Early 2000s Still-life Paintings

Vases and fruits is an original oil painting realized in 2006 by Zhang Wei Guang (Mirror). Beautiful oil painting on canvas. Includes frame. Hand-signed and dated on the back Zh...

A Rose for A Friend by Inez Storer is oil on medal with mixed media. It is 11 x 11 and mounted on a wooden display box so there i s no need for a fr...

Vase and doll is an oil painting realized in 2010s by Zhang Wei Guang (Mirror). Oil painting on canvas. Includes frame. Zhang Wei Guang , also called ‘mirror' was born in Helong...

Cherries is an oil painting realized in 2007 by Zhang Wei Guang (Mirror). Beautiful oil painting on canvas. Includes frame. Hand-signed on the lower right corner. Good conditio...

Contemporary colorful realistic pastel food still life drawing of pastries. The work features detailed drawings of eclairs, each with a chocolate drizzle, whipped cream, and cherries...

A very beautiful oil on board still life, depicting a coffee pot with coffee cup and a basket of bread, by Tom Elliott. Excellent quality and unusual painting...

ROBINSON, Geoffrey (b.1945) Untitled 2000 50.0 x 60.5 cm Collage on unstretched canvas, Unframed Geoffrey Robinson trained at Bournemouth College of Art in the 1960’s, before a car...

Photographically accurate realism and conceptualism, peacefully coexisting on the canvases of Pavel Polanski. His canvases are gray with different depths of tone, almost monochrome a...

Antra Ivdra (1966) The member of Artist association in Latvia (2004), Association Internationale des Arts Plastiques (2008), Association of Creativity, Latvia (2006). Art education...

Vivid and dynamic painting of a leopard print shovel by Marc Foster Grant (American, b. 1947). Playful depiction of a shovel rendered in leopard print. Th...

"Quo Vadis" Trompe l'Oeil Still Life in Acrylic on Masonite Still life in the trompe l'oeil style by Richard M. Bacon (American, 20th Century). A still life with a bouquet and a tea...

Four precisely configured and stacked circles form a contemplative pyramid at the foot of a square neutral ground. The areas between the shapes in this minimalist still life acrylic ...

ROBINSON, Geoffrey (b.1945) Untitled 52.0 x 66.0 cm Collage on unstretched canvas, Unframed Geoffrey Robinson trained at Bournemouth College of Art in the 1960’s, before a career i...

ROBINSON, Geoffrey (b.1945) Jug Relief and Still Life Arrangement 2000 48.0 x 59.5 cm Collage on unstretched canvas, Unframed Geoffrey Robinson trained at Bournemouth College of A...

This sizeable work is a combination of fauvist and impressionist style. It shows a hurricane of different feelings and moods that each one of us interprets differently Ingrida Irbe ...

Abstract geometric and graphic work from Cantine's famous abstracted still life of apples series. Framed dimensions for this painting are 27 x 27 inches. David Cantine studied at th...

Breakfast is an original oil painting realized in 2007 by Zhang Wei Guang (Mirror). Beautiful oil painting on canvas. Includes frame 50.5 x 3.5 x 60.5 cm Hand-signed and dated on...

ROBINSON, Geoffrey (b.1945) Summer Table 61.0 x 38.2 cm c.2000 Oil on board, Unframed Geoffrey Robinson trained at Bournemouth College of Art in the 1960’s, before a career in adv...

ROBINSON, Geoffrey (b.1945) Portrait 2 40.7 x 30.5 cm c.2000 Oil on board, Unframed Geoffrey Robinson trained at Bournemouth College of Art in the 1960’s, before a career in adver...

Flowers - Carlo De Tommasi - Italia 2007 This is his reinterpretation of a greatest old master painting by Jan Van Os. Oil on canvas cm. 80x40.

Still life - Salvatore Marinelli Italia 2007 - Oil on canvas cm. 50x100 Salvatore Marinelli's painting is a still life with black and white grapes, peaches, melon, a basket of pomegranates and figs. Objects and light are intensely studied and are painted with wonderful tenderness with variety of fruits. Marinelli is inspired by one of the many works by Adriaen Coorte...

Still life - Massimo Reggiani Italia 2007 - Oil on canvas cm.40x60 Still life, a pictorial representation of foodstuffs, objects or inanimate objects, was one of the artistic genres...

Elliot Gordon (American) , "The Vases in Tulsa", Post Modern Impressionist Acrylic on Canvas, 30 x 24, Early 21st Century, 2004 Colors: Red, Yellow, White, Blue, Black, Brown, Purpl...

Still life - Salvatore Marinelli Italia 2008 - Oil on canvas cm. 60x120 Salvatore marinelli's painting is a beautiful still life of black and white grapes, peaches, figs and ears, a huge jug and an overturned glass, all the composition on a wooden table. The canvas is of singular beauty, the background is dark. Marinelli is inspired by the compositions of Adriaen Coorte...

Very nicely painted American school modernist still life. Oil on canvas. Framed. Signed.

Edie Nadelhaft “Daylight” Oil on canvas, 44.5 × 48 inches. Offered unframed. Edie Nadelhaft's bold, large-scale, colorful monolithic oil paintings of bodega flowers were born from h...

Cherries on Table is an original oil painting realized by Zhang Wei Guang (Mirror) in 2007 Mixed colored oil on canvas Includes frame Hand-signed and dated on the back Zhang Wei ...

Elliot Gordon (American) , "Three Sisters", Contemporary Acrylic on Canvas, 36 x 30, Canvas, Early 21st Century, 2016 Colors: Red, Yellow, Orange, White...

Trompe l'Oeil Still Tuscan Landscape in Oil on Masonite Landscape in the trompe l'oeil style by Richard M. Bacon (American, 20th Century). This piece has been composed to create the...

Provenance: Babcock Galleries (bears their label verso. signed verso with artists monogram signature. Marylyn Dintenfass (born 1943) is an American painter, printmaker, and sculptor. She is primarily known for her oil paintings, which use a dynamic color palette and lexicon of gestural imagery to explore dualities in the human experience and everyday sensual pleasures. Marylyn Dintenfass was born in 1943 in Brooklyn, New York and spent most of her early years in Brooklyn and then Long Island. She attended Queens College, and graduated in 1965 with a bachelor's degree in Fine Arts. During this time, the artist worked with Abstract Expressionist painter John Ferren and muralist Barse Miller. Marilyn Dintenfass explored new media and developed her own reaction to abstract expressionism with color, line, and gesture. Dintenfass acquired an appreciation for a broad range of materials that led to major sculpture installations composed of ceramic materials, steel, lead, wood, wax and a variety of pigments and epoxies. Following a tour of museums in Amsterdam, Paris and Rome, the artist made her way to Jerusalem in 1966. During this journey, the artist worked with painter Ruth Bamberger, studied etching and mingled with the artists and intellectuals of the city. The result was Dintenfass's first architectural commission, to design the “Pop Op Disco,” Jerusalem's first disco. This commission allowed her to work with an array of materials to employ shapes, surfaces, textures, colors, and lights, all of which coalesced in her consciousness that would become important components of her mature personal visual vocabulary. Dintenfass also married and started her family during these years. Art critic Meredith Mendelsohn writes, “Dintenfass uses luscious colors, repetitive forms, and a gestural intensity that combines Abstract Expressionism and Pop Art.” Dintenfass often works with oil paint on wooden panels fragmented into parts of a grid. "After completing a painting," writes curator and critic Lilly Wei in a study of Dintenfass' work, "Dintenfass literally takes it apart, treating each panel as a discrete entity, exchanging panels between works in an aesthetic mix and match as she searches for interactions and relationships of color and form that satisfy her sense of visual excitement, sparked by the frisson of the dissonant." In an interview with critic Irving Sandler, Dintenfass speaks of the grid as a necessary, formal restraint for the passion of the gestural marks it contains. Joyce Robinson illuminates; “Dintenfass is at heart, though, a painter, and the grid, with its reference to and notion of modular parts, has remained central to her artistic enterprise, functioning as a kind of Apollonian matrix holding in check the exuberant, vividly colored abstractions of this essentially Dionysian artist.” Lilly Wei adds, "Ultimately, however, Dintenfass is more sensualist than theorist, and her paintings owe much of their allure to their materiality and the dazzle of color. Her array of ripe, radiant, saturated hues—a palette of gorgeous diversity—can be silkily smooth and nuanced; boldly exuberant; or edgily, feverishly discordant." The artist's abstract imagery usually appears in her work as various forms of stripes or circles arranged across translucent layers of alternating matte and high gloss textures. In a conversation with gallery owner, John Driscoll, Dintenfass likens these symbols to language that predates the written word, saying her "work relates to communication through the visceral channel." Rooted in autobiography, the artist's paintings also examine the contrast between what she calls the “micro” and the “macro.” At times the shapes simultaneously resemble cells under a microscope and visions of the cosmos. Dintenfass' themes explore the dualities of everyday pleasures; depending on the focus of a series, her symbols might conjure characters, candies, car wheels, or paint itself. Although known for her paintings, Dintenfass was first recognized for her sculptural installations. Her innovative use of mixed media (ceramics, epoxies, wax, pigments, steel, lead, wood, etc.) transformed understanding of what a “ceramic” work of art could be and firmly fixed her position and influence among a generation of mixed media artists expanding the traditional definitions and boundaries of object and materials to create modern art. The results came as architectural reliefs and installation sculpture unique to her organic but structural personal style. Similar to her paintings, Dintenfass developed a modular language of symbols, amalgams of line and curve, which she would combine to create detailed pictographic languages all her own, what she has called “organic alphabets.” As Ted Castle relates, “Ideas are furtive elements, stolen from the matrix, so as to be reformed by human genius into something unforeseen—a poem, a painting, a game of dominoes, a television set, a brick, a tile, a cup. Marylyn Dintenfass is a master of the transformation of ideas into palpable form.” Dintenfass has also been commissioned to create many large-scale installations, including works for the State of Connecticut Superior Courthouse; the Port Authority of NY 42nd Street Bus Terminal; IBM in Atlanta, Charlotte, and San Jose; The Baltimore Federal...

FLOWERS - Oil on canvas painting, Francesca Strino, Italy., 2005

Provenance: Babcock Galleries (bears their label verso.) signed verso with artists monogram signature. Marylyn Dintenfass (born 1943) is an American painter, printmaker, and sculptor. She is primarily known for her oil paintings, which use a dynamic color palette and lexicon of gestural imagery to explore dualities in the human experience and everyday sensual pleasures. Marylyn Dintenfass was born in 1943 in Brooklyn, New York and spent most of her early years in Brooklyn and then Long Island. She attended Queens College, and graduated in 1965 with a bachelor's degree in Fine Arts. During this time, the artist worked with Abstract Expressionist painter John Ferren and muralist Barse Miller. Marilyn Dintenfass explored new media and developed her own reaction to abstract expressionism with color, line, and gesture. Dintenfass acquired an appreciation for a broad range of materials that led to major sculpture installations composed of ceramic materials, steel, lead, wood, wax and a variety of pigments and epoxies. Following a tour of museums in Amsterdam, Paris and Rome, the artist made her way to Jerusalem in 1966. During this journey, the artist worked with painter Ruth Bamberger, studied etching and mingled with the artists and intellectuals of the city. The result was Dintenfass's first architectural commission, to design the “Pop Op Disco,” Jerusalem's first disco. This commission allowed her to work with an array of materials to employ shapes, surfaces, textures, colors, and lights, all of which coalesced in her consciousness that would become important components of her mature personal visual vocabulary. Dintenfass also married and started her family during these years. Art critic Meredith Mendelsohn writes, “Dintenfass uses luscious colors, repetitive forms, and a gestural intensity that combines Abstract Expressionism and Pop Art.” Dintenfass often works with oil paint on wooden panels fragmented into parts of a grid. "After completing a painting," writes curator and critic Lilly Wei in a study of Dintenfass' work, "Dintenfass literally takes it apart, treating each panel as a discrete entity, exchanging panels between works in an aesthetic mix and match as she searches for interactions and relationships of color and form that satisfy her sense of visual excitement, sparked by the frisson of the dissonant." In an interview with critic Irving Sandler, Dintenfass speaks of the grid as a necessary, formal restraint for the passion of the gestural marks it contains. Joyce Robinson illuminates; “Dintenfass is at heart, though, a painter, and the grid, with its reference to and notion of modular parts, has remained central to her artistic enterprise, functioning as a kind of Apollonian matrix holding in check the exuberant, vividly colored abstractions of this essentially Dionysian artist.” Lilly Wei adds, "Ultimately, however, Dintenfass is more sensualist than theorist, and her paintings owe much of their allure to their materiality and the dazzle of color. Her array of ripe, radiant, saturated hues—a palette of gorgeous diversity—can be silkily smooth and nuanced; boldly exuberant; or edgily, feverishly discordant." The artist's abstract imagery usually appears in her work as various forms of stripes or circles arranged across translucent layers of alternating matte and high gloss textures. In a conversation with gallery owner, John Driscoll, Dintenfass likens these symbols to language that predates the written word, saying her "work relates to communication through the visceral channel." Rooted in autobiography, the artist's paintings also examine the contrast between what she calls the “micro” and the “macro.” At times the shapes simultaneously resemble cells under a microscope and visions of the cosmos. Dintenfass' themes explore the dualities of everyday pleasures; depending on the focus of a series, her symbols might conjure characters, candies, car wheels, or paint itself. Although known for her paintings, Dintenfass was first recognized for her sculptural installations. Her innovative use of mixed media (ceramics, epoxies, wax, pigments, steel, lead, wood, etc.) transformed understanding of what a “ceramic” work of art could be and firmly fixed her position and influence among a generation of mixed media artists expanding the traditional definitions and boundaries of object and materials to create modern art. The results came as architectural reliefs and installation sculpture unique to her organic but structural personal style. Similar to her paintings, Dintenfass developed a modular language of symbols, amalgams of line and curve, which she would combine to create detailed pictographic languages all her own, what she has called “organic alphabets.” As Ted Castle relates, “Ideas are furtive elements, stolen from the matrix, so as to be reformed by human genius into something unforeseen—a poem, a painting, a game of dominoes, a television set, a brick, a tile, a cup. Marylyn Dintenfass is a master of the transformation of ideas into palpable form.” Dintenfass has also been commissioned to create many large-scale installations, including works for the State of Connecticut Superior Courthouse; the Port Authority of NY 42nd Street Bus Terminal; IBM in Atlanta, Charlotte, and San Jose; The Baltimore Federal...

Edie Nadelhaft “Fine Detail II” Oil on canvas, 22 x 48 inches. Offered unframed. Edie Nadelhaft's bold, large-scale, colorful monolithic oil paintings of bodega flowers were born fr...

Fiori Gialli MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Maya kopitzeva’s works have been acquired by the Russian Ministry of Culture, by the Foundation for the Russian Culture...

Armand Tatossian, Canadian, 1948-2012 First snow Oil on canvas 20 x 24 in Signed on the lower right: A. Tatossian Signed and titled on the reverse PROVENAN...

Edie Nadelhaft “Big city” Oil on canvas, 46 × 48 inches. Offered unframed. Edie Nadelhaft's bold, large-scale, colorful monolithic oil paintings of bodega flowers were born from her...

A verdant tropical scene is the setting for the artists palette. After all its shape and color provide the perfect accent. Artist Palette - Landscape Painting - Oil On Canvas By Mar...

Canteen Bag with Piano Keyboard - Contemporary Fashion Pop Art Fun and bold pop art painting of a canteen style fashion handbag by San Francisco artist Michael William Eggleston (A...

Edie Nadelhaft “Fine Detail III” Oil on canvas, 22 x 48 inches. Offered unframed. Edie Nadelhaft's bold, large-scale, colorful monolithic oil paintings of bodega flowers were born f...

Still Life is an oil painting realized in 2006 by Zhang Wei Guang (Mirror). Beautiful oil painting on canvas. Includes frame: 40 x 50 cm Hand-signed and dated on the lower margin...

Faulconer, Mary. Bastille Day. Gouache on gesso board, 2000. Framed size: 13 3/4 x 17 3/4 in.

MAGDALENA OLSZEWSKA (born in 1977) She studied graphic arts and painting under prof. Andrzej Bartczak and Marian Kępiński at the Academy of Fine Arts in Łódź. She received her diplom...

Big Momma's Still Life #2 Oil pastel on rag paper, 2007 Signed by the artist lower left: "Sedrick Huckaby III" (see photo) Sheet size: 16 x 12 1/8 inches Frame: 28 x 24 inches Exhibi...

Favorite Teapot by Lu Haskew Oil 8x16" image size Still Life Painting This painting is unframed, canvas on gator board, the price reflects that it is unframed. Shipping price inclu...

Pumpkins. Oil on canvas, 66,5x96 cm Still Life with pumpkins slices Kristine Kvitka (1983) Kristine Kvitka is a Latvian artist, born in Riga in 1983, currently lives and works at T...

Still life with cherries. 2001, canvas, oil, 50x50.5 cm

Original work by the chinese painter Zhang Wei Guand, also called "Mirror". Realized in the early 2000s. In excellent conditions, it includes a contemporary wooden frame. Zhang We...

Figurative surrealist still life landscape painting of the Virgin Mary by contemporary Hungarian artist Attila Szűcs. The painting features a statue of ...

Cherries on the Table is an oil painting realized by Zhang Wei Guang (Mirror) in 2007. Includes frame. Hand signed and dated on the lower margin Very Good conditions. Zhang Wei...

Oranges is an oil on canvas realized by the chinese painter Zhang Wei Guang (Mirror) in 2000s. Includes frame: 51 x 97.5 cm Zhang Wei Guang, also called ‘mirror' was born in Helong...

Whimsical abstracted textural still life with three daises and other objects floating through an ambiguous orange space by Daniel David Fuentes (American, 1978-2016). From a collecti...

Breakfast is an oil painting realized by Zhang Wei Guang (Mirror) in 2000s. Includes frame. Signature and various signs in Chinese calligraphy on the back. Very Good conditions. ...

Oranges With Vase is an original oil painting realized in 2006 by Zhang Wei Guang (Mirror). Beautiful oil painting on canvas. Includes frame: 83 X 6 X 70 cm Hand-signed and da...

Cherries is an oil painting realized in 2006 by Zhang Wei Guang (Mirror). Beautiful oil painting on canvas. Includes frame. Hand signed on the lower margin. Zhang Wei Guang , al...

"Les Raisins" is an 18.25x22 original oil painting by renowned artist Alain Pontecorvo. Featured is a still life of a black bowl of a bunch of red grapes on a table with green grape...

Desire is an original oil painting realized in 2005 by Zhang Wei Guang (Mirror). Includes frame: 40 x 3 x 53 cm Hand-signed and dated on the lower right corner. Good conditions...

Vase and Eggs is an original oil painting realized by Zhang Wei Guang (Mirror) in 2000s. Includes frame. Good conditions. Zhang Wei Guang , also call...

Signed lower right, 'Puccinelli' for Cathy Puccinelli, (American, born 1952), a member of the Santa Cruz Art Guild.

"Roses and fruits" by Russian artist Sergey Marchenko Still life very well balanced, harmonious and fresh, it is ideal for decorating the kitchen or dining room. Beautifully framed. Dimension art cm: 40 W x 50 H x 2 D Dimension frame cm: 60 W x 75 H x 5 D The artist says: "I follow the traditions of impressionists artists.The only moment is important. I try to depict the beauty of the impression. I like to paint portraits a lot. It is very interesting to open to understand the person and depict his personality through the portrait in Impressionist style".  Education: Moscow State Academic Art Institute named after Surikov Moscow Academic Art Lyceum Events: During his professional career he had a lot of exhibitions in Russia and abroad particularly in France.  Some of his works had been sold on John Nicholson...

Still Life is an oil painting realized in 1.5008 by Zhang Wei Guang (Mirror). Includes frame: 41.5 x 3.5 x 51.5 cm Hand-signed and dated on the lower right corner. Good conditions...