Fabric Nude Paintings

The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation o...

Impresionist woman nude figure

Europa. 2010. Oil on canvas, 120x120 cm Dagnia Cherevichnik (1974) Born in 1974 in Riga. Professional education: 1986-1993 – J. Rozentals Riga Art Secondary School; 1995 - 2001- LMA...

Modernist nude women in a fauvist landscape painting by Abraham Pariente. Oil on canvas, circa 1980. Signed lower right. Displayed in a modernist frame. Image size, 30"L x 22"H.

Summer. 2021. Oil on canvas, 70x70 cm Colorful bright artwork with two girls Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso. Works of artistic stone He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy. Nugzar's color preferences The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life. Source of inspiration Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties. Working style But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality. Exhibitions Nugzar Kakhiani...

America Martin "Woman with Dogs" Oil & Acrylic on Canvas 80 x 110 inches Exploring the identity of both her namesake and country, LA-based America Martin draws inspiration from her...

Woman with a glass.2019. Oil on canvas, 45x45 cm Normunds Braslinsh (1962) Born 1962 in Riga, Latvia 1980–1986 Latvian Academy of Art, Painting Department 1973–1980 Janis Rozentāls Riga Secondary School of Art Has participated in photo exhibitions since 2002 A professional photographer for art editions since 1989 Has participated in exhibitions since 1980 Pedagogical Experience Since 2004 Professor at the Latvian Academy of Art 1998 Associate Professor at the Latvian Academy of Art Since 1997 a teacher at the Master Studio of Figurative Painting, Latvian Academy of Art Since 1988 a teacher at the Drawing Department, Latvian Academy of Art Solo exhibitions 2008 Normunds Brasliņš...

An early work by the artist depicting a Nude posing atop a totem. ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking ...

Out of sight 1 2006, canvas, mixed media, 180x140 cm Juris Utāns (1959-2022) was a Latvian painter. Worked in the field of critical realism, social...

Ashit Sarkar - Untitled - 20 x 15 inches (unframed) Acrylic on Canvas Inclusive of shipment in roll form. Style : Women have a special place in ...

The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation o...

Vintage American modernist surreal painting. Oil on canvas, circa 1990. Signed. Image size 20L x 24H. Framing is available.

Gustl Stark (1917 Mainz - 2009 ibid.), Small Nude, 1946. Oil on canvas, marouflaged, 54 x 25 cm (picture), 30 x 60 cm (frame), signed "Stark" top left, verso twice signed "Gustav Stark", inscribed by hand as "Small Nude" and dated by hand "1946". With label of the exhibition of the Bundeshaus Bonn from 1956. - Rubbed area in the lower third of the body, at the same level a retouch in the ochre background. I provisional frame. - Abstract Figurativity - About the artwork During the war, Gustl Stark suffered a particularly severe blow for an artist: he lost his right arm. Nevertheless, he continued to devote himself to art, and the painting, created in 1946, immediately after the end of the Nazi reign of terror, testifies to the dawn of a new era. At the same time, the work is a rare example of the artist's early figurative work, as Stark turned entirely to abstract painting as early as 1950. And even this painting is by no means purely figurative; rather, it already illustrates Stark's turn toward abstraction. We see a female nude, but one that remains faceless. This can be read symbolically and in relation to the immediate past epoch, which, in the face of horrors, silences and blinds - literally renders faceless. In this sense, the figure is positioned to 'look back'. But she does not look. While this meaning may resonate and make the painting an important work of the immediate postwar period, Gustl Stark is primarily concerned with something else here, namely art itself. The absence of the face leads to the body becoming something flat. Due to the de-individualization, we do not see a concrete person with his individual features, but a body surface. And indeed, the body is constructed through an extremely planar design. Even the contour lines that form the corporeality have a planar rather than a linear character, especially where they merge into shadow zones of almost the same color. And the surfaces themselves are not modeled. The incarnate parts do not show any plastic gradations; the corporeality is completely withdrawn into the plane, which is also true for the hair. In addition, there is no uniform background against which the figure could appear; rather, the area next to the hair is kept bluish, creating a succession of earth-toned colored areas, which again binds the figure to the surface. Last but not least, the flatness is also forced by the painting technique. Gustl Stark paints directly, a la prima, onto the coarse canvas, whereby the structure of the painting support remains visible in the picture, and in places - around the hair, for example - the canvas itself can be seen. This structural all-over lends the picture a certain flatness. Gustl Stark thus uses the very motif that stands for the corporeality of art par excellence - the female nude - to transform the spatiality of the traditional picture into a flatness characteristic of modern art. And yet, a strong impression of corporeality is created, without being produced by a painterly modeling of the body. The oscillation between flatness and corporeality creates the intense tension of this groundbreaking painting. In Gustl Stark's oeuvre, as a consequence of the abstraction we see here, the figurative is completely stripped away in a further step, which is also a loss when looking at this early key work. About the artist Gustl Stark was the son of a woodcarver and, after an apprenticeship as a decorative painter, attended the State School of Arts and Crafts in Mainz from 1936 to 1937. Although he was severely wounded in the war and lost his right arm, he studied at the Würzburg School of Painting and Drawing from 1943-1944 and then at the Academy of Fine Arts in Nuremberg from 1944-1948. He won a state scholarship at the state art competition in Bad Ischl. Numerous study trips to Sylt, Paris, Switzerland, Austria, Italy, Holland and Belgium followed. Gustl Stark worked in Mainz and was the first artist there to focus on abstract painting. His work quickly gained international recognition, including the Salon Réaliés Nouvelles in Paris. From 1963-1970 he taught at the State University Institute for Art and Work Education in Mainz and from 1970-1975 at the Johannes Gutenberg University. Gustl Stark became particularly famous for his color embossed prints, for which he invented his own technique. Gustl Stark received numerous awards for his work. He received the Art Prize for Painting of the City of Mainz in 1962, the State Prize of Rhineland-Palatinate in 1984, and the Gutenberg Bust of the City of Mainz in 1987. Selected Bibliography Hans Vollmer (Hrsg.): Allgemeines Lexikon der bildenden Künstler des XX. Jahrhunderts, Vierter Band, Leipzig 1958, S. 344. Hans H...

Title: Man Emerging from the Water Artist: Joan Bennàssar (Pollença, Mallorca, 1950) Medium: Oil on canvas Dimensions: 100 x 81 cm Signature: Signed “Joan Bennàssar” in the lower lef...

By Gustav Likan 24" x 30" Oil on Canvas

Wout Muller (June 18, 1946 – January 24, 2000) was a Dutch painter and graphic artist known for his detailed, often surrealistic works filled with symbolism and fantasy. Born in Hilv...

Antique oil painting, Bruno Jüttner, nude of a North African young lady Rare half-nude by the well-known German painter. Age-related condition. A pressure mark in the center left....

Was born in 1993 in the city of Marganets, Ukraine. Artist Gorbachenko Multiple participants of group and solo exhibitions and Art Fair Vilnius. The artist's works are in private col...

Artist/ School: Robert Bouille (French 1926-2021) This artist of Var origin studied at the Ecole des Beaux-Arts in Paris in the sculpture section befor...

This is a one of a kind original oil and acrylic neoclassical painting depicting biblical Eve, by Southern California artist, Gina Palmerin. Its dimensio...

Midsummer Night’s Dreamers and Midsummer Ballet Suite diptych Overall size cm : H60 x W80 MIDSUMMER NIGHT’S DREAMERS A dancer looks upwards towards the sun as her fellow dancers s...

Linda Stein, Figurations 360.083 - Signed, Acrylic on Canvas, Colorful, Nude Painting Linda Stein's Figurations series are early paintings she made in the 1970s. They show the artis...

“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...

"Woman's Thought" is a figurative Painting by the impressionist Maestro Dmitriev Alexey Olegovich. About the artwork: TECHNIQUE: oil paint...

Oil Painting of a Love and Sacrafice by Cuban Artist Jesus Nordarse. Oil on Canvas. 18 x 18 inches. THE MAN: Jesús Nodarse Valdés was born in Sagua la Grande, Cuba in 1973. He studi...

Betsy Podlach (American, born 1964) "Young Woman with Birds" 2021 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. About the Artist: Betsy Podlach is a ...

Flowers. 1996, oil on canvas, 69x57 cm In 1958 he graduated from the Riga Art School of J. Rosenthal, in 1964 Art Academy of Latvian State, painting department, Head of the diploma work "Working in the forest" E. Kalninsh. He participated in the exhibition since 1966. Member of Artists Union of Latvia since 1970. From 1993-2000 member of the Association "B13". He worked as a teacher at the Riga 19th school and in the 17th evening high school (1961-1965), in the Riga Art School of J. Rosenthal (1965-1981), worked at the Arts Academy of Latvia since 1981 - in charge of Department of Painting (1993- 1998), professor since 1993. From 1997- 2000 Professor at the Evangelical Lutheran Christian Academy of Latvia. At the end of the 60s, in the 70s painted many figurative compositions of the historical genre. Reborn impression of cubism, painted still lifes and landscapes. Paintings by Janis...

Acrylic paint on canvas Unique work Hand-signed by the artist lower left THE THOUSAND AND ONE NIGHTS OF MOHAMMAD ARIYAEI " Gentleness and oriental wisdom follow the supercharged bubbling to which we were accustomed from the previous deliberately art brut exhibition by Mohammad ARIYAEI. The Iranian painter's imagination moves serenely from the wildest frenzy to the meditative calm of great, fabulous stories. The artist then took pleasure in pouring the volcanic torrent of his barbaric figures onto the delicate latticework with which he is accustomed to lining his backgrounds with the patience of an illuminating monk. Already sweetness and paroxysm coexisted. Now gentleness wins. The trained imagination of the painter, yet spontaneously bubbling, by instinct as much as by erudition, has no difficulty in reconnecting with the abundant oriental tradition of the thousand and one nights, which, like a long underground river, resurfaces at the light of his painting. Spring renewal of traditions still alive. Systematic filling of space, a sort of oriental version of the Riches Heures du Duc de Berry...

Genre: Israeli Subject: Abstract Medium: Oil Surface: Canvas Dimensions: 24" x 20" Bezalel (nicknamed “Lilik”) Schatz was an Israeli artist, son of Boris Schatz, founder of the Bezalel School of Arts and Crafts in Jerusalem. Born in 1912 to Boris Schatz, and his wife Olga, an art critic. From an early age, he demonstrated considerable talent for gymnastics and music, but especially for art. He grew up in a home in which artists were a constant presence, he was introduced to Israel’s most prominent leaders, and the first public exhibition of his artwork coincided with his Bar Mitzvah celebration. He attended the Gymnasia in Jerusalem and at age 14 completed his studies at the Bezalel School. In 1930, Bezalel joined his father on a fundraising tour of Europe and the United States, where they also exhibited their artwork and that of Bezalel students. Following his father’s death in 1932, Bezalel left Israel for a period of about two decades. He spent the first four years studying at the Grand Chaumiere Academy in Paris. There, given the fairly conservative artistic views he had acquired at home and school – where modernism was denounced – he had to pave his own way as an artist among his peers. Between 1937 and 1951, Bezalel resided in the U.S. Near the end of WWII, he worked in a California shipyard, and it was there he met his future wife, Louise. He was also introduced to the novelist Henry Miller in California, and their friendship blossomed into a creative collaboration. The artist May Ray...

Contemporary, Pop, Surrealistic, Figurative, Nude

The painting from Innocent collection of Ms. Alemeh Bagherian, portrays a young woman with a solemn, introspective expression against a bold red background. Her body is adorned with ...

Modern abstract figurative painting by Houston, TX artist Margaret Nobler. The work features a central seated female nude set against a bold red and gr...

The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation o...

Title: City Of Dreams Medium: Oil on canvas Size: 31 x 23.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent ...

The Greek myth of Medea, the enchantress who helped Jason, leader of the Argonauts, obtain the magical Golden Fleece, is a classic story of betrayal and vengeance. Like many Greek myths, this one too has a tragic ending. She was of divine descent and had the gift of prophecy and married Jason. Theirs's was a passionate beginning but when Jason found another, Medea made the ultimate sacrifice by killing the children the two shared. Jason, Medea and the Golden Fleece is one of the oldest myths of a hero's quest. Gibbons portrays the hero as a bare-chested god with a halo of roses and gold. The Heroine is portrayed with a golden crown and an aura of golden rays surrounding her. His soft features and partially opened lips and her sultry gaze add to the sensuousness of their passionate love affair. The paintings are framed in a simple walnut wooden frames measuring 21.5 x 17.5 inches each. Richard Gibbons Jason and Medea...

Abstract work COMES FRAMED simple wood, app 1.5" deep. Cubism Style Post Modern About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk fr...

Susan Kiefer Aphrodite (Amazon After the War) Oil on Canvas Year: 2019 Size: 48x48x1.35in Signed, dated and insribed by hand COA provided Ref.: 924802-1658 Nude Aphrodite in neutra...

Signed verso. Based in New York, John MacConnell received his BFA from the Maryland Institute College of Art in Baltimore and his MFA from the School o...

Alex Amann’s oeuvre contains a variety of genres, which are, however, well-coordinated through their design. He devotes himself to still life as well as to landscape painting and fig...

Linda Stein, Figurations 360.078 - Signed, Acrylic on Canvas, Colorful, Nude Painting Linda Stein's Figurations series are early paintings she made in the 1970s. They show the artis...

Oil on canvas ABOUT the artist: Audrey Frank Anastasi is a prolific feminist artist, working in painting, drawing, collage, mixed media, & printmaking. She is also curator, gallerist, educator and arts advocate. Most of Ms. Anastasi's figurative works are painted with her non-dominant left hand. She has created large bodies of works of birds, animals and birch trees. She has had 20 solo & 200 group shows. Her "ref-u-gee" series will be shown in 2020 at Medgar Evers College in collaboration with the Valentine Museum of Art, Brooklyn. Accompanying the show will be a limited-edition monograph w/ over 180 images and a foreword by Phyllis Braff. Ms. Anastasi's collage series was exhibited at Welancora Gallery, Brooklyn, in May, 2019. In 2018, ten paintings were exhibited in "Painting to Survive," curated by Yale critic Jonathan Weinberg. Book and catalog publications include "Stations of the Cross", SPQR press, BREUCKELEN magazine, “Audrey Frank Anastasi”, catalog essay Cindy Nemser, and "Collage," essay by Giancarlo T. Roma. Public art includes a portrait of Jo Davidson...

Baes Emile Brussels 1879 – 1953 Paris Belgian Painter Female Nude Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image size 65 x 54 cm Biography: Baes Emile was b...

Was born in 1993 in the city of Marganets, Ukraine. Artist Gorbachenko Multiple participants of group and solo exhibitions and Art Fair Vilnius. The artist's works are in private col...

Was born in 1993 in the city of Marganets, Ukraine. Artist Gorbachenko Multiple participants of group and solo exhibitions and Art Fair Vilnius. The artist's works are in private col...

Walter Strobl opens a new chapter in his explorations of the neverending tension between stillness and movement. Strobl´s vibrant nudes capture women in movement: they are there and gone again, letting the pictoral space pulsate with both the presence and absence of the outlines of their bodies. He paints women with a keen interest in the lived experience of the body, avoiding clichees in his depictions. The viewer is excluded from this inner sensation, but it is precisely the privacy of the model`s slumber that permits us to revel in our own proprioception. His cityscapes and still lives tell their...

It is a work that uses an intense color palette to explore the connection between nature and humanity. The central tree is captured, imposing and majestic. Green leaves suggest life ...

An early work by the artist one of his early female themes. It is signed and dated bottom left and is on heavy duty stretcher bars that do not need framing

Acrylic paint and charcoal on canvas Unique work Hand-signed by the artist THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly ...

Narrative, colorful and surreal fantasy of a room interior. The image incorporates many of the recurring symbols in the artist's work such as hearts fe...

Walter Strobl opens a new chapter in his explorations of the neverending tension between stillness and movement. Strobl´s vibrant nudes capture women in movement: they are there and gone again, letting the pictoral space pulsate with both the presence and absence of the outlines of their bodies. He paints women with a keen interest in the lived experience of the body, avoiding clichees in his depictions. The viewer is excluded from this inner sensation, but it is precisely the privacy of the model`s slumber that permits us to revel in our own proprioception. His cityscapes and still lives tell their...

The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation o...

Michele's paintings are about the timeline of human life, and its effect on art. For the last 15 years, Michele has been deconstructing the subject matter. In as much as she enjoy ...

Was born in 1993 in the city of Marganets, Ukraine. Artist Gorbachenko Multiple participants of group and solo exhibitions and Art Fair Vilnius. The artist's works are in private col...

The Room #4 is the 4th work in "In The Room" series by contemporary artist Katya Tsareva. In this series the artist continues to analyze the difficult re...

"Antiquity News" Painting 39" x 47" inch by Yevhenii Shapovalov ATT: SHIPS ROLLED IN TUBE ABOUT: Yevhenii Shapovalov is a highly talented Ukrainian painter and graphic known for h...

The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation o...

Practiced My Smile 2, 2017 Mixed media on canvas 48 x 30 inches Dafni Athanasopoulou (1993, Athens) is a painter and model on the rise. Devoted to the abstract arts, her paintings a...

The book of filling, 2024 by Les Panchyshyn Painting: Acrylic on Canvas 93 x 72 x 2 cm