Tony “Rubin” Sjoman

Lost Dialogues

2020

Abstract painting. Geometric style. Light wood frame. About the Artist: Manhattan based mural and studio artist Tony “Rubin” Sjöman has painte...

Abstract painting. Geometric style. Acrylic & Satin Varnish on Canvas. About the Artist: Manhattan based mural and studio artist Tony “Rubin” Sjöman...

Abstract painting. Geometric style. Acrylic & Satin Varnish on Canvas. About the Artist: Manhattan based mural and studio artist Tony “Rubin” Sjöman has painted all over the world and his works have been shown in galleries throughout the US and Europe. Sjöman’s roots are in Finland and Sweden and he draws inspiration from his Scandinavian heritage for his complex abstract geometrical murals and studio works. Sjöman has become a staple of the art scene of New York City and beyond. His murals can be seen in a wide variety of spots in and around the city: 
on churches, in hotels and high-end boutiques, in luxury high-rises throughout Manhattan and on the 69th floor of WTC 4. Sjöman’s studio works are based on canvases, prints and installations and he is no stranger to painting on metal and wood. Rubin's studio works have been on display at Scope New York, Scope Miami and Art Miami during Art Basel, as well as in galleries throughout New York City, Miami and Los Angeles. Sjöman’s art has been featured in NBC News, New York Post...

Abstract painting. Geometric style. Acrylic & Satin Varnish on Canvas. About the Artist: Manhattan based mural and studio artist Tony “Rubin” Sjöman has painted all over the world and his works have been shown in galleries throughout the US and Europe. Sjöman’s roots are in Finland and Sweden and he draws inspiration from his Scandinavian heritage for his complex abstract geometrical murals and studio works. Sjöman has become a staple of the art scene of New York City and beyond. His murals can be seen in a wide variety of spots in and around the city: 
on churches, in hotels and high-end boutiques, in luxury high-rises throughout Manhattan and on the 69th floor of WTC 4. Sjöman’s studio works are based on canvases, prints and installations and he is no stranger to painting on metal and wood. Rubin's studio works have been on display at Scope New York, Scope Miami and Art Miami during Art Basel, as well as in galleries throughout New York City, Miami and Los Angeles. Sjöman’s art has been featured in NBC News, New York Post...

Abstract. Vibrant. Painting. Shades of blues, greens and black. About the Artist: "I contemplate every color, mark, and placement of the line to formulate what I call rhythmic velocities: relationships of color and motion that give life to the composition, creating a heartbeat. I am interested in the duality of math and design: through repetition, a line made of color becomes a rhythmic pattern. This concept is found when composing music, organic landscapes and architectural structures. By referencing these sources, my abstractions transcend their formal components, reaching beyond a minimalist canon. My work is composed of hard edges and thin lines set against an abstract field or a pictorial space. Each color has a quickness that is relative to the colors surrounding it; this gives my paintings visual movement and dislocates the viewer. Through linear and geometric forms, my paintings explore design and mathematical concepts found broadly throughout culture. They are improvised from a wide range of sources such as my conversations...

Abstract. Vibrant. Painting. About the Artist: "I contemplate every color, mark, and placement of the line to formulate what I call rhythmic velocities: relationships of color and motion that give life to the composition, creating a heartbeat. I am interested in the duality of math and design: through repetition, a line made of color becomes a rhythmic pattern. This concept is found when composing music, organic landscapes and architectural structures. By referencing these sources, my abstractions transcend their formal components, reaching beyond a minimalist canon. My work is composed of hard edges and thin lines set against an abstract field or a pictorial space. Each color has a quickness that is relative to the colors surrounding it; this gives my paintings visual movement and dislocates the viewer. Through linear and geometric forms, my paintings explore design and mathematical concepts found broadly throughout culture. They are improvised from a wide range of sources such as my conversations with scholars in various fields of music, architecture and engineering, my life experiences and travels." Thomas Paul Raggio...

Pat Adams Free More, 1989 Acrylic and encaustic with varnish on paper laid down on canvas Hand signed and dated on the upper left front Original artist's frame included This is a unique work An exquisite encaustic and acrylic painting by renowned painter and longtime Bennington College art teacher Pat Adams is hand signed and dated on the upper left recto Measurements: frame: 15.5 x 17.7 x 1 inches canvas: 14 x 15.75 inches Provenance: Reader's Digest Association Corporate Collection with label and inventory # Zabriskie Gallery, New York labels on the back Christie's Pat Adams Biography: Pat Adams (American, b. 1928) was raised in Stockton, California, and began painting at the age of ten. She studied painting at UC Berkeley from 1945–49, where she first encountered the ideas of Hans Hofmann as she studied under his former students—Worth Ryder and Margaret Peterson O’Hagan, who had arranged for Hofmann’s migration to the States in 1932, among them. During her summers at Berkeley she pursued programs at the California College of Arts and Crafts (1945), the College of the Pacific (1946), and the Art Institute of Chicago (1948). In 1950, following her graduation from Berkeley the previous year, she attended a summer session at Brooklyn Museum Art School, remaining in the city after its completion. She received her first solo exhibition in 1954 at the Korman Gallery—later to be renamed the Zabriskie Gallery, which would continue to represent her through 2018. Her work was greatly motivated by her international travel during the 1950s: in Italy in 1951, after her first husband, painter and printmaker Vincent Longo was awarded a Fulbright scholarship, and in France in 1956, after she received her own Fulbright scholarship. In the fall of 1964 she was invited by professor Paul Feeley to teach at Bennington college, where she joined the social circle of the famous “Green Mountain Boys,” including Kenneth Noland and Jules Olitski. In 1972 she married fellow Bennington professor R. Arnold Ricks, and they set off with her two sons on a four month journey through Egypt, Iran, Turkey, and all of Europe, which impacted her work significantly. She continued teaching at Bennington through 1993. Her lengthy career has also included many teaching appointments at Yale, as both a visiting professor and artist, as well as the Rhode Island School of Design, among numerous other institutions across the country. She has received notable awards from the National Endowment for the Arts, the Academy of Arts and Letters, the National Academy of Design, and the College Art Association. In 1995 she was awarded the Vermont Governor’s Award for Excellence in the Arts. Her work has been the subject of over fifty solo exhibitions. She lives in Bennington, Vermont. -Courtesy of Alexandre Gallery

Golnaz Fathi Untitled, 2020 Acrylic, pen and varnish on canvas 17.72 x 27.56 in. 45 x 70 cm GF145 Golnaz Fathi (b. 1972) is part of a thriving generation of Iranian artists...

Victoria Harrison Spring Leaves 2020 Original Painting Acrylic and Acrylic Gloss Varnish on Canvas Board Signed and stamped on the back Sold Unframed Artwork Dimensions: 35cm X 35cm ...

This is a mixed-media artwork by Monty Montgomery. Its dimensions are 11.25 x 11.25 x 2.25 and it is Aerosol & Molding Paste on Canvas with UV Gloss Varnish & Custom Poplar Wood Flo...

This large-scale, abstract work by Harris is sure to enchant any home or space. Harris's vertical bands of color create movement for the eye and leave an element of something new to ...

"PRESSURE DROPS I" is a big works with acrylics and canvases overlapped; the work has a kind of "twin" canvas, "PRESSURE DROPS II".