Oversized Still-life Paintings

Back Country - The painting was created in 2025 by celebrated American realist artist Willard Dixon, who has captured the undeniable beauty of the west for the past 35 years. Dixon’s...

Jim’s of Lambertville is proud to offer this artwork by: Mercedes Matter (1913 - 2001) Best known as a painter of abstract still life and founder of the New York Studio School, M...

An oil painting of an interior, a country home in Tuscany. This is actually the dining room of fellow painter, Ben Fenske. Natural light rushes in through windows and an open doorway...

Bieruma Oosting Jeanne Leeuwarden 1898 – 1994 Almen Dutch Painter 'Spring Flowers in a Vase' Signature: Signed lower right and dated 1939 Medium: Oil on canvas Dimensions: Image size 101 x 81 cm, frame size 116 x 97 cm Biography: Adriana Johanna Wilhelmina Bieruma Oosting, better known as Jeanne Bieruma...

Natalia Aandewiel (Ukrainian, born 1996) "Jazzy" 2024 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the canvas. "Jazzy" by Natalia Aandewiel is an exuberant expres...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo...

White Lily Naranjas And Oranges 2021 RAFAEL SALDARRIAGA was born in Medellin, Colombia in 1955. Arrived in the United States in 1993. After living in New Mexico and Hawaii establishe...

We are pleased to present another impressive painting from 2019 by abstract expressionist Christophe that we are proud to be representing in the United States. There is an excitemen...

"Candy Sticks" is a framed oil painting on canvas by Alexander Sheversky, depicting a highly detailed glass jar filled with various flavors of vibrant candy sticks. The black backgro...

Albert Heckman Untitled, circa 1950 Signed lower left Oil on canvas 25 x 32 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack Taylor. Heckman operated a summer art school in Woodstock for several years in the 1930s with support from Columbia University, where these and other Woodstock artists gave guest lectures. The Potter's Shop in New York City hosted Mr. Heckman's first art show in December 1928. The exhibit received some positive reviews from critics. The American Institute of Graphic Arts chose the plate of "Wehlen, Saxony" as one of the "Fifty Prints of the Year in 1929." There were sixteen etchings displayed. The remaining plates depicted scenes in Saxony, Germany, while five of the plates were based on scenes in Rondout, New York. Heckman started switching from etching to black and white lithography by the early 1930s. A lifelong admirer of Heckman's artwork, Mr. Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933. The exhibition traveled to the Stendahl Galleries in Los Angeles (May 1933), the Charles Lessler Gallery in Philadelphia (May 1933), J.L. Hudson in Detroit (June 1933), and Gumps in San Francisco (July 1933). Together with his early etchings, the exhibition featured brand-new black and white lithographs depicting scenes in and around Woodstock as well as "A View from Tudor City...

Individual canvas size: H:70 cm x W:70 cm x D:2cm Complete Size of Diptych: H:70 cm x W:140 cm x D:2cm Mary Chaplin Summer feeling in blue, floral diptych The wind blows in Mary Chaplin’s garden and brings inspiration to the artist to create this colorful and happy diptych!. Colours and insects inhabit the garden and then in the creative mind of the artist, the flowers become butterflies of colours. Mary Chaplin doesn't just want to paint flowers, the artist thinks nature is too perfect to be copied. This is why the artist pushes the boundaries of figurative representation and paints the wind, the buzz of insects and the smells of flowers and earth. You are not buying an object, a painting, but a little piece of Nature. Poppies, wind, perfumes, birdsong and insects humming: Life! Mary Chaplin artist's works available to buy original abstract artworks for sale online with Wychwood Art and in their Deddington Art Gallery. Mary Chaplin is a French artist and lives and works in Cany-Barville, Nomandy. In a picturesque market town near the famous Etretat, birth place of Impressionism. Mary Chaplin for more than twenty years has worked as a self-taught professional artist, always inspired by nature and by the varying effects of light. Mary Chaplin is an AKOUN rated artist. She started her career by painting figurative scenes she saw around her in the French countryside. Her first artworks were representations of landscapes, gardens, forests, rivers or lakes, which allowed her to explore different techniques, including pastel, oil, acrylic and watercolor. However, both her life and career reached a turning point in 2005 when she witnessed the ‘holy light...

Painting, oil on canvas, measuring 74 x 108 cm without frame and 93 x 125 cm with a wonderful coeval frame, depicting a 'posed' still life with flowers, fruit and mushrooms by the painter Nicola Casissa ( Naples 1680 - 1731 ). This sparkling posed still life gives an account of the richness and scenography that such images achieved in Naples in the late Baroque period: we know from inventories how the still life genre reached unprecedented heights. This delicate canvas, of exquisite workmanship and appreciable for its excellent state of preservation, shows us definite influences of the work of Andrea...

Robert W. Petrick Shadow City, 2022 acrylic on canvas 54x40x1.5 inches NYC, 2nd street studio Colorful geometric abstract acrylic painting on canvas. Robert Petrick's paintings create a link between the artist culture of the East Village, where he has lived for 31 years, and the power of symbols, geometry, and language. This work captures the excitement of the East Village in its color, shapes, energy and density. -- In 1984, Petrick stenciled two designs on walls along Avenue B. Capturing a moment in time, EXIST / EXIT and NOWHERE / NOW HERE were photographed and featured in Vogue magazine. The images presented graffiti as art, a concept that was gaining international attention after the release of Charlie Ahearn...

David Pryor Adickes born January 1927, Huntsville, Texas) is a modernist sculptor and painter. His most famous work is the 67-foot tall A Tribute to Courage statue of Sam Houston in...

keywords; brown, earth tones, surrealism, car portrait, car accident, oil painting, representation painting, strangeness, contemporary surrealistic, unsettling, contemporary realist painting, dreams, symbolic composition, tonalist, grey, monochrome, nostalgic, vintage, early century, illustration, car, automobile, old car wreck...

Artist Commentary: The colors and their locations are meant to form triangles that reside inside the perfectly square canvas walls. The one bold yellow hold located at the bottom is meant to carry the eye around and around the canvas. Hence it's title, SquareTriangleCircle. Keywords: colorful, rock climbing...

A finely painted and impressively sized still life depicting a woven basket full of fruit, including glaucous plums, apples, peaches, raspberries, grapes, and vines, sat on a stone plinth. A red...

This dress painting features an interplay of paint and lace textile creating dimension and movement. A black velvet waistband adds contrast to the tone on tone neutrals, with subtle ...

Sylvia Rutkoff (1919-2011) 26-1 "The Schoolgirl" c.1950s Oil paint, sand on Masonite 36x48 wood period frame Unsigned Collection acquired from family estate Sylvia Weinreb Rutkoff (...

"Make Room for the Time" is an exquisite painting depicting a strong olive tree in the center, surrounded by a rich gold background with a deep blue sea. Artist Anastasia Gklava is a...

At the intersection of still-life, portrait, and landscape, Sinatra & Gardner is one of the earliest paintings in a series focused on limited palettes and maximum negative space.

Original painting on canvas. Hand signed, titled and dated on verso by Lowell Nesbitt. Canvas size 74 x 58 inches. Frame size approx 76 x 60 inches. Artwork is in excellent condi...

Mid century kitchen still-life with an antique coffee grinder, ladle, and measuring cup on a table by Maurice Blond (Polish, 1899-1974), c.1950s. Signed ...

Measures 36" x 29" canvas and framed 45" x 37.5". William Michaut French artist born in 1947, known for impressionistic style still life oil paintings. The painting is signed lower r...

Antique American modernist still life oil painting. Oil on canvas. Signed.

Sheep In A Landscape, dated 1858 signed E VERBOECKHOVEN Large 19th Century Dutch view of sheep in a landscape, oil on canvas signed E Verboeckhoven. Excellent quality and conditio...

Helen Weber Large wall hanging wood and metal sculptural relief in a tropical Hawaiian or Polynesian motif with tropical flowers. "Art belongs everywhere from cruise ships to churches" This has been the mantra of Helen Webber since she began her career in the 1970’s creating hundreds of art works for public spaces throughout the United states and abroad. It was her strongly held belief that art can touch the spirit of many more people than those whose art experiences are limited to the halls and walls of museums and galleries. Her bold and richly hued art works executed in a wide variety of media, such as tapestry, glass, metal wood and clay have been installed in universities, corporations, medical facilities, cruise ships, hotels, religious spaces, community and civic centers and even in a train station. Over the years many architects and interior designers have collaborated with Helen Webber finding that her work enhanced their designed environments, giving her the opportunity to create art for well known corporations as well as multitudes of residences. It is the tapestries that she is best known for, and it is this medium that dominates the largest body of her work, which was first introduced to the design world in the mid 1970's. The tapestries utilize a fabric collage technique combining an array of designer upholstery fabrics such as velvets, brocades, worsteds, jacquards, mohair, hand woven woolens, among many others. Yarns of all kinds are integrated into the tapestries surrounding the edges of each fabric piece. Some clients, who saw that Webber’s particular art style could be expressed in a variety of media, offered her commissions in stained and etched glass, wood collage, sculpted tile...

Bonaventura Bettera (Bergamo, 1663 - documented until 1718) Still Life with Musical Instruments (LINK) Oil on canvas 90 x 116 cm - Framed 105 x 131 cm. The merit of the 17th centur...

‘A Message to You of Love’ is an original impressionistic painting in pink, red and green of a beautiful walk that I have done with my children every year as they grew up. This place...

'Sea Foam 2', 2022 is 47.25 x 35.5 inches, oil on linen painted by French American Frédéric Choisel, is inspired by the cities and countrysides of France, New York, and California's ...

'Sea Foam 1', 2022 is 47.25 x 35.5 inches, oil on linen painted by French American Frédéric Choisel, is inspired by the cities and countrysides of France, New York, and California's ...

Street Art, graffiti, bright colors, Gestural Abstraction

'Composition with Tumbling Vases - Screen II', by Gary Bukovnik. Watercolor on mulberry, 28 1/2 x 68 inches, 2019. Hand painted folding screen created with watercolor on mulberry pap...

'Composition with Tumbling Vases - Screen I', by Gary Bukovnik. Watercolor on mulberry, 28 1/2 x 68 inches, 2019. Hand painted folding screen created with watercolor on mulberry pape...

'Flame Vine Screen', by Gary Bukovnik. Watercolor on mulberry, 14 1/4 x 68 inches, 2019. Hand painted folding screen created with watercolor on mulberry paper within a minimal dark w...

English artist Jonjo Elliot's large scale still life works are a collision of expressionistic fauvism and his collections encourage a youthful candor. Plants thrive in environments t...

Ann Bridges Late Afternoon Sunshine (poppies) Contemporary Semi-Abstract Painting Oil based ink on board Image size: 59 x 75 cm Sheet size: 75 x 91 cm Framed size: 83 x 100 cm Sold F...

Signed: ACW (Lower, Left) " Christmas Ornaments ", c. 1970s Oil on Canvas 36" x 24" Housed in a 3" Frame Overall Size: 41 3/4" x 29 1/2" In very good condition overall. A nice...

Works of Liene Liepina are full of life and joy because of photography-like, realistic details on the one hand, and intense and slightly artificial color...

Intervals, 2015 Born in Salt Lake City, UT in 1975, Hadley Rampton spent a good deal of her childhood recreating in the Utah wilderness, the Teton/Yellowstone area and in Eastern Id...

My paintings operate in a fictitious world that utilizes the mythologies and realities of the modern American West. Because of its unique history, the Western United States is more t...

Translated title: "Colored forest" Acrylic on canvas. This is a diptych.

David Hinchliffe has been painting, exhibiting and selling his work in galleries since the age of 12. He has won numerous competitions as a young artist (Sunday Mail Art Prize, ABC A...

Jeannie Borel German, 1928-2007 Still Life with Cups Oil on Canvas 32 by 39 ½ in, w/ frame 39 ½ by 47 in Signed Borel 56 lower center

A large landscape painting featuring a boat pulled up on the shore of Dering Harbor. The sky is an intriguing shade of chartreuse that makes the orangey-...

White and Black Floral Painting Hand Embellished Giclee on Canvas 40H X 60W State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY G...

Floris van Schooten (1585/88-1656) Still Life Oil on canvas, 121 x 85 cm Provenance: Private Collection Floris van Schooten, a Dutch painter mainly active in Haarlem, is renowned ...

Large oil painting of chrysanthemums by one of the most well-known 19th-century French flower painters. Signed and dated lower right

'Kum Ba Ya' is an abstract pointillist painting featuring hues of red, green, yellow, blue and black. Robert Hightower is inspired by the work of Giotto, Hieronymus Bosch, Jean-François Millet, Roger Brown, Howard Arkley and Julian Opie. This piece is a part of a special immersive gallery installation, “The Apocalypse Simulacra,” which is a narrative presentation of the twilight of humanity, at the fulcrum of extinction by Atlanta-based artist Robert Hightower. Through stage-set constructions, readymade plastic models and paintings, Hightower investigates the duality of right/wrong, good/bad, eternal/ephemeral in light of the imminent end of the Human Epoch. It depicts the ideological origins of corporate greed and power, the reality of wealth distribution in the “American Dream,” and the socio-economic and environmental impacts of that collective greed. After receiving a BFA in sculpture from the University of Georgia, Hightower moved to New York City and participated in The Bronx Museum of the Art’s AIM Fellowship (Artist In the Marketplace). While in New York, his interests expanded to include art installation and the creation of spaces, and has since designed and built many unique homes, penthouses and restaurants throughout the United States. Hightower has returned home to Atlanta and will be presenting his most comprehensive body of work to date, “The Apocalypse Simulacra,” a unique universe of beauty, dichotomy and uncertainty. ARTIST STATEMENT The 'Apocalypse Simulacra' is a presentation of the twilight of humanity, at the fulcrum of extinction. The climate is the subject. The Simulacra is the Theme. First discussed by Plato, the Simulacra is the search for Truth in Duality. Developing into Post-Modernism with Nietzsche’s: truth=Truth. Now with Bauvillard, the Simulacra has evolved beyond Post-Modernism, into the wholesale confusion of the real/fake, the true/false… between reality and hyper-reality. This crumbling, confusing of the truth (not necessarily the Truth) is our Reality. For over two decades, I have created large format paintings of strip malls, suburban houses and toys. These paintings present singular images flattened-out (almost floating) on color-fields. They create a certain duality - a loving portrait of an inanimate object that would not normally be singled-out for affection. With my latest work, I have added a variety of iconic images: an airplane, a whisky bottle, a woman floating in a pool. The icons are presented in a pixelated or degenerated state. In addition to paintings, I have used adult-size building blocks to create sculptures or three-dimensional paintings. Using a child's toy at an adult-scale gives the building blocks an austere and powerful presence. The building blocks echo the blocks of the pixelated paintings...

This dress painting features an interplay of paint and lace textile with an outcome both expressive and refined. Through the process of adding and subtrac...

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the perfectly straight line. For th...

Hoffmann's work looks to the history of landscape painting, while grounded in larger issues around climate change, resilience, breaking racial, social, economic boundaries, food apar...

MITTON, Mathilde (1849 - 1919) Roses Arrangement Oil on canvas signed low left Old original frame gilded with leaves Dim canvas : 90 X 113 cm Dim frame : 116 X 140 cm MITTON, Mathilde (1849 - 1919) French painter 19th-20th century - Lyon School Born in Amplepuis in 1849 - Died in Lyon in 1919 She studied with André Perrachon (1828-1909), Charbonnier and Elie Laurent...

This painting by Astrid Ritmeester belongs to a series she has called 'Memories' Ritmeester also works as a costume and graphic designer for theatre productions. Astrid Ritmeester...

‘Cordelia’ is an original abstract painting on canvas by contemporary artist Wendi Weller. Acrylic and oil pastel on framed canvas Image size: H:100 cm x ...

Coral Red Plasma Flows Painting Art Hand Textured Giclee on Canvas 40Hx60W" State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited edit...

'Omega II' is an abstract pointillist painting featuring hues of tan, ocher, green, brown, pink and black. Robert Hightower is inspired by the work of Giotto, Hieronymus Bosch, Jean-François Millet, Roger Brown, Howard Arkley and Julian Opie. This piece is a part of a special immersive gallery installation, “The Apocalypse Simulacra,” which is a narrative presentation of the twilight of humanity, at the fulcrum of extinction by Atlanta-based artist Robert Hightower. Through stage-set constructions, readymade plastic models and paintings, Hightower investigates the duality of right/wrong, good/bad, eternal/ephemeral in light of the imminent end of the Human Epoch. It depicts the ideological origins of corporate greed and power, the reality of wealth distribution in the “American Dream,” and the socio-economic and environmental impacts of that collective greed. After receiving a BFA in sculpture from the University of Georgia, Hightower moved to New York City and participated in The Bronx Museum of the Art’s AIM Fellowship (Artist In the Marketplace). While in New York, his interests expanded to include art installation and the creation of spaces, and has since designed and built many unique homes, penthouses and restaurants throughout the United States. Hightower has returned home to Atlanta and will be presenting his most comprehensive body of work to date, “The Apocalypse Simulacra,” a unique universe of beauty, dichotomy and uncertainty. ARTIST STATEMENT The 'Apocalypse Simulacra' is a presentation of the twilight of humanity, at the fulcrum of extinction. The climate is the subject. The Simulacra is the Theme. First discussed by Plato, the Simulacra is the search for Truth in Duality. Developing into Post-Modernism with Nietzsche’s: truth=Truth. Now with Bauvillard, the Simulacra has evolved beyond Post-Modernism, into the wholesale confusion of the real/fake, the true/false… between reality and hyper-reality. This crumbling, confusing of the truth (not necessarily the Truth) is our Reality. For over two decades, I have created large format paintings of strip malls, suburban houses and toys. These paintings present singular images flattened-out (almost floating) on color-fields. They create a certain duality - a loving portrait of an inanimate object that would not normally be singled-out for affection. With my latest work, I have added a variety of iconic images: an airplane, a whisky bottle, a woman floating in a pool. The icons are presented in a pixelated or degenerated state. In addition to paintings, I have used adult-size building blocks to create sculptures or three-dimensional paintings. Using a child's toy at an adult-scale gives the building blocks an austere and powerful presence. The building blocks echo the blocks of the pixelated paintings...

Thoughts of a long, happy life greeted the young couple who gazed up from their bed on this canopy panel. Adorned with chrysanthemums and peaches, both symbols of longevity, the lyri...