Early 2000s Still-life Paintings

Rose Trio by Lu Haskew Oil 6x12" image size Still Life Painting of red roses next to a silver vase This painting is unframed, canvas on gator board, the price reflects that it is un...

Red Grapes by Lu Haskew ​Oil Still Life of Grapes against a stucco wall 24x16" image size, 30x22" framed Shipping price includes the custom packing necessary for safe transport of f...

Last Autumn Dahlias. 2006, paper, author's technique, 58x73 cm Still life with flowers in a vase Dzidra Bauma (1930) Dzidra Bauma works in watercolor technique. She paint figural c...

Yellow Glads by Lu Haskew ​Oil on Canvas Floral Still Life 16x24" Image Size, 22x30" Framed ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is good to me. Being able to go to my studio five days weekly and paint for several hours, living in a supportive community, having family and friends who encourage me--all have contributed to helping me become an artist. Being fortunate to study with some of the artists I admire has kept me painting from the garden, people and my favorite things. With the support of galleries, teaching and doing demos, how could I do anything else? My goal is to try to be the best I can be by always being a student, looking for new ideas and stretching my horizons." Upon retirement from a 33-year teaching career, Lu rented a studio in Loveland and began concentrating on her oil and watercolor painting. Learning from artists she had followed and admired throughout the years her painting became a full time career. Since 1992, she has studied with renowned painters Richard Schmid, Clyde Aspevig, Joyce Pike, and others at the Scottsdale Art...

Still life with fruits. 2009, canvas, oil, 81x65 cm Sergey Inkatov Was born: 13.09.1971 in Baku. Painter Sergey Inkatov belongs to young generation of artists of Estonia. He was b...

Terracotta. 2020. Paper, ink, mixed media, 62x94 cm Abstract composition with vase in blue, gray colors

Dark surrealist painting of masks and fish. The painting is signed by the artist and dated. The painting is framed is in a black frame. Dimens...

Impressionist technique employed by the artist focuses on the essence of flowers rather than details. The play of light and shadows creates the atmosphere of a summer day. Ingrida Irbe...

Game X. 2004, oil, collage on cardboard, 30х40 cm The artwork was published in the catalog - "Jānis Zemītis Glezniecība. Painting." Publisher: Al secco Ltd, 2010, on page 21 Still life with glass and game cards In 1958 he graduated from the Riga Art School of J. Rosenthal, in 1964 Art Academy of Latvian State, painting department, Head of the diploma work "Working in the forest" E. Kalninsh. He participated in the exhibition since 1966. Member of Artists Union of Latvia since 1970. From 1993-2000 member of the Association "B13". He worked as a teacher at the Riga 19th school and in the 17th evening high school (1961-1965), in the Riga Art School of J. Rosenthal (1965-1981), worked at the Arts Academy of Latvia since 1981 - in charge of Department of Painting (1993- 1998), professor since 1993. From 1997- 2000 Professor at the Evangelical Lutheran Christian Academy of Latvia. At the end of the 60s, in the 70s painted many figurative compositions of the historical genre. Reborn impression of cubism, painted still lifes and landscapes. Paintings by Janis Zemitis...

Night flowers. 2004, oil on canvas, 100x70 cm Still Life with flowers on the chair Kristine Kvitka (1983) Kristine Kvitka is a Latvian artist, born i...

Evening still life. 2007, oil on canvas, 60x80 cm Still Life with fruits, eggplant and bottle of wine Kristine Kvitka (1983) Kristine Kvitka is a Lat...

Price and size includes frames (maple wood with white mats). Artwork 20" x 26" Her pastel-on-sandpaper series, "Domestic Threats" and "Black Paintings", both use cultural objects as surrogates for human beings acting in mysterious, highly charged narratives.[9][10] Rachko also has created a series of photographs entitled "Gods and Monsters".[11] In these chromogenic prints, she is "painting with a camera," creating variations that free the camera from being a mechanical recording device of what lies before it. She prints all of these images by hand. The earlier "Domestic Threats" pastel-on-sandpaper paintings used her West Village apartment or her 1932 Sears house in Virginia as a backdrop. The "Black Paintings" series grew directly from "Domestic Threats". In the "Black Paintings," the figures (actors) take center stage. All background details, furniture, rugs, etc. have been eliminated and replaced by intense dark black pastel. Each painting takes months to complete as she slowly builds up as many as 30 layers of soft pastel. Her long-standing fascination with traditional masks progressed in the spring of 2017 when she visited the National Museum of Ethnography and Folklore in La Paz, Bolivia where one exhibition included more than fifty festival masks. The resulting series is entitled “Bolivianos”.[12] She has also written an e-book, From Pilot to Painter[13] and writes a regular blog, Barbara Rachko...

Price and size includes frames (maple wood with white mats). Artwork 58" x 38" Her pastel-on-sandpaper series, "Domestic Threats" and "Black Paintings", both use cultural objects as surrogates for human beings acting in mysterious, highly charged narratives.[9][10] Rachko also has created a series of photographs entitled "Gods and Monsters".[11] In these chromogenic prints, she is "painting with a camera," creating variations that free the camera from being a mechanical recording device of what lies before it. She prints all of these images by hand. The earlier "Domestic Threats" pastel-on-sandpaper paintings used her West Village apartment or her 1932 Sears house in Virginia as a backdrop. The "Black Paintings" series grew directly from "Domestic Threats". In the "Black Paintings," the figures (actors) take center stage. All background details, furniture, rugs, etc. have been eliminated and replaced by intense dark black pastel. Each painting takes months to complete as she slowly builds up as many as 30 layers of soft pastel. Her long-standing fascination with traditional masks progressed in the spring of 2017 when she visited the National Museum of Ethnography and Folklore in La Paz, Bolivia where one exhibition included more than fifty festival masks. The resulting series is entitled “Bolivianos”.[12] She has also written an e-book, From Pilot to Painter[13] and writes a regular blog, Barbara Rachko...

"Primary Tulips" by Lu Haskew Oil 24x26" framed, 20x22" image size Signed lower right, a still life of red, yellow and blue (purple) tulips and iris ABOUT THE ARTIST: Lu considered...

Denied Warhol Orange Electric Chair Painting by Charles Lutz Silkscreen and acrylic on linen with the Denied stamp of the Andy Warhol Art Authentication Board. 22 x 28" inches 2008 Lutz's 2007 ''Warhol Denied'' series gained international attention calling into question the importance of originality or lack thereof in the work of Andy Warhol. The authentication/denial process of the [[Andy Warhol Art Authentication Board]] was used to create value by submitting recreations of Warhol works for judgment with the full intention for the works to be formally marked "DENIED". The final product of the conceptual project being "officially denied" "Warhol" paintings authored by Lutz. Based on a press photo painted by Pop Artist Andy Warhol in early 1960's, this is likely one of the most iconic images from his Death and Disaster Series. The Death and Disaster Series was a dark view of the time's media and death culture. This was a departure from Warhol's Campbell's Soup Cans and portraits of Jackie Kennedy, Marilyn Monroe, Liz Taylor, and Marlon Brando in that these were images of the deaths of everyday people- one could say their "15 minutes of fame" as Warhol coined...

Strawberries is an original oil painting realized in 2007 by Zhang Wei Guang (Mirror). Includes frame Oil painting on canvas Hand-signed and dated on the back Good conditions. Z...

"The Shape of Trumpets" by Lu Haskew Oil 28x22" framed, 24x18" image size Signed lower right, a still life of tulips and daffodil with porcelain and lemons below ABOUT THE ARTIST: ...

KNIFE. Expressionist yellow Still-life with flowers fruits and Buddhist figures. Author: Chico Montilla (Spain 1961). Oil on Canvas. Measurements: (H) 100 x (W) 81 x (D) 2 cm. ...

John Powell has worked in the arts throughout his life. Born in Hollywood, California, he began to paint at the age of 16. Over the past 45 years he has melded his life experiences i...

DO DAISIES FLICK? ( ¿Parpadean las margaritas? ), Oil on linen by Chico Montilla. Measurements in centimeters (H) 100 x (W) 81 x (D) 2 cm. / In inches 39.37 x 31.89 x 0.79 " Expres...

"Serenidad", oil on wood, 80 cm H x 42 cm W This piece of art in the shape of a cutting board is ideal for a kitchen. It is made with the use of the technique "Trompe l'oeil", that...

7" x 5" Unframed Original - Oil on Canvas Hand Signed by Joel Masewich 2005

"Butter Squash" by Wisconsin Artist Robert Richter is an oil painting on wood, dated and stamped with the artist's initials on the verso. The frame was constructed and hand-carved by...

"Leaning Flowers" is an original watercolor and acrylic painting by Reginald K. Gee. It depicts a bouquet of yellow, purple, red, and teal flowers. This pi...

OPAC, the Organization of Photorealist Artists and Collectors, presents Eat In & Take Out by Mark Schiff This beautiful painting by famed photorealist Mark Schiff cannot be appreciated on a computer screen. In real life it is amazing. We guarantee that you will love this painting. If not, you can return it for a complete refund, no questions asked. About Mark Schiff -- Animated by photographs that reflect his personal life, Mark Schiff’s paintings are fueled by what makes him happy. Through his open touch and signature blending method, he lends his artistic perception to the original photographic compositions captured on his Leica. Mark’s creative vision has been alive since he was a boy. As a child he spent his summers observing life as he rode the trolley back and forth to art classes at the Pratt Institute. During his future travels to Europe, Mark’s eye for light and photography merged with his passion for painting at the Jeu de Paume in Paris; which triggered his career in photorealism. Mark is well known for painting objects that people can identify and emotionally connect with. His work is distinctly marked by a rich palette and the luminous range of light he paints into his compositions. Each painting is a true extension of his vision and can take up to 200 hours to complete. Mark Schiff’s work has been commissioned by the well-known brands The Hershey Company and Tropicana. His private collectors include A-list celebrities and also corporate collectors in the US and abroad. Possessing a strong philanthropic nature, Mark donates both his time and works to charitable organizations such as Big Brothers Big Sisters, The Ronald McDonald House, Make-A-Wish Foundation, The Humane Society and the Special Olympics. Photorealism is widely viewed as one of this century’s most exciting genres of art. When a photorealistic painting is viewed from afar, it looks like a photograph. Only when getting very close to the art does the viewer realize that it is in fact not a photo, but rather an oil painting. Photorealism can also refer to sculptures. Duane Hanson is known as the greatest photorealistic sculptor of all time. Some of the greatest photorealistic painters include Mark Schiff, Richard Estes, Ralph Goings, Charles Bell and Audrey Flack. Photorealist Mark Schiff was born in Bedford Stuyvesant, Brooklyn, in a neighborhood known as a kuchalane, a Yiddish word which Schiff defines as a place where everyone (from the Old Country) ended up living on the same street, and most likely knowing each other’s business. His Russian grandfather came to the US before the revolution and both his parents were first generation American. Even at five years of age, Mark showed exceptional talent. In the summer, his mother permitted him to travel by himself on the trolley for art classes at the Pratt institute. He continued studying there until he was eleven and the family moved to Great Neck. Except for a few art classes in high school and playing baritone horn in the band, Mark focused on other things besides art, especially when his mother worried for his financial future, kept insisting “that Jewish boys don’t starve to death.” His father made a good living as a production man in textiles so Mark, who had spent years doing the rounds of knitting mills with his father, decided to major in textile chemistry at North Carolina State. ROTC was mandatory on his campus and he did two years in order to be eligible for officer status. He won the Armed Forces Chemical Association award and thought for sure that he would be assigned chemical work, but instead was made a tank commander and stationed at Fort Knox. Not exactly what his heart yearned for, but a good job awaited him at Sandoz, a Swiss company that made dyestuff. What perfect training for someone who would soon be working in wonderful rich colors on canvas. He went on to receive his MBA degree from Hofstra University, left Sandoz and was hired to sell at a spinning mill. He liked it. In 1976 he joined Bennett Berman Associates and had an opportunity to buy the spinning mill Spun Fibers. But what of art? In the early days, Elsie, his wife of fifty-two years, had a problem with the large amount of space his canvases occupied in their one-bedroom apartment. Mark took up photography instead, which only required a small darkroom. Photography was a natural ally for his eventual return to painting in the photorealistic style. It was on his second trip to Europe that Mark fell in love with painting all over again. The impressionistic museum, Jeu de Paume in Paris, renewed his passion and it’s been non-stop since then. Out came the brushes, but this time, he used his love and skill of photography, and built a style based on the photographs he had taken, bringing them to life with paint. Mark was still not painting to sell until in 1990 when someone discovered and desperately wanted his candy bar (Sweet Series) painting. Mark didn’t want to let go of that particular piece, but was finally convinced to sell it and a second candy painting to this ardent art and candy lover. Two years later, Mark was commissioned to make three paintings of this man’s new Ferrari. Some of the artists who have inspired his work are Richard Estes, Sandy Scott, Chuck Close, and Charles Bell. He appreciates the work of Ken Keeley, but unlike Keeley’s hard-lined/tape and ruler style, Mark prefers an open touch, using the blending method. Mark’s subject matters range from candy bars to spice racks to soda cans and soda bottles. He photographs with a Leica M-7 and each painting can take up to 200 or more hours to complete. His palette is rich; his subjects, be it a fire engine or a pretzel cart...

Timothy Harney's emotionally powerful paintings, drawings, and collages possess an exceptional formal excellence which propels them beyond the particula...

Zita Sudnika, Tulips with a rainbow. 2007. Oil on canvas, 70x80 Vibrant and visually striking painting captures the beauty of red and yellow tulips arranged in a vase, positioned pr...

This is not one of McMackin's widely available reproductions. This is the actual oil painting of the Canadian Snowboarder. Arrives framed. One cannot appreciate this beautiful painting on a computer screen. In real life, it is fantastic. Snowboarding is a recreational and competitive activity that involves descending a snow-covered surface while standing on a snowboard that is almost always attached to a rider's feet. It features in the Winter Olympic Games and Winter Paralympic Games. Snowboarding was developed in the United States, inspired by skateboarding, sledding, surfing, and skiing. It became popular around the world, and was introduced as a Winter Olympic Sport at Nagano in 1991 and featured in the Winter Paralympics at Sochi in 2014.2 As of 2015, its popularity (as measured by equipment sales) in the United States peaked in 2007 and has been in a decline since. The first snowboards were developed in 1965 when Sherman Poppen, an engineer in Muskegon, Michigan, invented a toy for his daughters by fastening two skis together and attaching a rope to one end so he would have some control as they stood on the board and glided downhill. Dubbed the "snurfer" (combining snow and surfer) by his wife Nancy, the toy proved so popular among his daughters' friends that Poppen licensed the idea to a manufacturer, Brunswick Corporation, that sold about a million snurfers over the next decade.5 And, in 1966 alone, over half a million snurfers were sold. Modern snowboarding was pioneered by Tom Sims and Jake Burton Carpenter, who both contributed significant innovations and started influential companies. In February 1968, Poppen organized the first snurfing competition at a Michigan ski resort that attracted enthusiasts from all over the country.7 One of those early pioneers was Tom Sims, a devotee of skateboarding (a sport born in the 1950s when kids attached roller skate wheels to small boards that they steered by shifting their weight). In the 1960s, as an eighth grader in Haddonfield, New Jersey, Sims crafted a snowboard in his school shop class by gluing carpet to the top of a piece of wood and attaching aluminum sheeting to the bottom.8 He produced commercial snowboards in the mid-70s.9 Others experimented with board-on-snow configurations at this time, including Welsh skateboard enthusiasts Jon Roberts and Pete Matthews developed their own snowboards to use at their local dry ski slope. Also during this same period, in 1977, Jake Burton Carpenter, a Vermont native who had enjoyed snurfing since the age of 14, impressed the crowd at a Michigan snurfing competition with bindings he had designed to secure his feet to the board. That same year, he founded Burton Snowboards in Londonderry, Vermont.12 The "snowboards" were made of wooden planks that were flexible and had water ski foot traps. Very few people picked up snowboarding because the price of the board was considered too high at $38 and were not allowed on many ski hills, but eventually Burton would become the biggest snowboarding company in the business.13 Burton's early designs for boards with bindings became the dominant features in snowboarding. The first competitions to offer prize money were the National Snurfing Championship, held at Muskegon State Park in Muskegon, Michigan.14 In 1979, Jake Burton Carpenter came from Vermont to compete with a snowboard of his own design. There were protests about Jake entering with a non-snurfer board. Paul Graves, and others, advocated that Jake be allowed to race. A "modified" "Open" division was created and won by Jake as the sole entrant. That race was considered the first competition for snowboards and is the start of what became competitive snowboarding. Ken Kampenga, John Asmussen and Jim Trim placed first, second and third respectively in the Standard competition with best two combined times of 24.71, 25.02 and 25.41; and Jake Carpenter won prize money as the sole entrant in the "open" division with a time of 26.35.15 In 1980 the event moved to Pando Winter Sports Park near Grand Rapids, Michigan because of a lack of snow that year at the original venue. In the early 1980s, Aleksey Ostatnigrosh and Alexei Melnikov, two Snurfers from the Soviet Union, patented design changes to the Snurfer to allow jumping by attaching a bungee cord, a single footed binding to the Snurfer tail, and a two-foot binding design for improved control. As snowboarding became more popular in the 1970s and 1980s, pioneers such as Dimitrije Milovich (founder of Winterstick out of Salt Lake City, UT), Jake Burton Carpenter (founder of Burton Snowboards from Londonderry, Vermont), Tom Sims (founder of Sims Snowboards), David Kemper (founder of Kemper Snowboards) and Mike Olson...

Marisa Mallol was born in Alcoy, Alicante, Spain in 1942. At the age of thirteen, Mallol began her first studies of painting at La Escuela de Artes y Oficios in Alcoy. After completi...

Signed by Pam Burnley-Schol Oil paint and 24K gold and aluminum leaf on panel 24 x 24 x 2 in.

Lisa Milroy Blue Pencil, 2008 Oil on canvas with glued collage 14 3/4 x 16 inches Signed verso This still life is an original oil painting by London-based...

Frame: 24 1/2 x 37 in. Realist painter John Falato is known for the stunning detail of his vividly-rendered landscape paintings depicting such timeless subjects as country farms, r...

Mr. Brainwash Campbell’s , 2009 takes the world-famous image of Andy Warhol’s Campbell Soup cans and transforms it into an equally iconic, eye-catching, and surprising object: a pain...

Timothy Harney's emotionally powerful paintings, drawings, and collages possess an exceptional formal excellence which propels them beyond the particula...

Georges Terzian (French 1939 - 2021) La Bouteille, 2001 Oil on canvas 21.5 x 18 inches (55 x 46 cm) Framed: 27 ½ x 24 inches (69.8 x 61 cm) Signed: G. Terzian Signed, dated and tit...

9" x 15" Unframed Oil on Canvas (Original) Hand Signed by Miljan Vasiljevic 2005

Lilies. 2004, oil on cardboard, 49,5x70 cm Valdis Bush (1924-2014) studied at the Art academy of Latvia (1945 – 1950), his favorite professors being A. S...

Vanita. 2004, oil, collage on canvas, 100x120 cm In 1958 he graduated from the Riga Art School of J. Rosenthal, in 1964 Art Academy of Latvian State, paintin...

Miguel Padura El Abismo, 2009 Oil on canvas 40 x 58 in Miguel Padura was born in Havana in 1957. “I was four years old when my family moved to Rodas, in the province of Las Villas. ...

Original oil painting by Steve Smulka. Steve Smulka (b. 1949, Detroit, Michigan) attended the School of Visual Arts in New York City, studying with Chuck Close, among others. Upon c...

Timothy Harney's emotionally powerful paintings, drawings, and collages possess an exceptional formal excellence which propels them beyond the particula...

Frank Olt was a artist in residence at P.S1, the legendary Long Island City studio/gallery complex during the late 70s. Olt regards himself largely as a self taught painter, identify...

oil on linen canvas heavy duty stretcher framing recommended but not required. Part pf a series by the artist titled RESTLESS STILL LIFE

an arrangement of perfume bottles.

"White & Blue Flowers on Dark Green Background" is an original acrylic painting by Reginald K. Gee. The artist signed and dated the piece in the lower right corner. It depicts a bouq...

Hand signed by the artist on verso. Hand Painted Unique Silkscreen on Canvas. Artwork is in excellent condition. Canvas is stretched. Certificate of authenticity included. All rea...

"Odd Set of Flowers" is an original acrylic painting on canvas by Reginald K. Gee. This piece depicts a bouquet of white, yellow, and blue flowers in fro...

"Collection in the Cupboard KMH 040" is an original acrylic and mixed media painting by Katherine Hartley. It depicts a collection of cups and knickknacks in a pink cupboard...

Signed and dated (at lower right): J. STONE ROBERTS./ 2004.

Randy Browning’s paintings sparkle with the breath of life. His delightful contemporary paintings offer his viewers a unique way of regarding contemporary still life, combined with old-world attention to detail. Browning feels that to truly observe an object, one must be absorbed by it. The large scale of the paintings helps people focus on the incredible variety and subtlety of apparently common objects. In this painting, a retro red teapot...

Randy Browning’s paintings sparkle with the breath of life. His delightful contemporary paintings offer his viewers a unique way of regarding contemporary still life, combined with old-world attention to detail. Browning feels that to truly observe an object, one must be absorbed by it. The large scale of the paintings helps people focus on the incredible variety and subtlety of apparently common objects. In this black and white painting, you are looking down from a birds-eye view of a retro teapot...

Randy Browning’s paintings sparkle with the breath of life. His delightful contemporary paintings offer his viewers a unique way of regarding contemporary still life, combined with old-world attention to detail. Browning feels that to truly observe an object, one must be absorbed by it. The large scale of the paintings helps people focus on the incredible variety and subtlety of apparently common objects. In this painting, a retro blue teapot sits behind a red coffee mug that gives high contrast. The pair sits on a yellow and white striped background creating pop art and giving a unique modern twist. Randy Browning’s paintings sparkle with the breath of life. His delightful fruit and vegetable paintings...

9" x 15" Unframed Original - Oil on Canvas Hand Signed by Miljan Vasiljevic 2005

5" x 7" Unframed Original - Oil on Canvas Hand Signed by Miljan Vasiljevic 2005

9" x 20" Unframed Original Oil on Canvas Hand Signed Miljan Vasiljevic 2005

6" x 9.5" Unframed Oil on Canvas (Original) Hand Signed by Miljan Vasiljevic 2002

Ancient Blessing, 2006 Roseta Santiago Oil on Canvas Signed Middle Left 42 x 48 inches 43 x 50 inches with frame Roseta Santiago was born and raised in Washington D.C. She started ...

Peter Dreher Tag um Tag guter Tag (Day by Day Good Day) Nr. 2060; Nr. 2253; Nr. 2345; Nr. 2454, 2007-2009 Oil on linen Four panels of 10 x 8 inches each German artist Peter Dreher (...

Mary Ann Strandell Kranz, 2009 Oil on canvas 24 x 24 inches (61 x 61 cm)

Los Angeles Public Library (R78.33H, Handel) 2009 Signed and dated, verso Oil on canvas 40 x 67 inches (101.6 x 170.2 cm) Contact galler...