Framed Still-life Paintings

Charles Blum (New York, 1925-1998), Windowsill Garden, Oil on Masonite Panel, 1966, signed and dated lower right, wood frame. Image: 48" H x 23.75" W; frame: 53" H x 29" W. Provenanc...

Pristine and purely American in its aesthetic due to the fact that the artist concentrates on one type of fruit. Europeans were much more opulent in their approach to still lifes an...

Outstanding early 18th-century portrait of a seated Spaniel dog in a landscape with an array of fruits. Attributed to the work of Tobias Stranover. ...

Ornate Still Life of Fruit by Jonny Gaston, British 20th century signed and dated oil on board, framed framed: 15 x 23 inches board: 10 x 18 inches provenance: private collection, UK...

Henry John Livens was born in 1858, in St Pancras, London the direct descendant of Jan Liebens who had left his native Holland in the 1600’s to paint a portrait of the King and subse...

A beautiful 1950's French impressionist oil on board still life depicting a bust length sculpture of a lady and fruits. Excellent quality atmospheric work, with a street scene painte...

Albert Pinot Brussels 1875 – 1962 Paris Belgian Painter 'Still Life with Flowers in a Vase' Signature: signed lower right 'A. Pinot' Medium: oil on canvas Dimensions: image size 56...

"Sans un mot" is a monochrome abstract bookshelf painted in oil on linen by French artist Sophie Dumont. With an allusive composition built entirely from impasto whites and subtle gr...

'Sunflowers' post impressionism is in the Scottish Colourist tradition and art movement influenced by Cezanne in the early to mid 20th century. The artist, John Maclauchlan Milne...

Window Full Of Flowers 2021 Still Life oil on canvas, artist signed lower right canvas 23.5x31.5. Zbigniew Kopania, artist painter, cinematographer, born December 21, 1949, in Łódź Poland. Kopania style of paintings characterized by very high realism, some of them deserve to be called hyperrealism. He often uses thick impasto of paint and numerous glazes that contribute to the final effect of the created works. In his paintings, you can almost always see great color saturation, high contrast, and meticulously refined details. College degree in Cinematography Department of the State Higher School of Film, Television, and Theater in Łódź 1969-74. An operator of feature, documentary, and television films in Poland and abroad 1974-80...

This piece is an original oil painting on linen canvas. It features a beautiful bouquet of summer flowers: carnations, chrysanthemums, geraniums, foxglove, all arranged in a blue and white vase. The early morning lights gently washes over the arrangement from the left, casting lyrical shadows on the wall behind. A peaceful portrait of a beautiful, ephemeral moment. GC Williams has a degree in art history which gave her an understanding of, and appreciation for, not only the art of the past, but the historical events and ideologies that fostered various aesthetics, movements, and styles. She has studied at several classical ateliers, including three years at Boston's Academy of Realist Art. Her work has been shown in galleries throughout the US and is included in public and private collections. She maintains a studio on the north shore of Massachusetts. "My work is about the little moments of beauty that comprise our existence: the greening of the landscape in early spring, the glint of light on an object; growing things and made objects. I enjoy creating interesting interactions, and making up narratives. I love the way light animates objects...

"Sweet Gum" painted by Joy Taylor in 2022 28 x 22 inches, 37 x 29 inches framed acrylic on paper Custom Frame with White Wood Molding, Window Mat and Tru Vu AR Glass Joy Taylor’s paintings transform botany into a personal vision. Her recent series on canvas, playfully titled the “Boo-K” paintings, defy traditional still life depictions that often seek to tame and order the objects of the world. On the contrary, Taylor’s subjects are never still. Her floral forms have the crisp, clean qualities of cut paper; sharp, decisive lines slice through blocks of pure pigment to create defined edges of leaves, vines and blossoms. The colors are constructed as well as the form. Her exuberant palette of oranges, blues, magenta and green echo the complimentary colors favored by the Fauvists. Color is an element in and of itself in her work. This balance of sparkling color and form is irrepressible, at times disconcerting and even dangerous in its boldness. In a series of original paintings on paper, Joy pairs down the form by focusing on a single bloom or leaf. As a specimen under a microscope, Taylor dives into the crevices and details of each leaflet on this bright green Sweet...

Signed oil on board interior by French Les Nabis painter Edouard Vuillard. The work depicts a room with a large window, outside of which are bare trees. Inside the room are three chairs and a patterned rug on the floor. Signature: Signed lower left Dimensions: Framed: 20"x13" Unframed: 13"x6" Provenance: Prince Antoine Bibesco (1878-1951) - Special Envoy of Romania to the United States Piasa Encheres - Paris Lot no. 88 - 8th April 2005 - Sold EUR 118,000 hammer price Acquired at the above by Thomas Gibson Fine Art - London Acquired by the previous owner from Thomas Gibson Fine Art - TEFAF Maastricht November 2005 Literature: This work is included in the catalogue rasionne of the work of Edouard Vuillard under Ref Volume II No. 172 - illustrated and described Access to the raisonne online can be found at the Wildenstein Plattner Institute website. The work is described as being executed in the period 1899 to 1904 by Antoine Salomon and Guy Cogeval Édouard Vuillard attended the Lycée Condorcet in Paris, where he made friends with Maurice Denis, Lugné-Poe, and Ker-Xavier Roussel, later his brother-in-law. He studied in Maillart’s studio; for six weeks came under the tutelage of Jean-Léon Gérôme at the École des Beaux-Arts in Paris; and later under William Bouguereau and Robert at the Académie Julian, where he became closely linked with the Nabis group (from the Hebrew word for ‘prophet’). He met Marcel Proust in 1902. From 1908, he taught at the Académie Ranson. In 1937, he was elected member of the Institute. At first, Édouard Vuillard painted small subjects, disciplined and proficient, qualities for which the prestigious École Française was famous. His earliest still-lifes (1888) are astonishing in their decisiveness and subtlety. His empathy for the object had already compelled him to soften its appearance; the object, which, by virtue of its bright or glossy presence, remained the nonego and the ‘thing represented’ for so many others. ‘Intimacy’ developed immediately between the painter and this modest environment; inhabiting it every day enabled him to celebrate its splendour, and it was to remain his favourite environment. But he was already alternating between small portraits and still-lifes, which gained recognition because of their natural qualities and dignity of tone: a rare combination in a beginner. About 1890, influenced indirectly by Paul Gauguin, all the certainties which the self-styled Nabis painters had contented themselves with suddenly collapsed. Everything was called into question again: both the linear layout of the picture and its colour scheme; the choice of subject and its material aspect; its manufacture and its purpose. Vuillard’s paintings at that time show surprising, bold innovations and an arbitrary power, which one would expect 15 or 20 years later at the height of the Fauvist period. The preoccupation with an internal geometry set them apart from earlier studies. From then on, the paintings were based on forms, lines, and colours. Vuillard made concessions. He produced a portrait or interior with its furniture and its wallpapers, in which the family inhabiting it, evolves. Treated with flat areas of colour and solid shades of ochres, reds, blues, and saffron yellow, without modulation, they seem to prefigure certain paintings by Henri Matisse and Roger de La Fresnaye. In 1891, Édouard Vuillard painted an Elegant Lady, a silhouette seen from the back; a long vertical shape starting from the hair decorated with brown feathers; there is a kind of pink cloak, the tight and never-ending black skirt, erect in front of a half-open, bright orange door in a green wall, from where the light of another vertical shape emerges, which is bright yellow, and is reflected in red on the parquet at the feet of the elegant lady. This painting meets his concerns about the actual moment of creating ‘harmonies corresponding to our feeling’, and by virtue of its almost geometric structure, its drawing entirely free of detail, its light effects and colour harmonies, very much prefigures aspects of the future Abstraction movement and is oddly reminiscent of the final period of Nicolas de Staël. All too often, Édouard Vuillard is only admired in his role as the harmonist, the serene contemplator who combines an exquisite sense of nuance, rhythms, and values with the most acute observation. These singular investigations, these three-dimensional meditations including a table, a folding metal cot...

the size of artworks 25x25 cm -- each piece This spring, the yellow dandelions were in full bloom on the green lawn in front of our house. How charming they are, not only when they...

Still Life by Max Toutain (French 1935-2006) signed oil on canvas, framed framed: 10 x 12 inches canvas : 7 x 9 inches Provenance: all the paintings we have for sale by this artist h...

Forget me nots and Night light Series. There are 2 paintings in this series. Pocket Night Light is an original oil painting by Dani Humberstone as part of her Pocket Painting serie...

F. Clairval Active around 1900 Floral Painter 'Various colourful roses in a glass vase' Signature: signed lower left ‘F. Clairval' Medium: oil on board Dimensions: image size 67 x...

Enhance your space with White and Glass, a stunning original oil painting by renowned artist Millie Gosch. This 8x8 inch piece, beautifully framed to 11x11 inches, showcases Gosch’s ...

mixed media cardboard painting CUIXART I TÀPIES, Modest (Barcelona, 1925 - Palafrugell, Girona, 2007). He cuixart initially studied medicine, but soon abandoned his studies to devot...

This painting depicts a whimsical bouquet of flowers in a beautiful glass vase resting on a table with a blue background. The attractive perspective is what makes this painting so in...

Signed landscape oil on canvas circa 1885 by French impressionist painter Jean Baptiste Armand Guillaumin. The work depicts a farmland with haystacks pilled up into the distance unde...

Van Ryswyck Edward Antwerp 1871 – 1931 Belgian Painter Still Life with Oranges and Flowers Signature: Signed bottom left Medium: Oil on canvas Dimensions: Image size 51 x 72 cm, fra...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

Antique impressionist still life painting by Irene ( I. Stry) Stry (1899/1904 - 1963). Oil on board, circa 1940. Signed. Image size, 24L x 20H.

Signed post impressionist landscape oil on panel by popular French painter Georges D'Espagnat. The piece depicts the beach at Belle Ile, an island off the coast of Brittany in France, at sunset. An exceptional early painting by D'Espagnat which shows the precursor influence of Fauvism which was to dominate his paintings in the following few years. Signature: Signed lower right Dimensions: Framed: 23"x26" Unframed: 15"x18" Provenance: Private French collection A certificate of authenticity from Mr. Jean-Dominique Jacquemond is available upon request. This work will be included in the catalogue raisonne of Georges D'Espagnat under preparation by Mr. Jacquemond From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

Large Antique French Still Life oil painting flowers on canvas, white lilies in a green vase atop a covered table. Large showy ...

This vibrant still life painting captures a bouquet of yellow marigolds in a decorative blue and white jug. The impressionistic brushstrokes and warm colour palette create a sense of...

5175 Vintage colorful Fauvist gouche painting of fruits and glasses table setting Framed signed Image size 14x21"

Artist/ School: French artist, circa 1950s, signed to the lower corner Title: Sea Food Table (wine bottle, lobster, oysters, etc) Medium: oil painting on ca...

Unframed this piece measures 12 x 9. Stephanie was born and raised on Long Island, NY. Choosing computer programming as her first career, her passion for drawing and painting prompt...

Cornelis le Mair (Netherlands, Eindhoven, July 3rd 1944) is a Dutch painter. This Classic painter is famous because of his 17th century paintings. You can see him in his house on o...

"Grapefruit and Strawberries" is a classical realist still life of fruit. Signed bottom right corner Framed Dimensions: 19.25 x 19.25 inches Steven J. Levin - (b. 1964) is classica...

Heidi von Faber (Dutch artist) Tea Towels 70 x 70 cm (framed, included in price 75 x 75 cm) Acryl on canvas In the paintings of The Hague-based artist Heidi von Faber, light plays ...

Oil on canvas – 50 x 150 cm (19.7 x 59.1 in) Framed dimensions: 57 x 157 cm (22.4 x 61.8 in) Framing available upon request: natural wood or black American box Signed – Ready to hang...

I have completed a new still life. Some of the props were given to me for my birthday, they were fruits. That prompted me to put on a still life. The frame for the painting has alrea...

THE COCKEREL Size: 59 x 51 cm (including frame) Oil on canvas A brilliantly executed mid-century modernist style still life composition, painted in oil onto canvas by the establishe...

James Shaw (fl.1769-1784) Still life of fruit and nuts Oil on canvas Canvas Size - 13 1/2 x 17 3/4 in Framed Size - 16 1/4 x 20 1/2 in Born in Sedgley in Staffordshire, it is unclea...

Alan Latter (born 1961) Red Buttons, a Trompe l'oeil Signed and dated ‘2021’ verso Oil on board 11½ x 7¾ inches 12¼ x 8½ inches Born in Islington in 1961, Alan Latter's work is influenced by Bloomsbury Group artists Vanessa Bell and Duncan Grant and Fauvists Henri Matisse and Jean Puy. His paintings are inspired by his love of France which has come from his father, a Printer's Compositer and amateur painter who died in 1965 aged only 32. Given as a teenager his father's art equipment...

Pocket Macaw Jungle Collection is an original oil painting by Dani Humberstone as part of her Pocket painting series featuring small scale realistic oil paintings, with a nod to baro...

PITCHER AND GRAPES Size: 55 x 73 cm (including frame) Gouache on paper A lively and brilliantly executed mid-century modernist style interior still life composition, executed in gou...

"Macarons" is a framed oil painting on canvas by Alexander Sheversky, depicting 6 highly detailed macarons in various flavors & colors. The artist masterfully captures the chewy text...

Nicely painted American modernist abstract still life oil painting. Framed. Oil on canvas. Image size, 14H by 18L.

In this contemporary surrealist oil painting by Thomas Broadbent, a bison is depicted standing atop a white upholstered, black gold-gilded chaise lounge. Birch wood branches and sto...

"Still Life with Grapes and Plums" is a 10" x 12", oil on board still life by British painter Edward Ladell. The painting is framed and signed "EL 1866" in the lower left. Provenance...

A charming still life study depicting oysters, lobsters and a platter of fruit painted in a Dutch Golden Age style. Unsigned. Presented in a gilt frame. On canvas.

Incredible early American modernist still life oil painting. Housed in a great antique giltwood frame. Oil on board.

Vibrant Floral Arrangement H.Linard (French contemporary) signed oil on board, framed framed: 20 x 17 inches board: 18 x 15 inches dated verso 2001 Provenance: Private collection, Fr...

Luscious Strawberries is an oil painting done in the style of Realism in the artist studio in Florence, Italy. It is 12.5 x 14 with the frame.It has a custom frame made in Florence ...

Flowers - Oil on canvas cm. 100x80, Carlo De Tommasi, Italy, 2009. The painting is inspired by one of the canvases of the Belgian painter Ambrosius Bosschaert...

Antique American modernist still life oil painting. Oil on canvas. Signed. Framed. Measuring 17 by 23 inches overall and 16 by 22 painting alone.

"Koi Pond" is rich with color and texture, and is an excellent example of Pil Ho Lee's modern approach to Impressionism. Included is a custom black wood frame chosen by the artist f...

"Autumn Boquet" is rich with color and texture, and is an excellent example of Pil Ho Lee's modern approach to Impressionism. Included is a custom black wood frame chosen by the art...

A vase of pink tulips set against a deep pink tablecloth and a bright turquoise chair against a midnight blue wall is the subject of this delightful oi...

This stunning piece of art titled "Les Dalhias du Jardin" is a captivating original work by renowned artist Jean-Pierre Dubord capturing a floral arrangement over the table with fres...

A cheerful and luminous still life painting of a bouquet of yellow roses, a blue pot, and red drapery, masterfully executed by A. D. Greer (American, (1904 - 1998), in oil on canva...

Very High quality French or Flemish still life of fruit. Framed in its original 19th-century hand-made counted corner frame the painting is a wond...

A beautiful signed and dated 1964 Belgian oil on board depicting a hanging bird, by Noëlle Verheggen. Prresented in the original gold frame. Artist: Noëlle Verheggen (Belgian, 1929-...

"Fruit Bowl No. 1" is an abstact still-life Post War oil on canvas painting by Hans Hofmann in 1949. The artwork is 29 1/2 x 37 1/2 inches and with the frame is 38 1/8 x 46 1/8 x 3 1...

STILL LIFE WITH CHALICE Size: 46 x 34.5cm (including frame) Oil on board A striking mid-century modernist still life composition, executed in oil onto board and dated 1956. Central...

Still Life is an original modern artwork realized by an Unknown Artist in the mid-20th Century. A mixed colored oil on board. Hand signed on the lower left margin J. Meamier. Incl...