Marcel Dyf Art

Oil on canvas Canvas size: 23.5 x 28.5 inches Framed size: 31.25 x 36.5 inches Signed lower right

Oil on canvas Canvas size: 25.5 x 21.25 inches Framed size: 33.5 x 29.25 inches Signed lower right

Oil painting on canvas by Marcel Dyf (1899-1985) circa mid-20th century. It shows a young nude woman. The strong influence of Auguste Renoir (1841-1919) can be seen. Dimensions with...

An oil-on-canvas painting by Marcel Dyf (1899-1985) circa mid-20th century. It shows a young woman seated three-quarters of the way up, dressed in a yellow dress and white blouse, wi...

Marcel DYF 1899 - 1985 Oil on canvas Canvas Size 28 x 23" (72 x 60cm) Outside Frame Size: 36 x 31" (92 x 80cm) Free Shipping Dyf’s family lived in Paris, but he spent his childhood holidays in Normandy at Ault, Deauville, and Trouville. The artistic climate to which he was exposed in Paris and in Normandy was crucial during his youth, as innovative ideas and new thinking, born of the Impressionist and Post-Impressionist movements, formed ever widening circles of influence in Europe. Swept up in the atmosphere, Dyf decided in his early twenties to give up his career in engineering and become an artist. He moved to Arles in 1922 to pursue his calling and he kept a studio there until 1942. He had little formal artistic training but owed much of his inspiration to the great masters of the past such as Rembrandt, whom he particularly admired, Vermeer and Tiepolo. In Provence, challenged by a new range of colours and light, by new landscapes and images and under the same intense sky that lent its brilliance to Van Gogh’s art, Dyf graduated from painter to artist. Whilst living in Arles, Dyf was commissioned to paint a number of large historical and decorative works, mostly frescoes, in the town halls of Saint Martin-de-Crau and Les Saintes Maries-de-la-Mer, in Arles, in the Museon Arlaten and in the dining hall of the Collège Ampère. He also designed windows for the church of Saint Louis in Marseille. In 1935 Dyf took on Maximilien Luce’s old studio in the Avenue du Maine on the left bank. His partial return to Paris meant that he could work with many whose names became renowned for their highly original contributions to art, music, and literature. Paris hummed with creative vitality in the 1930s and Dyf was both participant and recipient in the atmosphere. Paris was shattered by the invasion of 1940. Like many others, Dyf left the city and returned to Arles, but he quickly had to abandon his home in the south and he took to the Maquis, entering the Résistance in Corrèze and the Dordogne. After the Liberation he returned to Arles to find the studio reduced to rubble in the fighting. He retreated, heavy-hearted, to Paris but the pull of the Midi was deep-rooted, so in time he returned and made a new base in Saint Paul-de-Vence. Thereafter he divided his time between Paris and the south. His pictures began to sell through galleries in Cannes, Nice, Marseille and Strasbourg. In Paris he exhibited and sold his paintings through the Salon d’Automne, the Salon des Tuileries and the Salon des Artistes Français. In the first half of the 50s Dyf worked in Paris throughout the winter and spent the summer in Cannes, where he set up a studio-gallery and established a regular following among American visitors to the Riviera. In 1955 the first paintings were bought from Dyf by Frost & Reed to be sold in London, thus heralding the formation of a remarkable and enduring relationship between artist and gallery. In the summer of 1954, Dyf met Claudine Godat. Aged 19, she was thirty-six years younger than Dyf and with her long fair hair, clear skin, vivacity and patience, she was what the artist felt to be his perfect model. It was simply love at first sight. There was an instant rapport between them and her arrival in his life acted as a catalyst, bringing Dyf’s art forward to the threshold of its most mature phase. In 1956, they married and bought a 16th century hunting lodge at Bois d’Arcy, near Versailles. This became their main home, but each winter they returned to Provence on painting trips, staying in Saint-Rémy or in the small village of Eygalières. The olive trees, the cane windbreaks and the grey-white crags of the Alpilles provided countless motifs for Dyf’s paintings of Provence, and his artistic and emotional attachment to the area endured to the end of his life. In 1960, at Claudine’s insistence, they first visited Brittany. They explored widely and finally came upon the Golfe du Morbihan. Dyf was enchanted with this remote, beautiful region. He immediately saw the potential for new subjects, in the still waters of the huge lagoon surrounded by rolling fields of wheat and tiny clusters of slate-roofed cottages, and he knew he must return to paint there. From that time on the seasons of the year followed the same pattern: autumn was spent at home near Versailles and in the late autumn or early spring Dyf and Claudine drove south and spent six or eight weeks in Provence. In May they left for Brittany, where they spent the summer in a house they had bought opposite the church in the village of Arzon. Two or three times a year Frost & Reed would visit Dyf and buy all the best of his works for their stock. Dyf could never work in an empty studio, he said that it deadens an artist’s inspiration, so immediately the paintings had left for London, he and Claudine would set off to the west or to the south in search of new inspiration. This annual round having been established, there followed many years of great fulfilment. The artist, free from the burden of running the more mundane side of his life, was now able to devote all his time to painting and through Frost & Reed, his sole world agent, he was guaranteed an outlet for his work. To watch Dyf paint was entrancing. Even as an old man, he would stand rather than sit before the easel, working with extraordinary vigour and intense concentration. His palette was a rainbow of fresh colours and his hand continually darted back and forth from the canvas. At intervals he would step back or consider briefly another picture before returning to the easel, his eye refreshed. Usually he sketched straight onto the canvas, which he set up on his travelling easel...

A wonderful example of a reclining nude by Marcel Dyf, painted with characteristic panache; fabulous brushstrokes and colour employed to capture the curves of the model. Marcel Dyf (1899-1985) Reclining nude Signed Oil on canvas 23½ x 28¾ inches Authenticated by Madame Claudine Dyf and included in the e-catalogue raisonné as no.5297 Marcel Dyf was born in Paris in 1899. He grew up in Normandy, in the towns of Ault, Deauville and Trouville. He started a career as an engineer, but soon decided to become a painter. In 1922, he moved to Arles, where he was trained as a painter and set up a studio. He painted frescoes in the city halls of Saint-Martin-de-Crau and Saintes-Maries-de-la-Mer. He also painted frescoes in the Museon Arlaten and in the dining hall of the Collège Ampère, both of which are in Arles. In 1935, he moved to Maximilien Luce's old studio on the Avenue du Maine in Paris. By 1940, because of the German invasion of France during the Second World War, he returned to Arles. He quickly joined the French Resistance...

Signed figures in landscape oil on canvas circa 1940 by sought after French post impressionist painter Marcel Dyf. The piece depicts people enjoying a sunny winter's day at the port ...

Oil on canvas Canvas size: 18 x 21.75 inches Framed size: 24.5 x 28.25 inches Signed lower right

Large signed still life of flowers oil on canvas circa 1940 by sought after French post impressionist painter Marcel Dyf. This beautiful work depicts a bouquet of flowers of all vari...

Large signed still life of flowers oil on canvas circa 1950 by French post impressionist painter Marcel Dyf. The work depicts a bouquet of dahlias in reds and yellows in a gold jug...

Femmes Maroccaines by Marcel Dyf (1899-1985) Oil on canvas 60.5 x 73 cm (23 ⁷/₈ x 28 ³/₄ inches) Signed lower left, Dyf 1957

Oil on canvas Canvas size: 28.75 x 23.5 inches Framed size: 36.5 x 31.25 inches Signed lower right

Marcel Dyf: 1899-1985. Well listed French painter. Some consider him the last of the great French Impressionists. He has had auction results over $60,000 and has sold for more in gal...

Still Life "Poulet & Pomegranate" 20th Century by MARCEL DYF (1899-1985) similar to $37,000 Fine large 20th century still life "Poulet & Pomegranate" oil on canvas by Marcel Dyf. E...

Marcel Dyf was mostly known for his effortless way to captures the times of the people. Executing most works on-site, he truly was able to absorb the energy and the day, movement of ...

Marcel Dyf French, 1899-1985 Djeuner Champtre Oil on canvas 23 ½ by 28 ¾ in. W/frame 31 ½ by 36 ¾ in. Signed lower left Marcel Dyf (Marcel Dreyfus) was born in Paris on October 7,...

Marcel Dyf was mostly known for his effortless way to captures the times of the people. Executing most works on-site, he truly was able to absorb the energy and the day, movement of ...

'Voile sur le Lac' by Marcel Dyf is an enchanting dream like piece. Showcasing the bright golden hues of the south of france, Dyf has captured the french countryside perfectly. To w...

'Summer Bouquet' by Marcel Dyf. A beautiful floral still life painting of orange, yellow, red and white flowers To watch Dyf paint was entrancing. Even as an old man, he would stand rather than sit before the easel, working with extraordinary vigour and intense concentration. His palette was a rainbow of fresh colours and his hand continually darted back and forth from the canvas. At intervals he would step back or consider briefly another picture before returning to the easel, his eye refreshed. Usually he sketched straight onto the canvas, which he set up on his travelling easel...

'la Riviere' by Marcel Dyf is an enchanting dream like piece. Showcasing the bright golden hues of the south of france, Dyf has captured the french countryside perfectly. To watch Dyf paint was entrancing. Even as an old man, he would stand rather than sit before the easel, working with extraordinary vigour and intense concentration. His palette was a rainbow of fresh colours and his hand continually darted back and forth from the canvas. At intervals he would step back or consider briefly another picture before returning to the easel, his eye refreshed. Usually he sketched straight onto the canvas, which he set up on his travelling easel...

'Trouville Sur Mer' is a gloriously warm painting of late summer in Trouville, France. To watch Dyf paint was entrancing. Even as an old man, he would stand rather than sit before the easel, working with extraordinary vigour and intense concentration. His palette was a rainbow of fresh colours and his hand continually darted back and forth from the canvas. At intervals he would step back or consider briefly another picture before returning to the easel, his eye refreshed. Usually he sketched straight onto the canvas, which he set up on his travelling easel...

'Roses and Irises' by Marcel Dyf. A beautiful floral still life painting pink roses and irises in a bouquet. To watch Dyf paint was entrancing. Even as an old man, he would stand rather than sit before the easel, working with extraordinary vigour and intense concentration. His palette was a rainbow of fresh colours and his hand continually darted back and forth from the canvas. At intervals he would step back or consider briefly another picture before returning to the easel, his eye refreshed. Usually he sketched straight onto the canvas, which he set up on his travelling easel...