Skip to main content
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 11

Portrait of Vincent Van Gogh with Bandaged Ear and Pipe.

About the Item

Gouache and watercolour on corrugated cardboard after the famous self portrait by Vincent van Gogh with his fur hat, bandaged ear and pipe. This painting is by Jean Ducel who has played with the original image and background to give it an element of humour. Painted in 1889 Vincent van Gogh's self-portrait with bandaged ear and pipe is a striking depiction of a troubled master. The painting shows the artist in three-quarter profile standing in a room in the Yellow House wearing a closed coat and a fur cap. His right ear is bandaged, although it was actually his left ear that was bandaged, the painting being a mirror image. To his right is an easel with a canvas on it. In February 1888, Vincent moved to Arles to begin his dream of starting an artist colony, painting in the south of France in a more direct light. He loved the landscape, the light, and the people. The first step was finding a house and setting up a studio. He found that in a small yellow house on No. 2 Place Lamartine for 15 francs per month. Part two of the plan was getting another painter to stay with him and paint. The previous year, in 1887, Paul Gauguin moved to Paris where he met Vincent. Vincent's brother Theo, an art dealer was representing Gauguin and introduced the two. Vincent respected Gauguin and thought him the perfect painter to join him in Arles. With some convincing from Theo, Gauguin agreed and arrived on October 23rd, meeting Vincent at the door of the yellow house early in the morning. The painters got along well for weeks. They ate together, they drank together, and they painted together. In the small house they were together almost all of the time. Van Gogh and Gauguin both had an interest in Impressionism and painted the same subjects. They painted side by side, showing how two painters can show the same scene in different ways. Things didn't stay happy for long. Eventually, Gauguin was finding it hard to live with Vincent. Gauguin felt that they had accomplished a lot, and that his views on art were becoming increasingly different than those of Vincent. This situation was becoming stressful for both men. At times Vincent still showed affection to Gauguin, but at others he detested him. By December, Gauguin was thinking about leaving. He wrote to another painter "I'm staying for now, but I'm poised to leave at any moment." Finally, on December 23rd, Vincent asked Gauguin if he was planning to leave. When Gauguin said yes, Vincent was devastated. He tore out a sentence from a newspaper, stating simply "The Murderer took flight" and handed it to Gauguin. After supper Gauguin left the house to go for a walk. Barely out of the yellow house, he heard the footsteps of Vincent approaching. When he turned to look, he saw Vincent walking towards him with a razor in his hand. Vincent stopped, put his head down, and quickly returned home. The details of the rest of the evening are sparse, as van Gogh often awoke after his times of "madness" with little recollection of the previous events. From what we can gather from accounts from Gauguin, the police, and his brother Theo, Vincent returned home while Gauguin stayed in a hotel. Later that night, after 10:00 P.M., Vincent took a razor and cut off a portion of his left ear. The police would find blood all over the house, with blood soaked rags in the studio and bloody handprints along the wall leading upstairs. Vincent took the ear and wrapped it in newspaper. With a hat pulled down over his wound, he, with ear in hand, left the house to go to a "maison de tolerance", a brothel close to the house. There he asked for a girl named Rachel who he gave the ear to saying "Guard this object carefully." The next night when Gauguin woke up and started to return to the yellow house he saw the police in front with a crowd of onlookers surrounding. When the police found Vincent in his bed, covered in blood, they initially thought he was dead, perhaps by suicide. Gauguin felt the body and discovered that Van Gogh was still alive. He asked the police to wake him gently, and if Vincent asks for Gauguin, to say that he had returned to Paris. Vincent was taken to a hospital to recover, where he continuously requested to see or talk to his friend Gauguin. He still thought his friendship could be salvaged, and he was already planning new paintings. It seems an odd and harsh reaction for Vincent to cut off his ear. But Vincent van Gogh was deeply troubled and his mind made connections that appear mad. More than anything Vincent wanted the situation to work. He wanted a place where artists lived together, painted, talked about painting, and learned from each other. Van Gogh felt his idea was happening with the arrival of Gauguin. And then, he knew that he ruined it. He blamed himself for not being able to get along with Gauguin. Just as with past relationships, this too fell apart.
  • Dimensions:
    Height: 16.15 in (41 cm)Width: 12.8 in (32.5 cm)
  • Medium:
  • After:
    (After) Vincent van Gogh (Dutch)
  • Period:
  • Condition:
    Good condition bearing in mind the medium of corrugated cardboard.
  • Gallery Location:
    Cotignac, FR
  • Reference Number:
    Seller: LG/Ducel/VanGogh.1stDibs: LU1430215007972

More From This Seller

View All
18th Century Pastel Portrait of a Gentleman
Located in Cotignac, FR
Late 18th Century pastel portrait on paper of a bearded gentleman. Presented under glass in a fine period gilded carved wood frame. A cha...
Category

Late 18th Century Rococo Portrait Drawings and Watercolors

Materials

Paper, Pastel

19th Century Academic Crayon on Paper Study by Follower of Jacques-Louis David
Located in Cotignac, FR
A fine French academic study sketch on paper of a classical head. The work is unsigned but very much in the style of the period and its early exponents such as Jacques-Louis David. ...
Category

19th Century Portrait Drawings and Watercolors

Materials

Paper, Crayon, Pencil, Chalk, Pastel

French Art Deco Society Portrait, Beauty in a Hat. Pastel and Crayon.
Located in Cotignac, FR
A French art deco pastel portrait by Louis-Jean Beaupuy. The work is signed and dated bottom right. Presented in carved and gilded wood frame. Beaupuy has captured all the charm and...
Category

Mid-20th Century Art Deco Portrait Drawings and Watercolors

Materials

Paper, Crayon, Pastel

'Suzanne', Large Mid Century French Portrait Drawing by Gourdon
Located in Cotignac, FR
French, Mid Century, pastel and crayon portrait of an elegant young lady by Gourdon. Signed and dated bottom left. Trade label to the back board. Presented in period deep 'tray' frame. This seems to be an early work by the artist and hence it carries his name rather than his later more distinctive signature 'Aslan'. Alain Gordon was one of two brothers, his sibling Michel also went on to achieve notable success with his distinctive 'comic' style. Alain Gourdon...
Category

Mid-20th Century Portrait Drawings and Watercolors

Materials

Watercolor, Paper, Crayon, Pastel, Pencil

Early 20th Century Society Portrait , Grand Duchess Charlotte of Luxembourg
Located in Cotignac, FR
Early 20th century oil on board society portrait by French artist Rose Teitgen-Obeurer. Signed top left. A charming and characterful portrait of a fine lady...
Category

Early 20th Century Art Nouveau Portrait Paintings

Materials

Oil, Cardboard

Realist Portrait, Mid-Century Oil On Card, The Babushka. Oil.
Located in Cotignac, FR
Mid-Century realist oil on card of a peasant woman, dated 1963 to the reverse. Artist unknown. Presented in gilt and painted wood frame under glass. A charming, grounded painting of...
Category

Mid-20th Century Realist Figurative Paintings

Materials

Oil, Cardboard

You May Also Like

French Art Deco Woman Singing Gouache Painting
Located in Atlanta, GA
A lovely gouache on cardboard painting featuring an Art Deco singer with a typical stylish outfit. Utilizing the contrast of black and white components against primary colors like y...
Category

1930s Art Deco Portrait Paintings

Materials

Gouache, Board, Cardboard

1940's French Fashion Illustration - Chic Lady In Blue Detailed Dress
Located in Cirencester, Gloucestershire
Very stylish, unique and original 1940's fashion design by French illustrator Geneviève Thomas. The painting, executed in gouache and pencil. The s...
Category

Mid-20th Century Impressionist Portrait Paintings

Materials

Gouache

1940's French Fashion Illustration - The Stylish Lady With The Green Features
Located in Cirencester, Gloucestershire
Very stylish, unique and original 1940's fashion design by French illustrator Geneviève Thomas. The painting, executed in gouache and pencil. The s...
Category

Mid-20th Century Impressionist Portrait Paintings

Materials

Gouache

1940's Fashion Illustration - Stylish Blonde Lady In White Dress
Located in Cirencester, Gloucestershire
Very stylish, unique and original 1940's fashion design by French illustrator Geneviève Thomas. The painting, executed in gouache and pencil. The s...
Category

Mid-20th Century Impressionist Portrait Paintings

Materials

Gouache

1940's Fashion Illustration - Stunning Woman In Light Blue Dress
Located in Cirencester, Gloucestershire
Very stylish, unique and original 1940's fashion design by French illustrator Geneviève Thomas. The painting, executed in gouache and pencil. The s...
Category

Mid-20th Century Impressionist Portrait Paintings

Materials

Gouache

1940's Fashion Illustration - Lady In Dashing Green Ball Dress
Located in Cirencester, Gloucestershire
Very stylish, unique and original 1940's fashion design by French illustrator Geneviève Thomas. The painting, executed in gouache and pencil. The sketch is original, vintage and me...
Category

Mid-20th Century Impressionist Portrait Paintings

Materials

Gouache

Recently Viewed

View All