Oil Nude Paintings

George Henry Hall (1825-1913). Cupids, 1875. Oil on canvas, 6 x 9.25 inches; 10 x 13.25 inches framed. Original frame with label verso. Excellent condition with no damage or restoration. Signed and dated lower right. Price on request Biography: Birth place: Manchester, NH Addresses: Primarily in NYC from 1852 Profession: Still-life, genre, portrait painter Studied: between 1849-52 in Paris and Rome; and Düsseldorf Royal Acad. with Eastman Johnson Exhibited: PAFA, 1853-68; Royal Acad., British Inst., Suffolk Street Gal., all in London, 1858-74; Brooklyn AA, 1861-81; NAD, 1862-1900; AIC, 1888; Boston AC, 1881, 1889 Member: ANA, 1853; NA, 1868; Century Assn. Work: MMA; BM; BMFA Comments: Best known for his still-lifes, he specialized in detailed and vividly colored fruit and flower...

Kristy Chettle (American, born 1968) "Reclining Nude" 2019 Oil Paint, Reclaimed Wood, Wire The artist signed the back of the painting. "Reclining Nude" is a captivating 28" x 65" oi...

Seated Nude Woman American Figurative School 1940s Mid-century American impressionist painting of a woman by American artist Frederick "Fred" Yost (American/Swiss, 1888-1968). He studied: at Mt. Union Col., Alliance, OH; American Students League, New York, and with Homer Boss, John Sloan, Robert Henri, R. Lahey. The painting gleans much form his studies with John Sloan and Robert Henri in the French post-impressionist style. Image 24"H x 18"W Frame, 30"H x 24"W x 1.5"D Signed "Yost" lower right Painter, lithographer, teacher, lecturer About Fred's life: by Hal Fry of the Herald “Fred Does Whatever He Likes” was a title given to a biography written about Fred Yost by Hal Fry of the Herald. The following is taken directly from this column: “Fred Yost’s living style is like his painting style. He has fun with it. Fred John Yost was born in Switzerland, he’ sure, on November 6, 1889, he thinks. His father John brought the family to his country when Fred was about a year old—first to New York and later to Canton, Sebring and finally Alliance, where Yost Sr. loaded freight for a railroad. Fred like drawing and painting so far back he can’t remember how or when it started—it was always that way. But through the public schools in Alliance he didn’t think of this as a career possibility. He wanted to be a newspaperman. He worked his way through Mt. Union College, finishing, he thinks, about 1912. Then he beat it for New York and after kicking around for a time got a job as a proofreader for the Wall Street Journal. He combined this and art school until World War I took him into the Army. In infantry, field artillery and ordnance duties he served with the 27th New York Division through St. Mihiel and the Argonne and the rest—in the process getting his hearing clobbered by blasts from his outfit’s own guns. Coming out a Sergeant in 1919, he went back to the Wall Street Journal briefly—then caught on as a staff artist for the (New York) Herald. For several years, when he felt like it, Yost would take a bus to the Mexican border and switch to a Mexican bus to carry him way down south, then make it any way he could to the places he wanted to see. On these trips he virtually becomes a peon, disappearing totally from those who know him—living with, like and clearly thoroughly liked by the people among whom he moves.” Yost was a graduate of the Art Students League and past president of the Ohio Watercolor Society. Fred Yost, a man who eminently loved the Mexican landscape, Exhibited: S. Indp. A., 1928, 1930-33; MMA, 1945; AIC; Butler AI, 1947-1951; Ohio WC Soc.; PAFA, 1948-1950; Akron AI, 1947-1951, 1958; Fla. Southern Col., 1952; Ohio Univ., 1950; Columbus Gal. FA, 1947-50; AWCS, 1958; Salons of Am.; 3 solo: Canton AI; Akron AI, Springfield Mus. A. Contributor to Ford Times, 1958-59. Awards: prizes, Massilon Museum, 1944; Ohio Watercolor Society, 1944, 1948; Indianapolis, Ind., 1944; Tri-State Pr. M., 1945, 1946; Butler AI, 1946; Youngstown Pub. Schools, 1946 (prize); Ohio Univ., 1950; Ethel Printz award, 1950; Fla. Southern Col., 1952; Akron AI, 1952, 1956-1958; Canton AI, 1961, 1963; medal, Phila. Pa., 1950 Member: Ohio Watercolor Society (president) Work: Massillon Mus.; Youngstown Pub. Sch. Coll.; Butler AI; Akron AI; Kennedy & Co., NY; Beaver Col., Beaver Falls, Pa.; Block Gal., Indianapolis; Prospect Park, NY; murals, Sioux City Steak House; Sioux City A. Center; City Hall, Sioux City; Akron AI; Evangelical Church, Akron; Rockefeller Center; Radio City, NY; Brooklyn Zoological Park. Affiliated with NYC Park Dept. Mural Projects. Comments: Came to U. S. in 1889. Position: teacher, Butler AI; Akron AI; instr., Akron AI, Akron, Ohio; cur. Historical House of Refuge...

"Reclining Nude" by Gustave Durand is a beautiful, classical French nude in the tradition of Carolus-Duran and the Académie Julian.

"Rémora 1" (2024) is a thought-provoking acrylic on canvas by Inés Silvalde, measuring 60 x 60 x 3.5 cm. The painting explores the metaphorical burdens we carry through life, symboli...

Soaking (original title: Remollo) is a contemplative figurative painting by Inés Silvalde, created in 2024 using oil on foam board. Measuring 30.6 x 30.6 x 2.5 cm and presented in a ...

Tranquil figurative portrait of a seated nude woman with brown hair and brown eyes by an unknown San Francisco bay area artist (American, 20th Century). Unsigned. Unframed.

"Fluorescent Fluid" (2023) is a striking acrylic on canvas by Inés Silvalde, measuring 73 x 100 cm. This contemporary figurative work presents a female nude captured in the intimacy ...

"Lift Off" is a stunning oil on canvas by Patsy McArthur, showing an underwater nude female swimmer surrounded by refreshing, cool turquoise green water. Scottish artist Patsy McArt...

"Challenging Conversation" by the talented artist Abdullateef Salaudeen is a compelling exploration of vulnerability, self-discovery, and the complexities of communication. The artwork features a young man in the act of pulling off his shirt, an action that transcends the physical realm and serves as a metaphor for the emotional layers being unveiled. Salaudeen's keen attention to detail is evident in the nuanced expression on the young man's face. The furrowed brow and intense gaze suggest a struggle, not only with the fabric of his shirt but also with internal conflicts and emotions. The artist masterfully captures the raw, unfiltered moments of personal challenge, inviting viewers to empathize with the subject's journey. The choice of title, "Challenging Conversation," adds depth to the narrative, suggesting that the act of removing the shirt symbolizes a dialogue within oneself—a confrontation with inner thoughts, doubts, or perhaps an attempt to shed societal expectations. The artist prompts viewers to contemplate the unseen narratives and untold stories that lie beneath the surface. Salaudeen's use of color and composition further enhances the emotional impact of the artwork. Subtle tones and careful shades of grey create a realistic yet painterly atmosphere, adding a layer of intimacy to the scene. The dynamic composition captures the transient nature of the moment, freezing the young man's struggle in time and inviting viewers to engage with the narrative at their own pace. "Challenging Conversation" resonates as a poignant exploration of the universal human experience, where moments of self-reflection and personal growth are often accompanied by internal dialogues that require courage and resilience. Abdullateef Salaudeen's work serves as a powerful reminder of the beauty found in vulnerability and the strength that emerges from confronting one's challenges. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity. (Issues by the Gallery) About Artist Abdulateef Salaudeen...

"Amore" (2024) is an evocative acrylic on canvas by Inés Silvalde, measuring 73 x 100 cm. The painting depicts a nude female figure holding a melting heart with delicate care, a symb...

Rizaldy Celi Jr. (Filipino-Vietnamese, American, born 1983) "Undeniable" 2024 Oil paint, Varnish, Canvas, Stretcher bars The artist signed the back of the painting. 'Undeniable' by ...