William Alfred Gibson

Quayside - Edwardian Scottish Glasgow Impressionist marine harbour oil painting

circa 1910

This superb Scottish Impressionist Royal Academy exhibited landscape oil painting is by noted Scottish Glasgow Boy artist George Henry. He influenced the Glasgow School towards a ric...

This Italian landscape is an oil on canvas, framed behind glass in its original gallery frame, by Susan Isabel Dacre. A superb painting, painted circa 1888. Dacre was an early member of the Feminist movement and a member of the Manchester arts community. She travelled with Lord Leighton and exhibited widely. This work shows influences of early British impressionism. The painting depicts an Italian landscape with a road sweeping around a hill with dwellings and trees. The brushwork and palette are superb. An excellent example of a 19th century women artists work. Signed lower left. Provenance. Family collection. Condition. Oil on canvas. Image size 13 inches by 10 inches. canvas in original excellent condition. Housed in an original gilt frame 20 inches by 17 inches approx. and in good condition. Susan Isabel Dacre (1844 – 1933) was an English female artist of the Victorian era. She was born in Leamington, Warwickshire, and was educated in Salford. For the decade of 1858–68 she lived in Paris. After a winter in Italy (1869), she returned to Paris, and was present during the Franco-Prussian War and the Paris Commune. She returned to England in 1871 and began studying art at the Manchester School of Art, where she won the Queen's Prize in 1875. She began a lifelong friendship with fellow artist Annie Swynnerton; the two women pursued their art studies in Rome and Paris between 1874 and 1880. Around 1872, Lord Leighton dictated notes and observations on his methods of painting and composing his pictures to Susan Dacre during a stay on the island of Capri. From 1877-1880 she was in Paris at the Académie Julian with a fellow - pupil Marie Bashkirtseff...

A superb Scottish Impressionist oil painting by Dr Robert Cecil Robertson who was a well travelled Scottish artist. This Stunning Chinese landscape oil painting depicts the canal landscape from circa 1922, now since developed. It is a rare and fine Soochow Suzchou historical record. Signed lower right RCR. Provenance. Scottish collection. Condition. Oil on canvas. Image size 24 inches by 18 inches and in excellent gallery condition. Housed in a gilt frame, 31 inches by 25 inches framed, in good condition. Dr Robert Cecil Robertson (fl 1920-1930's) was the husband of Eleanor Moore...

This charming British Edwardian oil painting is attributed to the circle of Tom Mostyn. Painted circa 1910 it is a wooded landscape with figures stopping to rest on a path bathed in ...

This lovely British Impressionist landscape oil painting is by noted Royal Academician artist Sir Walter Westley Russell CVO, RA. As a landscape painter he painted mainly in Yorkshir...

A stunning view of the Thames at Battersea which Whistler would have been proud of. A superb 1887 impressionist view of London with the river Thames and the barges and boats with bea...

This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...

"Houses And River" Signed A. Huntington (English School) Oil on canvas Measures: Canvas - 60x110 cm (Gilt Wood Frame - 76x126 cm) Private collection. Framed

Everyday fishermen life is captured in this wonderful Italian impressionist late 19th century oil painting on thin board titled fishermen ashore. We love the neutral and natural colo...

Pio Joris (Rome, 1843-1922). The Via Flaminia, a Sunday morning," 1869, with frame 160 x 83 cm. Signed P. Joris, Pio Joris attended the Istituto di Belle Arti in Rome and in 1861 h...

Pio Joris (Rome, 1843-1922). The Via Flaminia, a Sunday morning," 1869, with frame 160 x 83 cm. Signed P. Joris, Pio Joris attended the Istituto di Belle Arti in Rome and in 1861 he enrolled at the Accademia di San Luca, where he remained for just a year. On a visit to the 1st Esposizione Nazionale di Belle Arti of Florence in 1861 he was attracted by the naturalistic works from the Naples school. He came into contact with Domenico Morelli and Filippo Palizzi during a trip to Capri, Sorrento and Naples in 1866. In Rome, he kept company with Mariano Fortuny, whose painting, with its pleasant, captivating luministic effects, made a very strong impression on Joris. That was how he developed his own very personal artistic language, which went on to bring him remarkable commercial success on an international scale, helped by his collaboration with Paris art dealer...

"Afternoon in Abbazia" Oil on canvas on cardboard 34.5 x 60 cm Kolhammer & Mahringer Archive Leontine von Littrow WVLL No. 338 Literature: Barta, Dubrovic, Kolhammer & Mahringer Li...