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Art Subject: Land
A Fabulous 1960s Mid-Century Modern Painting of an Embracing Couple, Lovers
Located in Chicago, IL
A Fabulous 1960s Mid-Century Modern Painting of an Embracing Couple, Lovers, by noted Chicago Artist, Rudolph Pen. A wonderful example of the artist's uniquely expressive, abstract...
Category
Mid-20th Century American Modern Nude Paintings
Materials
Masonite, Oil
"The Green Man" Contemporary Figurative Oil Painting
Located in Brecon, Powys
As one may infer from the alternative exhibition title, “Sleight of Hand”; things are not always as they appear at first glance. Figures levitate; tumblers perform unlikely feats of ...
Category
2010s Contemporary Figurative Paintings
Materials
Canvas, Oil
Descriptive 2 - Contemporary, Landscape, Nude, Trees, Green, Yellow, Blue, Water
Located in Baden-Baden, DE
Descriptive 2, 2013
Acrylic on canvas, (Signed, Front left lower end)
27.55 H x 19.68 W in.
70 H x 50 W cm
The artwork "Descriptive 2" was part of the solo show “Epic”. This exhibit...
Category
2010s Contemporary Landscape Paintings
Materials
Canvas, Acrylic
"Eve 11" (2024) By Quang Ho, Original Oil Nude Portrait Painting
By Quang Ho
Located in Denver, CO
Quang Ho's "Eve 11" (2024) is a beautiful impressionist nude portrait of a woman walking through a vibrant green forest.
About the artist:
Quang Ho was born on April 30, 1963, in H...
Category
2010s Impressionist Landscape Paintings
Materials
Oil
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Signed oil on canvas nudes in landscape circa 1910 by Belgian neo-impressionist painter Georges Lemmen. The work depicts nude bathers on a sunny beach beside the sea.
Signature:
Signed lower left with the cachet of painter
Dimensions:
Framed: 23.5"x24.5"
Unframed: 14.5"x15.5"
Provenance:
Olivier Bertrand (expert on the painter) has confirmed the authenticity of this work
Georges Lemmen was the son of an architect and studied under Amédée Bourson at the academy in St Joost-ten-Node. He was invited in 1889 to join the Group of Twenty ( Cercle des XX) which had been launched in 1884 by Oscar Maus and had in the interim emerged as an influential force in Belgian artistic circles, not least by bringing to public and critical attention the work of such artists as Georges Seurat and Paul Signac. The Cercle des XX would be reborn in 1894 as La Libre Esthétique.
In the early days of the Cercle des XX, Lemmen espoused a pointilliste technique. His earlier painting was clearly influenced by the Neo-Impressionists; over time, however, his style became more subtle and nuanced - recalling, perhaps, that of his compatriot Van Rysselberghe, another Cercle des XX member. With the group's rebirth as the Libre Esthétique, Lemmen's work became more intimiste in character, most notably in his portraits, nudes and still-lifes, where the influence of Bonnard and Vuillard is unmistakable, as is that of Renoir, particularly after Lemmen's travels in the Midi in 1911. From this point onwards, he would go on to make a major contribution to the renewal of the graphic and decorative arts in terms of his input to the new 'free' aesthetic and to Art Nouveau. Although his draughtsmanship retained its essential purity and elegance of line, his painting became more fleshy, imprecise and sensual, his compositions governed less by technical considerations than by the urgent need to express his emotions.
Between 1889 and 1893, Lemmen exhibited at the Salon des Indépendants in Paris, aligning himself with the Neo-Impressionists. In 1893, Henry van de Velde invited him to participate in the Pour l'Art association that had been created in Antwerp. He travelled to the south of France in 1911. By this juncture, he had already exhibited solo on two occasions (in 1906 and 1908) at the Galerie Druet in Paris. A further solo exhibition in 1913, his first in Brussels, cemented Lemmen's reputation.
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Signed and dated on verso
Provenance: Purchased as part of larger collection of artist's work
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Patricia Gren Hayes (American, b. 1932) is a Bay Area Figurative & Feminist Art Movement artist who studied at Winnipeg Public Art School in 1950. She received early recognition in Museum and Gallery competitions and exhibitions and was awarded a Special Education in Art recognition by the Winnipeg Museum of Fine Art, and was awarded a scholarship to the Banff College of Fine Art. Further studies were at The University of Manitoba.
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San Francisco Museum of Modern Art, 1976, 1977, 1978;
San Francisco Women Artists Gallery Exhibition, award winner - 1970, 1977, 1978;
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Capricorn Assunder Gallery, 1973;
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