Skip to main content

Jean Chaleyé Art

to
1
1
Overall Width
to
Overall Height
to
2
2
1
1
2
2
1
1
1
2
8,779
2,809
1,642
1,313
1
1
1
Artist: Jean Chaleye
Carnations & Marigolds Framed Post Impressionist French Still Life Oil Painting
By Jean Chaleye
Located in Sutton Poyntz, Dorset
Jean Chaleye. French ( b.1878 - d.1960 ). Still Life Of Carnations & Marigolds. Oil On Board. Signed Lower Right. Image size 20.9 inches x 25.2 inches ( 53cm x 64cm ). Frame size 27...
Category

Early 20th Century Post-Impressionist Jean Chaleyé Art

Materials

Oil, Board

Large Post Impressionist Oil Painting Jean Chaleye, Rose Bouquet Findlay Gallery
By Jean Chaleye
Located in Surfside, FL
Jean Chaleye, French (1878 - 1960) Oil on canvas "Still Life of Roses". Hand signed Brass name plate attached to frame, Provenance: Wally Findlay Galleries, bears label verso. Measures: 56-1/4" x 37", frame measures 61-1/4" x 42" This is a very large piece Jean Chaleye (French 1878 - 1960) was active, lived in France. Jean Chaleye is known for Landscape, still life and coastal view painting. Considered one of the most important Post Impressionist painters. Jean-Baptiste Chaleye, known as Joannès Chaleyé, was born to working class parents in Saint Etienne in the middle of the 19th Century. He began his career as a commercial engraver at the age of fourteen, which he continued until 1899 when he took a trip to England. He returned the following year to do his military service and on completion returned to the city of his birth. He began his artistic training in Saint Etienne and then at the School of Fine Arts in Lyon in 1896. He was then offered the opportunity to complete his training in Paris. In 1899, he joined the class of Louvrier de Lajolais at the École Nationale Supérieure des Arts Décoratifs in Paris and was also a student of Fernand Cormon at the École Nationale Supérieure des Beaux-Arts. Through Cormon he me Andre Derain, Mary Cassatt and Dunoyer de Segonzac and a number of ther Barbizon painters influenced by Edouard Manet. Jean Chaleye's life is divided between his attraction for painting and his passion for the art of lace. As early as 1902, he exhibited at the Salon des Artistes français and the Salon des indépendants. As a renowned painter of flowers, several museums acquired his paintings such as the cities of Puy-en-Velay, Lyon, Clermont-Ferrand and Saint-Gall in Switzerland. In 1903, Louvrier de Lajolais offered him to go to the provinces to teach the art of lacemaking at the École pratique de commerce et d'industrie du Puy-en-Velay. He then set out to replace the traditional geometric and repetitive designs by creations with supple and light forms, inspired by local flora. He devoted his entire life to highlighting the delicate art of lace making, participating in various competitions and international exhibitions during which he won several awards. Appointed director of the National Superior School of Arts and Textile Industries of Roubaix in 1930 but also artistic director of the school of laces of Bailleul, he favors the obtaining by this last one of the Grand Prix at the Exhibition of Brussels in 1935. Promoted to the rank of officer of the Legion of Honor in 1937, his involvement in the recognition of the know-how of the Velay lace industry is recognized. A renowned painter, one recognizes in his paintings as in his lace drawings all the delicacy and the love which he carries to the flowers and to the nature in general. He died in 1960 in Puy-en-Velay. After his death, the house in which he had lived in Puy was turned into the Musée Chaleyé. International exhibitions In 1904, he had the "Lace" section participate in the exhibition at the Galliera Museum in Paris, which presented the lace made according to his ideas. In 1905, he created the fan leaf for the lacemaker Oudin, which was purchased by the Saint-Gall Museum in Switzerland. He participated in various international competitions and exhibitions, during which he received several awards: International Exhibition of Liège (1905): he created a fan leaf decorated with Virginia creeper which took part in this exhibition. French Lace Competition (1907): the “Lace” section, the work of which he directed, won three distinctions: first prize (1000 Francs), second prize in collaboration, and for his personal work, the prize of the Under-Secretary of State for Fine Arts. Franco-British Exhibition in London (1908): gold medal for a braid of fuchsias signed by Chaleyé. Brussels World's Fair (1910): a grand prize was won by three laces signed by Chaleyé (landscape with grisaille effect, a cockfight in colour and a cushion with chestnut decorations with spider webs). Chaleyé also won a gold medal for his collaboration. International Exhibition in Turin (1911): he had produced new drawings which had earned him a gold medal for his collaboration. International Exhibition of Lyon (1914): he was awarded a medal for his collaboration. Participation in the “Lace” and “Cabinetmaking” sections, of which Chaleyé directed the work and designed the models for this exhibition. Painting by Jean Chaleyé exhibited at the Crozatier Museum in Puy-en-Velay Alongside his artistic involvement in lacemaking, he exhibited his paintings at the Salon des artistes français from 1902. At the Salon des indépendants, one of his works was selected by the Commission des beaux-arts de la Ville de Paris and several museums have acquired his paintings: the cities of Le Puy, Lyon, Clermont-Ferrand, Saint-Gall (Switzerland). Seven of them are still exhibited at the Musée Crozatier in Puy-en-Velay. A renowned painter of flowers, he enjoyed his main successes in the Lyon and Saint-Etienne regions where he exhibited mainly. He exhibited with Gaston Sebire, Louis Valtat, Leon-Alphonse Quizet...
Category

20th Century Post-Impressionist Jean Chaleyé Art

Materials

Canvas, Oil

Related Items
Antique Fauvist "Still Life with Flowers and Skull" Louis Mathieu Verdilhan
Located in SANTA FE, NM
Antique Fauvist Vanitas "Still Life with Flowers and Skull" Louis Mathieu Verdilhan (Provence, France, 1875-1928) Circa 1910 Oil on canvas on ...
Category

Early 1900s Fauvist Jean Chaleyé Art

Materials

Canvas, Wood, Oil

"Pretty Pickins" Post-Impressionist Colorful Floral Oil Painting on Board Framed
Located in New York, NY
A joyous colorful floral still life painting depicting a bunch of freshly picked flowers placed effortlessly. The piece is done in a highly impressionistic manner and is a wonderful display of Reilly's more impromptu style, with bold colors of joyful yellow, deep rouge, and softer colors of light blue, hints of brown, and pops of pink. White ostrich daisies along with blue bluebells, orange, yellow and mamey flowers on a background of bright green grass and dark bushes in the background. This still life in nature, in the garden from nature. This bouquet reminds us of sunny summer days filled with the scent of flowers and nature. This piece is titled and has artist's estate stamp on the back, it comes housed in a contemporary gold leaf plain air wood frame with hanging wire on verso ready to be displayed. Art measures 30 x 24 inches Frame measures 37 x 31 inches John Reilly is a critically acclaimed and award-winning New Jersey artist, born in Brooklyn, NY in 1942. He received his early art training at the School of Art and Design, formally known as ‘The School of Industrial Art’ in Manhattan, where he studied advertising art. By the age of twenty-three, he operated a mid-town-based sales promotion agency, eventually expanding the business to service large companies such as Bacardi Rum, Johnson and Johnson, Nabisco, and KLM...
Category

Late 20th Century Post-Impressionist Jean Chaleyé Art

Materials

Oil, Board

Vue de Dordogne - Post Impressionist Landscape Oil Painting by Charles Robin
By Georges Charles Robin
Located in Marlow, Buckinghamshire
Signed oil on board riverscape circa 1950 by French Post Impressionist painter Georges Charles Robin. The work depicts a view of the Dordogne river on a sunny day. The green trees an...
Category

1950s Post-Impressionist Jean Chaleyé Art

Materials

Oil, Board

'Bouquet of Wildflowers', Post-Impressionist Floral Still Life
Located in Santa Cruz, CA
Signed and inscribed lower right, 'Johannes Me Fecit' and dated '72', stamped verso with Lion Passant seal. A charming and loosely painted study of spring flowers shown informally a...
Category

1970s Post-Impressionist Jean Chaleyé Art

Materials

Board, Oil

Mid 20th Century French Oil on Board. 'The Blue Vase'.
Located in Cotignac, FR
French Mid 20th Century oil on board Fauvist still life, flowers in a vase in an interior scene, by Hyppolite Roger. The painting is signed bottom righ...
Category

Mid-20th Century Fauvist Jean Chaleyé Art

Materials

Board, Oil

Vibrant Floral Oil Painting Vase of Spring Flowers Pierre Jerome Ecole De Paris
By Pierre Jerome
Located in Surfside, FL
Framed 23 x 15.75 Image 21.5 x 14.25 Pierre Jerome French 1905-1982 During his 50+ year career as an artist, he won several major awards, including awards at the Prix de Rome, in...
Category

20th Century Post-Impressionist Jean Chaleyé Art

Materials

Oil, Board

ORIGINAL ENGLISH OIL PAINTING - Still Life Interior Composition
Located in Cirencester, GB
ARTIST: Jacqueline Williams NEAC (1962-) British TITLE: "Still Life Interior Composition" SIGNED: lower right MEDIUM: oil on board SIZE: 55cm x 70cm CONDITION: excellent DETAIL: Pa...
Category

Late 20th Century Post-Impressionist Jean Chaleyé Art

Materials

Oil

"Interior with Chair and Vanity" circa 1918 by Ricardo Gomez-Gimeno (1892-1954)
Located in SANTA FE, NM
"Interior with Chair and Vanity" circa 1918 Ricardo Gomez-Gimeno (Spain/France 1892-1954) Oil on cardboard Signed 17 1/4 x 14 1/4 (22 1/2 x 19 1/2 f...
Category

1910s Post-Impressionist Jean Chaleyé Art

Materials

Oil, Cardboard

Interieur a la fenetre ouverte - Post Impressionist Oil by Edouard Vuillard
By Edouard Vuillard
Located in Marlow, Buckinghamshire
Signed oil on board interior by French Les Nabis painter Edouard Vuillard. The work depicts a room with a large window, outside of which are bare trees. Inside the room are three chairs and a patterned rug on the floor. Signature: Signed lower left Dimensions: Framed: 20"x13" Unframed: 13"x6" Provenance: Prince Antoine Bibesco (1878-1951) - Special Envoy of Romania to the United States Piasa Encheres - Paris Lot no. 88 - 8th April 2005 - Sold EUR 118,000 hammer price Acquired at the above by Thomas Gibson Fine Art - London Acquired by the previous owner from Thomas Gibson Fine Art - TEFAF Maastricht November 2005 Literature: This work is included in the catalogue rasionne of the work of Edouard Vuillard under Ref Volume II No. 172 - illustrated and described Access to the raisonne online can be found at the Wildenstein Plattner Institute website. The work is described as being executed in the period 1899 to 1904 by Antoine Salomon and Guy Cogeval Édouard Vuillard attended the Lycée Condorcet in Paris, where he made friends with Maurice Denis, Lugné-Poe, and Ker-Xavier Roussel, later his brother-in-law. He studied in Maillart’s studio; for six weeks came under the tutelage of Jean-Léon Gérôme at the École des Beaux-Arts in Paris; and later under William Bouguereau and Robert at the Académie Julian, where he became closely linked with the Nabis group (from the Hebrew word for ‘prophet’). He met Marcel Proust in 1902. From 1908, he taught at the Académie Ranson. In 1937, he was elected member of the Institute. At first, Édouard Vuillard painted small subjects, disciplined and proficient, qualities for which the prestigious École Française was famous. His earliest still-lifes (1888) are astonishing in their decisiveness and subtlety. His empathy for the object had already compelled him to soften its appearance; the object, which, by virtue of its bright or glossy presence, remained the nonego and the ‘thing represented’ for so many others. ‘Intimacy’ developed immediately between the painter and this modest environment; inhabiting it every day enabled him to celebrate its splendour, and it was to remain his favourite environment. But he was already alternating between small portraits and still-lifes, which gained recognition because of their natural qualities and dignity of tone: a rare combination in a beginner. About 1890, influenced indirectly by Paul Gauguin, all the certainties which the self-styled Nabis painters had contented themselves with suddenly collapsed. Everything was called into question again: both the linear layout of the picture and its colour scheme; the choice of subject and its material aspect; its manufacture and its purpose. Vuillard’s paintings at that time show surprising, bold innovations and an arbitrary power, which one would expect 15 or 20 years later at the height of the Fauvist period. The preoccupation with an internal geometry set them apart from earlier studies. From then on, the paintings were based on forms, lines, and colours. Vuillard made concessions. He produced a portrait or interior with its furniture and its wallpapers, in which the family inhabiting it, evolves. Treated with flat areas of colour and solid shades of ochres, reds, blues, and saffron yellow, without modulation, they seem to prefigure certain paintings by Henri Matisse and Roger de La Fresnaye. In 1891, Édouard Vuillard painted an Elegant Lady, a silhouette seen from the back; a long vertical shape starting from the hair decorated with brown feathers; there is a kind of pink cloak, the tight and never-ending black skirt, erect in front of a half-open, bright orange door in a green wall, from where the light of another vertical shape emerges, which is bright yellow, and is reflected in red on the parquet at the feet of the elegant lady. This painting meets his concerns about the actual moment of creating ‘harmonies corresponding to our feeling’, and by virtue of its almost geometric structure, its drawing entirely free of detail, its light effects and colour harmonies, very much prefigures aspects of the future Abstraction movement and is oddly reminiscent of the final period of Nicolas de Staël. All too often, Édouard Vuillard is only admired in his role as the harmonist, the serene contemplator who combines an exquisite sense of nuance, rhythms, and values with the most acute observation. These singular investigations, these three-dimensional meditations including a table, a folding metal cot...
Category

1890s Post-Impressionist Jean Chaleyé Art

Materials

Oil, Board

"Flower Still Life" Post-Impressionism French Oil Painting of Colorful Flowers
By Jacques Zucker
Located in New York, NY
This painting depicts a whimsical bouquet of flowers in a white vase resting on a table with a multicolored background. The piece is done in a highly impressionistic manner with uniq...
Category

Mid-20th Century Post-Impressionist Jean Chaleyé Art

Materials

Oil, Board

Alai Ganuza "Macedonia" - Vibrant Oil Still Life With Fruit 2025
Located in Denver, CO
Immerse yourself in the luscious world of color and form with this original oil painting on cradled wood by contemporary artist Alai Ganuza. Titled "Macedonia" and completed in 2025,...
Category

2010s Fauvist Jean Chaleyé Art

Materials

Wood, Oil

Flowers Bouquet Still Life Painting
By Robert Mendoze
Located in Lake Worth Beach, FL
Still Life Bouquet De Fleurs Champs, 1970. Robert Mendoze was a French Post Impressionist painter who was born in 1930- 2014. After graduating from the...
Category

1970s Post-Impressionist Jean Chaleyé Art

Materials

Canvas, Oil

Previously Available Items
"Roses aux Marguerites, " Jean Chaleye, Impressionist Flowers and Vase Still Life
By Jean Chaleye
Located in New York, NY
Jean Chaleye (1878 - 1960) Roses aux Marguerites, 1920 Oil on panel 29 x 20 inches Signed lower right Provenance: Wally Findlay Galleries, New York Jea...
Category

1920s Impressionist Jean Chaleyé Art

Materials

Oil, Panel

Bunch of peonies Post Impressionist painting
By Jean Chaleye
Located in Saint-Ouen, FR
Bunch of Peonies Oil on wood panel signed right below Frame gilded with gold leaves. Dim canvas : 73 X 60 cm Dim Frame : 104 X 90 cm CHALEYE Joannès or Jean (1878-1960) French painter 19th - 20th Century Born on April 22nd, 1878 in St Etienne (the Loire) Died in 1960 in Le Puy (Haute-Loire). Painter of landscapes, Flowers. Postimpressionist Trained at the School of decorative Arts of Lyon, he continued his studies at the national superior School arts of Paris, in the workshop of Cormon. He took part in the Salon of the French Artists starting from 1902. In 1903, he decided to settle at Le Puy to organize the training of the pillow lace...
Category

Mid-20th Century Post-Impressionist Jean Chaleyé Art

Materials

Oil

Jean Chaleye art for sale on 1stDibs.

Find a wide variety of authentic Jean Chaleye art available for sale on 1stDibs. You can also browse by medium to find art by Jean Chaleye in oil paint, paint, board and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the Post-Impressionist style. Not every interior allows for large Jean Chaleye art, so small editions measuring 32 inches across are available. Customers who are interested in this artist might also find the work of Jacques Martin-Ferrières, Gaston Sebire, and Antoine Blanchard. Jean Chaleye art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $9,099 and tops out at $10,075, while the average work can sell for $9,587.

Artists Similar to Jean Chaleye

Recently Viewed

View All