triggers nostalgia for the coziness of a log cabin, the smell of a wood-burning fire and the warming of chilled hands and feet beside it. But as sentimental as it seems on the surface, Mr. Wall's painting has a deeper and unexpected context. This is more than a painting about sled-riding children and early industry planted in the middle of virgin forest. Intended or not, this is a painting about conquering the great divide of the Allegheny Mountains. For the third consecutive year, the Post-Gazette features a winter-scene painting on the cover of the Christmas Day newspaper. This year's painting, Old Saw Mill, was selected by co-publisher and editor-in-chief John Robinson Block and executive editor David Shribman during a visit to the Westmoreland Museum of American Art in Greensburg. Mr. Wall, listed as a portrait painter in the 1850 census, was about 26 when he painted Old Saw Mill in 1851. The self-taught artist was born in Mount Pleasant, Westmoreland County, to William and Lucy Wall, who'd emigrated from England around 1820. An artistic sensibility ran in the family: William was a sculptor who carved ornate tombstones here; Alfred's children, A. Bryan and Bessie, were landscape painters, as was Alfred's older brother, William Coventry Wall. For more than a century the Walls formed a prominent art dynasty in Pittsburgh, and Alfred, eventually a partner in the city's most prestigious art gallery, was well known as a painter, dealer and restorer. In Old Saw Mill, two wood cutters, each holding an axe, meet outside the mill; one points in the direction of the forest. On the other side of the stream, one child pulls another down the hillside on a sled. Just behind the hill's slope, the roof of a building appears, perhaps the home of the sawyer. The luminous, late afternoon light comes from the northwest, casting lengthening shadows on the snow under a darkening sky. The saw mill in "Old Saw Mill" likely would have been impossible to track down had Mr. Wall, presumably, not written on the back of the painting: "old saw mill near Jct. 4, Portage RR, Pa." "There was no Junction 4," said Mike Garcia, park ranger at the Allegheny Portage Railroad National Historic Site, about 90 miles east of Pittsburgh near Gallitzen, Cambria County. "But there was an Inclined Plane No. 4 at Lilly, and there was a saw mill there." In fact, there were at least six saw mills at Lilly over the years, said longtime resident Jim Salony, president of the Lilly-Washington Historical Society. But when he saw an image of the painting, Mr. Salony had no trouble coming up with a location. While there are no known photographs of the saw mill, he believes it stood near the intersection of Portage and Washington streets, next to Bear Rock Run. Mr. Salony, retired academic dean at Mount Aloysius College, didn't know exactly when the mill was torn down, but it's been gone since at least the late 1800s. He was pleased to learn of the painting, even though that knowledge came too late for inclusion in a new book about Lilly, The Spirit of a Community, for which he served as primary author and editor. It runs to more than 700 pages. For a little town -- population 869 last year -- Lilly has a lot of history. Nestled in a bowl on the western slope of the Allegheny Mountains about 3 miles south of Cresson, Lilly was first settled in 1806 by Joseph Meyer and his family, who named their 332-acre land patent Dundee. Although the Meyers had left by 1811, other settlers followed, but the community didn't flourish until the 1830s, when the Allegheny Portage Railroad began its 23-year-run through the town. For 200 years the Alleghenies had stood as an impediment to trade and travel between Pittsburgh and the east. A canal from Philadelphia to Pittsburgh would change that and compete with New York's Erie Canal. But a portage railroad would have to be built, on which teams of horses would lead the canal boats over the mountains. Engineer Sylvester Welch began his surveying from the small settlement at Lilly. The railroad would require 10 inclined planes, some quite steep, between Hollidaysburg and Johnstown. To build it, trees had to be cut along a 120-foot-wide right-of-way for 36 miles, along which track and engine houses had to be built. William Brown, who owned the saw mill on Bear Rock Run, built at least one of the engine houses at Inclined Plane No. 4; an 1834 contract also included fencing the dwelling lots at the head and foot of the plane. Lilly is located at what was the foot of Inclined Plane No. 4., giving the community one of its early informal names, Foot of Four. Named in 1883 for Richard Lilly, who'd completed the grist mill there, Lilly had another early name: Hemlock, so dubbed by a Portage Railroad traveler who smelled the bark stripped from the trees at the saw mill. Because there isn't another Allegheny Portage Railroad location like it, where a cut in the mountains opens into a bowl, Mr. Salony thinks it was Lilly that Charles Dickens wrote about following his trip from Harrisburg to Pittsburgh on the Pennsylvania Canal in late March 1842, describing what he saw after emerging from "the bottom of the cut": "It was very pretty while traveling, to look down into a valley full of light and softness, catching glimpses through the tree-tops of scattered cabins; children running to the doors; dogs bursting out to bark, who we could see without hearing; terrified pigs scampering homeward; families sitting out in their rude gardens; cows gazing upward with a stupid indifference; men in their shirt-sleeves looking on at their unfinished houses, planning out to-morrow's work; and we riding onward, high above them, like a whirlwind." To get to Lilly, Mr. Wall may have taken the Pennsylvania Canal from his home in Allegheny City, now the North Side. He'd married young, at 21, to Sarah Carr in 1846, the same year he began his career as an artist. By 1880 they were living in a brick townhouse at 104 (later 814) Arch St., now demolished. Across the river in Pittsburgh he shared a studio at 67 Fourth Ave. with his brother William; they later moved to Burke's Building, today the city's oldest office building at 209-211 Fourth. But often they worked outdoors, sometimes as part of the colony of artists that grew up around painter George Hetzel beginning in the late 1860s at Scalp Level...

THE WATERFALL - Oil on canvas cm. 55x70 by Paolo De Robertis, Italy 2002. The painting is inspired by the paintings of Thomas Hill, an American landscape painter belonging to the H...

Estate stamp on verso; on stretcher bar: SEP 9th 1855

Edward Hill (1843 - 1923) Haying at a North Conway Farm with Mount Washington in the Distance, New Hampshire Oil on canvas 13 1/2 x 20 1/2 inches Signed lower right Provenance: Private Collection, Dallas, Texas Born in Wolverhampton, England in 1843, Edward Hill was the ninth of ten children. Though ultimately less well known than his older brother Thomas Hill (1829-1908), Edward was a productive painter in oil and watercolor for more than sixty years, producing images of the White Mountains of New Hampshire, southern genre scenes, still-life paintings, portraits, American Indian pictures...

A fine New York landscape with cows by American artist Emile Faure Beaulieu (b. 1828, actively exhibiting in the 1850-1860’s). Beaulieu was known as...

Up for sale here is a really impressive mid 19th century painting. Very fine quality and great color! Unsigned. Framed. Image size, 13 by 17.

William Edward Norton (1843 - 1916) Ship Portrait, 1876 Oil on canvas 10 x 16 inches Signed and dated lower left Born in Boston, William Norton became a noted marine painter, stirred by his youth when he sailed on family-owned ships. He studied at the Lowell Institute in Boston, and with George Inness, and then established a studio in Boston. In the early 1870s, he went to Paris and became a student with Chevreuse and A. Vollon, and then he settled in London where he exhibited throughout the last quarter of the 19th century. His reputation there was based on his scenes of the Thames River, and ocean and coastal views. In 1901, he and his wife returned to the United States and settled in New York City. He also painted at Monhegan Island, Maine, where a treacherous ledge on the southern side of the island is named "Norton's Ledge" for him. He was a member of the Boston Art Club with whom he exhibited from 1873 to 1909. He also exhibited with the Pennsylvania Academy, the Royal Academy in London, the Paris Salon, the 1893 Chicago Exposition...

Marie Medora E. Ross (1844 - 1920) Grand Manan Island Cliffs, 1881 Signed Lower Left Oil on canvas 30 x 38 inches Provenance: The artist Gifted to artis...

Stunning Hudson River School landscape by George Lafayette Clough (1824-1901). High Bridge and Croton Waterworks, Harlem River, ca. 1870. Oil on canvas measures 14 x 21 inches; 26 x 33 inches in original frame. Signed lower left. Old repair of small diagonal puncture measuring 1/2 inch in length to the right of ship sail. Otherwise no damage or conservation to painting. Original frame has several areas of damage and loss and will require conservation. George Lafayette Clough was born September 18, 1824, in Auburn, New York, and was that city's leading landscapist and, known as a Hudson River School painter, became Auburn's most noted resident painter of the mid-century. His mother was widowed shortly after his birth, and he was raised without paternal influence. He had little formal education and was employed by the age of ten. By age fifteen he had taken up painting, and his first and informal art influence came from the portraitist, Randall Palmer. In 1844 Clough opened his own studio in Auburn. About that time Charles Loring Elliott...

Signed lower left and dated 1863. Known as a Hudson River School painter, especially of mountain landscapes, Arthur Parton was well established in the New York art world where he exhibited at the National Academy of Design for more than half a century. He was born in Hudson, New York to a religious family supported by a cabinetmaker father. He enrolled in the Pennsylvania Academy of Fine Arts as a student of William Trost Richards, who remained a strong influence, and in 1862, his first exhibitions were in Philadelphia. In 1864, he moved to New York City where he exhibited regularly with the National Academy of Design excepting 1869 when he spent a year in Europe and was influenced by the Barbizon style of painting. In 1874, he and his wife moved into the Tenth Street Building in New York City, and he kept his studio there until 1893. In 1876, he gained much national notoriety at the Philadelphia Centennial Exposition for his paintings November, Loch Lomond and Solitude. He spent summers painting in the...

James Brade Sword (1839 - 1915) Couple in the Field Oil on canvas 16 x 20 inches Signed lower left After a childhood in Macao, China, James Brade Sword started out in life, after hi...

Signed lower right. A landscape and marine painter, William Ongley was born in England in 1836 and came to America with his family and settled in New York. His art studies took him ...

Signed and dated lower left: W. Whittredge 1861

Signed and dated lower right: WM. T. Richards - 1873.

John Fery (1859 - 1934) Western Lake Landscape, circa 1920 Oil on canvas 21 x 23 1/4 inches Signed lower left Provenance: Private Collection, New York Born in Austria, John Fery earned a strong reputation for dramatic paintings of western mountain landscape in the United States. Glacier National Park in northwest Montana was a popular subject for him. He was raised in a prominent, wealthy family that lived on an estate about nineteen miles northeast of Salzburg. His mother was Hungarian, and his father was born in Bohemia. S ome sources have written that he studied art in Dusseldorf, Germany with Peter Jansen, and also in Munich, Venice and Karlsruhe. But his "name does not appear in the records of the major art schools in any of these places, nor is there any record of his name at either the Vienna or Budapest academies." (Merrill 26) It is possible, however, that he received private instruction, and because of the sophistication of his painting, sources think it unlikely that he was self taught. An early interest in wilderness scenery led him to painting American landscapes and hunting scenes. In the mid 1880s, he came to America and lived in the German community in Milwaukee, and then in 1886, brought his family to the United States. His wife, Mary Rose Kraemer (1862-1940), was born in Switzerland, and they had one child born near Munich and two others born in the United States. From 1886 to 1888, they lived in New York, and by 1890, Fery had made his first trip West. He visited Yellowstone Park in 1891, and indicated in his writings that he had been there even earlier. From 1892 to 1893, he led European nobility on hunting expeditions to the American Northwest, made possible by the completion of the Northern Pacific Railroad...

Signed lower left: Blakelock

Ralph Albert Blakelock was a romanticist American painter known primarily for his landscape paintings related to the Tonalism movement.

Monogrammed and dated lower right: TMORAN. 1919.

Dated lower right: Sept. 67

Transcend is an abstracted landscape, oil on canvas, 28x38. In Sharon Gordon's landscapes, you can feel her deep connection and passion for the ever-changing nature of large bodie...

Signed lower left: Blakelock

Label on stretcher bar: No. 175. / AMERICAN ART-UNION. /Road-Side View / Painted by / Seth Eastman / Distributed December 20, 1850.

Signed and dated 1877. Although born in Jamestown, New York, Mortimer Smith would become well-known as a Detroit architect and artist by the end of the nineteenth century. Little is known of Smith's earlier years; however, scholars speculate that he studied in Oberlin and Sandusky, Ohio before moving to Detroit in 1855. There, the artist flourished and became famous for his crisp landscapes of local scenery, including his beloved winter scenes. In addition to his artistic career, Smith founded a successful architectural firm by the name of Smith, Hynchman and Grylls; Smith's reputation in the visual arts was often overshadowed by his draftsmanship as an architect. Nevertheless, he was a vital force in Detroit's arts community exhibiting his works in venues including the Detroit Art...

American School. The Pond: Sunlight and Clearing Clouds. Late nineteenth century. 13 7/8 x 11 1/8 x 1 1/4. Unsigned. Frost & Adams stamp to the verso. The painting has been cleaned and relined; minor discolorations; craquelure. Housed in a linen liner with a gold lip and an elegant period-style 17 1/8 x 14 ½ x 2 1/8-inches. Frost & Adams (est.1869) was an artists' supply firm in Boston, Massachusetts, located in Cornhill, on the current site of Boston City...

Signed and dated lower right in arrowhead: R. A. Blakelock / 1876

Signed illegibly lower right

Julius Montalant (1823 - 1898) Harbour of Rio Janeiro, 1843-1850 Oil on canvas 17 x 24 inches Signed and dated lower right; conservator's inscription on the reverse Born in Virginia, probably Norfolk, Julius Montalant is known for his drawings and paintings inspired by his travels on board navy ships. Attached to the USS St. Louis around 1844-45, he sketched ports of call he visited, including Brazil, Chile, New Zealand, Australia, and China. Many of his works are held in the Museum of the U.S. Naval Academy. Navy records indicate his rank as 'C. Clerk', which may mean that he held a civilian position. During the 1850s he lived in Philadelphia, and in 1851-61 he exhibited at the Philadelphia Art Union and the Pennsylvania Academy of the Fine Arts. Included were paintings of North America, Greece...

Modern Luminist, Hudson River School landscape painting on canvas of the expansive view over the Hudson River as observed at the top of Olana, the historic home of Frederic Church "...

Monogrammed and dated lower right: JW. 71; on verso: Indian Summer / By Jw. Williamson / N. Y. 1871 –

William Mason Brown painted landscapes before becoming known as a painter of meticulously detailed still lifes.

Estate stamp on verso

Signed and inscribed lower right: MFH de Haas NA

Signed lower left. George Lafayette Clough was born September 18, 1824, in Auburn, New York, and was that city's leading landscapist and, known as a Hudson River School painter, became Auburn's most noted resident painter of the mid-century. His mother was widowed shortly after his birth, and he was raised without paternal influence. He had little formal education and was employed by the age of ten. By age fifteen he had taken up painting, and his first and informal art influence came from the portraitist, Randall Palmer. In 1844 Clough opened his own studio in Auburn. About that time Charles Loring...

A fine New Hampshire landscape by American artist Frederick Dickinson Williams (1829–1915). Frederick Dickinson Williams was born into a patrician household in Boston, Massachusetts and attended the prestigious Boston Latin School before entering Harvard University in 1846. After graduation and until 1874, Williams taught drawing and painting in the Boston Public School System as a Professor of Drawing until 1874. Williams and his wife, the former Lucia M. Hunt, of Newburyport, relocated to Paris, France, where both studied the new French art and painted landscapes and genre scenes in their studio until 1888, when Lucia died in Paris. Williams returned to the United States and settled in Boston, opening a studio in late 1888. He continued to paint in the Boston area with regular trips to the White Mountains of New Hampshire and other wilderness areas where he produced a large body of French-inspired landscapes in the manner of Corot and other contemporary French painters. In 1904, a serious fire in his Boston studio destroyed all of his inventory, including a number of award-winning canvases from his Paris sojourn. Despite this significant loss, he continued to paint. During his long and successful career, Williams exhibited his work at the Pennsylvania Academy of Fine Art, the Washington DC Art...

Monogrammed and dated lower right: JF. K. 63

Signed and dated lower right: J. F. Cropsey / 1879

Signed and dated lower left: William F. de Haas. ‘76

Original signed framed vintage landscape painting by Charles Partridge Adams (1858-1942) of a Sunset along the Front Range of Colorado (near D...

Shore III, Oil on Board, 21x18. It is framed. It is a stormy, abstracted landscape in a Hudson River School painting style. In Sharon Gordon's landscapes, you can feel her deep co...

Monogrammed lower left: ATBricher

Cirrus I, Oil on Board, 13x18, framed to 22x27. It is an Abstracted landscape in the Hudson River School style. The colors are earth tones with browns and off white. It has a tra...

Signed lower right: W Bradford

Signed lower left A 19th-century marine painter, William Bradford is famous for his seascapes that reflect his background of being raised in an area known for whaling and other marine activities. During much of his career, his work focused on the Arctic region, which he depicted with strong color and spectacular lighting. Bradford was born and raised in New Bedford, Massachusetts to Quaker parents who disapproved of his desire for a painting career. He became a clerk in his father's dry goods shop in New Bedford but devoted his spare time to sketching, a diversion that caused him and his wife to lose a farm that had been given to them by his father-in- law. In the early 1850s, living in Fairhaven, he launched his professional career by selling portraits of ships for twenty-five dollars a piece. In 1854, he opened a studio and about this same time attracted the interest of Albert Van Beest, a Dutch painter who had come to America in 1845. He became Bradford's teacher and collaborator, and until his death in 1860, they painted together local scenes including seascapes and whaling pictures. In 1861, Bradford began a series of trips to Nova Scotia, Labrador, and Greenland, and painting and photographing the Arctic region became a consuming interest. He also published a book in London titled The Arctic Region, which he vividly illustrated with photographs pasted onto the page and he gave lectures accompanied by lantern slides...

Signed lower right Known as a painter of the White Mountains of New Hampshire, Samuel Griggs was listed as an architect in the Boston City directory from ...

Monogrammed and dated lower right: DJ. 79.; on verso: –Study– / Pompton. / N-J. / David Johnson. 1879.

This small, horizontal oil on canvas en plein air landscape painting was painted by Hudson Valley based artist, Judy Reynolds. The composition features a peaceful landscape as the fo...

Signed lower right: Ernest Parton

Signed lower left: R. Gignoux

Charming Hudson River school antique oil painting of a sailboat on a lake, circa 1880-90. Signed "R. Labarr." after Richard LaBarre Goodwin...

Signed lower left in arrowhead: R. A. Blakelock

Oil on linen panel. Signed on recto; titled and dated on verso.

Monogrammed lower right; Inscribed on verso: To Miss Francis Smith with Compliments of the Artist. David Johnson. Oct 1893

Leading Hudson River School Painter Famous for New England Views.

Signed lower right: W Whittredge

Signed and dated lower right: • FARNY • /88