Hudson River School Landscape Paintings

Harrison Bird Brown (1831 - 1915) Birch Tree in Maine, New England, 19th Century Oil on canvas 25 x 13 1/8 inches Initialed lower left Provenance: Portland International Galleries, Maine Mr. and Mrs. Walter M. Jeffords, Jr., Saratoga Springs, New York and Lexington, Kentucky (President of Brooklyn Borough Gas Company) Private Collection, Chicago Exhibited: Portland Maine, Portland Museum of Art, 58 Maine Paintings 1820-1920: Selections from the Collection of Mr. and Mrs. Walter M. Jeffords, Jr., May 20 - June 20, 1976, cat. no. 11. The above catalogue listing this vertical landscape will be included with your purchase. "Mr. Brown has succeeded fully in accomplishing that which Mr. John Ruskin, in speaking of J. M. W. Turner's sea views, said no painter had yet accomplished; that is, the representation of the creamy foam which the storm lashes up from the waves along a rocky shore." Harrison Bird Brown was born in 1831 in Portland, Maine, and is best known for his White Mountain landscapes and marine paintings of Maine...

Southern California Lake. Signed "J Kleitsch," which could possibly be by Joseph Kleitsch. Oil on canvas in a period giltwood frame. Image size, 16"H x 28"L. Joseph Kleitsch was c...

Robert Azensky Fine Art is pleased to offer original 1909 sketch study of oil painting "Homesteader Colorado Mountain" painting by Frank Tenney Johnson. It's always special to see the evolution of a painting through the plein air sketches ("studies") by the artist prior to its painting. Frank Tenney Johnson traveled throughout the Colorado Rockies sketching and painting western landscapes and native American and cowboy figurative art. Medium: Charcoal on paper Signature: Lower left corner Date: "1909" below signature Condition: Tonal aging and minor edge wear consistent with age and use. See images. Presented in black painted wood frame Mat size: 14"H x 11"W Paper size: 9"H x 6"W Image size (visible with mat): 8"H x 5.25"W Frank Tenney Johnson was born in Coucil Bluffs, Iowa, in 1874 not far from the Overland Trail. During his childhood, he saw the steady stream of people heading west in all forms of horse-drawn conveyance. This early exposure to the American West was critical in leading Johnson towards the Western landscape as an inspiration for his work. The resulting body of work is a moody and romantic depiction of a long-gone America, rendered in a style that has become practically a genre all its own. At the age of ten, Johnson moved from Iowa to Milwaukee, WI. There, he took an apprenticeship with F.W. Heinie, a prominent panoramic painter. After a year with Heinie, Johnson apprenticed for Richard Lorenz, a painter and former Texas Ranger who specialized in depictions of horses and western scenes. It was probably during his time with Lorenz that Johnson decided to focus on western subjects himself. He also started illustrating for regional papers and publications, in order to save money for further training. Further training, as with many of the artists who populated New Mexico in the early twentieth century, took place at the Art Students League in New York, where Robert Henri, William Merritt Chase, John Twachtman, Kenneth Hayes Miller and F. Louis Mora were in the process of teaching perhaps the last great batch of pre-modernists. Though highly stimulated by the training, Johnson was only able to stay for five months, after which he returned to Milwaukee to work and save money in an effort to return to New York. He was able to do so after a time and, upon returning, established an important professional relationship with Emerson Hough, the editor of "Field & Stream" magazine. At Hough's urging (and on Hough's dime), Johnson traveled to Hayden, Colorado, where he tagged along with a group of cowpunchers in order to sketch their way of life. Though primarily an artist, Johnson also wrote accounts of his time in Colorado for "Field & Stream." After Colorado came Cheyenne, Wyoming, where Johnson attended a "Frontier Days" celebration; after Wyoming, Johnson traveled to New Mexico, where he observed the Navajos and their threatened way of life. This trip changed Johnson from an academic artist with an appreciation for the west to a truly western artist. Of particular interest to him, in stark contrast to other western artists of the time like Frederic Remington and C.M. Russell, were the more quotidian scenes of the West. Specifically, Johnson focused upon scenes featuring horses, especially at night. Johnson painted a great number of pieces that featured horses tied up outside of saloons, inns or trading posts for the night, the moonlit night punctuated by the warm glow from the lamps inside. In this, he can be considered a pioneer, as his night pieces still serve as the archetype for such work in western art. Johnson became quite successful through his work for "Field & Stream." He was chosen to illustrate books by the prominent writer Zane Grey, and his gallery shows sold briskly. In fact, one particular show, at the Grand Central Art Galleries at the Biltmore Hotel in New York, sold out opening night. In fact, one man had bought out the entire show: Amon Carter. Having achieved financial security and comfort, Johnson followed his good friend Clyde Forsythe to Alhambra, CA, where the two established residency and shared a studio. California treated Johnson well. He and Forsythe founded the gallery at the Los Angeles Biltmore...

This stunning, original signed landscape painting by Charles Partridge Adams (1858-1942) captures the breathtaking beauty of a Colorado sunset along the Front Range, near Denver. The...

Signed lower right in arrowhead: R A Blakelock; on verso: A Spring Garden

Signed and dated lower left: D. F. Bigelow / 70

Painted by Hudson River School artist William Ongley, "Through the Woods" is oil on canvas and measures 14 x 10 inches. The painting is signed by Ongley at the lower right. The work ...

Jasper Francis Cropsey paints a view out from the Palisades onto the Hudson River in his artwork entitled, “Under the Palisades.”

Monogrammed lower left: ATBRICHER

"New England Sunrise," 1910 by Hudson River School painter Lockwood DeForest (American, 1850-1932) is oil on artists card-stock and measures 9.75 x 14 inches. The work is signed by DeForest and dated Sept. 17, 1910 at lower left. The work is framed in an elegant, period appropriate frame, and ready to hang. Lockwood de Forest was born in New York in 1850 to a prominent family. He grew up in Greenwich Village and on Long Island at the family summer estate in Cold Spring Harbor. As was customary for a cultivated family in the Gilded Age, the de Forests made frequent trips abroad. Excursions to the great museums, which were prominent on the de Forests agenda, deepened the young Lockwood's familiarity with European painting and sculpture. Though he had begun drawing and painting somewhat earlier, it was during a visit to Rome in 1868 that nineteen-year-old de Forest first began to study art seriously, taking painting lessons from the Italian landscapist Hermann David Salomon Corrodi (1844–1905). More importantly, on the same trip, Lockwood met one of America’s most celebrated painters, (and his maternal great- uncle by marriage) Frederic Edwin Church (1826–1900), who quickly became his mentor. DeForest accompanied Church on sketching trips around Italy and continued this practice when they both returned to America in 1869. Early on in his career, de Forest made a habit of recording the date and often the place of his oil sketches, as to create a visual diary of his travels. Lockwood’s profession as a landscape painter can be primarily attributed to Frederic E. Church and his belief in the young artist’s talent. De Forest often visited Church in the Hudson River community of Catskill where, in addition to sketching trips and afternoons of painting, he assisted with the architectural drawings and planning of Olana. In 1872, de Forest took a studio at the Tenth Street Studio Building in New York. During these formative years de Forest counted among his friend’s artists such as Sanford Robinson Gifford (1823–80), George Henry Yewell (1830–1923), John Frederick Kensett (1816–72), Jervis McEntee (1828–91), and Walter Launt Palmer (1854–1932). Over the next decade de Forest experienced success as a painter. He exhibited for the first time at the National Academy of Design in 1872, and made two more painting trips abroad, in 1875–76 and 1877–78, traveling to the major continental capitals but also the Middle East and North Africa. His trip to the Middle East and the library at Church’s home, Olana, established his interest in design during his mid-twenties. From about 1878 to 1902, landscape painting was overshadowed by his activities and preoccupation with East Indian architecture and décor, a style that became quite fashionable in late nineteenth century America. From 1879-1883, de Forest founded Associated Artists along with Louis Comfort Tiffany, Candace Wheeler...

Winckworth Allan Gay paints a scenic coastal scene from an elevated perspective overlooking a wave-filled beach below in his work entitled, “Sandy Beach, Cohasset.”

"Charles River Meadows, Massachusetts" by Mark E. Slayton is a masterful landscape painting that embodies the beauty characteristic of the Hudson River School. As a prominent artist ...

Monogrammed lower left: ATBricher

Theodore E. Pine (1828-1905) was an American artist known for his portraits and genre paintings. Pine specialized in portraiture, capturing the likenesses and personalities of his su...

Frederick J. Sykes (1851-1905) was a remarkable artist of the Hudson River School, renowned for capturing the serene beauty of tranquil landscapes. His work often featured New Englan...

Signed lower right: RABlakelock

Signed lower right: W Whittredge

Monogrammed and dated lower right: JW. 71; on verso: Indian Summer / By Jw. Williamson / N. Y. 1871 –

Virginia Granbery (1831-1921) was an accomplished American artist known for her work in watercolor and oil paintings. Granbery's works predominantly featured landscapes, floral studi...

"Summer at the Farm," by Hudson River School painter James McDougal Hart (American, 1833-1915) is oil on canvas and measures 14 x 24 inches. It is signed and dated by Hart at the low...

A prominent 19th century landscapist, Hudson River School painter James McDougal Hart's (1828-1901) A Day in November, 1863 is oil on canvas and measures 10.5 x 18 inches. The painti...

Painted by Hudson River School artist Thomas B. Craig (1849-1924), "Autumn Stroll along the River Path" is oil on canvas and measures 20 x 16 inches. The...

Signed lower left in arrowhead: R. A. Blakelock

Signed lower right: J.R. Brevoort.

Wall was born in Ireland and arrived in New York in 1812. He was already a well trained artist and soon became well known for his watercolor views of the Hudson River Valley and surr...

Lovely genre scene by American impressionist Henry Bacon (1839-1912). The Beekeeper's Daughter (1881) Oil on canvas 35" x 36" 42.5" x 33" x 3" framed Signed and dated "Henry Bacon ...

Substantial and period mid-century landscape of Monument Valley, Arizona of Navajo Hogan and rug weaving loom by Ralph Holmes (American, 1876-1963). c.194...

Impressive early American Hudson River School landscape oil painting by Jasper Holman Lawman (1825 - 1906). Framed. Oil on board. Signed. Image size, 10H by 16L.

This Hudson River School autumn landscape is done by the famed artist David Johnson. He studied at the national Academy of Design in New York. He was best known for the development o...

John Fery (1859 - 1934) Western Lake Landscape, circa 1920 Oil on canvas 21 x 23 1/4 inches Signed lower left Provenance: Private Collection, New York Born in Austria, John Fery earned a strong reputation for dramatic paintings of western mountain landscape in the United States. Glacier National Park in northwest Montana was a popular subject for him. He was raised in a prominent, wealthy family that lived on an estate about nineteen miles northeast of Salzburg. His mother was Hungarian, and his father was born in Bohemia. S ome sources have written that he studied art in Dusseldorf, Germany with Peter Jansen, and also in Munich, Venice and Karlsruhe. But his "name does not appear in the records of the major art schools in any of these places, nor is there any record of his name at either the Vienna or Budapest academies." (Merrill 26) It is possible, however, that he received private instruction, and because of the sophistication of his painting, sources think it unlikely that he was self taught. An early interest in wilderness scenery led him to painting American landscapes and hunting scenes. In the mid 1880s, he came to America and lived in the German community in Milwaukee, and then in 1886, brought his family to the United States. His wife, Mary Rose Kraemer (1862-1940), was born in Switzerland, and they had one child born near Munich and two others born in the United States. From 1886 to 1888, they lived in New York, and by 1890, Fery had made his first trip West. He visited Yellowstone Park in 1891, and indicated in his writings that he had been there even earlier. From 1892 to 1893, he led European nobility on hunting expeditions to the American Northwest, made possible by the completion of the Northern Pacific Railroad...

Alfred Thompson Bricher, an American artist celebrated for his exquisite marine and landscape paintings, created "Boats Sailing Between Mountains." This piece exemplifies Bricher’s m...

Painted by Hudson River School artist Laura Woodward (1834-1926), "Camel's Hump, Vermont" 1877 is oil on canvas and measures 14 x 24 inches. It is signe...

George Henry Smillie was an American painter and etcher. He became a member of the National Academy of Design in 1882. He often painted both in oils and in water colour. His favourit...

Signed lower right in arrowhead: R.A. Blakelock

"Little House in the Upstate New York Mountains" by C.H. Schmidt is a captivating painting that evokes a sense of rustic charm. Set against the backdrop of the majestic mountains of ...

Signed and dated lower right: J.F. Cropsey 1887

Hudson River School artist Charles Wilson Knapp's (1823-1900) "Fisherman by a Brook" is oil on canvas and measures 24 x 20 inches. The work is signed by Knapp at the lower left. The ...

Signed lower right: JR Brevoort

Richard Law Hinsdale (1832–1874) was an American painter known for his contributions to landscape and genre painting during the mid-19th century, mostly in the Hudson River School. He received brief instruction from Alexander Emmons, Philip Hewins and Jared B Flagg as well as being exhibited in American art...

Régis François Gignoux (1816–1882) was a French-American landscape painter known for his contributions to the Hudson River School. Gignoux quickly became an integral part of the Amer...

Provenance Collection of Mrs. Victor R. Bieber, Gwynedd, Pennsylvania Born in Ohio, Worthington Thomas Whittredge began his career as a sign and portrait painter in Cincinnati, wher...

This is classic Norton Bush and one of our few Americans who traveled to South and Central America at this date to do these exotic scenes. He employed a Hudson River School techniqu...

William Hart was an influential figure in the art world, best known for his contributions as a landscape painter during the 19th century. Born in Paisley, Scotland, in 1823, Hart imm...

"Rocky Seascape" by Lemuel D. Eldred is a captivating painting that masterfully captures the raw beauty and power of the sea. Eldred, an accomplished 19th-century American marine art...

Signed lower left: Blakelock

George Owen's "Resting Beneath the Trees by the Stream" is a quintessential Hudson River School painting that encapsulates the majesty and sublime beauty of the American landscape. T...

Ralph Albert Blakelock was a romanticist American painter known primarily for his landscape paintings related to the Tonalism movement.

Signed lower right. Albert Nemethy Jr.'s pastel paintings beautifully capture the essence of nature, showcasing his mastery of light, texture, and atmo...

David Johnson was born in 1827 in New York City. Beginning in 1845, he studied for two years in the antique school of the National Academy of Design. His classmates and colleagues in...

Unknown White Mountain Artist White Mountain Landscape, 19th Century Oil on board 5 x 9 1/4 in. Framed: 7 3/4 x 11 3/4 in.

Signed lower left: R. Gignoux

Painted by Hudson River School artist William Richardson Tyler, "Low Tide, Crab Gathering" is oil on canvas and measures 8 x 13 inches. The painting is signed by Tyler at the lower l...

Signed lower right. An itinerant portrait, miniature, and landscape painter, Ambrose Andrews had a wide-ranging career geographically that saw him in many regions including New York (1829-31), Connecticut (1837), Texas (1837-1841) and Louisiana (1841-42). After 1844, he was active in St. Louis, New York City, Buffalo, New York, Vermont and Canada. He was born in West Stockbridge, Massachusetts, and in 1824, attended the National Academy of Design. Andrews exhibited paintings at the Republic of Texas Capitol...

Dated lower right: Sept. 67

Label on stretcher bar: No. 175. / AMERICAN ART-UNION. /Road-Side View / Painted by / Seth Eastman / Distributed December 20, 1850.

Southern California Lake. Signed "J Kleitsch," which could possibly be by Joseph Kleitsch. Oil on canvas in a period giltwood frame. Image size, 16"H x 28"L. Joseph Kleitsch was c...

Thomas Ralph Spence’s "A Thunder Shower on Lago Maggiore, North Italy" captures a dramatic moment of nature’s power over the serene landscape of Lago Maggiore. Known for his architec...

Spring Picnic in the Vineyard, Contemporary Impressionist Landscape Beautiful oil painting of a variety of fruits with cups in a field of grass by Alexander Rapoport (Russian-Ameri...

Antique American Hudson River School artist working in Italy. Oil on canvas. Framed nicely. No signature found.

In Mountain Stream, Henry Boese presents a majestic and serene vision of the American wilderness. A crisp, rushing stream flows through the heart of the composition, cascading over r...

George Hobbs’ A Garden in Montone, France invites viewers into a serene moment of everyday beauty nestled in the heart of the French countryside. The composition features a narrow la...