William Etty

Academic Study (Male Nude)

Alkyd-oil on Masonite, signed and dated (middle left), 61cm (diam.), (83cm diam. framed). (This work was kept by the artist for his personal collection. It remained in his collection...

Oil on board, signed (lower left), 44cm x 59cm, (70cm x 56cm framed). The picture is good condition and the work comes directly from the artist. Painter, draughtsman and teacher, b...

Oil on board, 62cm x 42cm, (70cm x 50cm framed). The picture is in good condition. Plummer trained at the Royal Academy Schools in the early 1950s, championed by Stanley Spencer and Sir Herbert Read, he was the recipient of the coveted Leverhulme Scholarship. In a mixed career which included illustration work for The National Trust, anatomical illustration for Guys Hospital and teaching, painting ran parallel to his commercial work. Plummer specialised in the medium of egg tempera, as well as oil painting, a technique little used since the frescos of the Renaissance, he often worked on a large scale, but in tremendous detail, combining Classical iconography and formal composition with visual exploration evocative of William Blake and...

Oil on board, signed (lower left), 40cm x 56cm, (51cm x 67cm framed). The picture is good condition and the work comes directly from the artist. Painter, draughtsman and teacher, b...

Blue Nude, 1953 Oil on canvas Signed and dated upper right Edgardo CORBELLI (Turin, 1918 - 1989) From the traditional composition of the 1930s, the painting of Corbelli leads to tec...

Cynthia Bissell (American, 1924-2000) Changing Bear Maiden, 1962 Oil on canvas Signed and dated lower right 20 x 50 inches 26 x 56 inches, framed Cynthia Bissell was an American art...

"Sorrow" figuratif nude oil on linen canvas 82x60cm 2009 The sorrow leads the withdrawal on oneself, I staged the scarlet dress and the hair to accentu...

‘Security’ is a large framed contemporary surrealist figurative oil on canvas painting of vertical format, created by Vietnamese artist Dinh Y Nhi in 2010. Featuring a cold palette mostly made of grey and black tones, accented with blue and beige touches, the painting depicts a frontal view of a nude figure. This piece exemplifies Y Nhi's style of paintings as her success with two-colors; red, blue or black and white, addresses modern themes and issues devoid of gender. Her figurative surrealism style of stick figures is warped and elongated, stretched out of proportion. Each figure tilts and twists at painful angles. They bring to mind the famous harrowing faces in Edward Munch's ‘The Scream’, or the difficult distorted ones from the portraits of Francis Bacon. But most of the faces Y Nhi paints are miniature ones devoid of details, deceptively random and simple brush strokes. There is a playfulness that reflects the outer images the painter projects of herself. Her style also allows her to convey complex textures, and emotions, in her images. Dinh Y Nhi is a graduate of Hanoi's School of Fine Arts. Her work has been exhibited in many shows in Vietnam. She is receiving much notice among the Vietnamese press and art patrons in the United States, Australia and Asian countries. With its powerful presence and great proportions, this surrealist oil on canvas painting will be a definite conversation piece in any home, whether placed above a sofa, console table or enfilade. Set inside a frame, the painting is titled in the lower section. 1967: Born in Hanoi, Vietnam 1989: Graduated from Hanoi Fine Art University Exhibitions: 2011: Group Exhibition Art Asia Miami, Florida, AiBo Fine Asia Art 2011: Portrait, Dinh Y Nhi & Le Thiet Cuong...