Romantic Portrait Paintings

Portrait of a Young Woman, ca. 1850. Oil on antique English millboard, panel measures 20 x 24 inches. Excellent condition with surface stress cracking and paint shrinkage consisten...

An extraordinary and rare museum-scale 19th-century oil on canvas portrait by the celebrated Swedish Academic master, Count Johan Georg Otto von Rosen (1843–1923). Standing at an imp...

Signed upper left, 'G. Rochegrosse' for George Rochegrosse (French, 1859-1938) and dated 1881. Framed dimensions: 15.5 H x 1.5 D x 13.5 W inches A finely-painted figural oil showin...

Here is an almost two hundred year old painting which is so irresistibly charming that it's crazy! You may have seen painted landscapes, portraits, genre scenes - but how many pretty...

Fur Trapper in Winter - Portrait in Oil on Canvas Majestic full length portrait of a fur trapper standing in the snow by John Pieron. A man stands an...

Portrait of a Woman in Front of the Sea - Original Romantic Oil Painting Beautifully rendered and realistic portrait by Gianni (Giovanni) Strino (Italian b. 1953.) A woman stands in...

I8th century allegorical oil on canvas, a female figure and cherubs. The work is not signed and is probably an overdoor or trumeau from a larger decorative room scheme. It is present...

After Alfred de Dreux Paris, 1810 – Paris, 1860 Portrait of a Horsewoman Side-saddle with her Dogs Oil on mahogany panel 50.5 x 38 cm (58 x 45.5 cm with frame) Napoleon III period fr...

Tanvi Pathare Una Donna Sevillana (A Lady from Seville) Contemporary Florence Portrait painting 95 x 80 cm oil on linen (frame included in price) size with frame: 104 x 90 cm Tanvi...

Romantic painter (second half of the 19th century) - Portrait of a Lady in Medieval Costume. 45,5 x 31 cm (without frame) - 74 x 60 cm (with frame). Oil on canvas, in a carved wood...

Art: 30" x 24" Frame: 36.50" x 30.50" Oil on canvas signed and dated lower right.

Country girl - Angelo Granati Italia 2011 - Oil on canvas cm. 90 x 70. This is his reinterpretation of painting "Young Shepherdess" by gratest old master William Adolphe Bouguereau. ...

Ecole de Paris, mid century oil on canvas portrait of a mother and child by Guy Cambier. The painting is signed bottom left and there is a very faint chalk inscription with date to the back of the canvas. Presented in a fine custom gilt wood frame. This exquisite painting captures a tender, timeless moment between a mother and child, rendered with soft, evocative brushstrokes. The palette of muted earth tones with hints of blue and lavender imbues the scene with warmth and serenity. The mother, adorned in flowing robes, gazes downward with a gentle, contemplative expression, while the child's innocent face exudes calm and trust, resting securely in her embrace. The textured background, a blend of abstract patterns, contrasts with the smooth rendering of the figures, enhancing the ethereal atmosphere. The intricate gold frame adds a classic touch, emphasizing the painting's traditional elegance. This piece masterfully balances realism with expressive elements, capturing the universal essence of maternal love and protection. Its timeless appeal invites the viewer to reflect on the enduring bond depicted with grace and sensitivity. Guy Cambier (1923-2008) was born in Uccle-lez-Bruxelles, Belgium in 1923. He was part of the Post War School of Paris, Ecole De Paris, that included Andre Hambourg, Jean Carzou, Marcel Gromaire and Yolande Ardissone. At the age of nine years old, he lost the use of his legs caused by a tragic accident. An autodidact he studied the techniques and works of those artists he emulated, Corot and Watteau. Cambier started to exhibit in 1942, first in Belgium and afterwards in France on the Cote d’Azur as well as in the United States and in Paris at the Salon des Peintres Temoins de Leur Temps. In 1957, he received the Parisian award, “Le Prix de la Jeune Peintre”. He moved to the South of France in 1950 and resided in Grasse, where he spent most of the rest of his life as did so many famous painters at that time. Cambier became a favourite portrait artist of several celebrities and painted such dignitaries as Princess Grace of Monaco, Winston Churchill, Ingrid Bergman and Edward G Robinson...

Pinckney Marcius-Simons, (American, French, 1867-1909) Signed: Marcius-Simons, (lower, right) " Lost in Her Thoughts ", circa 1890-1892 Oil on mahogany panel bearing the stamp on verso of " H. Vieille e. Troisgros Sueei, 55 Rue de Laval...

Gustave de Jonghe An Afternoon Visit Oil on panel Image Size: 32.8 x 25 inches Framed Dimensions: 41.7 x 33.5 Hand signed in lower left corner

This fine early 19th-century Austrian oil painting depicts a dapper gentleman in half-length format against a softly animated sky. Shown turned slightly toward the viewer, his postu...

Beautiful and timeless portrait .It represents a half-length male portrait, with the sitter seated in a chair, slightly in profile. He is a young man, belonging to a prominent politi...

Portrait of rebecca at the fountain - I. Di Matteo Italia 1998 - Oil on canvas cm. 80x60 This magnificent painting by I. De Matteo is the rein...

The Crucifixion French School, circa 1830's circle of Eugene Delacroix (1798-1863) oil on canvas, unframed canvas: 37.5 x 22.5 inches provenance: private collection, northern France ...

"Animal Studies, 1814" Charles Towne (British, 1763-1840) Oil on panel Signed and dated Chas. Towne/ Pinxit 1814 (lower right) 15 x 11 3/8 (21 x 17 ¼ frame) inches Provenance: Collec...

“Orientalist Portrait of an Arab Man” Half-length, turned to the left, oval Jean-Horace Vernet (French 1789-1863) Circa 1830s Watercolor heightened with touches of white on paper Sig...

Woman in the garden. Romantic and full of light landscape with beautiful female figure by the Spanish artist Manuel García Blázquez. Oil on canvas. Dimensions: Unframed: (H) 89 x (W) 116 (D) 2 cm. / 35.04 x 45.67 x 0.79 in. Framed: (H) 109 x (W) 136 (D) 4 cm. / 42.91 x 53.54 x 1.57 in. Light is the protagonist in this landscape with female figure by Manuel García Blázquez; an intense and soft light that interacts with color, and the impressionist technique that defines the work of this painter. The beautiful silhouette of a woman dressed in white and the reflections of the water in the pond at the back of the garden give the scene a certain luminous dreaminess, which contrasts with the strength of the color of the flowers in the foreground. The background landscape, so timeless and lyrical, serves as the setting for a female portrait with classical reminiscences. The work is executed along the lines...

French Romantic School 19th Century Manly head of bearded man oil on canvas 46 x 37.8 cm In fairly good condition, some inpaintings visible under UV light, mainly in the backgrounds ...

Flamenco Dancer. Romantic French pastel portrait on paper of a Spanish beauty by Louis Fortuney. The work is signed bottom left, and presented in a very fine carved gilt rococo wood ...

An enchanting oval portrait capturing a young girl, curled up in an oversized Louis XIV armchair. She wears a deep blue dress, her dark hair neatly arranged and held in place by two ...

French school around 1850 Oil on oil 41 x 33 cm (54 x 47 cm with frame) Inscription on the back “Lefevre” Based on the model's hairstyle, the portrait can be dated around 1850. The ...

Beautiful painting in gouache technique depicting a distinguished young lady. The noblewoman presents a pose of rare elegance, with one hand resting on a planter and the other holdin...

Henri POTTIN Paris, 1820 - Paris, 1864 Presumed Portrait of Alfred de Musset Oil on canvas 33 x 25 cm (45 x 36 cm with frame) Signed and dated lower left "h. Pxxxin / 1844" Inscri...

Constant Cap Sint-Niklaas 1842 – 1915 Antwerp Belgian Painter 'The Arrival of Saint Nicholas, 1899' Signature: signed, inscribed Antwerp, and dated 1899 lower right 'C. Cap. Antwer...

Very good copy of "La maja vestida" after Francisco Goya, around 1900.

Mid 19th Century oil on canvas portrait of an Italian brigand, unsigned, in painted wood and gilt frame. The painting is a fine and fascinating rendition with plenty of wonderful character and detail to the costume, accessories, landscape and seascape. Very atmospheric and imposing much like the character it portrays. There is a trade stamp to the back of the canvas for the Paris firm of Susse Freres. The canvas is on a fine quality stretcher with 'keys'. There is an artist's name or title written on the top of the rear stretcher (see photo). Bands of brigands who populated the hills of southern Italy were steady fodder for the Romantic imagination, and their exploits were reported both factually, fancifully and artistically The painting dates from a period when France, under its then leader Napoleon III, was involved in the conflicts in the Italian states and the unification and eventual creation of the nation of Italy. An earlier and similar portrait exists of the infamous brigand Mazzocchi by Achille-Etna Michallony . Léon Cogniet...

"Rebirth" is an oil painting by Daniela Astone (b. 1980 Pisa, Italy) depicting three figures amongst a background of deep teal green and blue. The first figure, represents "Ophelia"...

Raimundo De Madrazo y Garreta (Spanish School, 1841-1920) an exceptional and palatial oil on canvas "Portrait of Isabelle McCreery” depic...

Outstanding painting depicts a small boy with a serene face and mischievous gaze, holding a ball in one hand while, with the other, he strokes or holds a large dog, probably a Saint ...

Shoemaker at Work - Portrait in Oil on Masonite Lovely portrait of a cobbler at work by Max Schneider (German, 1903-1980). The shoemaker is holding a ha...

Enrique SERRA AUQUE Barcelona, 1859 - Rome, 1918 Oil on canvas Signed and dated lower left “ENRIQUE SERRA/ 1892 ” 40 x 33 cm (45 x 38 cm with frame) Nice old frame in wood Enrique S...

Arthur William Devis. English ( b.1762 - d.1822 ). Portrait Of Charlotte Shore, Daughter Of The Governor General Of India, The 1st Lord Teignmouth. Oil On Canvas. Oval Image size 26.2 inches x 20.5 inches ( 66.5cm x 62cm ). Frame size 34.6 inches x 28.7 inches ( 88cm x 73cm ). Available for sale; this original oil painting is by Arthur William Devis and dates from around 1792 to 1795. This painting was created when the sitter and the artist were both in India, the sitter's father being the Governor General of India from 1793 to 1798. The painting is presented and supplied in a 19th century decorative frame. The painted surfaces and the frame have benefitted from some restoration, cleaning and conservation, which was performed on our instruction, supervision and approval. The canvas is lined. This antique painting is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. Provenance: By descent in the family of the sitter. Exhibited: Preston, Harris Museum and Art Gallery, 2000, Arthur William Devis, no.52. Charlotte was the eldest child of the first Baron Teignmouth, a title that was created in 1798 for Sir John Shore. The title became extinct in 1981 on the death of the seventh Baron. This portrait was almost certainly painted by Devis in India at a time when the sitter’s father was Governor General. As such, this is a historically significant piece. John Shore was an anti-slavery campaigner, born in London but brought up in Romford. In 1769 he went to work in Bengal where he was one of the first to learn a number of local languages. In 1785 he returned to England and on 14 February 1786 he married Charlotte, the only daughter of James Cornish, a medical practitioner at Teignmouth. The couple’s first child, Charlotte, the subject of this painting, was born the following year, on January 26, 1787. The family quickly returned to India, where John Shore served as Governor from 1793 to 1798. John and his wife had three sons and six daughters over the following fifteen years. Sir John Shore left Calcutta for the final time in March 1798, sailing back to England with his wife and young family. The family settled in Clapham and Sir John became the first president of the British and Foreign Bible Society. He was involved with the Clapham Sect and their anti-slavery campaign. This adorable original oil on canvas depicts Charlotte, the eldest child and first daughter of the first Lord Teignmouth, aged around five to seven years old. (On the basis that the family returned to England in 1798 when Charlotte would have been 11 years old, this painting was almost certainly created in India, during the time when her father was the Governor General of India. We also know that the artist was painting portraits in India the decade up to 1795, when he returned to England.) Charlotte is an attractive child, with thick dark brown curly hair framing her beautiful angelic features. She has fair skin, rosy cheeks and rosebud lips. Her dark eyes are wide and engaging. She has the sweetest expression on her face and we feel that she is kind and good natured. She is wearing a simple white gown, typical of the day, with a low neckline and three- quarter length sleeves and a pale blue sash around her waist. Arthur William Devis was one of the major English artists of the early nineteenth century, noted particularly for his portraits. His life was dynamic and engaging and he produced some of the definitive images of his generation. Devis was born in London on 10 August 1763, the nineteenth child of the artist Arthur Devis and his wife Elizabeth Faulkner. There were several artists in the family and Devis showed an early genius for art. He received some artistic training from his father and then studied at the Royal Academy Schools where he received a Silver Medal, and the good opinion of Sir Joshua Reynolds. Devis became extremely well-travelled, and even circumnavigated the world; when he was about twenty, he was appointed draughtsman on the British East India Company's ship Antelope in a voyage to the East Indies, under Captain Henry Wilson. The vessel was wrecked off the Pelew Islands, on which the crew took refuge. The island was uninhabited, but the sailors formed a friendly alliance with neighboroughing islanders and took part in the wars of the natives. The crew then built themselves a small vessel and sailed for Macao. During this voyage Devis received two wounds from arrows shot from the coast, one in his body, the other in his check, which caused a permanent injury to his jaw. Devis left the rest of the crew at Macao, spent a year in China, then proceeded to Bengal. He settled in India for ten years, establishing a modestly successful practice and receiving several lucrative commissions from British colonialists, of which this painting of young Charlotte is likely to be one. In 1795 he returned to England and worked with great zeal, earning himself a reputation as a serious artist. He painted a number of important historical pieces, including “The Conspiracy of Babington in the reign of Queen Elizabeth” and “Cardinal Langton and the Barons forcing King John to sign Magna”. He soon became established as one of the most talented British artists of his day. It is known that Devis created other portraits of the Shore family between 1797 and 1817. Devis is particularly noted for being involved in the creation of the posthumous cult of Horatio Nelson. After the battle of Trafalgar, he went out to meet the Victory, and painted the acclaimed piece ‘The Death of Vice-Admiral Lord Viscount Nelson, K.B., in the cockpit of H.M.S. Victory, 21 Oct. 1805.’ For this work Devis made various sketches on board HMS Victory, including of Nelson’s body during the autopsy by Dr. Beatty, the ship’s surgeon. The completed picture has become the definitive image of Nelson’s heroic end; it was engraved by W. Bromley (1812), and presented by the Right Hon. Lord Bexley to the gallery of Greenwich Hospital in 1825. At 8 feet 7 inches by 6 feet 4 inches it is of stunning proportions. Devis’ large oil sketch for the piece was purchased by Queen Victoria, December 1852 Devis was also commissioned by Dr. Beatty to produce a half-length painting of Nelson as Vice Admiral, which was lent to Emma Hamilton, who later lost it whilst travelling. Either the original or a copy of this portrait was exhibited at the Royal Academy two years after the Battle and many copies were made of it, including one in the National Maritime Museum. Devis exhibited a total of sixty-five pictures at the Royal Academy between 1779 and 1821. His equestrian portrait of ‘Alexander Sinclair Gordon, Esq.’, was engraved by Anthony Cardon in 1805; ‘The Battle of Waterloo,’ engraved by John Burnet in 1819; ‘An Indian Interior,’ by P. W. Tomkins in 1797; ‘The Little Mountaineer,’ by E. Scriven in 1809, who also engraved Devis's illustrations to J. J. Howard's translation of the ‘Metamorphoses of Ovid,’ London, 1807. Thus images of Devis’ work have become well known through the years. Today there is a portrait of Arra Kovger by Devis in the British Museum, and a portrait of Governor Herbert (painted in Calcutta in 1791) in the National Portrait Museum. Despite his artistic talent, Devis was seemingly completely incapable of managing his financial affairs. He therefore failed to maintain the status in society that his talent deserved. Where money was concerned, he was generous beyond his means and was sadly declared bankrupt in 1800. In 1804 he was imprisoned for debt. Between 1802 and 1810 he received continual assistance from John Biddulph of Ledbury, but these well-intentioned interventions did not produce the results hoped for, and Devis continued to be hopelessly unreliable. Towards the end of his career he at last began to receive Royal patronage, but it came too late. When he died suddenly from apoplexy in 1822 he left his second wife and young children penniless. He was buried in St. Giles’s churchyard. Works by Arthur Devis are now very much in demand; his depiction of Bengali weavers made an eyecatching £130,000 in a UK auction...

Edward Portielje 1861 – Antwerp – 1949 Dutch-Belgian Painter 'Mother and Child' Signature: signed lower left 'Edward Portielje' Medium: oil on canvas Dimensions: image size 65,5 x 51 cm; frame size 79 x 64,5 cm Biography: Edward Portielje – Belgian genre painter from an Antwerp artist family. Edward Portielje was born in Antwerp on February 8, 1861, and passed away there on December 18, 1949. He came from a distinctly artistic family that had been involved in painting for multiple generations. His works are now held in public collections and museums in Antwerp, Chicago, Melbourne, Sydney, and Bordeaux. The Portielje family had its roots in the Netherlands. Edward’s grandfather owned a bookstore in Amsterdam specializing in luxury engravings. His father, Jan Portielje, however, chose a career in painting and studied at the Antwerp Academy. From the 1850s, Jan gained recognition for his refined portraits of the affluent bourgeoisie: barons, baronesses, and elegant ladies, often with a Spanish or Oriental touch. He even painted a portrait of King Leopold II. After marrying the Antwerp native Eulalia Lemaire, he settled permanently in Antwerp. The couple had five children, including Gerard...

Swan Scalabre "Ambition n°30" Oil on Wood 10 x 8 in. 13 x 11 in. Framed Born in the Alpes de Haute Provence region of France in 1977, Swan Scalabre investigates the silent gaze...

Bernard Pothast (1882-1966) Although born in Belgium in 1882, Bernard Pothast was the...

A fine shoulder length portrait of a young woman circa 1940's-1950's Continental School. A fine shoulder length portrait of a young woman circa 1940's-1950's Continental School. oil ...

Pretty portrait representing a portrait of an old shepherd from the German school in Dusseldorf . Oil on pannel

Daniel Ludwig. Residue of Yesterday- this work of art is an original oil painting on linen. Size: H:76 cm x W:61 cm Daniel Ludwig is an American figurative artist who lives and wor...

Swan Scalabre "Western n°17" Oil on Wood 8 x 10 in. 11 x 13 in. Framed Born in the Alpes de Haute Provence region of France in 1977, Swan Scalabre investigates the silent gaze p...

Georges Ferré (1853-1924) Portrait of a friend, 1886, signed, dated, and dedicated "à son ami P. Jallanchouze" on the uper right oil on wood panel 23.8 x 17.9 cm Framed : 37.5 x 32...

French Romantic School, 19th Century Portrait of a man, a selfportrait ? oil on paper 17.5 x 12 cm oval Framed under glass : 43 x 34.5 cm This rather mysterious portrait is perhaps a self-portrait of the artist who painted it. This is suggested by the three-quarter pose and the gaze fixed on the viewer. What this man seems to be staring at is himself. Similarly, the model's appearance is reminiscent of the image of the romantic, bohemian, tortured artist. It's also very interesting that he used a range of dark colours to reinforce this idea of melancholy. It has been suggested that this small oil on paper is close to the art of François Bonvin (1817-1887) and Théodule Ribot...

Swan Scalabre "Western n°17" Oil on Wood 8 x 10 in. 11 x 13 in. Framed Born in the Alpes de Haute Provence region of France in 1977, Swan Scalabre investigates the silent gaze p...

The Condition is fair. work has been slightly over-cleaned. A heavy layer of glossy varnish. The surface of the canvas is undulated and most apparent from extreme side view . Yet in...

Painting by Peter Plonkin (b. 1879) 32 x 46 inches Oil on Canvas

A pair of early 19th century French oil on canvas paintings of a man and woman, probably husband and wife. Neoclassical and Napoleonic in style, these paintings are very well execute...

Swan Scalabre "Western n°18" Oil on Wood 10 x 8 in. 13 x 11 in. Framed Born in the Alpes de Haute Provence region of France in 1977, Swan Scalabre investigates the silent gaze ...

"Casting", painted by the Spanish artist Goyo Domínguez in 1995, is a romantic, colorful picture that smoothly joins the figurative and abstract worlds. "Casting" was painted with a...

Edgard Farasyn 1858 – Antwerp – 1938 Belgian Painter 'The Mischievous Little Artists' Signature: signed middle lower left and dated 'Edg. Farasyn 1881' Medium: oil on canvas Dimens...

Eberhard Guillaume 1879 – Maastricht – 1949 Dutch Painter 'Young Girl Knitting' Signature: signed lower left and dated 'G Eberhard 1906' Medium: oil on canvas Dimensions: image siz...

Gerard Portielje Antwerp 1856 – 1929 Remich, Luxembourg Belgian Painter 'Cutting the Bread' Signature: signed lower left 'Gerard Portielje', artist’...

Abraham Johannes Romswinckel (1810-1856) Self-portrait in Indonesian landscape Inscribed Abr. Joh. Romswinckel, geb. Batavia 17 Oct. 1810, overl...

Canvas measures 21.25" x 19.5" and the frame measures 30.5" x 25.5" x 3" Ferdinand Wagner II studied art initially with his father, a vocational art teacher. Later he attended the Munich Academy of Arts working closely with Karl von Piloty. Much of Wagner's career focused on commissions as a decorative painter. He did ceiling frescos...

Picking Roses French School, late 19th century oil on canvas, unframed canvas: 22 x 18 inches provenance: private collection, France condition: good and sound condition

Edwin Howland Blashfield was born in New York and as he grew up, he prepared for a life as an engineer: studying at Harvard, Boston, and MIT. He later grew into a love of art and beg...

Swan Scalabre "Ambition n°24" Oil on Wood 13.25 x 11.25 in. Born in the Alpes de Haute Provence region of France in 1977, Swan Scalabre investigates the silent gaze placed on women...