Boat Landscape Paintings

Traveling to Rovinj in Croatia is like getting in touch with Italian Venice. A very strong influence in architecture, and even one of the languages ​​spoken by the locals is Italian....

"The Vaag and Geldersche Kade, Amsterdam" William Roger Benner, 1884 - 1964 Studied at the Nottingham School of Art under Arthur Spooner. After retiring as an Art master he moved to ...

The key to this painting's charm is that the subject is a beautiful young woman who is showing her face. We see her with her charming smile. She lounges comfortably in a carpeted bo...

In this painting, I've poured my adoration for the serene and vibrant essence of coastal vistas into every brushstroke. The melding of acrylics and oils captures a symphony of turquo...

Title: Mid-20th Century Post-Impressionist Pencil Drawing of Docked Rowboats by Anne Marie Migette Perard (French 1902-1977) Medium: Pencil on unframed paper Size: 13.75 inches (heig...

Alwyn Crawshaw, born 1934 A member of the Society for Education through Art, British Watercolour Society and President of the National Acrylic Painters Association. Popular writer an...

A woman walking up the dusty road carrying two baskets. Celebrated as a “painter of light”, Joseph Raymond Wintz (1884-1956) enjoyed a reputation as ...

Title: Historic Maritime Miniature Watercolor of SS Great Britain 1843 by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 2.25 inc...

Oil on canvas of the ocean.

"Step into a serene seaside escape with this original painting by Marina Fisher. Featuring a vibrant coastal garden adorned with red flowers, a charming fountain, and a marina filled...

In this painting, I've melded acrylic and oil to capture the ephemeral beauty of a seascape bathed in the soft glow of twilight. The gentle undulations of the sea and the serene sail...

Title: Mid-Century French Ink and Wash Drawing of Sailboats Moored at Harbour With Masts by Anne Marie Migette Perard (French 1902-1977) Medium: Ink and wash on unframed paper Size: ...

Domingo Alvarez (Spain 1942) - sailor fisherman in his boat - oil on canvas Canvas size 46x61 cm. Unframed.

Clement Drew grew up in Kingston, Massachusetts, a coastal New England town. Early on he settled into a career as a marine painter. He augmented his income by working in a number of ...

Title: Avignon Watercolor of Pont Saint-Bénézet and Villeneuve-lès-Avignon by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper Size: 11.25...

A Large, 1950s Mid-Century Modern Ink Drawing of Quebec City by Rudolph Pen. Artwork is formatted in a trapezoid shape, an innovative composition device for which the artist's work ...

AUGUSTE BOUVARD 1882-1956 Pseudo : Mard ALDINE View of Venice with characters Oil on canvas signed low right "Aldine" Framed by Gault (Paris Fbg St-Honoré) Dim canvas : 50 X 65 cm D...

Title: French Impressionist Painting of Beached Fishing Boats on Dark Card by Fanche Lel Size: 8.25 inches (height) x 10.5 inches (width) Oil painting on card, unframed Condition: Th...

A beautiful 1930's Italian oil on canvas depicting sunset on the coast with sailing boats and figures on the shore, by Luigi Salvi. Excellent quality and condition work, signed lowe...

This captivating artwork showcases a serene evening harbor scene, vibrantly depicting a coastal village under a starlit sky. The artist employs bold brushstrokes and a rich palette t...

Josine Vignon (French 1922-2022) ...

Title: French Impressionist Oil Painting of "Le Guildo" Coastal Village Scene with Boat By Fanch Lel (French b. 1930) Size: 4.25 x 6.25 inches (height x width) Signed: Bottom right O...

Gustave de Breanski, brother of artist Alfred de Breanski, is renowned for his oil paintings on canvas of 19th century British maritime scenes with choppy waters, moody skies, boats ...

Title: Mid-20th Century Post-Impressionist French Harbour Scene with Boats and Flag by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Watercolor on unframed paper S...

Title: French Watercolour of Beached Fishing Boats in Brittany by Fanch Lel by Fanche Lel Signed: Yes Size: 7.75 inches (height) x 12.5 inches (width) Gouache painting on card, unfra...

Title: Miniature Watercolor Triptych of Historic Views of Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 6.75 inches (...

This artwork vividly captures a serene marina scene, showcasing a cluster of sailboats gently nestled on shimmering water. The reflection of the boats creates a mesmerizing mirror ef...

A tranquil sea scape done en plein air. Framed dimensions: 19 x 27 inches Artist Bio Nelson H. White was born in New London, Connecticut in 1932. White has been surrounded by art a...

Louis Jean LOTTIER (La Haye-du-Puits, 1807 – Mont-Saint-Père, 1892) View of Cairo, Egypt Oil on cardboard Annotated on the back: Offered by L. Lottier / to Mr. Ch. Ginoux / 1852 / ...

Bocca Tigris, Chinese Export Trade, circa 1850 Qing Dynasty - one of a set of three Large circa 1850 Qing Dynasty view of Bocca Tigris, oil on canvas. Important early and excellent...

Artist/School: Frank Hider (1861 - 1933), signed, inscribed verso Title: Sunset on the waters Medium: oil on canvas, framed Framed: 21 x 25 inches Size:...

Signed and indistinctly dated lower right: William F. de Haas; on verso: South Coast of Block island

Painted from life, a subtle and colorful seascape. The South Ferry runs across the Peconic Bay, from North Haven, Sag Harbor, to Shelter Island. A humble spot in New York's famous Hamptons. Signed: Angel Ramiro Sanchez Angel Ramiro Sanchez was born in 1974 in Maracaibo, Venezuela. At age six was accepted with full scholarship into the Instituto the Niños Cantores del Zulia, school for musically gifted children. At age fourteen he began five years of apprenticeship with the realist painter, Abdon J. Romero, an eminent specialist in murals for churches and public buildings. In 1993, a study grant from Mgr. Gustavo Ocando Yamarte, Founder the Niños Cantores, enabled him to travel to Florence, Italy, where he studied at the renowned Accademia di Belle Arti, graduating Magna Cum Laude in 1997. At the same time, he was enrolled at The Florence Academy of Art,founded by painter Daniel Graves, where he received a diploma in Painting. Ramiro was appointed senior painting instructor at The Florence Academy of Art in 1997, and is currently Director of the Advanced Painting Program. Ramiro paints only from life, searching for accuracy beyond physical appearance to reach the psychological state of his subject. He believes the painter must draw his information from "all five senses" to tell the complete human story. Ramiros work is predominantly represented by th e Grenning Gallery in Sag Harbor, New York, but also Scriba Gallery, venice, Italy, Jack Meier Gallery, Houston, Tx. Ramiros works can be found in numerous private collections in Europe, The United States and South America. Public collections include: The Fondazione Stelline, Milan, Italy. The Fremantle Foundation for Foreing Artist in Tuscany at Villa Peyron, Florence, Italy and The Muscarelle Museum of Art at the College of William and Mary, Williamsburg, VA. USA. He shares his life and passion for art with his wife, the artist Melissa Franklin-Sanchez. Education 1993-1997 Florence Academy of Art, directed by Daniel Graves, Florence, Italy. 1993-1997 Accademia di Belle Arti di Firenze Graduated Magna Cum Laude, Thesis: Historic and Technical Notes of Academic Realism Today. 1995 Florence, Italy: Michael John Angel...

The prow of a fishing boat is bathed in the warm hues of the sunset, creating a dreamlike scene at the harbor. The golden light gently caresses the vessel, highlighting its details a...

It is infrequent, to say the least, that a diagnosis of tuberculosis proves fortuitous, but that was the event, in 1921, that set Paul Starrett Sample on the road to becoming a professional artist. (The best source for an overview of Sample’s life and oeuvre remains Paul Sample: Painter of the American Scene, exhib. cat., [Hanover, New Hampshire: Hood Museum of Art, 1988] with a detailed and definitive chronology by Sample scholar, Paula F. Glick, and an essay by Robert L. McGrath. It is the source for this essay unless otherwise indicated.) Sample, born in Louisville, Kentucky, in 1896 to a construction engineer and his wife, spent his childhood moving with his family to the various locations that his father’s work took them. By 1911, the family had landed in Glencoe, Illinois, settling long enough for Paul to graduate from New Trier High School in 1916. Sample enrolled at Dartmouth College, in Hanover, New Hampshire, where his interests were anything but academic. His enthusiasms included the football and basketball teams, boxing, pledging at a fraternity, and learning to play the saxophone. After the United States entered World War I, Sample, to his family’s dismay, signed on for the Naval Reserve, leading directly to a hiatus from Dartmouth. In 1918 and 1919, Sample served in the U.S. Merchant Marine where he earned a third mate’s license and seriously contemplated life as a sailor. Acceding to parental pressure, he returned to Dartmouth, graduating in 1921. Sample’s undergraduate life revolved around sports and a jazz band he formed with his brother, Donald, two years younger and also a Dartmouth student. In November 1933, Sample summarized his life in a letter he wrote introducing himself to Frederick Newlin Price, founder of Ferargil Galleries, who would become his New York art dealer. The artist characterized his undergraduate years as spent “wasting my time intensively.” He told Price that that “I took an art appreciation course and slept thru it every day” (Ferargil Galleries Records, circa 1900–63, Archives of American Art, Smithsonian Institution, available on line). In 1920, Donald Sample contracted tuberculosis. He went for treatment to the world-famous Trudeau Sanitorium at Saranac Lake, in New York State’s Adirondack Mountains for the prescribed regimen of rest, healthful food, and fresh air. Visiting his brother in 1921, Paul also contracted the disease. Tuberculosis is highly contagious, and had no certain cure before the development of streptomycin in 1946. Even for patients who appeared to have recovered, there was a significant rate of recurrence. Thus, in his letter to Price, Sample avoided the stigma conjured by naming the disease, but wrote “I had a relapse with a bad lung and spent the next four years hospitalized in Saranac Lake.” The stringent physical restrictions imposed by adherence to “the cure” required Sample to cultivate an alternate set of interests. He read voraciously and, at the suggestion of his physician, contacted the husband of a fellow patient for instruction in art. That artist, then living in Saranac, was Jonas Lie (1880–1940), a prominent Norwegian-American painter and an associate academician at the National Academy of Design. Lie had gained renown for his dramatic 1913 series of paintings documenting the construction of the Panama Canal (The Metropolitan Museum of Art, New York; United States Military Academy, West Point, New York). Primarily a landscape artist, Lie had a particular affinity for scenes with water. His paintings, impressionistic, atmospheric, and brushy, never strayed from a realistic rendering of his subject. Sample regarded Lie as a mentor and retained a lifelong reverence for his teacher. Sample’s early paintings very much reflect Lie’s influence. ` In 1925, “cured,” Sample left Saranac Lake for what proved to be a brief stay in New York City, where his veteran’s benefits financed a commercial art course. The family, however, had moved to California, in the futile hope that the climate would benefit Donald. Sample joined them and after Donald’s death, remained in California, taking classes at the Otis Art Institute in Los Angeles. In Sample’s account to Price, “I couldn’t stomach the practice of painting a lot of High Sierras and desert flowers which seemed to be the only kind of pictures that were sold here so I got a job teaching drawing and painting at the art school of the University of Southern California.” Initially hired as a part-time instructor, Sample progressed to full-time status and ultimately, by the mid-1930s, to the post of Chairman of the Fine Art Department. Sample, however, did not want to wind up as a professor. “Teaching is all right in small doses,” he wrote, “but I have a horror of drifting into being a college professor and nothing more.” At the same time as he taught, Sample began to exhibit his work in a variety of venues at first locally, then nationally. Though he confessed himself “a terrible salesman,” and though occupied with continued learning and teaching, Sample was nonetheless, ambitious. In 1927, he wrote in his diary, “I am eventually going to be a painter and a damned good one. And what is more, I am going to make money at it” (as quoted by Glick, p. 15). In 1928, Sample felt sufficiently solvent to marry his long-time love, Sylvia Howland, who had also been a patient at Saranac Lake. The Howland family were rooted New Englanders and in summertime the Samples regularly traveled East for family reunion vacations. While the 1930s brought serious hardship to many artists, for Paul Sample it was a decade of success. Buttressed by the financial safety net of his teacher’s salary, he painted realist depictions of the American scene. While his work addressed depression-era conditions with a sympathetic eye, Sample avoided the anger and tinge of bitterness that characterized much contemporary realist art. Beginning in 1930, Sample began to exhibit regularly in juried exhibitions at important national venues, garnering prizes along the way. In 1930, Inner Harbor won an honorable mention in the Annual Exhibition of the Art Institute of Chicago. That same year Sample was also represented in a show at the Albright-Knox Gallery in Buffalo and at the Biennial Exhibition of the Corcoran Gallery of Art, Washington, D.C. In 1931, Dairy Ranch won the second Hallgarten Prize at the Annual Exhibition of the National Academy of Design, in New York. Sample also made his first appearances at the Carnegie Institute, Pittsburgh, and The Pennsylvania Academy of the Fine Arts, Philadelphia. In 1936, Miner’s Resting won the Temple Gold Medal at the Pennsylvania Academy’s Annual Exhibition. Always interested in watercolor, in 1936, Sample began to send works on paper to exhibitions at the Whitney Museum, New York. While participating in juried exhibitions, Sample also cultivated commercial possibilities. His first New York art dealer was the prestigious Macbeth Gallery in New York, which included his work in a November 1931 exhibition. In 1934, Sample joined the Ferargil Galleries in New York, after Fred Price arranged the sale of Sample’s Church Supper to the Michele and Donald D’Amour Museum of Fine Arts in Springfield, Massachusetts. In 1937, The Metropolitan Museum of Art purchased Sample’s Janitor’s Holiday from the annual exhibition of the National Academy of Design, a notable honor. As prestigious as this exhibition schedule may have been, by far Sample’s most visible presence in the 1930s and 1940s was the result of his relationship with Henry Luce’s burgeoning publishing empire, Time, Inc. Sample’s first contribution to a Luce publication appears to have been another San Pedro...

It’s such a “Great Gatsby” thing, owning the 100-foot-plus motor yacht, especially when proudly sporting on the bow a distinctive burgee representing membership in an exclusive yacht...

This beautiful seascape captures the serene beauty of shimmering water, with delicate boats gently floating on the surface, adding a peaceful, dreamlike charm to the scene. This pain...

Title: French Watercolor of Château d'Azay-le-Rideau with Riverside Details and Boat by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper, ...

Title: French Coastal Watercolour of Lighthouse and Fishing Boats with Pink Tinged Sky by Fanche Lel Signed: Yes Size: 9.25 inches (height) x 11.75 inches (width) Watercolor painting...

"Rocky Seascape" by Lemuel D. Eldred is a captivating painting that masterfully captures the raw beauty and power of the sea. Eldred, an accomplished 19th-century American marine art...

Low Tide Boats Simone Forge 1930's French Impressionist oil on board unframed board: 13 x 16 inches Provenance: private collection Condition: great condition For more any more in...

This contemporary landscape painting, "Sky Aglow", by artist Craig Mooney is a 40x60 oil painting on canvas featuring a vibrant sunset over a large body water. A line of sailboats ar...

Signed figures in landscape oil on board circa 1905 by Australian-American impressionist painter Richard Hayley Lever. The work depicts fishing vessels docked in the harbour in Douar...

Title: Vibrant French Seascape with Blue Fishing Boats, Seagulls and Evening Sky by Fanch Lel (French b. 1930) Signed: Yes Size: 8.25 inches (height) x 10.75 inches (width) Oil paint...

"Secret Beach" is an oil painting of a path towards the beach, and a lighthouse in the distance. Dunes make up the foreground, and a sandy path leads us to a body of water. Small painting with a vertical orientation. Signed "MKW" in upper right corner. Painting dimensions: 12 x 8 inches Framed dimensions: 14 x 10 inches Matthew Weigle...

Harbor Scene in Nice Tony Minartz (French, 1873 - 1994) watercolour on artist paper painting : 12.75 x 17 inches Provenance: private collection in the South of France, Condition: ...

Early evening light bathes a sailing boat in Northern California's Tomales Bay with rolling foothills in the distance, in this serene and calming painting ...

Title: French Watercolor of Le Port de Douarnenez Brittany at Sunset by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper Size: 11.5 x 15 (...

Signed lower left Image dimensions: 44cm x 59cm Framed dimensions: 62cm x 77cm Raymond's original works have been exhibited extensively throughout the United Kingdom, the United Sta...

Artist/ School: French School, 19th century, signed lower corner Title: Bringing in the Catch Medium: oil on canvas, framed Framed: 17 x 29 inches Canvas: 14 x 25.5 inches Prov...

This late 19th-century maritime painting by George Stainton captures the dramatic return of a fishing boat to harbor, skillfully portraying the power of the sea and the resilience of...

The frame isNicholas Matthew Condy (British, 1816–1851) Sailing Vessel off a Lighthouse, mid-19th century Oil on artist’s panel In this vivid coastal scene, a schooner heaves throu...

James Hardy (British contemporary, 21st century) signed oil painting on board, framed board: 8 x 10 inches provenance: private collection condition: overall very good

NOT STRETCHED. You'll receive it rolled, in a TUBE. Ready for stretching. I recommend stretching your painting in a local custom framing shop or gallery. It will be the most affordab...

Title: French Watercolor of Concarneau Port & Ville Close with Fishermen by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper Size: 11.25 x...

Oil on canvas

Title: French Impressionist Oil Painting of Blue Boats on a Breezy Coastal Shore by Fanch Lel (French b. 1930) Size: 9.75 inches (height) x 11.25 inches (width) Oil painting on paper...