Framed Still-life Paintings

Bob Stuth-Wade (American, Born 1953) "Vidya Maya," 2006 charcoal and acrylic on paper 55 1/2 x 46 inches signed "Bob Stuth-Wade" at lower right Eleanor Jones Harvey, Chief Curator a...

Roses. 2008, cardboard, oil, 87x67 cm

Bowl of Irises, 1935, by Emmanuel Mané-Katz (1894-1962) Oil on canvas 24 x 20 inches unframed(60.96 x 50.8 cm) 33 ½ x 29 ½ inches framed (85.09 x 74.93 cm) Signed on bottom right De...

Work on canvas Golden wooden frame 58.5 x 79 x 3 cm

Work on canvas Golden wooden frame 57 x 74 x 3 cm Paul GAGARIN (1885-c.1980), Pavel Konstantinovich GAGARIN. Russian painter, emigrated to France in 1921 then worked in Brazil where...

Unframed this piece is 8 x 8 Millie Gosch is an avid plein air painter who paints studies from real life and from these studies she creates her beautiful landscape pieces. An exper...

Sophie Dumont's "Harmony Unveiled" stands as a testament to the artist's mastery in the realm of geometric and textured abstraction, a captivating piece born from the interplay of oi...

"House's entrance in Thailand" is a red & green classical realism painting of parrots perched amongst tropical foliage. Framed Dimensions: 24.75...

William Thomas Wood 1877-1958, was an English landscape and still life painter who studied at the Regent Street School of Art and then in Italy. He was known for painting still lifes...

Roman school of the early 18th century Luigi Garzi (Pistoia 1638– Rome1721) attributed Still life of fruit supported by three angels Oil on oval canvas 116 x 91 cm., Framed 140 x 119 cm. Authentication on a photograph by Prof Giancarlo Sestieri, who attributes the work to the sphere of Luigi Garzi This magnificent canvas, depicting a sumptuous composition of fruit supported by three prosperous winged cherubs, from which comes a parchment bearing the Latin expression "Amor est vitae essentia", is to be placed in the production of a Roman author active between the second half of XVII century and the first of the following century. The iconography that sees represented cherubs with fruit or flowers is frequent in the Baroque period, especially in the Roman area, starting from the 1600s, with that particular depictional tendency aimed at illusionistic and frivolous images, to a type of paintings or frescoes of strong value decorative, intended for the private context and depicting jubilation of cherubs, angels or cherubs, and of which our canvas represents a perfect example. We can recall, among the most illustrious iconographic precedents, the elegant mirrors painted by Mario Nuzzi and Carlo Maratta that adorn the hall of Palazzo Colonna in Rome, and again the canvas preserved in the Rouen museum and the similar ones in Palazzo Chigi in Ariccia, with the collaboration for the figurative parts of Filippo Lauri. The commercial and furnishing success of similar works is also testified by authors such as Guglielmo Cortese known as Borgognone (1628 - 1679), Franz Werner Von Tamm (1658 - 1724), Giovan Battista Gaulli (1639 - 1709), Giovanni Paolo Castelli known as Spadino (Rome 1650 - 1740) and the aforementioned Carlo Maratta (1625 - 1713) The work, studied by Giancarlo Sestieri, was brought closer to the sphere of the eclectic Pistoian painter Luigi Garzi, one of the protagonists of Roman painting in the decades of transition between the seventeenth and eighteenth centuries. In our painting we can find the typical elements of his painting: the soft and delicately chiaroscuro light, the sculptural classicism of the figures as well as the stupendous luministic and chromatic effects. Luigi Garzi's training and artistic activity took place in the Eternal City and he was in effect a Roman artist. He moved to Rome from Pistoia, his hometown at a very young age, and joined the atelier of Andrea Sacchi, who directed his studies towards classicism, comparing himself with the works of Raphael, Domenichino and Nicolas Poussin, but also with the Emilian one. , with particular attention to the school of Guido Reni. But the Emilian examples were undoubtedly preceded, particularly by Giovani Lanfranco, who modeled his taste and style, together with a modulated cortonism, while those pre-eighteenth-century sensibilities are due to the lesson of Carlo Maratta. However, there is no doubt that the painter oriented his personality without ever bowing to imitation, reaching a refined elegance and autonomy of language, as the canvas in question clearly demonstrates in which the different influences find a refined amalgamation in perfect harmony with the baroque evolution between the seventeenth and eighteenth centuries, indicating a dating to its earliest maturity. These attitudes led the painter to obtain awards and prestigious commissions as soon as possible, such as the frescoes of Palazzo Borghese...

Work on paper Brown wooden frame with glass pane 79 x 64 x 2 cm

Size: 12 x 12 inches Surface: board - gessoed MDF (comes framed in a white frame and ready to hang with wire) This piece was painted with a mix of imagination and references from previous work. References would have been from foliage collected in Halima's Mother-in-law's garden or local flowers, sourced from local flower farms...

flowers ,window ,violet,violets MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Maya kopitzeva’s works have been acquired by the Russian Ministry of Culture, by the Foundation for t...

Giacomo Nani (Porto Ercole 1698 - Naples 1770) Still life with flowers, riser with crystals and liqueurs, icebox, china and basket with biscuits (LINK) Oil on canvas cm. 64 x 73 - Framed cm. 83 x 93 Provenance (see images): - Dorotheum (April 14, 2005) Vienna, Lot 37 Est: €20,000 EUR - €30,000 EUR - Dorotheum (October 15, 2008), Lot 281 East: €18,000 EUR - €25,000 EUR The proposed painting is a work by the Neapolitan painter Giacomo Nani (Porto Ercole 1698 - Naples 1770) and delights us with a selection of his favourite elements in the creation of his precious still lifes; On a stone shelf, on which an embroidered carpet is laid, we see a series of objects, including two painted porcelain cups, a riser with two liqueur bottles and crystal goblets; then there is a transparent glass vase filled with flowers, and finally some foodstuffs, a basket with biscuits, a wrapped Neapolitan aubergine and an icebox with an oyster. Everything is arranged to create a refined and elegant ensemble. A pupil of Gaspare Lopez (Naples - Venice ca. 1732), one of the leading generalists of the time, Giacomo Nani developed an autonomous personality over time, much appreciated by 18th century nobles and collectors, including the Duchess of Terranova and the Duke of Limatola, as well as the Bourbons. Numerous in particular were his paintings owned by King Charles of Bourbon, which are now preserved in Naples and Caserta at the picture gallery of the Royal Estate of Carditello. Twenty-four canvases by Giacomo Nani were sent to Spain by Charles of Bourbon as gifts for his mother, Elisabeth Farnese, and are today kept at the Royal Palace of Riofrío, one of the residences of the Spanish royal family, and at the Royal Palace of the Granja de San Ildefonso, in Segovia. A painter of still lifes, his works were often devoted to a wide variety of foodstuffs. In his compositions, foodstuffs of the period appear and, in particular, in the series conserved in Spain, most of the dishes that were served on the tables of the Neapolitans in those years are depicted as in a select menu. He sometimes depicted objects typical of Neapolitan tradition, as in the present painting, the typical rosolio wine, Capodimonte ceramics...

Apples on the Table is an original oil on canvas realized by the chinese painter Zhang Wei Guang (Mirror) in 2008. Excellent conditions. Zhang Wei Guang, also called ‘mirror' was bo...

Signed oil on panel landscape by post-impressionist painter Emile Octave Denis Victor Guillonnet. This colourful piece depicts a view of a garden in bloom in summer. Dimensions: Fr...

David De Noter: 1818-1892. Well listed Belgian painter with auction results as high as $142,000. Most famous for his still lifes. This fantastic little gem of a curious cat skipping...

Peri Schwartz (born October 4, 1951, Brooklyn, New York) is an American painter and printmaker. She was born in Brooklyn, New York and raised in Far Rockaway, New York. She received her BFA from Boston University College of Fine Arts in 1973 and an MFA from Queens College in 1975. Up for sale is a wonderful Still Life with fruits Painting...

Elegant still life with calla lilies and amaryllis by an unknown artist. Completed in a classical style, two calla lilies and two amaryllis flowers sit in a vase with Chinese designs...

"View from Bay Street" is an impressionist oil on panel painting. It depicts a dock with several boats at it and a bridge in the distance. Signed "Amy Florence" in bottom right cor...

Traditional Interior Still Life Oil Painting with Fruit & Candle by 20th Century British Artist, Howard Shingler. This original has a lovely w...

"My works are composed of small-scale paintings, mostly still life. I prefer to paint intuitively, working directly onto the board and allow the paintings to evolve over time. From t...

An expatriate painter, noted for figurative paintings of peasants as well as classical works, Biblical scenes, mythological subjects, and still lifes, William Babcock was born in Bos...

"Summer Blue" Still life of Blue Hydrangeas in a glass vase. Melissa Franklin Sanchez was born in 1984, in Warwickshire, England. In 2002 she graduated from her humanistic studies: ...

Signed to the lower right. Presented in a gilt frame with beaded and lambs tongue running patterns. On board.

Oil on canvas realized by Sirio Pellegrini in 1968. Hand signed lower left and hand signed and dated on rear. Good condition. Sirio Pellegrini, born in Rome on March 1, 1922, of A...

A lovely original oil on canvas painting of a floral still life. The artist is German born artist, Dietz Edzard. Signed lower right and housed in a beautiful period frame. Overall fr...

VESSELS AND BOWL Size: 52.5 x 42.5 cm (including frame) Oil on board A striking mid-century modernist style sill life composition, executed in oil onto board and dated 1953. The su...

This original modernist still life oil painting by John E. Thompson (1882-1945) beautifully captures an interior scene, featuring a table draped in a rich red cloth with a vibrant ar...

Hubert Bellis 1831 - Brussels - 1902 Belgian Painter 'Red and Yellow Roses in a Glass Vase' Signature: signed lower right Medium: oil on panel Dimensions: image size 43,50 x 23 cm...

Artist: Donald Roy Purdy, American (1924 - ) Title: Red Vase Year: circa 1962 Medium: Oil on Masonite, signed l.r. Size: 47 x 20 inches Frame Size: 53 x 24 inches

“I work extremely meticulously, but on a formal level I feel that a lot the moves I make are simply intuitive,” she says. “Or maybe I use the word intuitive because I don’t know wher...

Roy Conn (1931–2018) 'Grater', 1968 23.5 x 41.0 cm Frame: 43.0 x 59.5 cm Painter, born in London. Trained as a structural engineer, he was mainly self-taught...

Abstract painting of a library with fabric collage allowing the paint to vibrate more and providing a different texture. The books are present bu...

Exquisite, modulated, and sensitive, Mathieu Weemaels' painted world centers around his home and studio, where his subjects comprise the subtle shifts of light and color reflected on...

Fred Wessel's "The Constellation Sagittarius" is a stunning egg tempera painting on gold leaf. Created in 2018, this piece depicts a young woman, holding an arrow and looking in the ...

Stil life with flowers is an artwork realized by an artist of the mid-20th Century.  Oil on panel, 35 x 48 cm with frame; panel 20 x 32 cm. Good conditions

'What Did I Say?'' 2019 is a portrait of a lady. Acrylic on paper 25.5 x 20 inches unframed and 25.5 x 20 framed, Part of the artist's new Face to Face series started in 2017 and fea...

Mary Blood Mellen (American Female Artist, 1819-1882) A Large and Exceptional Two-Tiered Fruit Still Life Oil on Canvas Painting, circa 1850 Signed lower right: Mellen Inscribed possibly by the artist's hand on the stretcher bar: To be sent to Sowle & Ward's for Miss C. A. Rice This sumptuous two-tier display of fruit and elegant glassware is the largest and most ambitious still-life painting known to have been produced by Mary Blood Mellen (1819-1882), an American Female artist best known for her luminous marines strongly indebted to the style of Fitz Henry Lane. Indeed, still lifes from her hand are extremely rare. The present work is very close to the style of still life popularized by the Prussian-American artist Severin Roesen (1805-1882) who specialized in the genre during the middle decades of the nineteenth century and is signed as Roesen sometimes signed his own efforts, at lower right, as a curly trompe-l'oeil grape tendril, which reads in this case "Mellen." Until quite recently, Mary Blood Mellen was described in histories of American art exclusively as a copyist, notably of Lane. But as more research into her life and work has been undertaken, that picture of her achievement has been substantially revised and refined. Mellen was, in fact, Lane's pupil, and a copyist of his work. But owing to the skill she developed working with him in his Gloucester studio, Mellen evolved into an artist in her own right, working alongside him as a sometimes collaborator on the same pictures-their work often being so similar that it is frequently difficult to tell it apart. Mellen and Lane also formed a fast friendship. She also painted ravishing moonlit marine compositions of her own invention, as well as nostalgic New England landscapes in her own style. At a 2007 scholarly conference held at Spanierman Galleries in New York in conjunction with the exhibition, "Fitz Henry Lane and Mary Blood Mellen: Old Mysteries and New Discoveries" held at the Cape Ann Historical Museum, there was a small footnote to the effect that Mellen was also known to have copied works by other artists, including Alfred Bricher and Severin Roesen (See Report on Scholars' Gathering in Association with the Exhibition "Fitz Henry Lane & Mary Blood Mellen: Old Mysteries and New Discoveries," 2007, p. 5.) How she encountered works by those figures, particularly Roesen who was active primarily in New York City and eastern and central Pennsylvania, remains speculative. Certainly, copying other artists' work was an aspect of nearly every artist's training at the time Mellen was active as a painter. Mellen was born in Vermont in 1819 to parents who were originally from Massachusetts. She was educated at the Quaker's Fryville Seminary in Bolton, Massachusetts, where she would have learned artistic crafts including theorem painting...

‘A Message to You of Love’ is an original impressionistic painting in pink, red and green of a beautiful walk that I have done with my children every year as they grew up. This place in Richmond Park, London will always remind me of them and my paintings of this place are like a mother’s love...

Pair of hand-painted, oil on canvas paintings from a boiserie room. Gilding detail on hand-painted frames.

Jose Vives-Atsara (1919-2004) San Antonio Artist Image Size: 17 x 12.5 Frame Size: 28 x 24 Medium: Oil Applied by Palette Knife on Panel 1969 "Flowers" 800 Biography Jose Vives-Atsar...

Carlos Alpizar "Mujer Enamor" Original Surreal Oil Painting C.2000 Woman in Love Original oil on canvas. Signed lower right. Canvas dimensions 46.5" wide x 38.5" high The frame m...

Maurice Asselin (1882-1947) A Bouquet of roses and nasturtiums Signed lower right Oil on cardboard canvas In good condition 39.5 x 31.5 cm Framed : 58.5 x 51.5 cm Maurice Asselin w...

Pink peonies in vase. 1983, canvas, oil, 60x70 cm Light pink peonies bouquet in day light in brown vase on the table

"My works are composed of small-scale paintings, mostly still life. I prefer to paint intuitively, working directly onto the board and allow the paintings to evolve over time. From t...

Willard Dixon, Late Light, painted in 2022, oil on canvas. The ethereal ocean beach scene captures a couple enjoying the sunset. The original painting is 36" X 36". Framed in a cont...

Thelma Appel In Memoriam, 2002 Acrylic on Canvas painting Hand signed, dated and titled in black marker on the back This is a unique work Frame Included Absolutely stunning signed painting by beloved abstract and representational painter Thelma Appel. This 2002 work was done by the artist to honor those who lost their lives in the 9-11 terrorist attacks, as the artist's studio was in lower Manhattan at the time. A similar work done by Appel from this era was acquired by the Police Museum in lower Manhattan, near Ground Zero. This work is elegantly framed in a handmade brushed aluminum museum frame and is ready to hang. Signed, titled and dated verso. Ms. Appel has been the subject of a 50 year career survey at the Brattleboro Museum in Vermont. Measurements: Frame: 18.78 x 24.3 x 4 inches Artwork: 18 x 24 inches This work will be accompanied by a limited edition catalogue of the artist's museum retrospective, along with the original invitation and separate promotional materials. Thelma Appel biography A co-founder of the Bennington College Summer Painting Workshop, Thelma Appel is a representational and abstract painter who has been working and teaching for more than six decades. Most recently, she was subject of a 50-year career survey (October, 2019 -February 2020) at the Brattleboro Museum in Vermont, entitled Thelma Appel: Abstract/Observed curated by Mara Williams, and she exhibited at the Mattatuck Museum in Connecticut which acquired one of her fabric collages for their permanent collection. Thelma Appel was raised in Darjeeling, India and educated in London, England, at St. Martin's School of Art (now Central St. Martins) and Hornsey College of Art before emigrating to the United States in the 1960s. Her work has been exhibited in numerous venues, including the Bennington Museum, the Berkshire Museum in North Adams, Mass., the Children's Museum of the Arts in New York City, the Mattatuck Museum, the Brattleboro Museum, the Milwaukee Art Museum, the Robert Hull Fleming Museum at the University of Vermont and the University of Pennsylvania Fine Arts Gallery. In 1974 she was awarded a YADDO Fellowship, and in 1975, Thelma Appel, along with the painter Carol Haerer, co-founded the Bennington College Summer Painting Workshop, where many distinguished painters of the day, both abstract and representational, conducted master classes. Among them were Neil Welliver, John Button, Alice Neel, Larry Poons, Friedel Dzubas, Stanley Boxer, Elizabeth Murray and Doug Ohlson – a program that continued until 1980. She has also taught drawing at Parsons School of Design, painting at Southern Vermont College and at the University of Connecticut. Appel’s work has been presented at Art on Paper, Texas Contemporary, Market Art & Design and Art New York art fairs and has been exhibited at Alpha 137...

June Glasson is an artist, illustrator, and designer. She lives in New York. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in Ber...

Modern abstract brown, green, and yellow toned still life by Houston, TX artist David Adickes. The work features a central arrangement of bottles and a coffee pot set...

"Daffodils II" is of the bright yellow flowers, an impressionist still life with a mirror and lemon. Framed in a simple 3-inch rustic wood frame with gold lip. Artist Bio Amy Flore...

Still life of flowers in a vase. Presented in a wide gilt wood frame. Signed. On canvas on stretchers.

This stunning original Post-Impressionist oil painting features a vibrant vase of pink and blue wallflowers. Jean Dulac was born on Bourgoin but from the age of 5 became a lifelong...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

A stunning early 20th century British Post-Impressionist floral oil painting by noted "Modern British" artist Elliott Seabrooke. He was a very interesting painter, and this post-Impr...

TEA SET Size: 33.5 x 33.5 cm (including frame) Oil on canvas An elegant and gentle contemporary still life composition painted in a naïve style, executed in oil onto board. The com...

A contemporary cubist still life painting of vases and flowers in bright oranges and yellows by Brazilian Menelaw Sete from 1999. Framed in cherry wood frame. Artist: Menelaw Sete, Brazilian (1964 - ) Title: Flower Arrangement...

Bieruma Oosting Jeanne Leeuwarden 1898 – 1994 Almen Dutch Painter 'Spring Flowers in a Vase' Signature: Signed lower right and dated 1939 Medium: Oil on canvas Dimensions: Image size 101 x 81 cm, frame size 116 x 97 cm Biography: Adriana Johanna Wilhelmina Bieruma Oosting, better known as Jeanne Bieruma...