Early 2000s Still-life Paintings

Photorealistic painting of a 1970 Stingray, a classic muscle car. Includes both a red and a blue version of this well known vehicle. Kelley is able to capture even the smallest details of the cars, all the way down to the writing on the tires. Signed, titled, and dated on the back. Currently not framed, but options are available. Artist Biography: Cheryl Kelley...

Apples for Pie by Lu Haskew Oil 9x15" image size Still Life Painting of Apples This painting is unframed, canvas on gator board, the price reflects that it is unframed. Shipping pr...

Modern abstract brown toned Cubist inspired still life painting by Houston, TX artist David Adickes. The work features a central floral arrangement set against a light brown backgrou...

An almost photorealist painting of a shiny red apple by Mexican artist, Manuel Servin. The oil on canvas is signed and dated lower right. unframed.

Impressionist technique employed by the artist focuses on the essence of flowers rather than details. The play of light and shadows creates the atmosphere of a summer day. Ingrida Irbe...

Still life. 2007, oil on canvas, 60x73 cm Sergey Inkatov Was born: 13.09.1971 in Baku. Painter Sergey Inkatov belongs to young generation of artists of Estonia. He was born in Ba...

ROBINSON, Geoffrey (b.1945) Grey Wall 2000 60.0 x 43.5 cm Collage on unstretched canvas, Unframed Geoffrey Robinson trained at Bournemouth College of Art in the 1960’s, before a ca...

ROBINSON, Geoffrey (b.1945) Untitled 52.0 x 66.0 cm Collage on unstretched canvas, Unframed Geoffrey Robinson trained at Bournemouth College of Art in the 1960’s, before a career i...

ROBINSON, Geoffrey (b.1945) One Yellow Apple 50.8 x 60.8 cm c.2000 Oil on board, Unframed Geoffrey Robinson trained at Bournemouth College of Art in the 1960’s, before a career in...

ROBINSON, Geoffrey (b.1945) Artist’s Model 50.9 x 61.0 cm c.2000 Oil on board, Unframed Geoffrey Robinson trained at Bournemouth College of Art in the 1960’s, before a career in a...

Vintage American modernist abstract oil painting by Mark DiVincenzo. Oil on canvas, circa 2005. Signed verso. Unframed.

Still life with cherries. 2001, canvas, oil, 50x50.5 cm

Sweet Roses by Lu Haskew Oil 10x8" image size Still Life Painting of Orange Roses in a Glass Vase This painting is unframed, canvas on gator board, the price reflects that it is unf...

This sizeable work is a combination of fauvist and impressionist style. It shows a hurricane of different feelings and moods that each one of us interprets differently Ingrida Irbe ...

"Chronos" figuratif oil paint on linen panel 100x65cm 2006 Chronos' metaphor has always impressed Emmanuelle Vroelant with his violence and sends her...

Warm toned modern cubist abstract still life enhanced giclee painting by Houston, TX artist David Adickes. The work features yellow and red flowers in an abstracted face shaped vase. Signed by the artist in the front upper right corner. Currently hung in a beautiful gold frame. Dimensions Without Frame: H 23.5 in. x W 17.5 in. Artist Biography: Born (1927) and raised in Huntsville, TX, David Adickes is an artist whose art and heart are closely aligned with Paris, France. After studying art at the Atelier F. Leger in the late 40s, Adickes burst onto the art scene in Houston and elsewhere in the early 50s and has been a prominent member of Houston’s art community ever since. While his most visible works are his giant sculptures, from the Virtuoso in downtown Houston...

Favorite Teapot by Lu Haskew Oil 8x16" image size Still Life Painting This painting is unframed, canvas on gator board, the price reflects that it is unframed. Shipping price inclu...

Vanita. 2004, oil, collage on canvas, 100x120 cm In 1958 he graduated from the Riga Art School of J. Rosenthal, in 1964 Art Academy of Latvian State, paintin...

Artist: Pietro Bulloni Title: Unaici e Quarantahue (Clock on Three Books) Year: 2003 Medium: Oil on Canvas, signed ll Size: 12 x 10 inches Frame Size: 17 x 15 inches

Still life in kitchen. Oil on canvas, 72x90 cm Kristine Kvitka (1983) Kristine Kvitka is a Latvian artist, born in Riga in 1983, currently lives and...

Dark surrealist painting of masks and fish. The painting is signed by the artist and dated. The painting is framed is in a black frame. Dimens...

Terracotta. 2020. Paper, ink, mixed media, 62x94 cm Abstract composition with vase in blue, gray colors

Bold up close painting of dandelions in the grass by artist Robert W. Boyle, dated 2001. Signed and dated in lower right corner. Artist Biograp...

Evening still life. 2007, oil on canvas, 60x80 cm Still Life with fruits, eggplant and bottle of wine Kristine Kvitka (1983) Kristine Kvitka is a Lat...

Raku Pot with Grapes by Lu Haskew Oil on Canvas 14x18", 20x24" Framed (Linen liner and Gold) ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is good to me. Bein...

Yellow Glads by Lu Haskew ​Oil on Canvas Floral Still Life 16x24" Image Size, 22x30" Framed ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is good to me. Being able to go to my studio five days weekly and paint for several hours, living in a supportive community, having family and friends who encourage me--all have contributed to helping me become an artist. Being fortunate to study with some of the artists I admire has kept me painting from the garden, people and my favorite things. With the support of galleries, teaching and doing demos, how could I do anything else? My goal is to try to be the best I can be by always being a student, looking for new ideas and stretching my horizons." Upon retirement from a 33-year teaching career, Lu rented a studio in Loveland and began concentrating on her oil and watercolor painting. Learning from artists she had followed and admired throughout the years her painting became a full time career. Since 1992, she has studied with renowned painters Richard Schmid, Clyde Aspevig, Joyce Pike, and others at the Scottsdale Art...

Works Her pastel-on-sandpaper series, "Domestic Threats" and "Black Paintings", both use cultural objects as surrogates for human beings acting in mysterious, highly charged narratives.[9][10] Rachko also has created a series of photographs entitled "Gods and Monsters".[11] In these chromogenic prints, she is "painting with a camera," creating variations that free the camera from being a mechanical recording device of what lies before it. She prints all of these images by hand. The earlier "Domestic Threats" pastel-on-sandpaper paintings used her West Village apartment or her 1932 Sears house in Virginia as a backdrop. The "Black Paintings" series grew directly from "Domestic Threats". In the "Black Paintings," the figures (actors) take center stage. All background details, furniture, rugs, etc. have been eliminated and replaced by intense dark black pastel. Each painting takes months to complete as she slowly builds up as many as 30 layers of soft pastel. Her long-standing fascination with traditional masks progressed in the spring of 2017 when she visited the National Museum of Ethnography and Folklore in La Paz, Bolivia where one exhibition included more than fifty festival masks. The resulting series is entitled “Bolivianos”.[12] She has also written an e-book, From Pilot to Painter[13] and writes a regular blog, Barbara Rachko...

Still life with basket ("Bodegón con canasto #2"). Spanish contemporary figurative realism. Oil on panel. Dimensions: (H) 61 x (W) 100 x (D) 2 cm. / Inches 24.02 x 39.37 x 0.79 " Framed: (H) 73 x (H) 112 x (D) 4 cm. / Inches 28.78 x 44.09 x 1.57 " The fruits contained in an overturned basket are scattered on the table around an old bottle covered with esparto grass, giving a rich note of color and contrasting textures. The warm light projected on the entire scene, the roughness of the back wall with its shadows, and the brightness of the horizontal plane of the table, constitute the environment of this delicate composition. Juan Carlos Ospina Ortiz (Colombia 1963), practices realistic figuration with themes of clear Spanish influence. The artist settled in Andalusia (Spain), where, searching for his roots, he immersed himself in the music, folklore, and traditions of that country. In his timeless classic still lifes, we can see the influence of the great masters of 17th century Spanish painting such as Zurbarán and Sanchez Cotán.

Silver Teapot by Lu Haskew Oil 12x16" image size, 18x22" Framed (Linen Liner and Gold) Still Life of a silver teapot with grapes and pears ABOUT THE ARTIST: Lu Haskew 1921-2009 "L...

Harvest Still Life​ by Lu Haskew Oil 18x25" image size, 24x31" framed Still Life of an abundant vegetable garden harvest with onions, eggplant, cabbage and tomato ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is good to me. Being able to go to my studio five days weekly and paint for several hours, living in a supportive community, having family and friends who encourage me--all have contributed to helping me become an artist. Being fortunate to study with some of the artists I admire has kept me painting from the garden, people and my favorite things. With the support of galleries, teaching and doing demos, how could I do anything else? My goal is to try to be the best I can be by always being a student, looking for new ideas and stretching my horizons." Upon retirement from a 33-year teaching career, Lu rented a studio in Loveland and began concentrating on her oil and watercolor painting. Learning from artists she had followed and admired throughout the years her painting became a full time career. Since 1992, she has studied with renowned painters Richard Schmid, Clyde Aspevig, Joyce Pike, and others at the Scottsdale Art...

Nest: Black Swallowtails by Pam Burnley-Schol is a detailed oil painting on gold leaf. This painting is a nature themed still life, featuring a bird's nest with a single blue egg wit...

Light toned abstract still life with a chair in a forest clearing. The painting is painted black around the edges of the canvas. It is signed in the bottom right corner by the artist...

Nest: Black Swallowtails by Pam Burnley-Schol is a detailed oil painting on gold leaf. This painting is a nature themed still life, featuring...

FLOWERS - Oil on canvas painting, Francesca Strino, Italy., 2005

Please see accompanying video. We are a 1stdibs Platinum Seller with 100% 5-star reviews. One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing. Because you cannot appreciate it on a computer screen, our gallery has a unique policy. When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways! A collector should consider several factors when deciding from whom to purchase artwork online. Check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item. When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”. So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant. By contrast, when purchasing from us, the price includes packing and shipping. Thirdly, when one purchases from an auction house, the sale is final. If one receives the piece and is not 100% satisfied with it, there is nothing the buyer can do about it. They are stuck with it. By contrast, when purchasing from us, the buyer has sixty days to determine if they want to keep it. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways. About Mark Schiff — Animated by photographs that reflect his personal life, Mark Schiff’s paintings are fueled by what makes him happy. Through his open touch and signature blending method, he lends his artistic perception to the original photographic compositions captured on his Leica. Mark’s creative vision has been alive since he was a boy. As a child he spent his summers observing life as he rode the trolley back and forth to art classes at the Pratt Institute. During his future travels to Europe, Mark’s eye for light and photography merged with his passion for painting at the Jeu de Paume in Paris; which triggered his career in photorealism. Mark is well known for painting objects that people can identify and emotionally connect with. His work is distinctly marked by a rich palette and the luminous range of light he paints into his compositions. Each painting is a true extension of his vision and can take up to 200 hours to complete. Mark Schiff’s work has been commissioned by the well-known brands The Hershey Company and Tropicana. His private collectors include A-list celebrities and also corporate collectors in the US and abroad. Possessing a strong philanthropic nature, Mark donates both his time and works to charitable organizations such as Big Brothers Big Sisters, The Ronald McDonald House, Make-A-Wish Foundation, The Humane Society and the Special Olympics. Photorealism is widely viewed as one of this century’s most exciting genres of art. When a photorealistic painting is viewed from afar, it looks like a photograph. Only when getting very close to the art does the viewer realize that it is in fact not a photo, but rather an oil painting. Photorealism can also refer to sculptures. Duane Hanson is known as the greatest photorealistic sculptor of all time. Some of the greatest photorealistic painters include Mark Schiff, Richard Estes, Ralph Goings, Charles Bell and Audrey Flack. Photorealist Mark Schiff was born in Bedford Stuyvesant, Brooklyn, in a neighborhood known as a kuchalane, a Yiddish word which Schiff defines as a place where everyone (from the Old Country) ended up living on the same street, and most likely knowing each other’s business. His Russian grandfather came to the US before the revolution and both his parents were first generation American. Even at five years of age, Mark showed exceptional talent. In the summer, his mother permitted him to travel by himself on the trolley for art classes at the Pratt institute. He continued studying there until he was eleven and the family moved to Great Neck. Except for a few art classes in high school and playing baritone horn in the band, Mark focused on other things besides art, especially when his mother worried for his financial future, kept insisting “that Jewish boys don’t starve to death.” His father made a good living as a production man in textiles so Mark, who had spent years doing the rounds of knitting mills with his father, decided to major in textile chemistry at North Carolina State. ROTC was mandatory on his campus and he did two years in order to be eligible for officer status. He won the Armed Forces Chemical Association award and thought for sure that he would be assigned chemical work, but instead was made a tank commander and stationed at Fort Knox. Not exactly what his heart yearned for, but a good job awaited him at Sandoz, a Swiss company that made dyestuff. What perfect training for someone who would soon be working in wonderful rich colors on canvas. He went on to receive his MBA degree from Hofstra University, left Sandoz and was hired to sell at a spinning mill. He liked it. In 1976 he joined Bennett Berman Associates and had an opportunity to buy the spinning mill Spun Fibers. But what of art? In the early days, Elsie, his wife of fifty-two years, had a problem with the large amount of space his canvases occupied in their one bedroom apartment. Mark took up photography instead, which only required a small darkroom. Photography was a natural ally for his eventual return to painting in the photorealistic style. It was on his second trip to Europe that Mark fell in love with painting all over again. The impressionistic museum, Jeu de Paume in Paris, renewed his passion and it’s been non-stop since then. Out came the brushes, but this time, he used his love and skill of photography, and built a style based on the photographs he had taken, bringing them to life with paint. Mark was still not painting to sell until in 1990 when someone discovered and desperately wanted his candy bar (Sweet Series) painting. Mark didn’t want to let go of that particular piece, but was finally convinced to sell it and a second candy painting to this ardent art and candy lover. Two years later, Mark was commissioned to make three paintings of this man’s new Ferrari. Some of the artists who have inspired his work are Richard Estes, Sandy Scott, Chuck Close, and Charles Bell. He appreciates the work of Ken Keeley, but unlike Keeley’s hard-lined/tape and ruler style, Mark prefers an open touch, using the blending method. Mark’s subject matters range from candy bars to spice racks to soda cans and soda bottles. He photographs with a Leica M-7 and each painting can take up to 200 or more hours to complete. His palette is rich; his subjects, be it a fire engine or a pretzel cart, take on a luminous quality, always photoreal, but even more beautiful. Mark developed his own technique for working with bottles by painting a canvas all black, so that the transparency of the bottles allows a wonderful range of light to filter through. The same light and reflection can be seen in the black rotary phone...

Price and size includes frames (maple wood with white mats). Artwork 58" x 38" Her pastel-on-sandpaper series, "Domestic Threats" and "Black Paintings", both use cultural objects as surrogates for human beings acting in mysterious, highly charged narratives.[9][10] Rachko also has created a series of photographs entitled "Gods and Monsters".[11] In these chromogenic prints, she is "painting with a camera," creating variations that free the camera from being a mechanical recording device of what lies before it. She prints all of these images by hand. The earlier "Domestic Threats" pastel-on-sandpaper paintings used her West Village apartment or her 1932 Sears house in Virginia as a backdrop. The "Black Paintings" series grew directly from "Domestic Threats". In the "Black Paintings," the figures (actors) take center stage. All background details, furniture, rugs, etc. have been eliminated and replaced by intense dark black pastel. Each painting takes months to complete as she slowly builds up as many as 30 layers of soft pastel. Her long-standing fascination with traditional masks progressed in the spring of 2017 when she visited the National Museum of Ethnography and Folklore in La Paz, Bolivia where one exhibition included more than fifty festival masks. The resulting series is entitled “Bolivianos”.[12] She has also written an e-book, From Pilot to Painter[13] and writes a regular blog, Barbara Rachko...

DO DAISIES FLICK? ( ¿Parpadean las margaritas? ), Oil on linen by Chico Montilla. Measurements in centimeters (H) 100 x (W) 81 x (D) 2 cm. / In inches 39.37 x 31.89 x 0.79 " Expres...

Lisa Milroy Blue Pencil, 2008 Oil on canvas with glued collage 14 3/4 x 16 inches Signed verso This still life is an original oil painting by London-based...

KNIFE. Expressionist yellow Still-life with flowers fruits and Buddhist figures. Author: Chico Montilla (Spain 1961). Oil on Canvas. Measurements: (H) 100 x (W) 81 x (D) 2 cm. ...

Vase and Eggs is an original oil painting realized by Zhang Wei Guang (Mirror) in 2000s. Includes frame. Good conditions. Zhang Wei Guang , also call...

Original oil painting by Steve Smulka. Steve Smulka (b. 1949, Detroit, Michigan) attended the School of Visual Arts in New York City, studying with Chuck Close, among others. Upon c...

"Butter Squash" by Wisconsin Artist Robert Richter is an oil painting on wood, dated and stamped with the artist's initials on the verso. The frame was constructed and hand-carved by...

"Serenidad", oil on wood, 80 cm H x 42 cm W This piece of art in the shape of a cutting board is ideal for a kitchen. It is made with the use of the technique "Trompe l'oeil", that...

Opera di Georgij Moroz pittore Ucraino morto nel 2015 Splendido mazzo di fiori autunnali sui toni dei viola,bianco e verde Pittura luminosa e tridimensi...

Denied Warhol Orange Electric Chair Painting by Charles Lutz Silkscreen and acrylic on linen with the Denied stamp of the Andy Warhol Art Authentication Board. 22 x 28" inches 2008 Lutz's 2007 ''Warhol Denied'' series gained international attention calling into question the importance of originality or lack thereof in the work of Andy Warhol. The authentication/denial process of the [[Andy Warhol Art Authentication Board]] was used to create value by submitting recreations of Warhol works for judgment with the full intention for the works to be formally marked "DENIED". The final product of the conceptual project being "officially denied" "Warhol" paintings authored by Lutz. Based on a press photo painted by Pop Artist Andy Warhol in early 1960's, this is likely one of the most iconic images from his Death and Disaster Series. The Death and Disaster Series was a dark view of the time's media and death culture. This was a departure from Warhol's Campbell's Soup Cans and portraits of Jackie Kennedy, Marilyn Monroe, Liz Taylor, and Marlon Brando in that these were images of the deaths of everyday people- one could say their "15 minutes of fame" as Warhol coined...

"Leaning Flowers" is an original watercolor and acrylic painting by Reginald K. Gee. It depicts a bouquet of yellow, purple, red, and teal flowers. This pi...

Zita Sudnika, Tulips with a rainbow. 2007. Oil on canvas, 70x80 Vibrant and visually striking painting captures the beauty of red and yellow tulips arranged in a vase, positioned pr...

Acrylic on canvas Signed and dated in black ink, verso This painting is offered by ClampArt, located in New York City.

"Odd Set of Flowers" is an original acrylic painting on canvas by Reginald K. Gee. This piece depicts a bouquet of white, yellow, and blue flowers in fro...

'Arrangement with a black vase' 2001 by American artist Lucy Reitzfeld. Oil on linen, 36 x 48 in. / Frame: 43 x 55 in. This beautiful still life painting features a vase with a lush,...

"Collection in the Cupboard KMH 040" is an original acrylic and mixed media painting by Katherine Hartley. It depicts a collection of cups and knickknacks in a pink cupboard...

Denied Warhol Flowers, (Violet/Purple) Silkscreen Painting by Charles Lutz Silkscreen and acrylic on canvas with Denied stamp of the Andy Warhol Art Authentication Board. 24 x 24" in...

Frame: 24 1/2 x 37 in. Realist painter John Falato is known for the stunning detail of his vividly-rendered landscape paintings depicting such timeless subjects as country farms, r...

an arrangement of perfume bottles.

9" x 15" Unframed Oil on Canvas (Original) Hand Signed by Miljan Vasiljevic 2005

Kamal Mitra - Untitled - 28.5 X 20 inches (unframed size) & 19 x 12.5 inches (Palette Size) Etching on paper. Inclusive of shipment in ready to hang condition. About Kamal Mitra...

OPAC, the Organization of Photorealist Artists and Collectors, presents Eat In & Take Out by Mark Schiff This beautiful painting by famed photorealist Mark Schiff cannot be appreciated on a computer screen. In real life it is amazing. We guarantee that you will love this painting. If not, you can return it for a complete refund, no questions asked. About Mark Schiff -- Animated by photographs that reflect his personal life, Mark Schiff’s paintings are fueled by what makes him happy. Through his open touch and signature blending method, he lends his artistic perception to the original photographic compositions captured on his Leica. Mark’s creative vision has been alive since he was a boy. As a child he spent his summers observing life as he rode the trolley back and forth to art classes at the Pratt Institute. During his future travels to Europe, Mark’s eye for light and photography merged with his passion for painting at the Jeu de Paume in Paris; which triggered his career in photorealism. Mark is well known for painting objects that people can identify and emotionally connect with. His work is distinctly marked by a rich palette and the luminous range of light he paints into his compositions. Each painting is a true extension of his vision and can take up to 200 hours to complete. Mark Schiff’s work has been commissioned by the well-known brands The Hershey Company and Tropicana. His private collectors include A-list celebrities and also corporate collectors in the US and abroad. Possessing a strong philanthropic nature, Mark donates both his time and works to charitable organizations such as Big Brothers Big Sisters, The Ronald McDonald House, Make-A-Wish Foundation, The Humane Society and the Special Olympics. Photorealism is widely viewed as one of this century’s most exciting genres of art. When a photorealistic painting is viewed from afar, it looks like a photograph. Only when getting very close to the art does the viewer realize that it is in fact not a photo, but rather an oil painting. Photorealism can also refer to sculptures. Duane Hanson is known as the greatest photorealistic sculptor of all time. Some of the greatest photorealistic painters include Mark Schiff, Richard Estes, Ralph Goings, Charles Bell and Audrey Flack. Photorealist Mark Schiff was born in Bedford Stuyvesant, Brooklyn, in a neighborhood known as a kuchalane, a Yiddish word which Schiff defines as a place where everyone (from the Old Country) ended up living on the same street, and most likely knowing each other’s business. His Russian grandfather came to the US before the revolution and both his parents were first generation American. Even at five years of age, Mark showed exceptional talent. In the summer, his mother permitted him to travel by himself on the trolley for art classes at the Pratt institute. He continued studying there until he was eleven and the family moved to Great Neck. Except for a few art classes in high school and playing baritone horn in the band, Mark focused on other things besides art, especially when his mother worried for his financial future, kept insisting “that Jewish boys don’t starve to death.” His father made a good living as a production man in textiles so Mark, who had spent years doing the rounds of knitting mills with his father, decided to major in textile chemistry at North Carolina State. ROTC was mandatory on his campus and he did two years in order to be eligible for officer status. He won the Armed Forces Chemical Association award and thought for sure that he would be assigned chemical work, but instead was made a tank commander and stationed at Fort Knox. Not exactly what his heart yearned for, but a good job awaited him at Sandoz, a Swiss company that made dyestuff. What perfect training for someone who would soon be working in wonderful rich colors on canvas. He went on to receive his MBA degree from Hofstra University, left Sandoz and was hired to sell at a spinning mill. He liked it. In 1976 he joined Bennett Berman Associates and had an opportunity to buy the spinning mill Spun Fibers. But what of art? In the early days, Elsie, his wife of fifty-two years, had a problem with the large amount of space his canvases occupied in their one-bedroom apartment. Mark took up photography instead, which only required a small darkroom. Photography was a natural ally for his eventual return to painting in the photorealistic style. It was on his second trip to Europe that Mark fell in love with painting all over again. The impressionistic museum, Jeu de Paume in Paris, renewed his passion and it’s been non-stop since then. Out came the brushes, but this time, he used his love and skill of photography, and built a style based on the photographs he had taken, bringing them to life with paint. Mark was still not painting to sell until in 1990 when someone discovered and desperately wanted his candy bar (Sweet Series) painting. Mark didn’t want to let go of that particular piece, but was finally convinced to sell it and a second candy painting to this ardent art and candy lover. Two years later, Mark was commissioned to make three paintings of this man’s new Ferrari. Some of the artists who have inspired his work are Richard Estes, Sandy Scott, Chuck Close, and Charles Bell. He appreciates the work of Ken Keeley, but unlike Keeley’s hard-lined/tape and ruler style, Mark prefers an open touch, using the blending method. Mark’s subject matters range from candy bars to spice racks to soda cans and soda bottles. He photographs with a Leica M-7 and each painting can take up to 200 or more hours to complete. His palette is rich; his subjects, be it a fire engine or a pretzel cart...

Timothy Harney's emotionally powerful paintings, drawings, and collages possess an exceptional formal excellence which propels them beyond the particula...