Sir Thomas Lawrence

Charming work in the Regency style, mid 19th Century after Sir Thomas Lawrence. High quality painting. Old Christie's Stencil to verso.

A fine 19th century watercolour copy of the original, infamous portrait by Sir Thomas Lawrence. The painting is unsigned and presented in a fine burr wood veneer frame with wash-line...

A charming copy of Sir Thomas Lawrence's oil portrait of Miss Murray, commissioned by Sir George Murray, the Scottish soldier and politician, in 1826.

An accomplished watercolour study depicting Sir Thomas Lawrence's portrait of The Duchess of Argyll and Duchess of Sutherland sat together on a Palladian terrace. the artist has capt...

Portrait Of A Gentleman, early 19th Century circle of SIR THOMAS LAWRENCE (1769-1830) Large circa 1810 Regency era portrait of a gentleman, oil on canvas.

Watercolor etching “The Calmady Children”, original by Sir Thomas Lawrence, late 19th century - England Technique on support: Watercolor etching on paper Title of the work: “The Ca...

A finely detailed engraving by John Rogers after an 1801 painting by Sir Thomas Lawrence (1769-1830). The scene depicts the actor John Philip Kemble (1757-1823), one of the most succ...

Questo piccolo disegno (14,5x12 cm matita su carta; 42x37 cm con cornice in legno e velluto verde; ) può essere attribuito Sir Thomas Lawrence come riportato nell'etichetta sulla co...

Wonderful image after Sir Thomas Lawrence Fine Steel engraving. Published by FullartonC.1850 Unframed.

Painted in the Style of Sir Thomas Lawrence, This piece is most likely an outstanding copy painted by an Academy pupil or professional portrait artist ca. 1850.

Ink and watercolor over black chalk on paper. Sir Thomas Lawrence was the leading British portrait painter of the early 19th century, portraying most of the important personalities ...

This striking British 19th century portrait oil painting is attributed to the circle of Sir Thomas Lawrence. Painted circa 1820 it is the portrait of a seated gentleman in a brown hi...

A handsome Regency or early Victorian blue-eyed gentleman from the school of Sir Thomas Lawrence (1769-1830). The fashionably dressed young man sports a frock coat with a high collar...

This lovely British Old Master portrait oil painting is attributed to circle of Sir Thomas Lawrence. Painted circa 1820 it is a seated half length portrait of a beautiful lady in a b...

Housed in a gilt frame, 37 inches by 32 inches and in good condition. Sir Thomas Lawrence PRA FRS (1769-1830) was a leading English portrait painter and the fourth president of the ...

This lovely British Old Master portrait oil painting is attributed to circle of Sir Thomas Lawrence. Painted circa 1820 it is a seated portrait of a young girl in a white dress with ...

Early 19th Century Coloured Mezzotint – Lady Carrington after Sir Thomas Lawrence A finely engraved early 19th century coloured mezzotint of Lady Carrington, engraved by Charles Rol...

Sir Thomas Lawrence (1769-1830) PRA FRS was a leading English portrait painter and the fourth president of the Royal Academy.

Portrait Of A Lady Wearing a Turban, Reputed to be Lady Elizabeth Bulteel, circa 1820 School Of Sir Thomas Lawrence PRA, FRS (1769-1830) Circa 1820 English Regency portrait of a l...

Published by Hodgson & Graves, after Sir Thomas Lawrence, circa 1840. Gebhard Leberecht von Blücher, Fürst von Wahlstatt Graf (count), later elevated to Fürst (sovereign prince) von ...

Framed size is 44 inches by 36 inches and in good condition. Sir Thomas Lawrence (1769-1830) was a leading English portrait painter and the fourth president of the Royal Academy.

Etching engraved by H.T Ryall, from the original by Sir Thomas Lawrence, president of the royal academy.

Wyatt has executed this portrait with his notable skill and technique that was clearly influenced by his time spent learning under Sir Thomas Lawrence. Incidentally, this painting wa...

Housed in an ornate gilt frame, 37 inches by 32 inches and in good condition. Sir Thomas Lawrence (1769-1830) was a leading English portrait painter and the fourth president of the ...

Housed in an ornate gilt frame, 46 inches by 36 inches and in good condition. Sir Thomas Lawrence (1769-1830) was a leading English portrait painter and the fourth president of the...

Had no formal training but was mentored by Sir Thomas Lawrence. Born and died in Manchester, active in London 1823-1847.

The artist entered the Royal Academy Schools in 1812 and studied under the care of Sir Thomas Lawrence n 1815. It is easy to see the influence of the master within Wyatt's work.

Her portraits follow the tradition of Sir Thomas Lawrence but have a more fanciful and feminine character which is particularly noticeable in her portraits of children.

Elizabeth Hoague, Seattle. Thomas Sidney Cooper began his career in art upon the encouragement of Sir Thomas Lawrence, and the unrelated animal painter, Abraham Cooper.

The portrait is based on a likeness by Sir Thomas Lawrence, the foremost portrait painter of the British Regency period, whose depictions of Wellington helped define his enduring pub...

Johnson's drawing was done after a portrait of the actor by Sir Thomas Lawrence of 1801 (Tate Gallery, London), which was subsequently engraved in mezzotint in 1805 by S.

Frain signed and dated the picture and Byng would have been about 17 when this picture was painted, his father the 6th Viscount was friends with Sir Thomas Lawrence, another famous a...

In 1822 Gott was sent to Rome on a pension from Sir Thomas Lawrence, who described him in a letter of introduction to Antonio Canova as possessing "blameless Integrity & Worth".

He at length attracted the notice of Lord Lonsdale, and with his help he came in 1829 to London with an introduction to Sir Thomas Lawrence (1769–1830), and became a student at the B...

Distinguished portrait of King George III's daughter Sophia (1777-1848). Within a fine period frame possibly original. She wears a strand of coral beads around her neck and coiled ar...

His largest plate was an engraved portrait of King George IV after a painting by Sir Thomas Lawrence. Condition: Very good.

The portrait itself is based on a drawing by Sir Thomas Lawrence, one of the most prominent portrait painters of the Regency era, whose works immortalized the elegant figures of Brit...

They are closer to the flamboyant and free techniques employed by his younger rivals, John Hoppner and Sir Thomas Lawrence. Although capable of impetuousness and irascibility, Beeche...

Coutts / Saturday May 13th 1815' Collections: Sir Thomas Lawrence PRA, acquired from Fuseli’s estate; Susan Coutts, Baroness North and Countess of Guilford (d. 1837), acquired in ...

R.A. (1758–1810), one of the leading portrait painters of Georgian England. A rival of Sir Thomas Lawrence, Hoppner painted members of the royal family and many prominent figures of ...

Collections: Sir Thomas Lawrence, who acquired the contents of Fuseli’s studio; Susan, Countess of Guilford, née Coutts (1771-1837), acquired from the Lawrence estate; Susan, Baron...

In addition to his portraits he executed various subjects and historical works, such as Lavinia, Belisarius, his diploma picture "Prospero and Miranda", and the "Daughter of Jephthah...

They are closer to the flamboyant and free techniques employed by his younger rivals, John Hoppner and Sir Thomas Lawrence. Royal patronage resumed in around 1813, when Beechey was a...

Venus (1794) was produced during a highly creative and defining period of Richard Westall’s career and artistic development, when from 1790-95 the ambitious young artist was sharing ...

In 1807 he entered the Royal Academy School, studying under Henry Fuseli, and he also studied privately for a year under Sir Thomas Lawrence, whose influence for some time dominated ...

His own collection of drawings by Italian Old Masters he sold to Sir Thomas Lawrence, a close friend, for £8,000, and his print collection was also very fine.

The dictionary of English furniture makers 1660-1840, published by the Furniture History Society informs that Morant Snr. was a maker of carved and gilded frames from early in the re...

In the beginning of 1830 Wilkie was appointed to succeed Sir Thomas Lawrence as painter in ordinary to the king, and in 1836 he received the honour of knighthood.

A sofa designed by Robert Adam and made by Thomas Chippendale for Sir Lawrence Dundas for the Great Room at Arlington Street, London.

Charming work in the Regency style, mid-19th century after Sir Thomas Lawrence. High quality painting. Old 19th century Christie's Stencil to verso.

portrait of the Rev F Archer, Oxonian,Attributed to Sir Thomas Lawrence (1769-1830), oil on canvas, unsigned, original labels verso relating to a sale of the late George H Dodgson RA...

Antique print after painting by Sir Thomas Lawrence (1769-1830) portraying Lady Elizabeth Anne Burrell, Marchioness of Exeter.

This fabulous oil on board painting is described as a portrait of Elizabeth, Lady Croft (1754–1819) wife to / Sir Herbert Croft Bart painted after Sir Thomas Lawrence.

Unsigned, oil on canvas, now in a black frame. In the style of Sir Thomas Lawrence, this portrait likely depicts either HRH Frederick, Duke of York or Adolphus, the Duke of Cambrid...

Phillips RA, engraved by W Hooll for Fisher & Son, London, 1829 Richard Wellesley, Marquis wellesley, K.G. from the painting by sir Thomas Lawrence RA engraved by G Adcook for Fisher...

This is a beautiful large scale oil painting on canvas depicting three young angelic looking children, studio of artist Sir Thomas Lawrence and attributed to one of his pupils produ...

., the portrait-painter, but after about a year entered the studio of Sir Thomas Lawrence (president of the Royal Academy).