Abstract Geometric Paintings

Slim vertical bands of lime green, sky blue, turquoise, pink and cerise repeat in a mirrored pattern and appear optically to move back and forth on the violet and maroon ground. The ...

Original oil on canvas abstract geometric painting by the well known Russian/American artist, Alexander Ney. Condition is excellent. Signed verso “A Ney”. Dated verso 1999. The pain...

"Into the Blue I and II" (2024) by Susanne Zuehlke (b. 1962) is a captivating diptych that immerses the viewer in the depths of the color blue. The two canvases feature varying shade...

This contemporary political painting, Colored, is a social critique of America and racism, using glowing color, surgical geometry and text. Los Angeles-based Milan Tiff...

Renelio Marin Blue Pixel Painting 2014 60 x 72 in Acrylic Paint Blue Pixel painting is part of his Da Vinci Series in the years of 2010-2014, where he...

This piece depicts an abstract composition with the use of mixed media and bold patterns producing a work that is visually textured and rich with layers, as Owen creates an intricate geometric minimalistic composition. Even though this work has a rustic and heavily textured quality, the final result is intended to appear quiet to reflect a more minimal outlook on life and art. Creating a piece that allows us to escape the technological realm, contemplate modern living and nature and then communicate how each domain influences another. Her piece aims to engage the viewer with an emotional and environmental disposition that evokes a sense of balance and tranquility in the modern world. This unique work is executed on 2.5 depth baltic birch...

Acrylic on linen - Unframed This acrylic painting on linen is one of 8 medium-scale paintings that Cantrick produced for her 2012 series based on the prose poem "The Pebble" by Fran...

Artist Bio: Carole Eisner was born and raised in New York City and received a BFA from Syracuse University. She has had eight solo shows in New York City at David Findlay Gallery, E...

Acrylic on linen - Unframed This acrylic painting on linen is one of 8 medium-scale paintings that Cantrick produced for her 2012 series based on the prose poem "The Pebble" by Fran...

Michael Barringer, from Granite Quarry, North Carolina, finds inspiration in the natural world and the legacy of familial craftsmanship. Influenced by the works of poets like TS Elio...

"Exchange" is a geometric abstract painting featuring yellow, orange, white, and brown hues. Amanda Brazer creates handmade oil paints from locally harvested earth pigments. She is ...

Follow The Leader is an abstract exploration of movement and direction, using bold geometric shapes and contrasting colours to guide the viewer’s eye across the canvas. The compositi...

"Rift Valley, Sonde 2" is a textural and elemental abstract painting on canvas. It explores the hybridization of chance-derived color-fields with textural topography. Various techniq...

Rotor IV Todd Boppel, American (1934–2000) Date: 1990 Oil on Canvas, signed verso Size: 60 x 44 in. (152.4 x 111.76 cm) Frame Size: 61 x 45 inches

Acrylic on canvas. Pedersen works with acrylic paint. When painting a composition, she tends toward a limited color palette, often reducing the composition to minimal, hard-edged s...

Milan Tiff The N Word 48 x 48 inches Hand-signed by artist Artist's signature, artwork title and date on back of canvas Milan Tiff was born in 1949 in Shak...

Robert Petrick's paintings connect the lyricism of language with the vibrancy of urban culture, especially the rich milieu around the East Village and Alphabet City. Rendered in colo...

layered acrylic panels Eric Zammitt’s work alludes to the dynamics and interplay of dual elements: matter and energy, spirit and body, emotion and intell...

14th and B 2021 Acrylic on canvas 60 x 40 x 2 inches East Village New York Geometric Abstract Stretched Painting Robert Petrick's paintings create a link between the street cultur...

Mixed media geometric abstract painting/wall sculpture titled "Red Up" by Gary Jurysta. Oil on shaped canvas, circa 1982. Artist Biography: Gary Jurysta graduated from Butler Area High School in 1955. After serving four years in the US Navy he earned a degree in Art Education from Edinboro State University. Additional degrees were earned at the University of Pittsburgh...

"in City and in Forest 12" explores the assimilation of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of repetition, graffiti and blur derived from the pictorial works of artists Jack Whitten...

Mechanical Universe is a complex integration of mathematical elements through collinear intersects completing a geometric picture with vivid colors.

acrylic on plywood With the series titled We Share the Same Sky and New Objects Same Sky, my choice of natural wood as a material is influenced by the rich heritage of my father and...

Artist: Mark Lewis Title: Shoot the Moon 4 Year: circa 1980 Medium: Acrylic on Canvas, signed l.r. Size: 48 x 72 in. (121.92 x 182.88 cm) Frame Size: 51...

oil and acrylic on canvas, over wood panel

Vibrant blue and red action painting 'Alpha' by Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb, who creates autobiographical paintings that are comprised of both abstract and representational elements that consider the natural world as it intersects with utilitarian and architectural design. 'Alpha' is 72 x 72 inches, and is created in two parts that hang side by side. Each individual panel is 72 x 36 inches. 'Alpha' is from a series of paintings that characterize sacred spaces such as Mexican chapels...

POWER BOOTHE known internationally for his ground breaking minimalist abstraction. Works in the collection of the Whitney Museum, Wadsworth Atheneum, Guggenheim Museum and others. EXHIBITIONS AND PRODUCTIONS Minimalist Aesthetic, group exhibition, Wadsworth Atheneum Museum of Art, Hartford, CT New Work, Hostetler Gallery, group exhibition, Nantucket, MA Infinite Connections, group exhibition, ArtSpace Torrington, Torrington, CT 2011 Power Boothe: Out of Order, solo exhibition, New Britain Museum of American Art, New Britain, CT Excavating New Ground: American Art in the 1970s, group exhibition, University of Virginia Art Museum, Charlottesville, VA 2008 American Abstract Artists Exhibition, group exhibition, The Painting Center, New York, NY Interspace: Line and Color, three-person exhibition, Washington Art Association, Washington Depot, CT 1999 Columbia Festival of the Arts, solo exhibition, Columbia MD New Work, group exhibition at Goya-Girl Press, Baltimore, MD Twenty-Third Annual National Invitational Drawing Exhibition, Emporia State University, Emporia, KS 1998 New Prints Published by Goya-Girl Press, group exhibition, Baltimore MD The Fanelli Show, O.K. Harris Gallery, NY Chance + Necessity, Goya-Girl Press, Baltimore, MD Tilted Arc, set design, Doug Verone Dance Co., Joyce Theater, NY 1997 Investigations, four-person exhibition, Goya-Girl Press, Baltimore, MD Abstract Index, group exhibition, Condeso/Lawler Gallery, NY Made at the Mill, group exhibition of prints, Goya-Girl Press, Baltimore, MD Art Without Curves, 1120 Gallery, Phoenix, AZ TEN WAYS, group exhibition Milan, Italy and in Bonn Germany POWER BOOTHE, New Work Hostetler Gallery, group exhibition, Nantucket, MA Power Boothe: Paintings, solo exhibition, EBK Gallery (small works), Hartford, CT Borderline, solo exhibition, Five Points Gallery, Torrington, CT New Work Hostetler Gallery, group exhibition, Nantucket, MA Rhythm and Repetition in 20th Century Art, group exhibition, Heckscher Museum of Art, Huntington, NY For Leo, group exhibition, Sideshow Gallery, Brooklyn, NY 75th American Abstract Artists Print Portfolio, group exhibitions at: Martin Gallery, Allentown, PA New Work, Hostetler Gallery, group exhibition, Nantucket, MA Breaking Boundaries, group exhibition, Atlantic Center for the Arts, New Smyrna Beach, FL Painted Black, OIA group exhibition, New York Law School Gallery, NY 1996 American Abstract Artists 1936–1996, Mishkin Gallery, NY American Abstract Artists, 60th Anniversary Exhibition, Kean College Art Gallery, NJ and Westbeth Gallery, NY Small Works, Stephen Haller Gallery, NY 1995 Power Boothe, solo exhibition, Stephen Haller Gallery, NY Small Works, group exhibition, Stephen Haller Gallery, NY Scratching the Surface, group exhibition, Stephen Haller Gallery, NY 1994 The Persistence of Abstraction, group exhibition, Noyes Museum, Ocean Park, NJ Maryland Institute, Then and Now, traveling exhibition, Josiah White Center, Jim Thorp, PA, Anita Shapolsky Gallery, NY Between the Sexes, group exhibition, Maryland Art Place, Baltimore, MD New Performances in Found Spaces, exhibition of drawings and photographs of set designs, Lincoln Center Library, NY Our Town, set design for dance production, choreographed by Emily Keeler, music by Richard Beggs, Oakland Ballet, Premiere Paramount Theater, Oakland, CA Set in Motion, New York State Council selection of films, Lincoln Center, Walter Reade Theater, NY 1993 Inaugural Show, group exhibition, The Painting Center, NY Recent Painting and Sculpture, group exhibition, Robert Morrison Gallery, NY Private Lives, group exhibition of artists who make films, Zooma Gallery, NY Ring Around the Rosie, set design for dance/theater production in collaboration with David Parsons, music by Richard Peaslee, lighting by Michael Chyboski, Premiere Hancher Auditorium, Iowa City, IA Thicker Than Water, set design for dance production, choreographed by Stephan Koplowitz, music by Scott Killian, Premiere Dance Theater Workshop, NY The Devil Comes to Princeton, set design for theater production, text by Mac Wellman, directed by Beth Schachter, Premiere Princeton University, Princeton, NJ 1992 Recent Paintings, solo exhibition, Robert Morrison Gallery, NY Drawings, solo exhibition, Lewiston Aubern College Gallery, Lewiston, ME Action, group exhibition, Trenkmann Gallery, NY A Momentary Order, set design for dance/theater production in collaboration with Doug Varone, choreographer, music by C. Hyams Hart, costume design by Lynne Steincamp, Premiere Lewiston, ME Short Shorts, film showing, Thread Waxing Building Space, NY 1991 Paintings and Drawings, solo exhibition, Dance Theater Workshop Gallery, NY Recent Paintings, solo exhibition, Trenkmann Gallery, NY Group Show, Robert Morrison Gallery, NY Interactions, group exhibition, Institute for Contemporary Art, Philadelphia, PA Once and Once, director, designer, filmmaker for theater/film production in collaboration with Keely Garfield, choreographer and C. Hyams Hart, composer, Premiere Dance Theater Workshop, NY Five Films, film showing, Dance Theater Workshop, NY Garden Party, set design for dance production by Claire Porter, Premiere Dance Theater Workshop, NY Intimate and Not So Intimate, set design for dance production, choreographed by Blondell Cummings, Premiere St. Marks Dance Space, NY 1990 New Paintings, solo exhibition, Time Life Building, NY Paintings and Photographs, two-person exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY 30 Stories, set design, theater production by Ain Gordon, Premiere P.S. 122, NY Cartoon, set design, dance production choreographed by Keely Garfield, Premiere Dance Theater Workshop, NY Ringer Pike, co-director and set design, multimedia stage production by Dale Worsley, Premiere Hall Walls, Buffalo, NY Dinizulu and His African Dancers and Singers, set design for video production by Skip Blumberg, NY 1989 Recent Work, solo exhibition, Souyun Yi Gallery, NY New Painting, solo exhibition, The Harrison Gallery, Boca Raton, FL Restructure/Subtracting the Grid, group show, New Jersey Center for Visual Arts, Summit, NJ Set Drawings for Modern Dance, group exhibition, Harvard Theater Collection, Cambridge, MA Postcards, set design for video production by Mark Rappaport, NY Quad, set design for video, dance production by Samuel Becket, Global Village Production, NY Moon, film premiere, Equitable Center Theater, Whitney Museum, NY Film/Video Arts Angel Award Showcase, film showing, Museum of Broadcasting, NY 1988 Paintings: 1971–1988, solo exhibition, Hurlbutt Gallery, Greenwich, CT Recent Paintings, solo exhibition, PMW Gallery, Stamford, CT Drawings for Sets and Films, solo exhibition, Dance Theater Workshop Gallery, NY Wilderness, director, designer, filmmaker for theater/film production in collaboration with Catlin Cobb, choreographer, Stephen Fechter, writer, A. Leroy, composer, Premiere Dance Theater Workshop, NY The Joys and Enigmas of a Strange Hour, set design, Dance Theater Workshop, NY 1987 New Paintings, solo exhibition, painting, Souyun Yi Gallery, NY Boothe and Zetterstrom, two-person exhibition, drawing, Almquist Gallery, New Preston, CT Twenty Summers Past, group exhibition, Colorado Springs Fine Arts Center, Colorado Springs, CO House Keeping, set design for dance production in collaboration with Catlin Cobb, choreographer, Premiere Dance Theater Workshop, NY The Event of the Year, set design for dance production choreographed by Emily Keeler for Jacques d’Amboise’s National Dance Institute, Premiere San Francisco Opera House, CA Keeping up with the Eighties, set design for theater production in collaboration with Michael Smith and A. Leroy, Premiere Dance Theater Workshop, NY Beside Herself, 16mm film, Premiere Performance Space 122, NY Our Man, 16mm film, Premiere Dance Theater Workshop, NY Films by Artists, group film showing, White Columns Gallery, NY Naked Eye Cinema, group film showing, Zone Gallery, NY Art Mix 87, film showing, Avenue B, NY 1986 New Paintings, solo exhibition, Lynn Mayhew Gallery, Ohio Wesleyan University, Delaware, OH Drawings and Notations for Post-Modern Dance, group exhibition, Harvard University Theater Collection, Cambridge, MA Low Tide, set design for dance production, Catlin Cobb, choreographer, Premiere Dance Theater Workshop, NY Transparent Means for Traveling Light, set design for dance production in collaboration with David Gordon, John Cage, composer, Premiere Loeb Theater, Harvard University, Cambridge, MA and Brooklyn Academy of Music, NY Overture, 16mm film, Premiere Dance Theater Workshop, NY New Film Works, group film showing, curated by Amy Taubin, The Kitchen, NY Avant Garde Arama, group film showing, Performance Space 122, NY 1984 Currents, solo exhibition, Institute for Contemporary Art, Boston, MA Modern Art, group exhibition, selected by John Yau, Ted Greenwald Gallery, NY Illusion in Contemporary Art, group exhibition, Trompe L’Oeil Gallery, NY 8 in ’84, group exhibition, Ronald Feldman Gallery, NY Framework, set design for dance production, in collaboration with David Gordon, choreographer, Premiere Dance Theater Workshop, NY and Loeb Theater, Harvard University, Cambridge, MA Variety Show, set design for dance production in collaboration with choreographer Charles Moulton and composer A. Leroy, Premiere Dance Theater Workshop, NY And So and Also, 16mm film, Premiere The Collective for Living Cinema, NY New Filmmakers, group film showing, San Francisco Cinemateque, San Francisco, CA 1983 Paintings: 1973 to 1983, solo exhibition, Climenhaga Fine Arts Center, Grantham, PA Subtleties, group exhibition, painting, Sutton Gallery NY Art and Dance, group exhibition, Institute for Contemporary Art, Boston, MA Group Exhibition, A.M. Sachs Gallery, NY Dance Environments, set design and performance in collaboration with contemporary choreographers, Premiere Institute for Art and Urban Resources, P.S. 1, Queens, NY Bill Loman Master Salesman, set design for video production in collaboration with Michael Smith, Premiere The Kitchen, NY The Mother of Us All, set design for musical by Gertrude Stein and Virgil Thomson, directed by Stanley Silverman, Premiere Saint Clement’s Theater, NY Phantom Limbs, set design for theater production directed by Gitta Honninger, Theater of the Open Eye, NY 1982 New Paintings, solo exhibition, A.M. Sachs Gallery, NY Navigation Series, solo exhibition, Dance Theater Workshop Gallery, NY Trying Times, set design for dance production in collaboration with David Gordon, Premiere Dance Theater Workshop, NY Step Wise Motion, set design for dance production, choreographed by Charles Moulton, Premiere Dance Theater Workshop, NY It Starts at Home, set design for theater production in collaboration with Michael Smith, Whitney Museum, NY Film Works, group film showing selected by Amy Taubin, The Kitchen, NY 1981 New Paintings, solo exhibition, A.M. Sachs Gallery, NY Transitions, group exhibition, Summit Art Gallery, Summit, NJ Drawings, group exhibition, The Art Gallery, University of Nebraska, Omaha, NE Bridge Dance, set design for dance production by Meg Eginton, Premiere Dance Theater Workshop, NY 1980 The Cold Eye, set design for film by Babette Mangolte, NY 1979 The Language of Abstraction, group exhibition, Betty Parsons Gallery, NY Group Exhibition, A.M. Sachs Gallery, NY 1978 Recent Paintings, solo exhibition, A.M. Sachs Gallery, NY Group Exhibition, A.M. Sachs Gallery, NY 1977 Private Images, group exhibition, Los Angeles County Museum of Art, Los Angeles, CA Collectors’ Choice X, group exhibition, McNay Art Institute, San Antonio, TX Painting, group exhibition, P.S. 1, Institute for Urban Resources, Queens, NY Book-Objects by Contemporary Artists, Albright Knox Art Gallery, Buffalo, NY Group Exhibition, A.M. Sachs Gallery, NY 1976 Recent Paintings, solo exhibition, A.M. Sachs Gallery, NY Books, two-person exhibition, Franklin Furnace Gallery, NY Rooms, group installations, Institute for Art and Urban Resources, P.S. 1, Queens, NY Gallery Artists, group exhibition, A.M. Sachs Gallery, NY Southern Exposure, set design for theater production by Mabou Mines Theater Group, directed by Joanne Akalaitis, Premiere Performing Garage, NY 1975 Collectors’ Choice V, group exhibition, Philbrook Art Center, Tulsa, OK Recent Acquisitions, group exhibition and traveling exhibition, Solomon R. Guggenheim Museum, NY PUBLIC COLLECTIONS Center Gallery, NY Elephant Steps, set design for musical theater production by Richard Foreman and Stanley Silverman, Premiere, Tanglewood, Lenox, MA Baltimore Museum of Art, MD The British Museum, UK Brooklyn Museum of Art, NY Climenhaga Fine Arts Center, PA Colby College Museum of Art, ME Colorado Springs Fine Art Center, CO Fogg Museum, Harvard University, MA Joel & Lila Harnett Print Study Center, University of Richmond Museum, VA Harvard University Museums, MA Heckscher Museum of Art, Huntington, NY Hunterdon Museum of Art, NJ Kennedy Museum, OH Lehman Brothers Kuhn Loeb, Inc., NY Metropolitan Museum of Art, NY Mississippi Museum of Art, MS Missoula Art Museum, MT Museum of Fine Arts, Boston Museum of Modern Art, NY Painting Endures, group exhibition, selected by Dore Ashton, Institute of Contemporary Art, Boston, MA Group Exhibition, A.M. Sachs Gallery, NY 1974 New Paintings, solo Exhibition, A.M. Sachs Gallery, NY Group Exhibition, A.M. Sachs Gallery, NY Art of This Decade, group exhibition, Solomon R. Guggenheim Museum, NY Victor, 16mm film, Premiere Collective for Living Cinema, NY Glass Curtains, 16mm film, Premiere Collective for Living Cinema, NY 1973 Paintings, solo exhibition, A.M. Sachs Gallery, NY Group Exhibition, A.M. Sachs Gallery, NY Art for Acquisition, group exhibition, Rhode Island School of Design Museum, Providence, RI Jim, 16mm film, Premiere Collective for Living Cinema, NY Match, 16mm film, Premiere Collective for Living Cinema, NY 1972 Recent Work, group exhibition, Art and Urban Resources, NY Group Exhibition, A.M. Sachs Gallery, NY 1971 New Talent, group exhibition, A.M. Sachs Gallery, NY Ten Young Artists, group exhibition, Solomon R. Guggenheim Museum, NY 1970 Red Horse Animation, set design for theater production by Mabou Mines, directed by Lee Breur, Premiere Guggenheim Museum, NY 1968 Painting and Sculpture, group show, Whitney Museum, Art Resources PRIVATE COLLECTIONS (SELECTED) Muscarelle Museum of Art, The College of William and Mary, Williamsburg, VA New Britain Museum of American Art, CT New Jersey State Museum, Trenton, NJ Parrish Art Museum, Southampton, NY Princeton University Library, NJ Solomon R. Guggenheim Museum, NY Stanford University Art Museum, CA University of Virginia Art Museum, Charlottesville, VA Wadsworth Atheneum Museum of Art, CT Weatherspoon Art Gallery, NY Whitney Museum of American Art, NY Blackstone Group Bloomingdale’s, NY Chase Manhattan Bank, NY Christophe DeMenil Collection, TX Colorado College Collection, CO Deloitte Haskins and Sells, NY Design Unit Collection, NY Edgar Tobin Aerial Surveys Collection, IL Edward Carpenter Collection, CT Estee Lauder Corporation, NY General Electric Corporation Collection, NY Howard and Roberta Miller Collection, CT Lehman Brothers Kuhn Loeb Collection, Inc., NY New York Bank for Savings, NY Philip Morris Companies Collection, Inc., NY Patrick J. Waide Collection, NY John F. Saladino Collection, Inc., NY Sony Corporation Collection, NY Trump Collection, NY Walter and Linda Wick Collection, CT Connecticut Art Education Association, Inc. Scott Shuler Distinguished Art Advocate Award GRANTS AND AWARDS 2009 2000 Andy Warhol Foundation Grant For Art-Body-Mind: An Integration Symposium at Ohio University 1997 National Endowment for the Arts Inter-Media Grant For multi-media dance project in collaboration with Doug Varone, Choreographer, and Lynne Steincamp, costume designer 1992 Lila Wallace-Reader’s Digest Grant For Momentary Order, a multi-media dance project in collaboration with Doug Varone, choreographer, C. Hyams Hart, composer, and Lynne Steincamp, costume designer ACADEMIC ADMINISTRATION AND TEACHING 1991 New York State Council on the Arts Grant For Once and Once, a multimedia theater film collaboration with Keely Garfield, choreographer, and C. Hyams Hart, composer 1989 Pollock/Krasner Foundation Grant for painting Film Video Arts, Angel Award for film 1988 Maryland Institute Trustees Award for Teaching Excellence National Endowment for the Arts Inter-Arts Grant For Wilderness, a multi-media theater/film collaboration Foundation for Contemporary Performance Art Art Matters, Inc., Grant 1987 New York State Council on the Arts Grant 1986 New York State Council on the Arts Grant For Transparent Means for Traveling Light, a collaboration with David Gordon and John Cage Art Matters, Inc., Grant Yaddo Fellow for painting and writing New York State Council on the Arts Grant Massachusetts Arts Council Grant For Transparent Means for Traveling Light production at Loeb Theater 1985 John Simon Guggenheim Fellowship for painting Asian Cultural Council Fellowship for independent study in Japan Just Above Midtown Production Grant National Endowment for the Arts Inter-Arts Grant For “Mike’s House,” a video production in collaboration with Michael Smith 1984 National Endowment for the Arts Inter-Arts Grant For “Variety Show,” in collaboration with Charles Moulton Massachusetts Arts Council Grant, 1984 For “Framework,” a dance project in collaboration with David Gordon New York Art and Performance Award (Bessie Award) New York State Council on the Arts Grant For Trying Times, a dance project collaboration with David Gordon, choreographer 1982 Institute for Art and Urban Resources for one-year residency at P.S. 1 1976 National Endowment for the Arts, Artist Fellowship for painting 1971 Theodoran Award, Guggenheim Museum, for traveling exhibition, Ten Young Artists, purchase award Hartford Art School, University of Hartford 2011 - present Professor of Painting and Drawing University of Hartford, 2001–2010 Dean, Hartford Art School Ohio University, 1998–2001 Director, School of Art Maryland Institute, College of Art, 1993–1998 Co-Director, Mt. Royal Graduate School, and Artist and Critic-in- Residence Princeton University, 1988–1995 Lecturer in the Humanities, Visual Arts Program School of Visual Arts, 1979–1988 Instructor Colorado College, 1977 Director, Painting and Drawing Summer Program 2014-2015 Faculty Humanities Center Fellow, Lecture: Complexity and Art-making, University of Hartford Humanities Center Lecture Series, Spring 2015, Theme: Exploring Complexity 2008–2009 Chair, University of Hartford’s Academic Strategic Planning Committee 2007–2012 Delegate, Commission on Accreditation, National Association of Schools of Art and Design 2005–2012 Accreditation Chair, Evaluation Teams to assess schools for National Association of Schools of Art and Design accreditation 2000 Director of Art-Body-Mind: An Integration, four-day symposium at Ohio University ¬Presenters: Mark Johnson, Lewis Hyde, Ellen Dissanayake, Joseph Caroll, Brian Hansen, Nancy Aiken and others 1998 Curator of Chance + Necessity, a painting exhibition at Maryland Art Place (MAP) ¬Wrote catalogue essay 1986–1998 Co-Director (with composer, Dick Connette) of Present Company, Inc., Not-for-Profit Production Company in New York, NY to produce original theater and film projects ¬Produced two-multi-media theater events and five independent short films ¬Designed sets for Obie Award-winning off-Broadway theater productions, including Richard Foreman’s Ontological Hysteric Theater and Mabou Mines theater company ¬Designed sets for dance productions in collaboration with choreographers, including Doug Varone, Dave Gordon, and David Parsons, and with composers Virgil Thompson, Philip Glass, and Dick Connett GRANT PANELS AND JURIES 2015 ¬Art directed and designed film productions, including Michael Snow, Mark Rappaport, Babette Mangold and Richard Foreman, resulting national awards ¬ Production design and art direction for many videos, including Cyndi Lauper, Dion, and Jean Luc Ponty, resulting in international video awards Juror, Abstraction Exhibition, Colorado Sprints Art Center, Colorado Springs, NY Panel, Five Points Gallery, Torrington, CT Juror, Colorado Springs Arts Center, CO 2014 Juror, Mystic Art Center, Mystic Seaport, CT 2010 Juror, Alliance for Young Artists, NY Juror, ArtSpace. Hartford, CT 2009 Juror, ArtSpace. Hartford, CT Juror, West Hartford Art League, CT 2006 Juror, Mystic Art Center, Mystic Seaport, CT Juror, Silvermine Art Center, CT 2004 Juror, West Hartford Art League, CT 2002 Juror, Exhibition, Gallery on the Green, Canton, CT 1999 Freedom of Speech in the Arts, Panel at Ohio University, OH 1997 Fulbright Committee, Maryland Institute College of Art, MD Juror for 7th Annual Pennsylvania Juried Exhibition, PA 1994 National Endowment, Presenting and Commissioning Program, Washington, DC 1991 New York State Council for the Arts, Film Panel, NY 1989 National Endowment for the Arts, Inter-Arts Panel, Washington, DC 1986 National Endowment for the Arts, Inter-Arts Panel, Washington, DC VISITING ARTIST AND LECTURER 2015 Lecture on Abstraction, Colorado Springs Arts Center, Colorado Springs, CO Lecture on Abstraction, Worthington Historical Society, Worthington Corners, Worthington, MA 2014 Mystic Art Center, Mystic Seaport, CT Workshop on Composition; Workshop on Value and Color 2010-11 New Britain Museum of American Art, New Britain, CT Five lectures titled: “Art Matters” 2010 Wadsworth Atheneum, Hartford, CT Connecticut Art Education Association 2007 Wadsworth Atheneum, Hartford, CT West Hartford Art League, West Hartford, CT 2005 Virginia Commonwealth University, Richmond, VA 2002 Wadsworth Atheneum, Hartford, CT Center for Art and Culture, Aix-en-Provence, France 1999 University of Minnesota, MN Emporia University, KS Columbia Festival for the Arts, Columbia, MD St. Mary’s College of Maryland, St Mary’s City, MD 1977 Elizabethtown College, Elizabethtown, PA Kennedy Center, Washington, DC 1995 Pennsylvania Academy of Art, Philadelphia, PA The Cooper Union, New York, NY Florida State University, Tallahassee, FL 1994 Arizona State University, Tempe, AZ Messiah College, Grantham, PA 1991 Trinity College, Hartford, CT Institute for Contemporary Art, Philadelphia, PA 1990 Bard College, Annandale-on-Hudson, NY Maryland Art Institute, College of Art, Baltimore, MD 1987 San Francisco Art Institute, San Francisco, CA 1986 Ohio Wesleyan University, Delaware, OH 1984 Film/Video International, Castle Hill, MA 1982 Rutgers College, New Brunswick, NJ 1978 Pratt Institute, New York, NY 1976 Maryland Institute, College of Art, Baltimore, MD EDUCATION Colorado College, BA, 1969; Honorary Doctorate of Arts, 1989 PROFESSIONAL MEMBERSHIPS 2005–PRESENT 1998–PRESENT 1986–PRESENT 1983–PRESENT PUBLICATIONS Whitney Museum Independent Study Program, 1967–1968 American School of Classical Studies in Athens, Greece, 1990 Post-graduate research in classical archeology University of California at Berkeley, CA, 1996 Post-graduate research associate in philosophy and cognitive studies Wadsworth Atheneum, Board (serve on the Education Committee) National Association of Schools of Art and Design College Art Association American Abstract Artists “Chance + Necessity,” Catalog Essay for Chance and Necessity, an Exhibition of Abstract Painting, MAP Publication, 1998. “Out of Balance, A Study of Mondrian’s Dynamic Equilibrium Concept,” American Abstract Artists Journal, NO. 2, AAA Publications, 1996. “Notes on Abstract/Meaning,” American Abstract Artists Journal, No. I, AAA Publications, 1996. “On Painting,” Meaning, Volume II. Segue Foundation, 1987. “When the Fourth Soldier Falls, A Study of Piero Della Francisca’s Resurrection,” Issue, Volume 6, Reflex Horizons, Ltd., 1986. BIBLIOGRAPHY Acocella, Joan, “Power Boothe on Two Edges,” The Village Voice, February 20-26, 1991, review with photo. _____, Joan, “New York Reviews,” Dance Magazine, September 1988, review with photo. Ashton, Dore, American Art Since 1945 (Oxford University Press), 1982, pages 159-160, with photo. _____, “Power Boothe’s Gait,” Arts Magazine, June 1981, article with photos. _____, “Painting Endures,” Institute of Contemporary Art, Boston, 1975, catalogue with photo. Baker, Kenneth, “Inauspicious Content in a New ICA Form,” Boston Phoenix, May 17, 1975, review. Bannon, Anthony, “Members Gallery, Albright Knox,” Buffalo Evening News, April 15, 1977, review. Bell, Jane, Arts Magazine, January 1974, review with photo. Betz, Margaret, “Power Boothe (A.M. Sachs),” Art News, May 1976, review with photo. Burnside, Madeleine, “Power Boothe (A.M. Sachs),” Art News, December 1977, review with photo. Catlin, Roger, “Power Boothe’s Work Rises Out of ‘Order’, Hartford Courant, January 30, 2011. Commanday, Robert, “Effective Vision in Oakland,” San Francisco Chronicle, September 24, 1994. Dieckman, Katherine, “Film Noir et Blanc,” Village Voice, February 10, 1987, review. Dunning, Jennifer, “Symbolism by Power Boothe,” New York Times, March 17, 1991, review. _____, “Out in the Proving Grounds, Times Get Tougher,” New York Times, May 26, 1991, article. Edelman, Robert G., “Power Boothe at Stephen Haller,” Art in America, May 1996, review with photo. Ellenzweig, Allen, “Power Boothe,” Arts Magazine, May 1976, review with photo. _____, “Power Boothe,” Arts Magazine, December 1977, review with photo. Everingham, Carol J., “Power Boothe’s Abstract Musical Figures in Paint,” The Advocate and Greenwich Time, November 1988, review with photo. Foster, Hal, Artforum, December 1977, review with photo. Frank, Peter, “Power Boothe (A.M. Sachs),” Art News, January 1975, review with photo. Haggerty, Gerard, “Power Boothe, Ron Ehrlich...

Dialog, 2023, 100x140 cm

Serra’s (Italian, b. 1946) revival of archaic painting techniques is founded on his intimate understanding of these older materials and deep respect for “Old Master” paintings from t...

Carlos Puyol works from sketches before he turns to his large canvases. While he paints, he listens to jazz music. The music is not background noise, but acts as guide as he works; P...

Carlos Puyol works from sketches before he turns to his large canvases. While he paints, he listens to jazz music. The music is not background noise, but acts as guide as he works; P...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

"Viva La France!," 23 Karat Gold Leaf and Oil on Canvas, 32 x 48 Inches, is inspired by the French flag, elegant and whimsical, however it can also be viewed as a pure geometric abs...

Independent, Original Contemporary Abstract Painting Original abstract painting​ 60 x 48 x 1.5 inches Oil on canvas Original artwork signed by the artist Artwork is unframed, images containing frames are sample imagery only In the artist's words: Our life could be seen through windows. Different planes framing the continuous changes in our soul and relationships between each other and our surroundings. There are different ways of viewing ourselves, either from the inside or the outside... An open window, like an open mind, gives us flexibility and capacity to accept changes and flow with them into an ever changing world. We feel, we dream, we lose, we conquer, we grow—all the while juxtaposing our experiences, giving them a different dimension with varying points of view, willingly or unwillingly. Chilean- American artist, Michele Krauss...

Waterline Fine Art, Austin, TX is pleased to present the following work: Diptych, acrylic on canvas. Signed lower right. Two canvases, joined along vertical stretcher on verso. 40 x 60 in. 41 x 61 in. (framed) Custom framed in maple. Provenance Estate of Beatrice Mandelman 203 Fine Art, Taos, NM A certificate of authenticity issued by the Mandelman Ribak Collection at the University of New Mexico Foundation will be provided with this work. Beatrice Mandelman was born on December 31, 1912 in Newark, New Jersey. At age 12, she began taking classes at the Newark School of Fine and Industrial Art, subsequently attending Rutgers University, the Newark School of Fine and Industrial Art, and the Art Students League in New York. In 1935, Mandelman was employed by the Works Progress Administration (WPA), first as a muralist and then as a printmaker with the Graphic Division of the New York Project. One of the original members of the Silk Screen Unit under Anthony Velonis, she worked until the disbandment of the WPA in 1942. During this period, she was associated with numerous New York School artists including Louis Lozowick, Willem de Kooning, Arshile Gorky, Jackson Pollock, and Stuart Davis. Mandelman married fellow artist Louis Ribak in 1942, and two years later they traveled to Santa Fe, NM to visit his teacher and mentor, the artist John Sloan. Finding Santa Fe congested, they took the train along the Rio Grande and a stagecoach up to Taos and decided to settle there. An impulsive and inspired move, it was a decision that would effectively remove them from mainstream art involvement, for which Santa Fe had become an important outpost in the west. While Taos was a well-known within the art community, there were no galleries exhibiting modern art. This changed later in the decade, with an influx of new artists arriving from New York and California. Some of these artists would come to be known collectively as the “Taos Moderns...

Artist: Lloyd Martin Title: Large Alloy Size: 92 x 130” Year: 2013 American artist Lloyd Martin, known internationally for his rhythmically constructed abstract painting, continues ...

Orange, pink, and blue geometric abstract painting/ wall sculpture by Gary Jurysta titled "Ripple Corner". Meant to be hung in the corner of a room. Acrylic on stretched canvas, cir...

Artist: Lloyd Martin Title: Carbon Medium: Oil on Canvas Size: 66 x 72 inches Year: 2014 American artist Lloyd Martin, known internationally for his rhyt...

Post Dogmatist Painting on Panel, signed verso Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poet and theorist living in Pagosa...

Charles Arnoldi, is an American painter, sculptor and printmaker. He was born April 10, 1946 in Dayton, Ohio. Charles Arnoldi has been described as an artist who “draws in space” to...

Sofia Housou Alotrope Series oil on canvas 110 x 110 cm Sofia Housou’s post-abstract expressionist oeuvre operates in a dramatic background where colour becomes the vocabulary for ...

Michael Barringer, from Granite Quarry, North Carolina, finds inspiration in the natural world and the legacy of familial craftsmanship. Influenced by the works of poets like TS Elio...

Trio On Black Geometric Abstract Oil Painting Artist signed verso, oil on canvas 48x24 JARO was born in 1934 Prague the Czech Republic. Since his childhood, he enjoyed his art class ...

Africana Mid-Century Modern large and impressive mixed media, sand and oil on artist board. The painting is unsigned there is a small fragment of old paper label with number #21 titl...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Painting description: Combining “isms” is what I’m attempting here. Inventive, Dramatic and unique. Robert W. Petrick CarnationsAbex Abex/Impressionism Series Oil on canvas Size (st...

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic on canvas. Signed, dated, titled, and estate stamped on verso. 50.25 x 31 in. 51.25 x 32 in. (framed) Custom framed in maple. Provenance Estate of Jack Roth Born in Brockway, Pennsylvania, Jack Roth was at various times a painter, poet, photographer, and mathematician. He enrolled at Pennsylvania State University in 1943 to study chemistry, but like many of his fellow Abstract Expressionists, his matriculation was interrupted World War II, where he served in both the Army and Air Force. Discharged from the service in 1948, Roth moved to Big Sur, California and married his first wife, Colleen Bleier, with whom he had two daughters. A year later, the young family settled in San Francisco, where Jack enrolled at the California School of Fine Arts. It was here that he studied painting under Mark Rothko, Clyfford Still, Richard Diebenkorn, David Park, and Elmer Bischoff. The Roth family left the Bay Area to return to Pennsylvania, where Jack completed his Bachelor of Science degree in Chemistry in 1951. In pursuit of his seemingly discordant academic interests, Roth moved yet again, this time to Iowa where he received a Master of Fine Arts at Iowa State University in 1953. Seeking gainful employment, Roth moved to New York, settling in the lower East Side where he began looking for a teaching job and working as a reviewer for Arts Digest magazine. Now divorced, in 1954 Roth married the artist Rachel Chester whom he had met in Iowa. He continued to paint and work odd jobs, some of which were as a hotel night clerk and an orderly at Beekman Downtown Hospital. That year, he unsuccessfully applied for the Guggenheim Memorial Foundation Fellowship in the field of photography. However, Roth’s professional prospects greatly improved when his work was selected by James Johnson Sweeney, Director of the Guggenheim Museum of Art for the traveling exhibition Younger American Painters, alongside giants such as William Baziotes, Richard Diebenkorn, Adolph Gottlieb, Philip Guston, Franz Kline, Willem de Kooning, Robert Motherwell, Jackson Pollock, Morris Louis, and others. One of the first major debuts of the Abstract Expressionist movement to be shown at an American museum, the exhibit traveled to the prominent museums across the country. In 1956 he began graduate work in mathematics at New York University. Opting to dive back into academia, Roth began graduate coursework in mathematics at New York University in 1956. He enrolled at Duke University in 1958, receiving his PhD in mathematics in 1962. Roth continued to create art throughout the pendency of his graduate studies and in 1963, legendary Museum of Modern Art (MoMA) curators Dorothy Miller and William Lieberman recommended Roth as the new talent graphic artist for Art in America. Concurrently, MoMA purchased several works from Roth for the museum’s permanent collection. During this period of artistic achievement, Roth continued to teach - first, at the University of South Florida in Tampa, before moving back north to Montclair, New Jersey, where he was hired as the chairman of the Mathematics department at Upsala College. In 1971 he accepted a dual appointment at Ramapo College, teaching both mathematics and advanced painting. After he received tenure and his finances were secure, his artistic production thrived as he received the first Thomases Award for contributions at the school, which came with the use of a large studio space. This allowed him to work with larger canvases and become what he saw as an Abstract Expressionist Color Field painter. In 1978, the acclaimed gallery Knoedler & Co. in New York began representation of Roth’s work. Other artists represented by the gallery at this time included Alexander Calder, Adolf Gottlieb...

"Light as Light " (Lichtleicht) is a geometric painting of German artist Klaus Heuermann. The artist depicts the golden triangle in various forms ...

Abstract painting. Geometric style. Acrylic & Satin Varnish on Canvas. About the Artist: Manhattan based mural and studio artist Tony “Rubin” Sjöman...

acrylic on linen b. 1964, Arnhem Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple geometric...

Represented by George Billis Gallery, NYC & LA -- JOHN BELINGHERI ​Artist Statement "Thoughts are patterns that bounce back and forth expressing the vacillating dialogue in my ...

Singularity is a complex integration of mathematical elements through collinear intersects completing a geometric picture with vivid colors. There references to Ellsworth Kelly, Kand...

Untitled #407 by Murray Duncan, 2024 Mix media on paper Unframed Size: 32" x 40" Murray Duncan Studio: Murray Duncan, born in 1966, is a self-taught creative visionary celebrated f...

Nancy is inspired by the works of Carmen Herrera, Deborah Zlotzky and Grazia Varisco. Nancy Talero is an artist and designer whose multi-panel works ch...

Nancy is inspired by the works of Carmen Herrera, Deborah Zlotzky and Grazia Varisco. Nancy Talero is an artist and designer whose multi-panel works ch...

Virus Americanus XII, 2002 oil enamel on canvas 150 x 128 inches

Tightrope (Abstract painting) Acrylic on canvas. Unframed. Using the geometric vocabulary found in architectural schemata, Bolt tries to create a dynamic tension between foreground and background, center and edge, inside and out. The dual spatial identities that the myriad forms have with one another create a visual riddle. His goal as a painter is not to solve the riddle as much as pose it as a unique perceptual challenge. And it is that challenge that fulfils the experience one has with the painting. Macyn Bolt is an American abstract painter. Using a visual language informed by geometric abstraction, he creates artworks that examine how color and form create shifts in visual perception. He lives and works in Brooklyn, NY, and upstate Pennsylvania. Bolt works with acrylic paint on a variety of surfaces including canvas, wood panel, vinyl and paper. Using scrapers...

Marvelous tech world, 120x100 cm