Framed Still-life Paintings

Oranges on Table is an original oil painting realized in 1999 by Zhang Wei Guang (Mirror). Includes frame Mixed colored oil painting Hand-signed and dated on the lower margin Goo...

Fred Wessel's "West Hartford Canna" is a stunning egg tempera painting on gold leaf. Created in 2022, this piece features a beautiful single stem of an orange Canna Hybrida lily, among its large leaves and stem. Painted underneath is a Victorian stone...

An exceptional still life oil painting with a table adorned with a vase of lilies, assorted fruit, and a variety of objects and textiles, with an Italian cityscape background titled ...

Idyllic scene of a rabbit statue among flowerpots in a garden by unknown artist "Trulee" (20th Century). A rabbit statue faces away from the viewer, look...

Beautiful fruit still life painting w/pitcher & candelabra by Danish artist Edith Gert (1906-1983)

3586 Oil on canvas applied to board Set in an ornate 19th century vintage frame

Roman school of the early 18th century Luigi Garzi (Pistoia 1638– Rome1721) attributed Still life of fruit supported by three angels Oil on oval canvas 116 x 91 cm., Framed 140 x 119 cm. Authentication on a photograph by Prof Giancarlo Sestieri, who attributes the work to the sphere of Luigi Garzi This magnificent canvas, depicting a sumptuous composition of fruit supported by three prosperous winged cherubs, from which comes a parchment bearing the Latin expression "Amor est vitae essentia", is to be placed in the production of a Roman author active between the second half of XVII century and the first of the following century. The iconography that sees represented cherubs with fruit or flowers is frequent in the Baroque period, especially in the Roman area, starting from the 1600s, with that particular depictional tendency aimed at illusionistic and frivolous images, to a type of paintings or frescoes of strong value decorative, intended for the private context and depicting jubilation of cherubs, angels or cherubs, and of which our canvas represents a perfect example. We can recall, among the most illustrious iconographic precedents, the elegant mirrors painted by Mario Nuzzi and Carlo Maratta that adorn the hall of Palazzo Colonna in Rome, and again the canvas preserved in the Rouen museum and the similar ones in Palazzo Chigi in Ariccia, with the collaboration for the figurative parts of Filippo Lauri. The commercial and furnishing success of similar works is also testified by authors such as Guglielmo Cortese known as Borgognone (1628 - 1679), Franz Werner Von Tamm (1658 - 1724), Giovan Battista Gaulli (1639 - 1709), Giovanni Paolo Castelli known as Spadino (Rome 1650 - 1740) and the aforementioned Carlo Maratta (1625 - 1713) The work, studied by Giancarlo Sestieri, was brought closer to the sphere of the eclectic Pistoian painter Luigi Garzi, one of the protagonists of Roman painting in the decades of transition between the seventeenth and eighteenth centuries. In our painting we can find the typical elements of his painting: the soft and delicately chiaroscuro light, the sculptural classicism of the figures as well as the stupendous luministic and chromatic effects. Luigi Garzi's training and artistic activity took place in the Eternal City and he was in effect a Roman artist. He moved to Rome from Pistoia, his hometown at a very young age, and joined the atelier of Andrea Sacchi, who directed his studies towards classicism, comparing himself with the works of Raphael, Domenichino and Nicolas Poussin, but also with the Emilian one. , with particular attention to the school of Guido Reni. But the Emilian examples were undoubtedly preceded, particularly by Giovani Lanfranco, who modeled his taste and style, together with a modulated cortonism, while those pre-eighteenth-century sensibilities are due to the lesson of Carlo Maratta. However, there is no doubt that the painter oriented his personality without ever bowing to imitation, reaching a refined elegance and autonomy of language, as the canvas in question clearly demonstrates in which the different influences find a refined amalgamation in perfect harmony with the baroque evolution between the seventeenth and eighteenth centuries, indicating a dating to its earliest maturity. These attitudes led the painter to obtain awards and prestigious commissions as soon as possible, such as the frescoes of Palazzo Borghese...

A colourful modern still life study of a porcelain fruit bowl full to the brim with oranges, pears, apples and grapes. In the foreground a cut apple and knife sit to the right of the...

Maurice Asselin (1882-1947) A Bouquet of roses and nasturtiums Signed lower right Oil on cardboard canvas In good condition 39.5 x 31.5 cm Framed : 58.5 x 51.5 cm Maurice Asselin w...

Pieter Casteels III (Antwerp 1684 - 1749 Richmond) circle Floral still life Signed lower left, on the stone: P Casteels About 1730 Oil painting on...

Oil on Canvas Canvas Size: 10 x 8 in. Frame Size: 12 x 9.5 in. A colorful, naturalistic oil on canvas study of a wild botanical native to Central Texas. Mexican hat flowers blanket ...

There’s a weathered, driftwood feel to this painting, "Archaeology," by California artist R.W. (Richard) Hacket (1917-1988). Raised in the San Francisco Bay Area, Hackett was undoubt...

Richard Whalen (American, 1926-2009) "Jeffery's Toy's" Original Watercolor Painting c.1970s The artist uses a surreal technique which highlights the ...

PITCHER & CANDLESTICK Size: 69 x 58 cm (including frame) Oil on board A very well executed mid century modernist still life composition, painted in oil onto board. This painting is...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist ..you want. Leonard Raven-Hill (1867-1942) Still Life of Flowers II Oil on canvas 24 x 19 cm In a handsome frame. Signed lower left 'L RavenHill'. A handsome oil painting of a still life of flowers by well-listed painter Leonard Raven-Hill, who has works in the Tate, British Museum, National Portrait Gallery and other famous collections. We have another painting by the same artist listed. Leonard Raven-Hill (10 March 1867 – 31 March 1942) was an English artist, illustrator, and cartoonist. He was born in Bath and educated at Bristol Grammar School and the Devon county school. He studied art at the Lambeth School of Art and then in Paris under MM. Bougereau and Aimé Morot. He began to exhibit at the Salon in 1887 but moved back to London when he was appointed as the art editor of Pick-Me-Up. He also continued to work as a painter and exhibited at the Royal Academy in 1889. In 1893 he founded, with Arnold Golsworthy, the humorous and artistic monthly The Butterfly (1893–94, revived in 1899–1900) but began his most prominent association with a publication when his drawings appeared in Punch in December 1895. By 1901 he had joined the staff of Punch as the junior political cartoonist. He contributed to many other illustrated magazines including The Daily Graphic, Daily Chronicle, The Strand Magazine, The Sketch, Pall Mall Gazette and Windsor Magazine. He also illustrated a number of books including · East London by Sir Walter Besant (1901) · Cornish Saints and Sinners by J. H. Harris · Three Men on the Bummel by Jerome K. Jerome · Stalky and Co by Rudyard Kipling · Kipps by H. G. Wells Raven-Hill published the impressions of his visit to India on the occasion of the tour of the Prince and Princess of Wales as An Indian Sketch...

Mersing by Alanna Eakin [2021] original Oil paint on wood panel Image size: H:30 cm x W:23 cm Complete Size of Unframed Work: H:30 cm x W:23 cm x D:0.5cm Framed Size: H:36 cm x W...

Window Full Of Flowers 2021 Still Life oil on canvas, artist signed lower right canvas 23.5x31.5. Zbigniew Kopania, artist painter, cinematographer, born December 21, 1949, in Łódź Poland. Kopania style of paintings characterized by very high realism, some of them deserve to be called hyperrealism. He often uses thick impasto of paint and numerous glazes that contribute to the final effect of the created works. In his paintings, you can almost always see great color saturation, high contrast, and meticulously refined details. College degree in Cinematography Department of the State Higher School of Film, Television, and Theater in Łódź 1969-74. An operator of feature, documentary, and television films in Poland and abroad 1974-80...

This painting was completed at his home in the South of France between 1953-1955. There is no in painting, relining or cracks in this painting and is on the original stretcher. It is...

Oil Painting of still life Havdalah scene with braided candle, spice tower box and kiddush cup. Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual ...

“I work extremely meticulously, but on a formal level I feel that a lot the moves I make are simply intuitive,” she says. “Or maybe I use the word intuitive because I don’t know wher...

A charming still life study of pink peonies placed in a ceramic jug. The beautiful summer blooms are striking against the darkened background of the interior, making for pleasing com...

"Asunder" by Blair Atherholt is a an original, hand made painting depicting a winter squash on a wood shelf. Blair Atherholt is an award-winning contemporary realist oil painter wh...

David Wilson 1919 - 2013 He was an artist, animator, and film producer, owning his own production studio, Fine Arts Films. He was born in Wimbledon and studied at the Harrow Art Scho...

Albert Pinot Brussels 1875 – 1962 Paris Belgian Painter 'Still Life with Flowers in a Vase' Signature: signed lower right 'A. Pinot' Medium: oil on canvas Dimensions: image size 56...

flower,fruts Enzo FARAONI (S. Stefano Magra, La Spezia, 1920/2017) Enzo Faraoni is a great painter and engraver from Florence; he expresses the poetic everyday life of simple and co...

Bouquet of Roses by Vadim Zang is an oil painting that is 14" x 11". This is painted in the style of Impressionism. Vadim Zanginian was born in Armenia in 1965. He is a graduate fr...

This is a signed, original, mid-century modern abstract landscape oil painting with white flowers (roses) in an Henri Matisse / Pablo Picasso aesthetic by listed WPA artist, G. Ralph...

Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, graduated from the Depar...

A striking contemporary still life, showing the tools of harvest, chains, scythe and wheat, hanging from a wooden timber. The artist has signed to the lower right corner and the pain...

Mostly White by Lu Haskew Floral Still Life Oil painting 24x20" image size 28x24" framed size Shipping price includes the custom packing necessary for safe transport of fine art. ...

This superb Victorian oil painting is by French artist Jules Etienne Carot. Painted in 1884 it is a mixed floral of mainly white flowers, including lilac and roses, which stand out b...

Still life in oil. Signed to the lower right. Presented in an ornate gilt-effect frame with shell and acanthus mouldings. Labelled verso. On panel.

Green Apple is an original oil painting realized by Zhang Wei Guang (Mirror) in 2005. Includes frame. Signature, date and various signs in Chinese calligraphy on the back. Good c...

Maurice Potier (French, 1926 – 2002) Vase bleu et fruits (Blue vase and fruits) Oil on canvas Signed ‘M Potier’ (lower right) 27.1/2 x 23.5/8 in. (70 x 60 cm.)

A charming still life study depicting a vase stuffed with foxgloves, roses and gladioli. The floral arrangement spills over the edges of the vase filling the composition with their v...

Original Painting by Steve Mills. Steve Mills (b. 1959, Boston, MA) received his BA in 1982 from Bridgewater State College in Massachusetts. Known for his photorealist aesthetic, Mi...

Antique American modernist still life oil painting. Oil on canvas. Signed. Framed. Measuring 17 by 23 inches overall and 16 by 22 painting alone.

Stately still life of terra cotta pottery by A. Peterson. Five pieces of pottery sit atop a table with a tablecloth. Each piece of pottery is decorated with ornate patterns, mostly i...

"Before Grace" by Raymond Bonilla is a luminous oil on panel still life measuring 12 x 24 inches unframed and 15 x 27 inches framed. This richly colored composition captures an assor...

Fred Wessel's "Dahlia Icon" is a stunning egg tempera painting on gold leaf with coral cabochons. Created in 2021, this piece features a freshly bloomed stem of a white lily flower, ...

Oil on panel, monogrammed mid left Image size: 15 x 12 1/4 inches (38 x 31 cm) Dutch ripple style frame Loeding was born in Leiden in around 1637 and was admitted into the Leiden Guild of St Luke in 1664. Like other Dutch cities, Leiden required membership in the guilds in order to sell wares falling under the various specifications. There is no record of his artistic training or influences, but he likely belonged to the circle of artists including Pieter de Ring and Gerrit Dou, who founded and maintained the Guild.  Loeding is last registered as a member in 1673. One of the most versatile genres that emerged from Dutch 17th Century artistic specialisms is that of 'pronkstilleven'; a laden table with a variety of rich textures, like ornate glassware, gilded goblets, exquisite nautilus cups...

This lush landscape of the French countryside is emblematic of Diane Monet’s flowering fields and timeless vistas featuring an abundance of greenery and life. Lead Me Home Diane Mon...

Signed lower left, 'T. Takashima' for Tsuneo Takashima (Japanese, 1922-1975) and dated 1968; additionally signed, verso, in Kanji, 高島 常雄 (Takashima Tsuneo), titled, ベニス (Venice) and ...

Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red and butterflies in blues, yellows, black and white. This work was executed by Dufy as a fabric design. Dimensions: Framed: 17"x27" Unframed: 10"x20" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...

This striking mid-century semi-abstract oil painting on canvas by renowned Denver modernist Paul K. Smith captures the vibrant energy of an artist’s studio. Painted in the mid-20th century, the composition features expressive renderings of flowers, paint supplies...

Beautifully executed realistic Southwestern still life of traditional Native American pottery, with a patterned textile, feather, and ear of red corn, by an unknown artist (20th cent...

This original vintage watercolor painting, titled "Datura Stramonii," is a stunning work by renowned American abstractionist Werner Drewes. The composition captures the delicate beau...

Panfilo Nuvolone (Cremona, Italy, 1581 - Milan, Italy, 1651) Title: Still life Medium: Oil on slate Dimensions: without frame cm. 17 x 19.5 - with frame cm. 31.5 x 37.5 Expertise by...

STILL LIFE WITH GREEN APPLES Size: 49.5 x 85 cm (including frame) Oil on board A large and expressive mid-century modernist still life painting captures a simple yet effective arran...

A fine impressionist still life with irises in a glass vase by contemporary American artist Stephen Motyka (b. 1964). Stephen was born in Rhode Island and started painting and drawin...

Hampshire Summer Garden by Dylan Lloyd [2021] original Oil paint on canvas Image size: H:50 cm x W:40 cm Complete Size of Unframed Work: H:50 cm x W:40 ...

A vibrant oil depiction of roses and hyacinths in a ceramic vase. The artist has captured the flowers in an expressive style with an impasto technique. Signed to the lower right. Pre...

"Nantucket" is a beautiful, original, impasto oil painting, created on linen panel by American artist Sandra Pratt depicting a Nantucket cottage. This piece is framed in a 12 kt, whi...

Zegen Blessing Oil Painting on Canvas Flowers Still Life Bouquet In Stock Juane Xue (Hui Xue, Kaiffeng, China, 1962) has been drawing since her childhood. This helped her to go to t...

Composition with jugs, oil painting by Pierre Coquet Reference number F486 Framed with a natural oak floated frame 43 x 72 x 2 cm (48 x 77 x 3,5 cm frame included) This work is painted with oil on a paper that is laid on a canvas and placed in a made to measure wood strectcher. Stamp of the signature in the bottom right and stamp of workshop on the back. With simple, soft colors, Pierre brings these objects together in a neutral atmosphere, enhanced by this orange, which adds a luminous touch to the composition. Mostly broad brushstrokes, sometimes barely a sketch in the background. The material effects stand out well, the light coming from the right reinforces the contours of each of the objects presented. Still lives are one of Pierre favourite subjects. Always in a very quiet atmosphere, with simple objects or alive nature. Provenance : Workshop of the artist (stamped and numbered on the back) Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France. He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin...

Fabulous post impressionist oil on board of pears. This painting is most likely Late 19th century or early 20th century. The incredibly hand carved frame is most likely original to t...

An expatriate painter, noted for figurative paintings of peasants as well as classical works, Biblical scenes, mythological subjects, and still lifes, William Babcock was born in Bos...

Hela is an emerging contemporary artist whose vibrant and playful paintings celebrate the quiet glamour of everyday life. With a focus on table settings, cocktails, glassware, and el...

Hela is an emerging contemporary artist whose vibrant and playful paintings celebrate the quiet glamour of everyday life. With a focus on table settings, cocktails, glassware, and el...

Antique American impressionist still life oil painting by Elizabeth L. Rothwell (c.1877 - 1946). Oil on canvas. Framed. Signed. Circa 1924.