Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 10

Émile Jean-Horace Vernet
“Orientalist Portrait of an Arab Man” Jean-Horace Vernet (French 1789-1863)

About the Item

“Orientalist Portrait of an Arab Man” Half-length, turned to the left, oval Jean-Horace Vernet (French 1789-1863) Circa 1830s Watercolor heightened with touches of white on paper Signed with initials 'H.V.' lower left Ex. collection Dr Simon Lee Horace Vernet was born in Paris in 1789 and was predestined for art by his family heritage of well-known and accomplished artists. Vernet was France's foremost painter of land and seascapes, he was casually trained by his father, Carle Vernet, and his grandfather Joseph Vernet. A child prodigy, having become a professional by his teens he was spurred by financial needs to exploit his phenomenal natural gifts arising from his early marriage in 1811. A torrent of saleable work soon poured from his studio: fashion designs, caricatures, portraits, and landscapes. In 1814 he was among the civilian defenders of Paris against the approaching allied nations, an episode he later represented in La Barrière de Clichy (1820, Louvre). In the early years of the Restoration, his studio became the meeting place of artists and veterans, filled with political intrigue, openly hostile to the Bourbon government. Much to that government's irritation, he flaunted his cult of Napoleon and found a patron in Louis-Philippe, duc d'Orléans, head of the disaffected cadet branch of the dynasty. A resolute modernist but little affected by romanticism, he befriended Gericault and was one of the Pioneers of lithography. In a series of battle scenes from the Revolutionary and Napoleonic Wars, Jemmapes, Montmirail, Hanau, and Valmy, painted for the duc d'Orléans in 1821-1826 (National Gallery, London), he gave a foretaste of what was to become his specialty. Paintings he created were seen to be rather conciliatory to the government, which were gratefully received. These pieces began producing positive and prompt results. In short order thereafter, he was made an officer of the Legion of Honor (1825), a member of the Institute (1826), and after successes at the Salons of 1826 and 1827 was appointed director of the French Academy in Rome (1829). During his seven years there, he displayed an agile versatility with paintings of Italian popular life (The Brigand's Confession), oriental subjects (The Arab Storyteller), and historical anecdotes (Encounter of Raphael and Michelangelo in the Vatican). The Revolution in July 1830, which raised Louis-Philippe, Vernet's patron, to the throne, opened vast opportunities of official employment to him. The rapid flow of state commissions for battle pieces that now came his way taxed even his prodigious facility. Four very large canvases for the Galerie des Batailles at Versailles, shown at the Salon of 1836, were followed by a second series in 1841. Accepting his calling as that of a painter of modern national subjects, specifically of scenes of combat, Vernet conceived of his work as a form of eyewitness reportage that required observation at the actual theaters of war. In five long visits to North Africa (1833, 1837, 1839-1840, 1845, 1853), he gathered on-the-spot documentation of the French conquests in Algiers and Morocco, material that he later worked up into wall-size canvases destined for Versailles. Louis-Philippe's overthrow by the Revolution of 1848 and the advent of Napoleon III in 1849 scarcely affected his activity. The year 1850 found him at the French siege of Rome; in 1854 he visited the battlefields of the Crimea. He had in the meantime enjoyed the lucrative patronage of Czar Nicholas I during two long visits to Russia in 1836 and 1842-1843. The Universal Exposition of 1855, at which he was represented by twenty-four paintings, crowned his popular and official success. His reputation among artists and critics, on the other hand, was not uncontested. Baudelaire scathingly referred to him as "un militaire qui fait de la peinture," and while his painstaking factuality and the sheer magnitude of his production commanded respect, the prosy shallowness of his realism, his stylistic banality, and the stridency of his chauvinism were early noted and contributed to the eventual neglect of his work. At the time of his death in 1863, Vernet, a member of thirty academies, was nevertheless France's most famous artist, admired and imitated throughout Europe and deeply embedded in popular culture. Public collections include briefly; Rijksmuseum, MFA Houston, Krakow, LACMA, Cleveland, Met, British, Getty, Baltimore, etc...
  • Creator:
    Émile Jean-Horace Vernet (1789 - 1863, French)
  • Dimensions:
    Height: 18 in (45.72 cm)Width: 14 in (35.56 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    This painting is in very fine condition. Beneath the linen mat, is the original passepartout cut mat with lines created with ink made from walnuts.
  • Gallery Location:
    SANTA FE, NM
  • Reference Number:
    1stDibs: LU1408216155422

More From This Seller

View All
MId Century Animal Portrait: "Rooster" Pierre Bosco (1909-1993)
By Pierre Bosco
Located in SANTA FE, NM
"Rooster" Pierre Bosco, (1909-1993) Gouache on paper 10 x 9 (18 x 14 frame) inches Pierre Bosco showed an interest in art at an early age. His commitment and dedication to painting...
Category

1960s Expressionist Animal Paintings

Materials

Paper, Gouache

"The Bather" Eugène Bégarat (French, 1943)
By Eugène Bégarat
Located in SANTA FE, NM
"The Bather" Eugène Bégarat (French, 1943) Gouache 11 1/2 x 9 1/2 (21 x 19 frame) inches Eugène Bégarat was born in 1943. At the age of seventeen, Bégarat entered the School of Dec...
Category

20th Century French School Figurative Paintings

Materials

Gouache

Orientalist "Moorish Soldier Holding a Rifle" Manuel Garcia Hispaleto
Located in SANTA FE, NM
"Moorish Soldier Holding a Rifle" Manuel Garcia Hispaleto (Spanish, 1836-1898) Watercolor on paper Signed lower left "MGHispaleto" Original wood frame with gilded stucco 18 3/4 x 12 1/2 (33 1/2 x 26 frame) inches Manuel García Hispaleto, originally Manuel García y Martínez (22 November 1836, Seville -26 December 1898, Madrid) was a Spanish painter known for portraits and costumbrista (genre) scenes. His brother, Rafael García...
Category

1850s Realist Portrait Paintings

Materials

Watercolor, Handmade Paper

Antique Dog Painting “The Bulldog and the Fly” ca. 1900 Auguste Vimar
Located in SANTA FE, NM
Antique Dog Painting "The Bulldog and the Fly" Auguste Vimar (France, 1851-1916) Gouache on paper Circa 1900 7 1/4 x 9 3/4 (13 1/2 x 16 frame) inches An amusing study of a bulldog in a stable on a horse blanket staring at a bothersome fly. Auguste Vimar was a French painter, sculptor, designer and illustrator though he is best known for his talents as an illustrator. He illustrated great classics like La Fontaine's Fables or books by his friends, such as L'Arche de Noé by Paul Guigou...
Category

Late 19th Century Art Nouveau Animal Paintings

Materials

Paper, Gouache

Dog Portrait of a Terrier 3/4 View by Jules Chardigny (1849-1892) circa 1870s
Located in SANTA FE, NM
Dog Portrait of a Terrier 3/4 View Jules Chardigny (1849-1892) Circa 1870s Oil on wood panel Housed within its beautiful and original ornate original gilt frame. 8 1/2 x 6 (15 3/4 ...
Category

Mid-19th Century Realist Animal Paintings

Materials

Oil, Wood Panel

Dog Portrait of a Grand Vendéen Hunting Dog Jules Chardigny (1849-1892) ca 1870s
Located in SANTA FE, NM
Dog Portrait of a Grand Vendéen Hunting Dog Jules Chardigny (1849-1892) Circa 1870 Oil on wood panel Housed within its beautiful and original ornate original gilt frame. 9 1/4 x 7 ...
Category

Mid-19th Century Realist Animal Paintings

Materials

Oil, Wood Panel

You May Also Like

Gemeentehuis Breukelen, The Dutch House, Brooklyn, Breukelen
Located in Cotignac, FR
Dutch Watercolour classical building portrait by Tineke Goedhart. The painting is signed and dated bottom left and resigned, dated and located on t...
Category

Late 20th Century Romantic Portrait Paintings

Materials

Paper, Watercolor, Gouache

Walking Along the Beach, Bauer, German School, 19th Century, Signed P. Bauer
Located in Knokke, BE
Walking Along the Beach German School 19th Century Signature: Signed bottom right P. Bauer Dimensions: Image size 31 x 24 cm, frame size 42 x 32 cm Medium: Aquarelle
Category

19th Century Romantic Portrait Paintings

Materials

Watercolor

Portrait of a Lady (by leader of "Southern Art Renaissance") - 20th Century
By Ellsworth Woodward
Located in New Orleans, LA
Many of you clicking on this watercolor are probably doing so because you know of Ellsworth Woodward, who with his brother William Woodward around the turn of the 20th century sparke...
Category

Early 1900s Romantic Portrait Paintings

Materials

Watercolor

Love Story Couple in Romantic Bliss Illustration - Mid Century
By Joe Bowler
Located in Miami, FL
A handsome man and a beautiful woman are depicted in a rapturous pose. Their bodies are intertwined with each other and with the surrounding floral elements. This masterfully render...
Category

1950s Romantic Portrait Paintings

Materials

Gouache, Pencil, Graphite

Blond Pin up with Perfect Smile Tennis Racket - Women Illustrators
Located in Miami, FL
Julia (Elsie Julia Miller) Schleicher (Canadian/American, 1916-1988) she was an important female illustrator Woman Tennis Player Pastel and gouache on boa...
Category

1940s Romantic Portrait Paintings

Materials

Pastel, Gouache

Golden Age of Illustration Romance Story, Man Woman Relationship - Green Yellow
Located in Miami, FL
This impeccably rendered mid-century double portrait of a quarreling man and woman exhibits a supreme academic training knowledge lost in almost all contemporary art. It features an ...
Category

1960s Romantic Portrait Paintings

Materials

Mixed Media, Gouache, Pencil, Graphite

Recently Viewed

View All