Early 2000s Still-life Paintings

This oil on canvas painting is a lovely still-life. In the center of the painting is a light blue vase with a bouquet of magenta, ochre, and yellow flowers, all with dark leaves. The...

ROBINSON, Geoffrey (b.1945) Summer Table 61.0 x 38.2 cm c.2000 Oil on board, Unframed Geoffrey Robinson trained at Bournemouth College of Art in the 1960’s, before a career in adv...

Pineapple and Apples is an original oil on canvas realized by the chinese painter Zhang Wei Guang (Mirror) in 2001. Excellent conditions. Zhang Wei Guang, also called ‘mirror' was b...

'Chinatown II', oil on canvas, unframed and 48 x 30 inches. Terry Thompson looks for beauty in the often overlooked, painting in a photorealistic style various "Pop" culture products...

'Billiards', oil on canvas, unframed and 30 x 48 inches. Terry Thompson looks for beauty in the often overlooked, painting in a photorealistic style various "Pop" culture products th...

Flowers - Oil on canvas cm.70x90, Luigi Degli Espositi, Italy, 2002 Gold leaf gilded wooden frame available on request

ROBINSON, Geoffrey (b.1945) Old Red Shutter 2000 45.0 x 60.0 cm Painting on unstretched canvas, Unframed Geoffrey Robinson trained at Bournemouth College of Art in the 1960’s, befo...

ROBINSON, Geoffrey (b.1945) Jug Relief and Still Life Arrangement 2000 48.0 x 59.5 cm Collage on unstretched canvas, Unframed Geoffrey Robinson trained at Bournemouth College of A...

Still Life of an Orange in Acrylic on Archival Paper Vibrant still life by California artist Christine Cohen (American, b. 1943). This piece is a close-up, single subject still life...

Vase and doll is an oil painting realized in 2010s by Zhang Wei Guang (Mirror). Oil painting on canvas. Includes frame. Zhang Wei Guang , also called ‘mirror' was born in Helong...

Edie Nadelhaft “Fine Detail II” Oil on canvas, 22 x 48 inches. Offered unframed. Edie Nadelhaft's bold, large-scale, colorful monolithic oil paintings of bodega flowers were born fr...

This oil on canvas painting depicts Cibolo Creek in Texas, and shows a section with a beautiful stretch of light blue water and a vibrant burnt orange tree. The composition is balanced and the reflections in the water create a sense of tranquility. This piece is signed by the artist in the front and is sold framed. Bob Blackmon...

Sunflowers Cardboard, oil, 87x77 cm Still life painting with stylized sunflowers on light-colored background. The focal point of the artwork is the depiction of sunflowers, known f...

Still life Antonio Celli Italia 2002 Oil on canvas cm. 80x100 n this precious oil on canvas, Antonio Celli is inspired by the paintings of the Neapolitan...

Red Apples  is an oil painting realized  by Zhang Wei Guang (Mirror) in 2006.  Includes frame. Hand signed on the lower right. Signature and various signs in Chinese calligraphy o...

Copper and Carnations by Lu Haskew Oil 16x24" image size, 24x32" Framed Still life in reds and pinks ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is good to me. Being able to go to ...

Artist: Lourdes Leon, Mexican Title: Paper and Rope Year: 2002 Medium: Oil on Canvas, signed and dated l.r. Size: 28.5 x 29 inches Frame Size: 35.5 x 36.5 inches

ROBINSON, Geoffrey (b.1945) Yellow Jug 50.7 x 40.6 cm c.2000 Oil on board, Unframed Geoffrey Robinson trained at Bournemouth College of Art in the 1960’s, before a career in adver...

ROBINSON, Geoffrey (b.1945) Portrait 2 40.7 x 30.5 cm c.2000 Oil on board, Unframed Geoffrey Robinson trained at Bournemouth College of Art in the 1960’s, before a career in adver...

Breakfast is an original oil on canvas realized by the chinese painter Zhang Wei Guang (Mirror) in 2007. Excellent conditions. Zhang Wei Guang, also called ‘mirror' was born in Helo...

Chinese Vase is an original oil painting realized in 2004 by Zhang Wei Guang (Mirror). Oil painting on canvas. Hand-signed and dated on the lower right corner. Excellent conditi...

Cherries is an oil painting realized in 2007 by Zhang Wei Guang (Mirror). Beautiful oil painting on canvas. Includes frame. Hand-signed on the lower right corner. Good conditio...

Fiori Gialli MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Maya kopitzeva’s works have been acquired by the Russian Ministry of Culture, by the Foundation for the Russian Culture...

Vases and fruits is an original oil painting realized in 2006 by Zhang Wei Guang (Mirror). Beautiful oil painting on canvas. Includes frame. Hand-signed and dated on the back Zh...

Elliot Gordon (American) , "The Blue Urn", Contemporary Acrylic on Linen, 36 x 24 Canvas, Early 21st Century, 2009 Colors: Red, Yellow, Orange, White, Blue, ...

Multicolored apples fill an elegant crystal vase collocated on a smooth surface. This vase is the heart of the composition and it captures with its opulence of details the attention ...

Bright, colorful, textured still life oil painting by Hungarian artist Eszter Radák (b. 1971). Oil on canvas, 40 x 40 inches. Signed on back. Offered unframed. Eszter Radák is a v...

"Quo Vadis" Trompe l'Oeil Still Life in Acrylic on Masonite Still life in the trompe l'oeil style by Richard M. Bacon (American, 20th Century). A still life with a bouquet and a tea...

Provenance: Babcock Galleries (bears their label verso. signed verso with artists monogram signature. Marylyn Dintenfass (born 1943) is an American painter, printmaker, and sculptor. She is primarily known for her oil paintings, which use a dynamic color palette and lexicon of gestural imagery to explore dualities in the human experience and everyday sensual pleasures. Marylyn Dintenfass was born in 1943 in Brooklyn, New York and spent most of her early years in Brooklyn and then Long Island. She attended Queens College, and graduated in 1965 with a bachelor's degree in Fine Arts. During this time, the artist worked with Abstract Expressionist painter John Ferren and muralist Barse Miller. Marilyn Dintenfass explored new media and developed her own reaction to abstract expressionism with color, line, and gesture. Dintenfass acquired an appreciation for a broad range of materials that led to major sculpture installations composed of ceramic materials, steel, lead, wood, wax and a variety of pigments and epoxies. Following a tour of museums in Amsterdam, Paris and Rome, the artist made her way to Jerusalem in 1966. During this journey, the artist worked with painter Ruth Bamberger, studied etching and mingled with the artists and intellectuals of the city. The result was Dintenfass's first architectural commission, to design the “Pop Op Disco,” Jerusalem's first disco. This commission allowed her to work with an array of materials to employ shapes, surfaces, textures, colors, and lights, all of which coalesced in her consciousness that would become important components of her mature personal visual vocabulary. Dintenfass also married and started her family during these years. Art critic Meredith Mendelsohn writes, “Dintenfass uses luscious colors, repetitive forms, and a gestural intensity that combines Abstract Expressionism and Pop Art.” Dintenfass often works with oil paint on wooden panels fragmented into parts of a grid. "After completing a painting," writes curator and critic Lilly Wei in a study of Dintenfass' work, "Dintenfass literally takes it apart, treating each panel as a discrete entity, exchanging panels between works in an aesthetic mix and match as she searches for interactions and relationships of color and form that satisfy her sense of visual excitement, sparked by the frisson of the dissonant." In an interview with critic Irving Sandler, Dintenfass speaks of the grid as a necessary, formal restraint for the passion of the gestural marks it contains. Joyce Robinson illuminates; “Dintenfass is at heart, though, a painter, and the grid, with its reference to and notion of modular parts, has remained central to her artistic enterprise, functioning as a kind of Apollonian matrix holding in check the exuberant, vividly colored abstractions of this essentially Dionysian artist.” Lilly Wei adds, "Ultimately, however, Dintenfass is more sensualist than theorist, and her paintings owe much of their allure to their materiality and the dazzle of color. Her array of ripe, radiant, saturated hues—a palette of gorgeous diversity—can be silkily smooth and nuanced; boldly exuberant; or edgily, feverishly discordant." The artist's abstract imagery usually appears in her work as various forms of stripes or circles arranged across translucent layers of alternating matte and high gloss textures. In a conversation with gallery owner, John Driscoll, Dintenfass likens these symbols to language that predates the written word, saying her "work relates to communication through the visceral channel." Rooted in autobiography, the artist's paintings also examine the contrast between what she calls the “micro” and the “macro.” At times the shapes simultaneously resemble cells under a microscope and visions of the cosmos. Dintenfass' themes explore the dualities of everyday pleasures; depending on the focus of a series, her symbols might conjure characters, candies, car wheels, or paint itself. Although known for her paintings, Dintenfass was first recognized for her sculptural installations. Her innovative use of mixed media (ceramics, epoxies, wax, pigments, steel, lead, wood, etc.) transformed understanding of what a “ceramic” work of art could be and firmly fixed her position and influence among a generation of mixed media artists expanding the traditional definitions and boundaries of object and materials to create modern art. The results came as architectural reliefs and installation sculpture unique to her organic but structural personal style. Similar to her paintings, Dintenfass developed a modular language of symbols, amalgams of line and curve, which she would combine to create detailed pictographic languages all her own, what she has called “organic alphabets.” As Ted Castle relates, “Ideas are furtive elements, stolen from the matrix, so as to be reformed by human genius into something unforeseen—a poem, a painting, a game of dominoes, a television set, a brick, a tile, a cup. Marylyn Dintenfass is a master of the transformation of ideas into palpable form.” Dintenfass has also been commissioned to create many large-scale installations, including works for the State of Connecticut Superior Courthouse; the Port Authority of NY 42nd Street Bus Terminal; IBM in Atlanta, Charlotte, and San Jose; The Baltimore Federal...

Still life ,White sculpture and yellow pitcher IGOR SMEKALOV 1965 He was born in Orenburg, where he lives and works. 1984 He graduated in Art. 1990-1995 He regularly met in Pa...

Still Life is an oil painting realized in 1.5008 by Zhang Wei Guang (Mirror). Includes frame: 41.5 x 3.5 x 51.5 cm Hand-signed and dated on the lower right corner. Good conditions...

A very beautiful oil on board still life, depicting a coffee pot with coffee cup and a basket of bread, by Tom Elliott. Excellent quality and unusual painting...

Modernist tropical flower still life of Birds of Paradise (Strelitzia) painting in acrylic on canvas — “Five Birds” Striking modernist style still life of tropical Bird of Paradise...

Classically trained, this painter is capable of rendering humble objects in extraordinary and riveting detail. This realistic portrait of a wine bottle aged to perfection. Cha^teau-C...

Four precisely configured and stacked circles form a contemplative pyramid at the foot of a square white ground. The areas between the shapes in this minimalist still life acrylic on...

Four precisely configured and stacked circles form a contemplative pyramid at the foot of a square neutral ground. The areas between the shapes in this minimalist still life acrylic ...

Provenance: Babcock Galleries (bears their label verso.) signed verso with artists monogram signature. Marylyn Dintenfass (born 1943) is an American painter, printmaker, and sculptor. She is primarily known for her oil paintings, which use a dynamic color palette and lexicon of gestural imagery to explore dualities in the human experience and everyday sensual pleasures. Marylyn Dintenfass was born in 1943 in Brooklyn, New York and spent most of her early years in Brooklyn and then Long Island. She attended Queens College, and graduated in 1965 with a bachelor's degree in Fine Arts. During this time, the artist worked with Abstract Expressionist painter John Ferren and muralist Barse Miller. Marilyn Dintenfass explored new media and developed her own reaction to abstract expressionism with color, line, and gesture. Dintenfass acquired an appreciation for a broad range of materials that led to major sculpture installations composed of ceramic materials, steel, lead, wood, wax and a variety of pigments and epoxies. Following a tour of museums in Amsterdam, Paris and Rome, the artist made her way to Jerusalem in 1966. During this journey, the artist worked with painter Ruth Bamberger, studied etching and mingled with the artists and intellectuals of the city. The result was Dintenfass's first architectural commission, to design the “Pop Op Disco,” Jerusalem's first disco. This commission allowed her to work with an array of materials to employ shapes, surfaces, textures, colors, and lights, all of which coalesced in her consciousness that would become important components of her mature personal visual vocabulary. Dintenfass also married and started her family during these years. Art critic Meredith Mendelsohn writes, “Dintenfass uses luscious colors, repetitive forms, and a gestural intensity that combines Abstract Expressionism and Pop Art.” Dintenfass often works with oil paint on wooden panels fragmented into parts of a grid. "After completing a painting," writes curator and critic Lilly Wei in a study of Dintenfass' work, "Dintenfass literally takes it apart, treating each panel as a discrete entity, exchanging panels between works in an aesthetic mix and match as she searches for interactions and relationships of color and form that satisfy her sense of visual excitement, sparked by the frisson of the dissonant." In an interview with critic Irving Sandler, Dintenfass speaks of the grid as a necessary, formal restraint for the passion of the gestural marks it contains. Joyce Robinson illuminates; “Dintenfass is at heart, though, a painter, and the grid, with its reference to and notion of modular parts, has remained central to her artistic enterprise, functioning as a kind of Apollonian matrix holding in check the exuberant, vividly colored abstractions of this essentially Dionysian artist.” Lilly Wei adds, "Ultimately, however, Dintenfass is more sensualist than theorist, and her paintings owe much of their allure to their materiality and the dazzle of color. Her array of ripe, radiant, saturated hues—a palette of gorgeous diversity—can be silkily smooth and nuanced; boldly exuberant; or edgily, feverishly discordant." The artist's abstract imagery usually appears in her work as various forms of stripes or circles arranged across translucent layers of alternating matte and high gloss textures. In a conversation with gallery owner, John Driscoll, Dintenfass likens these symbols to language that predates the written word, saying her "work relates to communication through the visceral channel." Rooted in autobiography, the artist's paintings also examine the contrast between what she calls the “micro” and the “macro.” At times the shapes simultaneously resemble cells under a microscope and visions of the cosmos. Dintenfass' themes explore the dualities of everyday pleasures; depending on the focus of a series, her symbols might conjure characters, candies, car wheels, or paint itself. Although known for her paintings, Dintenfass was first recognized for her sculptural installations. Her innovative use of mixed media (ceramics, epoxies, wax, pigments, steel, lead, wood, etc.) transformed understanding of what a “ceramic” work of art could be and firmly fixed her position and influence among a generation of mixed media artists expanding the traditional definitions and boundaries of object and materials to create modern art. The results came as architectural reliefs and installation sculpture unique to her organic but structural personal style. Similar to her paintings, Dintenfass developed a modular language of symbols, amalgams of line and curve, which she would combine to create detailed pictographic languages all her own, what she has called “organic alphabets.” As Ted Castle relates, “Ideas are furtive elements, stolen from the matrix, so as to be reformed by human genius into something unforeseen—a poem, a painting, a game of dominoes, a television set, a brick, a tile, a cup. Marylyn Dintenfass is a master of the transformation of ideas into palpable form.” Dintenfass has also been commissioned to create many large-scale installations, including works for the State of Connecticut Superior Courthouse; the Port Authority of NY 42nd Street Bus Terminal; IBM in Atlanta, Charlotte, and San Jose; The Baltimore Federal...

Still Life of an Cup of Coffee in Acrylic on Archival Paper Vibrant still life by California artist Christine Cohen (American, b. 1943). This piece is a close-up, single subject sti...

Abstract geometric and graphic work from Cantine's famous abstracted still life of apples series. Framed dimensions for this painting are 27 x 27 inches. David Cantine studied at th...

Artist: Yankel Ginzburg, Khazakhstan-American (1945 - ) Title: Still Life with Spices Year: 2003 Medium: Acrylic on Wood, signed lower right Size: 30 x 40 in. (76.2 x 101.6 cm) Frame...

ZBIGNIEW WOZNIAK (b. 1952) Studied at the Academy of Fine Arts in Wroclaw, at the Department of Glass and Ceramics. He is involved in painting, graphics and artistic glass design. He...

Flowers and blueberries, yellow, white MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Maya kopitzeva’s works have been acquired by the Russian Ministry of Culture, by the Foundatio...

Spring flowers. 1984, oil on cardboard, 90x70 cm Valdis Bush (1924-2014) studied at the Art academy of Latvia (1945 – 1950), his favorite professors bein...

Edie Nadelhaft “Equal” Oil on canvas, 48 x 44 inches. Offered unframed. Edie Nadelhaft's bold, large-scale, colorful monolithic oil paintings of bodega flowers were born from her ea...

Work sold to benefit the CLEVELAND INSTITUTE OF ART Joseph B. O’Sickey (American, 1918–2013) Hats, 2000 Oil on canvas Signed and dated lower right 48 x 54 inches Joseph O'Sickey, ...

Canteen Bag with Piano Keyboard - Contemporary Fashion Pop Art Fun and bold pop art painting of a canteen style fashion handbag by San Francisco artist Michael William Eggleston (A...

A Rose for A Friend by Inez Storer is oil on medal with mixed media. It is 11 x 11 and mounted on a wooden display box so there i s no need for a fr...

Multi-coloured apples fill an elegant crystal vase situated on a smooth surface. This vase is the heart of the composition and it captures the attention of the beholders with its met...

Elliot Gordon (American) , "Three Sisters", Contemporary Acrylic on Canvas, 36 x 30, Canvas, Early 21st Century, 2016 Colors: Red, Yellow, Orange, White...

Gabryela Wasowicz is a Polish painter born in 1947. She studied at the Academy of Fine Arts of Warsaw and then at the Gerrit Rietveld Akademie in Amsterdam. Once she graduated in 197...

Still life - Salvatore Marinelli Italia 2007 - Oil on canvas cm. 50x100 Salvatore Marinelli's painting is a still life with black and white grapes, peaches, melon, a basket of pomegranates and figs. Objects and light are intensely studied and are painted with wonderful tenderness with variety of fruits. Marinelli is inspired by one of the many works by Adriaen Coorte...

Yellow Rose by Lu Haskew Oil 12x8" image size Still Life Painting of Yellow Roses in a Silver Vase This painting is unframed, canvas on gator...

STILL LIFE - Oil on canvas painting by Massimo Reggiani, Italy 2006 The origins of still life can be found in Dutch painting. At the beginning of Dutch painting, artists included add...

Flowers - Giovanni Bonetti Italia 2007 - Oil on canvas cm. 50x80 Undisputed artist of still life, Giovanni Bonetti reveals his originality and shrewd mastery in this precious Flower ...

Elliot Gordon (American) , "The Vases in Tulsa", Post Modern Impressionist Acrylic on Canvas, 30 x 24, Early 21st Century, 2004 Colors: Red, Yellow, White, Blue, Black, Brown, Purpl...

Edie Nadelhaft “Big city” Oil on canvas, 46 × 48 inches. Offered unframed. Edie Nadelhaft's bold, large-scale, colorful monolithic oil paintings of bodega flowers were born from her...

Small red interior (Pequeño interior rojo). Oil on canvas by Spanish Artist Alfredo Roldan. Dimension without frame: Height 36 cm x Width 13.5 cm Dimension with frame: Height 62 cm x Width 40 cm x Depth 5.5 cm A beautiful vase with flowers on a table where you can also see some pieces of fruit and a white cloth stands...

Flowers, Viola, Violette, white Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born in Dneprodzerzinsk, Ucraina. 1949-56: he began artistic studi...