Will Moses

"Turkey Trot, " Will Moses, Rural Folk Art, Autumn Landscape with Pumpkins, Fall

2012

Joseph Yoakum Andes Mountains Peru So America, circa 1960s Colored pencil and ballpoint pen on paper 7 1/4 x 10 1/2 inches Provenance: Karen Lennox Gallery, Chicago Private Collection, South Dakota Yoakum began drawing in the early 1960s. Most of his work consists of radiantly colored landscapes with mountains, water, trees, and winding roads in abstract and complex configurations. his period of greatest activity — 1965 to 1970 — when he usually made one drawing a day. Yoakum maintained he had seen all the places represented in his drawings, a statement that may not be true in some instances. He traveled a great deal, beginning in his early teens when he ran away from home and became a circus handyman. Yoakum’s drawings can be considered memory images growing out of either actual or imagined experiences. All of his drawings have titles that grew longer and more specific over the years. He dated his works with a rubber stamp — an oddly impersonal, labor-saving device. Although Joseph Yoakum gave vastly different accounts of his background, he was, throughout his life, classified as an African American. Sometimes Yoakum claimed that he was a full-blooded ​“Nava-joe” Indian, one of twelve or thirteen children born to a farmer on an Indian reservation in Window Rock, Arizona. At other times he insisted that he was of African-American descent. He described his mother as a strong woman who was a doctor and knowledgeable in the use of herbal medicines. Yoakum’s family moved to Kansas City, Missouri, during his early childhood. His father was employed briefly in the railroad yards prior to settling permanently on a farm in nearby Walnut Grove...

Guy C. Wiggins (1883 - 1962) Locomotive Train in Snowstorm, 1957 Oil on paperboard 8 x 10 inches Signed lower left; signed and dated on the reverse Guy Carleton Wiggins is best known for his impressionistic snow scenes of New York in 1920's. Wiggins lived in Old Lyme and Essex where he operated an art school. The Connecticut country-side was conducive to his impressionist technique of plein-air painting and broken brushwork.  Ironically, although his work includes many fine Connecticut landscapes, he is best remembered for some snow scenes of New York City. Like many other American Impressionists, Wiggins had one foot in the city and the other in the country (Vermont Hillside, South Londonderry).  Wiggins was born in Brooklyn, New York, went to England with his family as a boy, received an English grammar school education, and traveled widely abroad. He was the son of a prominent artist, Carleton Wiggins, a painter in the Barbizon style who studied with George Inness and admired Anton Mauve and Dwight Tryon...

Bruno Burattini Villa Piedimonte, Bologna, circa 1918 Inscribed verso Oil on board 13 3/4 x 18 inches

Frederick John Mulhaupt Gloucester Boats Signed lower left Oil on board 12 x 16 inches Born in Rock Port, Missouri, in 1871, Mulhaupt studied...

A really charming study of a ewe standing proudly in the foreground of an English rural landscape with a country church off in the distance. Painted in a naive yet very appealing sty...

A wonderful image painted in a naive style but with great flair and eye for composition. A most attractive piece. Joan Mostyn Lewis (born circa 1925 - 2012) Boggle lane, Claxby, Lin...

Early 20th century Folk Art Impressionist oil on board view of a farmhouse. Initial signed but artist unknown and dated 1924 to the bottom right. Presented in a really beautiful peri...

French Impressionist oil on board of a wooded landscape presented in a period carved wood gilt and patinated frame with trade label to the reverse for a gallery in Grenoble. A charm...