American Realist Paintings

Meticulously rendered account of three prospectors trying to rustle up some water before they can dig up some gold. Magazine Illustration of the Old West, American West, Cowboys Casein on board, Western / Frontier Art...

Represented by George Billis Gallery, NYC & LA --When asked what kind of paintings I make, I usually call my work "Urban Landscapes" to distinguish them as paintings about areas of h...

Miriam Story Hurford was a prolific and major American female illustrator in the 1930s to the 1950s. Her work was for cover art for women's magazines and home magazines and religious magazines. This work depicts t the wise men being guided by the star of Bethleham to the birth of the Christ child for a Christmas magazine...

Artist: Harry Lane, American (1891 - 1973) Title: Intermezzo Year: circa 1965 Medium: Oil on Masonite, signed l.r. Size: 39 in. x 24 in. (99.06 cm x 60.96 cm) Frame Size: 50 x 34.5 i...

A painting of carefully wrapped packages against a vibrant background. Each package is wrapped in a differently patterned paper. There is an air of anticipation, the edges close are sharply painted as if with bated breath and the edges along the horizon softly blurring out like a sigh thats been held, finally released. The vibrancy between magenta ground and the phthalo blue green background hum. The painting brings to mind the excitement of a child's birthday party, a wonderful sense of joy and nostalgia. Painting dimensions: 24 x 24 inches Frame dimensions: 28 x 28 inches Framed in a wide silver frame Artist Bio Maryann Lucas lives and works in Sag Harbor. She is primarily self-taught but has also received instruction and support from wonderful and generous members of the East End artistic community. Working exclusively in oils, Lucas sets out almost daily to create plein aire landscapes and seascapes. In her studio, she works directly from life and captures the beauty of natural light as it transforms ordinary objects into visual delights. Lucas wants her work to celebrate all that is well with this world and brilliant in this life, despite its pockets of darkness. For me, she says, I know I am in the Presence of something beautiful, when it steals my breath, silences my mind, pushes out everything else and draws me in. I trust That. I use That to guide my hands as I arrange a still life or scan a landscape to determine where to set down my easel. Ultimately, That is what drives me to paint. Becoming evermore skilled as an oil painter is another of Lucas goals. To that end she remains teachable, finding it refreshing and vital for her own growth to paint with others. She has studied with favorite artists including Michael Klein...

"Riggs openly identified as gay to his friends in the Philadelphia art community, but did not disclose his orientation to his employers." - Woodmere Art Museum Tempera mixed with gum arabic and alcohol on Renaissance Panel "Robert Riggs was awarded the Gold Medal for Excellence by the New York Art Directors Club for ten consecutive years and received many additional awards." He was elected to the Society of Illustrators' Hall of Fame. His work is in the permanent collections of the Metropolitan Museum of Art in New York, the Philadelphia Museum of Fine Arts and the U.S. Library of Congress. Riggs's compositons are "monumental" Walt Reed Riggs was a Gay Artist...

Humboldt County ocean beach scene - oil on canvas is 24 x 36 inches, meticulously painted by Brooks Anderson. Canvas edges are painted dark in artist's signature style. Lovely to beh...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right. Complemented by a hand carved and gilt frame. Peter Sculthorpe (b. 1948) Peter Sculthorpe was born in ...

Represented by George Billis Gallery, NYC & LA -- Humanity is archival, like the strata that compose the earth. Our structures and art, superfund sites to cathedrals, exist because o...

Gary Faigin says of Kurt Solmssen’s work, “Though a realist, Kurt Solmssen does not so much record what he sees, as use his surroundings as a point of departure for poetic homages to...

Frank Corso was born in Syracuse, New York. Taking a keen interest in art at a very early age, he was inspired to draw and paint the landscape of the Finger Lakes region of Upstate New York. He had the opportunity to have very fine art teachers in high school who also happened to be fine painters, artists George Benedict and Nick Todisco, and through their influence he began to polish his painting style from an early age. After attending Onondaga Community College for architecture, and then realizing that the rigid structure of Architecture was not for him, he began elective courses in Fine Arts at Syracuse University, and here, for the first time he began to study abstract painting and design with professors Frank Goodnow...

As they take center stage, four acrobats are depicted, forming an architectural structure composed of contorted human bodies. The small gallery of onlookers displays a variety of ex...

American, b. 1950 Marla Korr attended Brooklyn College, earning both a B.A. and a M.F.A. There she studied with Philip Pearlstein, Lennart Anderson ...

Represented by George Billis Gallery, NYC & LA -- "When asked what kind of paintings I make, I usually call my work "Urban Landscapes" to distinguish them as paintings about areas o...

'Green Refuge', 2021 is 50 x 50 inches. By focusing on a single subject, the artist immerses herself in the nuanced lines, shapes, and tones that the oil paint offers. Contemporary a...

A walk through any major museum will reveal paintings that depict or legitimate only certain kinds of experience. Despite the good intentions of critical theorists questioning the va...

Born in San Pedro, California in 1969, Francis DiFronzo has been painting and exhibiting his artwork in the United States for more than thirty years. ...

American, b. 1952 Frank Corso was born in Syracuse New York. Taking a keen interest in art at a very early age, he was inspired to draw and paint the landscape of the Finger Lakes r...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right. Complemented by a hand carved and gilt frame. Peter Sculthorpe (b. 1948) Peter Sculthorpe was born in ...

Pruett Carter captures the quintessential look of the 1950's in this loosely rendered but charming work for Redbook. Bright, punchy colors define each object and are arranged in a simplified but complex composition of intersecting and overlapping planes of color. The double portrait of the girl expresses a peak moment of introspection. She ponders her situation while preparing to get dressed for her special occasion. The whole scene is imbued with suspense about her future. Carter is a great academic painter. With just a few light touches of the brush, he quickly defines the form of the subject and achieves the X factor of the work. The profile and frontal view of the girl clearly are the same person. He nails her look. This is hard to do. Do not underestimate it. Sadly, there is a reason why there are very few contemporary artists can actually paint and draw without tracing photographs or resort to naive painting. It's hard to do. It's hard to be a painter. You can not fake...

Sunset, San Antonio, 20x16, oil on panel Texas This painting by Garrett Middaugh shows the beauty of a Texas Sunset outside of San Antonio. A group of low hills are in the background which surround San Antonio. San Antonio is a major city in south-central Texas with a rich colonial heritage. The Alamo, an 18th-century Spanish mission preserved as a museum, marks an infamous 1836 battle for Texan independence from Mexico. Following the San Antonio River, the miles-long River Walk is a landmark pedestrian promenade lined with cafes and shops. HemisFair Park’s 750-ft. Tower of the Americas overlooks the city. The artist is a regional landscape painter working in oils and pastels whose subject matter varies from the mountains and desert of west Texas to the wetlands along the Texas coast, with a strong focus on Texas forests and trees. and to the Rocky Mountains The artist is in corporate and private collections around the world. Garrett Middaugh is a regional landscape painter working in oils and pastels whose subject matter varies from the mountains and desert of west Texas to the wetlands along the Texas coast, with a strong focus on Texas forests and trees. His palette is muted, stark, embracing the neutral colors of everyday experience. Avoiding the romantic, his landscapes are often painted at high noon or in the dead of winter. He paints in a fluid hyper realist style and feels most influenced by other landscape artists such as Neil Welliver and Rackstraw Downes. He sees landscape painting as a form of meditation, projecting outward, while solving equations and mapping the scene, realizing accuracy of objects and relationships, of light, color, textures, distances. "Landscape painting is for me a means of projecting outward, of meditating, examining the here and now of place. The process often feels similar to the satisfaction of solving math equations, intuitively realizing accuracy of objects and relationships, of light, color, textures, distances. For the most part I paint Texas. For several years I devoted a significant amount of time to painting its forests -- the complexity of forest alleviated my sense and the nearness and density of growth was comforting. I have also ventured into west Texas and Big Bend, and occasionally have attempted to capture the mesmerizing serenity of central Texas farm and ranchland." Garrett Middaugh Also shown is a new Texas tractor painting...

This painting by Jenness Cortez is an homage to artist Édouard Manet (1832-1883) and several of his paintings, including: “A Bar at the Folies Bergère,”...

Approach of a Rider Noel Daggett, American (1925–2005) Date: 1980 Oil on Canvas, signed Size: 30 x 36 in. (76.2 x 91.44 cm) Frame Size: 35 x 41 inches

This piece is an original oil painting on linen panel. A bouquet of Spring flowers in colors of pink, periwinkle and cream in a silver cup brighten the scene. Framed in a hand-paint...

This piece is an original oil painting on linen panel. It features a colorful bouquet of flowers and a graphic black and white background--one in a series of pieces where the artist ...

Classical portrait of a woman harvesting grapes. In this oil painting, I captured the serene essence of nature and the simple elegance of human connection with the earth. The centr...

Gail Chase Bien paints thinly layered oil on linen over extended periods (from months to years) to complete a single work of art. Taking cues from nature’s extraordinary visual offer...

Lowell Blair Nesbitt's crisp rendering of a white rose is emblematic of the artist's realistic style and emphasis on light. Artist: Lowell Blair Nesbitt, American (1933 - 1993) Tit...

"Artichokes" is a contemporary realist oil painting still life, with its green and purple hues dominating the neutral surroundings. A rustic wooden bowl holds two whole artichokes, a...

Fransioli was born in Seattle, Washington, and received a degree in architecture from the University of Pennsylvania in 1930. He worked with John Russell Pope on plans for the exhibition galleries at the National Gallery of Art in Washington, D.C., which he pinpointed as the beginning of his interest in painting. World War II interrupted a promising career in architecture. Fransioli served in the Pacific Theatre from 1943 until 1946, and was among the first American soldiers to survey Hiroshima after the atomic bomb’s detonation in August 1945. He returned to civilian life and took up painting, basing himself in Boston, but working up and down the eastern seaboard. Thomas Fransioli’s cityscapes are crisp and tidy. Buildings stand in bold outline, their forms squarely defined by stark light and long shadows. Saturated color permeates every corner of his canvases, from vibrant oranges and greens to smoky terra cottas and granites. Even the trees that line Fransioli’s streets, parks, and squares are sharp and angular, exactly like those in an architect’s elevation rendering. But Fransioli’s cities often lack one critical feature: people. His streets are largely deserted, save for parked cars and an occasional black cat scurrying across the pavement. People make rare appearances in Fransioli’s compositions, and never does the entropy of a crowd overwhelm their prevailing sense of order and precision. People are implied in a Fransioli painting, but their physical presence would detract from the scene’s bleak and surreal beauty. Magic Realism neatly characterizes Fransioli’s artistic viewpoint. The term was first broadly applied to contemporary American art in the 1943 Museum of Modern Art exhibition, American Realists and Magic Realists. As exhibition curator Dorothy Miller noted in her foreword to the catalogue, Magic Realism was a “widespread but not yet generally recognized trend in contemporary American art…. It is limited, in the main, to pictures of sharp focus and precise representation, whether the subject has been observed in the outer world—realism, or contrived by the imagination—magic realism.” In his introductory essay, Lincoln Kirstein took the concept a step further: “Magic realists try to convince us that extraordinary things are possible simply by painting them as if they existed.” This is Fransioli, in a nutshell. His cityscapes exist in time and space, but certainly not in the manner in which he portrays them. Fransioli—and other Magic Realists of his time—was also the heir to Precisionism, spawned from Cubism and Futurism after the Great War and popularized in the 1920s and early 1930s. While Fransioli may not have aspired to celebrate the Machine Age, heavy industry, and skyscrapers in the same manner as Charles Sheeler, his compositions tap into the same rigid gridwork of the urban landscape that was first codified by the Precisionists. During the 1950s, Fransioli was represented by the progressive Margaret Brown...

Meticulously rendered account of three prospectors trying to rustle up some water before they can dig up some gold. Magazine Illustration of the Old West, American West, Cowboys Casein on board, Western / Frontier Art...

Marla Korr attended Brooklyn College, earning both a B.A. and a M.F.A. There she studied with Philip Pearlstein, Lennart Anderson and Jimmy Ernst. She has also studied at Stevenson...

Christopher Clark's (US based) "Misty City" is an original, handmade oil painting that depicts orange and green hued clouds arching over a water and city lights Bio/artist statement: Christopher has been an artist since early childhood, when he would watch Bob Ross on PBS and mimic the famed oil painter’s art with crayons. He considers himself a self-educated artist, with his studies ranging from personal training with contemporary masters, to classical academic art technique, with much inspiration from 19th Century art and the Impressionist Movement. Christopher lived in Italy for a time, immersing himself in Italian culture and art, which continues to influence his painting. His fan base has grown considerably since his return to the US, gaining the attention of Lucasfilm and Marvel Fine Art, which both signed him as an officially licensed artist in 2016. Other clients include George Lucas, Major League Baseball, Louisville Slugger...

Represented by George Billis Gallery, NYC & LA --Much of Bennett Vadnais’ subject matter comes from his surroundings in Manhattan and Brooklyn. With a strong background in plein ...

This modern still life diptych by Gio Bellagio is inspired by ancient Greek ceramic vessels. The pots are adorned with minimalist patterns reminiscent of Greek geometry, emphasising...

This modern still life diptych by Gio Bellagio is inspired by ancient Greek ceramic vessels. The pots are adorned with minimalist patterns reminiscent of Greek geometry, emphasising...

Hail Victoria, by 1955, oil on Masonite, signed lower left, 20 x 16 inches, exhibited 26th Annual Exhibition of Paintings of Contemporary New England Artists, Jordan Marsh Company, B...

Jalal Gharbi, Tunisian/American (1920 - 2005) - Western Landscape, Year: circa 1970, Medium: Oil on Canvas, signed lower left, Size: 24 x 36 in. (60.96 x 91.44 cm), Description: ...

An illustrator for Time, Life, Look, True, True West, Saturday Evening Post, Good Housekeeping, Readers Digest, and others, he also painted for adverti...

Gary Faigin says of Kurt Solmssen’s work, “Though a realist, Kurt Solmssen does not so much record what he sees, as use his surroundings as a point of departure for poetic homages to...

Summer Floral Susan Meeks oil on canvas 48" x 48" Susan is a native Houstonian. She is passionate about oil painting, specializing in large scale florals as seen in Summer Floral w...

I think of my work as being like a visual journal- observations and interpretations of people, places and things I experience day to day. Translating that experience into two dimensi...

Kevin Frank statement: For me, combining the techniques of the ancient Greco-Roman painters with those of the old and new masters help to create unique modern images. As with all enc...

Bright flowers, juicy fruits and of course the helpers of our garden: hardworking bees. They also love the juice of ripe pears. Being behind a canvas woven from my thoughts and emoti...

There is a reason why there are few contemporary painters who can paint a portrait of a man and bear this good. It's hard to do. It's easy to throw some paint or spray a mess of graf...

Artist: Pamela Schermer, American XXth Title: Vanitas Still Life Year: 1986 Medium: Oil on Canvas, signed and dated verso Size: 36 x 48 inches/ 91 x 122 cm

Still Life painting. Bermuda Asparagus, ca. 1980. Watercolor and pencil on paper mounted to illustration board. Image measures 7 x 8.5 inches. Framed measurement: 10 x 12 inches. ...

Represented by George Billis Gallery NYC and LA. Stott’s work is almost object portraiture, applying traditional still life compositions and lighting but ventures beyond time honore...

Excellent Mid-century nude by famous illustrator/ artist Walter Charles Klett. The work is masterfully painted with a sound understanding of the basic academic principles guiding t...

The starting place for Golightly’s work is decades old found photos. The stillness of a photo belies an anticipation to know what happened before and what is to come next. These imag...

Signed (lower right): Quincy

Represented by George Billis Gallery, NYC & LA -- Alex Roulette’s paintings depict false realities. The artist constructs landscapes from numerous source photographs, which he uses a...

A walk through any major museum will reveal paintings that depict or legitimate only certain kinds of experience. Despite the good intentions of critical theorists questioning the va...