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Jack M. Ducker (fl. 1910-1930) - Framed Oil, Fishing In The Valley

Early 20th Century

$700List Price

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P. Collins - Framed Early 20th Century Oil, Winter in St Petersburg
Located in Corsham, GB
Early 20th century, oil on canvas. A cold winter's view of St Petersburg with the dome of St Isaac dominant in the city skyline. Well presented in a wooden frame. Signed to the lower...
Category

20th Century Landscape Paintings

Materials

Oil

Hans Roeder - Framed 1936 Oil, Sheaves of Wheat
Located in Corsham, GB
This pastoral oil captures the golden warmth of a rural harvest scene, featuring prominently positioned wheat sheaves in a sun-drenched field. The artist's soft brushstrokes evoke a ...
Category

Early 20th Century Landscape Paintings

Materials

Oil

For Restoration Late 19th Century Oil - Country Cottage with Figures
Located in Corsham, GB
Sell for restoration- this charming 19th century oil by W. Yates. The scene depicts a calming rural landscape with farmer's cottage nestled amongst hedgerows. Several figures walk th...
Category

Late 19th Century Landscape Paintings

Materials

Oil

Mid 20th Century Oil - South American Townscape
Located in Corsham, GB
A bustling South American townscape with figures leaving Church. Unsigned. On canvas on stretchers.
Category

20th Century Landscape Paintings

Materials

Oil

Seiriol Davies - Framed Contemporary Oil, Coastal Farm, Pembrokeshire
Located in Corsham, GB
Impressionist scene in oil. Coastal Farm, Pembrokeshire. Signed and dated (2001) to the lower right. Well presented in a plain wooden frame. with further inscriptions by the artist's...
Category

21st Century and Contemporary Landscape Paintings

Materials

Oil

Framed 20th Century Oil - Track to the Mill
Located in Corsham, GB
Landscape in oil. Signed 'Gartland' to the lower right. Presented in a 20th century frame. On canvas board.
Category

20th Century Landscape Paintings

Materials

Oil

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Loch Awe & Walk to the sea, Set of 2, original painting, contemporary
Located in Deddington, GB
Oil on board - 2.5mm depth MDF. Varnished, unframed. Scottish scene painted whilst in Scotland over the summer. Additional information: Image size: Height: 20cm (7.87 in) Width: 30c...
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Figurative Coastal Landscape - British c 1850 Victorian art oil painting
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This interesting British 19th century coastal landscape oil painting is by noted Suffolk School artist Edward Robert Smythe. Painted circa 1850 it is a busy coastal landscape with fi...
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Cattle Grazing in a Wooded Landscape - British Victorian art oil painting
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Located in London, GB
This lovely British Victorian oil painting is by noted 19th century landscape artist Thomas Baker of Leamington. It was painted on 18th September 1854 as a special commission. The co...
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Village Scene Figures & Animals - British Old Master exh pastoral oil painting
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Shepherd with Animals in Landscape - Dutch Old Master art pastoral oil painting
By Nicolaes Berchem
Located in London, GB
This lovely Dutch Old Master oil painting is attributed to noted Dutch artist Nicholaes Berchem. Painted circa 1665 it is a charming pastoral scene of a shepherd and his animals including sheep, goats, donkey and cows and of course his trusty dog. They are all resting beneath trees while he looks on attentively. The light in the sky and the light and shadows on the animals is beautiful. A really superb example of Dutch Old Master art with great detail. Provenance. Surrey estate. Christies stamp verso. Condition. Oil on canvas, 38 inches by 32 inches and in good condition. Frame. Housed in a complementary gilt frame, 46 inches by 30 inches and in good condition. Nicolaes Pieterszoon Berchem (1620-1683) was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre pieces. He was a member of the second generation of "Dutch Italianate landscape" painters. These were artists who travelled to Italy, or aspired to, in order to soak up the romanticism of the country, bringing home sketchbooks full of drawings of classical ruins and pastoral imagery. His paintings, of which he produced an immense number, (Hofstede de Groot claimed around 850, although many are misattributed), were in great demand, as were his 80 etchings and 500 drawings. His landscapes, painted in the Italian style of idealized rural scenes, with hills, mountains, cliffs and trees in a golden dawn are sought after. Berchem also painted inspired and attractive human and animal figures (staffage) in works of other artists, like Allaert van Everdingen, Jan Hackaert, Gerrit Dou, Meindert Hobbema and Willem Schellinks. Born in Haarlem, he received instruction from his father Pieter Claesz, and from the painters Jan van Goyen, Pieter de Grebber, Jan Baptist Weenix, Jan Wils and Claes Cornelisz. Moeyaert. According to Houbraken, Carel de Moor told him that Berchem got his name from two words "Berg hem" for "Save him!", an expression used by his fellows in Van Goyen's workshop whenever his father chased him there with the intent to beat him. No trip or Grand Tour by Berchem was documented by Houbraken though he mentioned another story about the "Berg hem!" nickname which came from Berchem's conscription as a sailor; the man in charge of impressment knew him and sent him ashore with the words "Save him!". Today his name is assumed to come from his father's hometown of Berchem, Antwerp. According to the RKD he traveled to Italy with Jan Baptist Weenix, whom he called his cousin, in 1642–5. Works by him are signed both as "CBerghem" and "Berchem". In 1645 he became a member of the Dutch reformed church and married the year after. According to Houbraken he married the daughter of the painter Jan Wils, who kept him on a short allowance, but to finance his collection of prints he would borrow money from his pupils and colleagues and pay them back from the proceeds of paintings that he didn't tell her about. Around 1650 he travelled to Westphalia with Jacob van Ruisdael, where a dated piece showing Burg Bentheim is recorded. Maybe Berchem went to Italy after this trip and before he moved to Amsterdam - he is not clearly documented in the Netherlands between 1650 and 1656. Around 1660 he worked for the engraver Jan de Visscher designing an atlas. In 1661-1670 he is registered in Amsterdam and in 1670 he moved back to Haarlem, but was living back in Amsterdam by 1677, where he died in 1683. He was a popular teacher and his pupils were Abraham Begeyn, Johannes van der Bent, his son Nicolaes, Isaack Croonenbergh, Simon Dubois, Karel Dujardin, Johannes Glauber, Pieter de Hooch, Jacob van Huchtenburg, Justus van Huysum...
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