Oversized Still-life Paintings

This artwork is inspired by the beauty of summer flowers, and nature in general. Discover new paintings by artist Sasha Getsko at Wychwood Art. Sasha Getsko creates paintings in an ...

'Resurrection Lillies' - unframed by master watercolorist Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intens...

Large Scale Mid 20th Century Acrylic Painting by Vanguard Studios Signed Van Gaard Classic 1950s to 1960s acrylic painting of a guitar against a colorful ab...

His The panel paintings "Expanded Metal Paintings" are the closest to the classic art of painting. Firstly paint is applied by a brush on a primed canvas. Then wire mesh is dunked in...

Robert W. Petrick "Labyrinth" Construction series, 2022 Acrylic on canvas 56x56x1.5” NYC, 2nd street studio June 16, 2022One can easily become lost in Robert Petrick’s "untitled"’...

A contemporary painting in oil on canvas of a light and inviting interior scene with an arrangement of pale pink flowers in a clear glass vase next to canary yellow and green and whi...

In this contemporary surrealist oil painting by Thomas Broadbent, a bison is depicted standing atop a white upholstered, black gold-gilded chaise lounge. Birch wood branches and sto...

Charles Blum (New York, 1925-1998), Windowsill Garden, Oil on Masonite Panel, 1966, signed and dated lower right, wood frame. Image: 48" H x 23.75" W; frame: 53" H x 29" W. Provenanc...

With a contemporary perspective on landscape painting and inspired by paintings created by old masters, German artist Katharina Husslein paints in a representational manner to captur...

Wonderfully vibrant large scale still life of white and bluish marguerites on a bold blue background by Marilyn Rabinovich (American, b. 1932), circa 1960. Signed lower right corner....

The series of flowers shows a classical motif with a subtle attention to the subtle movement and rhythm of the flora, with the help of paint, abstract vision and expressive handwriti...

Edouard Michel Lançon (1854-c.1930), Nice still-life painting with flowers Oil on canvas signed

Acrylic on masonite. This is a pivotal work in deep and radiant cobalt blue from 1950. It dipicts calligraphic and hieroglyph structures over a grid and pyramidal base by the first generation abstract expressionist. Provenance: Skinner: November 13, 1992 [Lot 00219}, The entry in the Skinner catalog indicates that the painting came directly from the artist to the family of the consignor to Skinner. Kaminsky Auctions. There is an unbroken paper trail that traces the ownership of the painting from the current owner, through two auction houses to the artist. Perfect unbroken provenance. Pousette-Dart was among the most inventive of the Abstract Expressionist generation, His uncanny talent was to expand the nature of abstraction and still make each mark each element very much his own; a reflection of what he called   "the concealed power of the spirit," he said, “not of the brute physical form."   His was not aiming for a singular, realized aesthetic formula but to expand the possibilities of painting; the transcendental in painting. Typical of such invention and exploration is this  painting  Untitled 1950 when the artist was only 34 years old and represented by one of the champions of the new American painting, Betty Parsons.  
A banner year for Pousette-Dart, the Museum of Modern Art acquired their first painting by the Minnesota born artist.  He worked on easel size works such as this painting an oil on masonite. At the same time Pousette-Dart was also working on larger scale works such as Path of the Hero, running over ten feet in length now in the collection of the Metropolitan Museum of Art.  Both contain fields of color articulated by a highly sophisticated white hieroglyphic vocabulary. Rather than demonstrate an expressionist sensibility, Pousette-Dart harnesses his more cerebral ideas transforming thick areas of paint into a more refined composition of geometric forms akin to the pattern and forms of say a stained glass window. In a way he is looking back at Fugue, 1940 a black and white composition which makes use of a similar format of painting albeit smaller. Color and form are minimal, but what Pousette-Dart has maximized is the rhythmic and syncopated character of painting casting his ideas into purely symbolic terms that one might link to the pictograms of Adolph Gottlieb. Nonetheless, nature is always at the core of Pousette-Dart’s thinking and dreaming. Here he has transformed the local Ramapo Mountains—where he will eventually move with his family to live and work— into a complex series of articulated fragments linked by style, scale and color.  The painting’s imagery built on two large triangles and reduced to just two colors, cobalt blue and white all outlined in black.  Pousette-Dart symbols stacked in horizontal and vertical rows:  blue is ground, white is language, symbolic of light, consciousness and awareness . The painting maintains a mystical character images compounded that formulate a secret code and linked to the series of white paintings Pousette-Dart authored in the first half of the 1950s. Get up close to the picture and you discover images within images a kind of picture puzzle...

Warm sand and blue surf featured in this California coastline scene with distant rolling hills. 'Sonoma Coast', oil painting on canvas by Willard Dixon, who is one of the finest American contemporary realist painters today. Dixon has painted coastal landscapes for 35 years, capturing the undeniable beauty of the West with its grand and humble spirit. The same sensitivity can be found in his urban street scenes that offer viewers a resting place to contemplate our rapidly changing world, and his portraiture, which largely focuses on his artist friends and illustrious colleagues. Willard Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Modern Art (SFMoMA), the Metropolitan Museum of Art in New York, and the Oakland Museum of California. Dixon's work is collected worldwide. 'Sonoma Coast' is 36 x 56 inches. Oil on canvas. It is traditionally framed in thin, minimal natural oak with an outer dimension of 37 x 57 inches. Artist signed and dated. Condition is excellent / as new. Painted in late 2020. From Andra Norris Gallery in California. Born: Kansas City MO, 1942 Education: Art Students League, New York, NY Cornell University Brooklyn Museum School San Francisco Art Institute, M.F.A. 1969 Awards and Commissions N.E.A. Fellowship Grant- 1989 California Supreme Court Mural Commission- 1998 Las Vegas Federal Courthouse Commission, G.S.A.-1998 Teaching 1989-90: San Francisco State University 1975: San Francisco Art Institute Realism Seminar 1974-76: Academy of Art College, San Francisco, CA 1973-74, 1976: California College of Arts and Crafts, Oakland, CA 1971-72: California State University, Hayward, CA One Man Exhibitions 2015: Willard Dixon Portraits College of Marin Fine Art Gallery, Kentfield 2014: SFMOMA Artists Gallery, San Francisco, CA. 2008: SFMOMA Artists Gallery, San Francisco, CA. 2005: Fischbach Gallery, NYC,NY 2005: Dolby Chadwick Gallery, San Francisco, CA 2004: Fischbach Gallery, NYC, NY. 2002: Earl McGrath Gallery, Los Angeles, CA 2002: Bolinas Museum, Bolinas, CA 2001: Hackett Freedman Gallery, San Francisco, CA 2000: Fischbach Gallery, NYC , NY 2000: Hearst Art Gallery, St. Mary’s College, Moraga, CA 1998: Hackett Freedman Gallery, SF, CA 1997: Tatistcheff/Rogers Gallery, Los Angeles, CA 1996, 1995: Contemporary Realist Gallery (now Hackett Freedman Gallery) 1994: Fischbach Gallery 1993: Contemporary Realist Gallery 1992: Fischbach Gallery 1991: Earl McGrath Gallery, 454 North, Los Angeles, CA 1990: Fischbach Gallery 1989: William Sawyer Gallery, San Francisco, CA 1988: Gallery 454 North, Los Angeles, CA 1987: Fischbach Gallery 1987: Gallery 454 North 1986: William Sawyer Gallery 1985: Fischbach Gallery 1984: Harris Gallery, Houston, Tx 1984: William Sawyer Gallery 1983, 1982: Fischbach Gallery 1981: William Sawyer Gallery 1980,1979: Tortue Gallery, Los Angeles, CA 1976, 1975: William Sawyer Gallery 1973, 1972: William Sawyer Gallery Selected Group Exhibitions 2017: SHIFT / with Elizabeth Barlow, Kim Frohsin, Erin Parrish...

The framed price is listed. UNFRAMED this piece measures 30"H x 30"W. A symphony of soft hues and sweeping brushstrokes, A Little Bit by Laura McCarty brings a sense of calm and eff...

Still life with fishes and oysters is an original oil on canvas realized in the 17th Century by Neapolitan School Master. Impressive in size as well as for its vivid representation o...

'Spring Light' by master watercolorist Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and size. Internationally exhibited and celebrated worldwide, Bukovnik’s iconic works express a spiritual exultation - a joie de vivre - a vivid celebration of beauty. The painting captures the season of nature’s rebirth when the world awakes from its winter repose — Forever Spring...

By Bartolome Sastre This vast and stunning floral scene depicts a wall of flowering plants with pink, purple, red, and yellow petals. The impressionist style gives the flowerbed a se...

A beautifully large, expressive piece depicting wildflowers arranged in a shallow vase on folded cloth. Signed to the lower right. Presented in a distressed gesso frame. Studio stamp...

Pair of large Baroque style floral still life oil paintings Continental, 19th Century Canvas: Height 144cm, width 104cm Frame: Height 170cm, width 112cm, depth 4cm This dazzling d...

Mixed media still life of black and white bottles inspired by Giorgio Morandi still life paintings Morandi Bottle 41 (Geometric, Abstract Still Life of Bottles in Black and White) b...

Robert Petrick's "Post Metro" is a fusion of meticulous geometry and bold abstract expression. From the artist's Ziggurat series, this piece is both timeless and contemporary, offeri...

Sunflowers, Large Scale Modernist Floral Bouquet Still-Life by Tarmo Pasto. A stunning large-scale modernist oil on canvas still-life of sunflowers by Dr. Tarmo Pasto (American, 1906-1986). This modern floral bouquet still-life, painted by Pasto in 1973, harkens back to Van Gogh's world famous turn-of-the-century depiction of the same subject. Pasto uses a modern and fresh color palette of dark green, light yellow, lavender, and peach in this vibrant modern sunflower portrayal. Signed "Tarmo Pasto" and dated "73" lower right. Presented in a brown painted wood frame. Image size: 38"H x 30"L. Framed size: 44"H x 36"W x 2"D. Dr. Tarmo Pasto was a psychiatrist and artist, who taught psychology and art through the 1970s at California State College at Sacramento since the schools inception. He also authored a book on art...

This vibrant French Art Deco floral oil painting is by noted French artist Jacques Emile Blanche. Painted circa 1930, the palette is of wonderful tones of yellow and orange with spla...

'Hello Tulips in a tall vase 1' watercolor on paper. Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, ...

For Jose Ignacio Suarez an abyss of time and space distances him from those who were the first inhabitants of the Brazilian coasts and of this vast American continent. His initial la...

Jean Chaleye, French (1878 - 1960) Oil on canvas "Still Life of Roses". Hand signed Brass name plate attached to frame, Provenance: Wally Findlay Galleries, bears label verso. Measures: 56-1/4" x 37", frame measures 61-1/4" x 42" This is a very large piece Jean Chaleye (French 1878 - 1960) was active, lived in France. Jean Chaleye is known for Landscape, still life and coastal view painting. Considered one of the most important Post Impressionist painters. Jean-Baptiste Chaleye, known as Joannès Chaleyé, was born to working class parents in Saint Etienne in the middle of the 19th Century. He began his career as a commercial engraver at the age of fourteen, which he continued until 1899 when he took a trip to England. He returned the following year to do his military service and on completion returned to the city of his birth. He began his artistic training in Saint Etienne and then at the School of Fine Arts in Lyon in 1896. He was then offered the opportunity to complete his training in Paris. In 1899, he joined the class of Louvrier de Lajolais at the École Nationale Supérieure des Arts Décoratifs in Paris and was also a student of Fernand Cormon at the École Nationale Supérieure des Beaux-Arts. Through Cormon he me Andre Derain, Mary Cassatt and Dunoyer de Segonzac and a number of ther Barbizon painters influenced by Edouard Manet. Jean Chaleye's life is divided between his attraction for painting and his passion for the art of lace. As early as 1902, he exhibited at the Salon des Artistes français and the Salon des indépendants. As a renowned painter of flowers, several museums acquired his paintings such as the cities of Puy-en-Velay, Lyon, Clermont-Ferrand and Saint-Gall in Switzerland. In 1903, Louvrier de Lajolais offered him to go to the provinces to teach the art of lacemaking at the École pratique de commerce et d'industrie du Puy-en-Velay. He then set out to replace the traditional geometric and repetitive designs by creations with supple and light forms, inspired by local flora. He devoted his entire life to highlighting the delicate art of lace making, participating in various competitions and international exhibitions during which he won several awards. Appointed director of the National Superior School of Arts and Textile Industries of Roubaix in 1930 but also artistic director of the school of laces of Bailleul, he favors the obtaining by this last one of the Grand Prix at the Exhibition of Brussels in 1935. Promoted to the rank of officer of the Legion of Honor in 1937, his involvement in the recognition of the know-how of the Velay lace industry is recognized. A renowned painter, one recognizes in his paintings as in his lace drawings all the delicacy and the love which he carries to the flowers and to the nature in general. He died in 1960 in Puy-en-Velay. After his death, the house in which he had lived in Puy was turned into the Musée Chaleyé. International exhibitions In 1904, he had the "Lace" section participate in the exhibition at the Galliera Museum in Paris, which presented the lace made according to his ideas. In 1905, he created the fan leaf for the lacemaker Oudin, which was purchased by the Saint-Gall Museum in Switzerland. He participated in various international competitions and exhibitions, during which he received several awards: International Exhibition of Liège (1905): he created a fan leaf decorated with Virginia creeper which took part in this exhibition. French Lace Competition (1907): the “Lace” section, the work of which he directed, won three distinctions: first prize (1000 Francs), second prize in collaboration, and for his personal work, the prize of the Under-Secretary of State for Fine Arts. Franco-British Exhibition in London (1908): gold medal for a braid of fuchsias signed by Chaleyé. Brussels World's Fair (1910): a grand prize was won by three laces signed by Chaleyé (landscape with grisaille effect, a cockfight in colour and a cushion with chestnut decorations with spider webs). Chaleyé also won a gold medal for his collaboration. International Exhibition in Turin (1911): he had produced new drawings which had earned him a gold medal for his collaboration. International Exhibition of Lyon (1914): he was awarded a medal for his collaboration. Participation in the “Lace” and “Cabinetmaking” sections, of which Chaleyé directed the work and designed the models for this exhibition. Painting by Jean Chaleyé exhibited at the Crozatier Museum in Puy-en-Velay Alongside his artistic involvement in lacemaking, he exhibited his paintings at the Salon des artistes français from 1902. At the Salon des indépendants, one of his works was selected by the Commission des beaux-arts de la Ville de Paris and several museums have acquired his paintings: the cities of Le Puy, Lyon, Clermont-Ferrand, Saint-Gall (Switzerland). Seven of them are still exhibited at the Musée Crozatier in Puy-en-Velay. A renowned painter of flowers, he enjoyed his main successes in the Lyon and Saint-Etienne regions where he exhibited mainly. He exhibited with Gaston Sebire, Louis Valtat, Leon-Alphonse Quizet...

Steven H. Rehfeld (American, born 1954) "What Remains" 2022 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. In "What Remains", Steven H. Rehfeld constr...

A glorious riot of colour….pink—from pale to a rosy red play against orange, green, white and a pop of bright yellow in this oil painting by Jennifer Hornyak. Known for her abstract ...

A luxury Still life with lobster, ham and fruits Studio of Jan Davidsz de Heem (Utrecht, 1606 - Anvers, 1683-84) 17th century Antwerp school Bears a signature J D D Heem lower left on the table Oil on canvas, dim. h. 78 cm, l. 109 cm (h. 30.70 in, w. 42.91 inch) An 18th century giltwood frame, framed: h. 97 cm, l. 130 cm (38.19 in. x 51.18 in) This is a studio version after the slightly larger original by Jan Davidsz. de Heem (1606-1683) c. 1645 in the Royal Collection at the Royal Palace, Stockholm. Provenance: Galerie Charpentier auction, May 1st 1965 Sumptuous still life in which precious silver, glass and delicious food are displayed on a truly grand scale. The painter invites a viewer to the feast of red cooked lobster, mouth-watering ham, ripe peaches and plums, and sumptuous bunches of grapes. All of this extravagant food is richly displayed on a wooden table elegantly covered with a dark green velvet tablecloth. Our eye is directly attracted to the big red boiled lobster in the middle on a larger silver dish, with a silver plate of crabs in front. Behind the lobster is a large wicker basket with a white napkin, draped over its front edge and supporting a large silver dish...

'Large Blue Iris' watercolor on paper. Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and size. Int...

WPA Landscape American Scene Social Realism Mid 20th Century Modern Farm Rural James McCracken (1875 – 1967) WPA Landscape 28 x 36 inches Oil on canvas, c. 1930s Signed lower right ...

America Martin "Sunflowers In The Morning" Oil & Acrylic on Canvas 35.5 x 81.5 in. Framed Exploring the identity of both her namesake and country, LA-based America Martin draws insp...

Still life Of Flowers In A Classical Urn, 18th Century Dutch School Huge 18th Century Dutch School Old Master Still Life of flowers...

Rutger Hiemstra Attempted Art Oil on wood panel 53 x 125 cm Dutch artist Rutger Hiemstra (1975) understands the art of painting from observation. Still lifes, landscapes, portraits...

Weekend Beach Day by Lenny Cornforth [2022] original Oil paint on canvas Image size: H:102 cm x W:102 cm Complete Size of Unframed Work: H:102 cm x W:102 cm x D:4cm Frame Size: H:107 cm x W:107 cm x D:5.5cm Sold Framed Please note that insitu images are purely an indication of how a piece may look This piece was inspired by bank holiday weekends in Cornwall, surfing and relaxing with friends and family, enjoying the bright colours of all the beach accessories...

Impressive large American school modernist flower still life painting. Oil on canvas. Handsomely framed. Signed illegibly. Very nice impasto and color.

"Botanica 15-6" is a framed mixed media on canvas painting by David Skillicorn, depicting an abstracted floral arrangement. The "Botanica" series by this artist is situated "somewher...

Marc Joseph Octave Théodule BOISSIN (Bénévent-l’Abbaye, 1839 - Paris, 1891) Allegory of Geography Oil on canvas Signed lower right 75 x 125 cm without frame 100 x 150 cm with frame...

A Photorealist Still Life painting of five glass vases on a table by Chilean-born artist Gustavo Schmidt. Five Vases Gustavo Schmidt, Chilean/American (1963-) Date: 2012 Oil on Canv...

Detailed still life of roses, books, a statue from The Pirates of Penzance, and an ash tray by Texas artist Willa (Willie) Kay Fall (1891-1976). Signed in the lower right corner. Presented in the original period giltwood frame. Image 36" H x 28"W. Unframed. Frame, 42"H x 33.5"W x 1.5"Signed lower right "W. Kay Fall" Willie (Willa) Kay Fall was 1976 Born in Kaufman, Texas to William K. Irvin an advertising man and Roxanne M. Cole. She Married Cecil G. Fall in 1912 in Kemp, Texas She painted in Texas 1920-19600, New York 1950-60, England 1947 and 1951 Sailed on the RMS Queen Elizabeth...

Clinton Hobart paints in a painstaking Renaissance style, and you can see his breathtaking skill clearly in this still life. I bought six paintings similar to this from him in one ba...

People enjoying the setting sun on a frozen Lake at Tahoe, with cascading evening light and majestic alpine mountain ridge in the distance. Willard Dixon is one of our finest American contemporary realist painters, who has painted Northern California coastal landscapes for over 35 years. His work captures the undeniable beauty of the West with its grand and humble spirit. Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Modern Art, the Metropolitan Museum of Art in New York, and the Oakland Museum of California. Tahoe Evening I is 36 x 54 inches. The work of art comes to you framed in a light wood floater frame and is ready to hang and enjoy for years to come. Artist signed and dated. Condition is excellent. Presented by Andra Norris Gallery in California. SELECTED PUBLIC COLLECTIONS San Francisco Museum of Modern Art The Metropolitan Museum of Art The Oakland Museum The Utah Museum of Fine Art The San Francisco Art Commission AMA Headquarters, washington, D.C. Pacific Gas and Electric Co., S.F. CA. Transamerica Headquarters,S.F., CA. San Francisco International Airport IBM Corporation, San Jose, CA. Pacific Bell SELECTED PRIVATE COLLECTIONS Mr. Harrison Ford Mr. Peter Duchin Ms. Linda Ronstadt Ms Faye Dunaway Mr. Peter Morton Mrs. H.J. Heinze Mr Rupert Lowenstein Mr. Chappy Morris Mr. Griffen Dunne Margy Boyd Caroline Graham Mr. Richard Baker Ms. Sabrina Guinness Mr. Peter Asher...

The impressionist land and water scene from Brooks Anderson. This estuary scene of Marin captures you and takes you on a journey from stream to ocean. Artist signed, titled and dated...

CAUCHOIS Eugène Henri (1850-1911) Roses and Peaches Arrangement Oil on canvas signed low right Framed by GAULT (Paris- Fbg St Honoré) - gold patina Size canvas : 73 X 92 cm Size fram...

A lone eucalyptus tree stands tall in this vertical atmospheric landscape painting that features sunlit green grass, rolling purple hills and a hazy sky. A stunning work of original ...

For Jose Ignacio Suarez an abyss of time and space distances him from those who were the first inhabitants of the Brazilian coasts and of this vast American continent. His initial la...

Michel Brosseau was born in Nantes and has lived in Bordeaux for many years. Both cities are on the Atlantic coast of France and have rich maritime histories, highlighted by prospero...

A large colorful still-life painting of cherries in a teacup by Canadian painter, Elaine Clarfield-Gitalis. Beautifully framed. Canvas measures 46.5 ...

Carol Stewart Back From Morocco oil on paper mounted on panel 36h x 48w x 1.50d in 91.44h x 121.92w x 3.81d cm CST019 Through her ethereal and often dreamlike paintings Carol Stewa...

Waiting is a vibrant floral depicting a luxurious flower bouquet on a table. Comes unframed and ready to hang.

Artist: Ian Hornak (1944-2002) Title: Martin Heade’s Window Year: 1980 Medium: Acrylic on Canvas Size: 48 x 36 inches Condition: Excellent Inscription: Signed recto; signed, dated, and titled by the artist, verso. Provenance: Fischbach Gallery, New York, NY; Private Collection, MI Notes: A seminal example of Hornak’s Photorealist multiple exposure landscape...

Barco Rojo, by Sergio Bazan Oil on Canvas Image Size: 75 H x 75 W inches Unframed Signed by artist _______ Paintings- Mix media & works on paper. Sergio Bazan was born in Bue...

For these paintings, Wolf uses expanded metal as a brush and thus creates abstract paintings. The irretrievable moment is found here in the expressive painting process. Also, he adds...

Lowell Nesbitt (American, 1933-1993) Flower, 1978 tempera on board 60 1/2 x 40 1/2 inches. Provenance: Sold: Christie's East, May 18, 1999, Lot 224 Blair Nesbitt is an American p...

Frans van Everbroeck (Antwerp, ca. 1628 - London or Antwerp 1676/1693) attributed A stone cartouche surrounded by garlands of flowers with tulips, roses, daffodils, peonies and daisi...

Oil painting by Willard Dixon featuring a waterscape with coastal clouds. Willard Dixon, who is one of the finest American contemporary realist painters today, has painted coastal landscapes for 35 years, capturing the undeniable beauty of the West with its grand and humble spirit. The painting, with its atmospheric light and calm palette is contemporary and serene. Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Art, and the Metropolitan Museum of Art and his work is collected Internationally. Artist signed and dated. A classic Dixon that will sure to bring those who view it a life time of pleasure. Kauai, painted in 2023. the canvas is 60 X 62 inches. Oil on canvas, and traditionally framed in contemporary, minimal hardwood floater frame.Condition is new and excellent. Artist signed and dated. Ready to ship. Proudly presented by Andra Norris Gallery in California. Selected Collections The San Francisco Museum of Modern Art The Metropolitan Museum of Art The Oakland Museum The Utah Museum of Fine Art San Francisco Art Commission Shaklee Corporation Pacific Gas and Electric Company, San Francisco, CA Kemper Insurance Company, Long Grove, Il Morrison and Foerester, San Francisco, CA SSI Container Corporation, San Francisco, CA San Francisco International Airport Oxford Petroleum Company, Houston,TX California First Bank, San Francisco, CA United Pipeline, Houston, TX Security Pacific National Bank, S.F., CA Crocker Bank, Los Angeles, CA Visa Corporation, San Francisco, CA Atlantic Richfield Corporation Shell Oil, Houston, TX First National Bank of Seattle RREEF Corporation, San Francisco, CA Texas Heritage Society Genstar Corporation, San Francisco, CA Sohio Corporation Skidmore Owings and Merrill, N.Y.C., NY Chemical Bank...

This pastel is unframed

TitelNature morte à la théière (FOND VERT) TechnikOil on canvas Jahr1957 Grösse37cm × 105cm (14.6" × 41.3") SignaturSigned lower right "G Braque" Provenance Christie's London, 5.Fe...