American Realist Paintings

Sixth Avenue & St. John, Oil on canvas, cityscape _________________________ Dr. Rowland S. Russell PhD. writes about his experience directly witnessing Greg's practice as a “plein ai...

A scene of a plantation in the mid 20th century by Charles Shaw. Charles William Shaw was a multifaceted American Postwar & Contemporary artist from Austin, Texas. Primarily known f...

Still life of a vase full of peonies in front of a map of Nantucket.

Robert Sarsony Oil on gesso and masonite board. Hand signed lower left. Labels verso give artist, title "Paper Box", year 1971 and medium. Bears label from ACA Gallery...

An oil painting of a tomato still life. On a neutral background sits a larger tomato and 6 smaller tomatoes still attached to a vine. The two groups are divided by a diagonal slash of branch. Painting dimensions: 6 x 13 inches Framed dimensions: 12 x 19 inches John Morfis was born in Bayville, Long Island in 1976. His humble beginnings made pursuing a career in art difficult and paradoxically necessary. Fixated on making things aesthetically pleasing, John made an extreme departure from his family life when he chose to base his life on art. Surrounded by mechanics, welders, and otherwise trade workers John had a tough time expressing his interest in a world much more utilitarian and much less expressive and impractical. With an extraordinary desire to be an artist and a grant awarded, John was able to earn a Bachelor of Fine Arts with a concentration in painting from the University of Hartford in 1998. While there John studied oil painting under American realist Stephen Brown...

By Rick Morris Patterson Oil on Canvas 16" x 20" Framed Size: 25.5" x 29" This rural Texas landscape scene features cactus, an rustic windmill, and an old dirt road.

Autumn on the Guadalupe River depicts one of Texas' most popular landscapes in the style of Realist painting. The artist use the natural beauty of Texas as scenes for his Realist paintings. The artist brings us deep into the painting Autumn. Almost an escape from the world. The artist is a regional Texas landscape painter working in oils and pastels whose subject matter varies from the mountains and desert of west Texas to the wetlands along the Texas coast...

"Lockdown Self-Portrait" is a contemporary realist portrait of the artist in his studio. Framed Dimensions: 17 x 20 inches Marc Dalessio was born in 1972 in Los Angeles, Californi...

Ernest Fiene Along the Kanahawa River, West Virginia, 1936 Signed lower right Oil on canvas 26 x 36 inches Fiene made a series of paintings, drawings and lithographs which are based on his travels through Pennsylvania and West Virginia during the winter of 1935-36. The industrial areas of Pennsylvania and West Virginia are represented in numerous oils, among which are some of his most well-known. Fiene wrote of the trip, "The increasing snow and atmospheric conditions [in the Kanawha River valley} enhanced this mountainous coal mining country with a majestic beauty." Winter on the River is Fiene's only American Artists Group print and there were only two lithographs produced from the West Virginia trip. The American Artists Group (AAG), under the direction of Carl Zigrosser, who was then working at New York's famed Weyhe Gallery, published ninety-three prints by over fifty artists in 1936 and 1937. Zigrosser's goal was to popularize contemporary American art through original prints offered at the low price of $2.75. The project was also a means to provide income for impoverished artists during the Depression. The prints were featured in many of the leading print exhibitions and publications of the period. The lithograph produced from this image is now in the collection of the Amon Carter Museum, Baltimore Museum of Art, Cleveland Museum of Art, Philadelphia Museum of Art, Pensacola Museum of Art, San Francisco Fine Arts Museum, Syracuse Museum, Yale University Art Museum. Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

A plein air sketch on grey-tone paper of rolling waves on the beach. The perfect opportunity to own one of Minoff's masterful water works at a lower price.

A superbly executed work, this work would have been done for reproduction in a book or magazine. Simkhovitch received quite a number of illustration jobs and could adapt his style t...

Artist: Robert G. Harris, American (1911 - 2007) Title: Louisa, Please Come Home (Grace Kelly) Year: 1960 Medium: Acrylic on Canvas, signed l.l. Size: 20 x 28 in. (50.8 x 71.12 cm) F...

Artist: Sandu Liberman, Romanian/Israeli (1923 - 1977) Title: Rabbi with Torah Scroll Year: Circa 1970 Medium: Oil on Canvas, signed and dedicated verso S...

Gary Faigin says of Kurt Solmssen’s work, “Though a realist, Kurt Solmssen does not so much record what he sees, as use his surroundings as a point of departure for poetic homages to...

End of Season by Texas artist Julie England is mixed media on Yupo paper. The size of End of End of Season is 37″ x 24″ Image 46″ x 32 3/4″ Framed. Ar...

"Self Wearing Bag" is a striking oil painting that explores themes of identity, burden, and possession. The hyperrealistic rendering of a worn leather bag, gripped tightly by a parti...

Represented by George Billis Gallery, NYC & LA --Every painting begins with a place to stand. Sometimes I find one in seconds; sometimes the hunt goes on for many seasons. A canvas c...

An oil painting of farm-fresh goods laid on a table with a plaid picnic-print tablecloth. Maryann Lucas lives and works in Sag Harbor. She is primarily self-taught but has also received instruction and support from wonderful and generous members of the East End artistic community. Working exclusively in oils, Lucas sets out almost daily to create plein aire landscapes and seascapes. In her studio, she works directly from life and captures the beauty of natural light as it transforms ordinary objects into visual delights. Lucas wants her work to celebrate all that is well with this world and brilliant in this life, despite its pockets of darkness. For me, she says, I know I am in the Presence of something beautiful, when it steals my breath, silences my mind, pushes out everything else and draws me in. I trust That. I use That to guide my hands as I arrange a still life or scan a landscape to determine where to set down my easel. Ultimately, That is what drives me to paint. Becoming evermore skilled as an oil painter is another of Lucas goals. To that end she remains teachable, finding it refreshing and vital for her own growth to paint with others. She has studied with favorite artists including Michael Klein...

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer h...

Water Patterns, oil on canvas, 40 x 30 inches (Framed size: 43 x 33 inches), $4,800 “Connie Borup’s work cannot simply be described as landscape; it is t...

Artist: Alejandra Gauzen, Chilean (1967 - ) Title: Still Life with Wine Glass Year: circa 2000 Medium: Oil on Canvas, signed l.r. Size: 30.5...

Hendrik (Henry) J Glintenkamp Clowns: Aren't We All?, 1942 Signed lower left; signed, titled and dated on the reverse Oil on Masonite 20 x 16 inches The painter and illustrator Henr...

Artist: Thomas B. Allen, American (1928 - 2004) Title: Harold “Red” Grange, The Galloping Ghost Medium: Oil on Canvas, signed l.r. Size: 30 x 40 in. (76...

Frio River depicts one of Texas' most popular landscapes in the style of Realist painting. The artist use the natural beauty of Texas as scenes for his Realist paintings. The artist...

Artist: Harry Lane, American (1891 - 1973) Title: The Spring Year: circa 1970 Medium: Oil on Board, signed Size: 25 in. x 20 in. (63.5 cm x 50.8 cm) Fr...

Gregory Block's (US based) "Porcupine" is an oil painting that depicts a Porcupine skull and wooden shelf floating among clouds and a bright blue sky. Gregory was born in Kansas Ci...

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer heatwave. Hartman’s tightly c...

'Altarpiece: Good Omen' - oil on canvas is 30 x 60 in, meticulously painted by American Realist Brooks Anderson. Canvas edges are painted dark in artist's signature style. Lovely to ...

"Mockingbirds in Paradise" is an American Realist still life with colorful landscape. The landscape was inspired by well-known mid-nineteenth century Hudson River School paintings, f...

Lambert Cove was painted en plein-air in Lambert Cove, Massachusetts. A very refined and tight hand from Minoff creates a most-realistic landscape. Unf...

Please see accompanying video. We are a 1stdibs Platinum Seller with 100% 5-star reviews. One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing. Because you cannot appreciate it on a computer screen, our gallery has a unique policy. When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways! A collector should consider several factors when deciding from whom to purchase artwork online. Check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item. When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”. So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant. By contrast, when purchasing from us, the price includes packing and shipping. Thirdly, when one purchases from an auction house, the sale is final. If one receives the piece and is not 100% satisfied with it, there is nothing the buyer can do about it. They are stuck with it. By contrast, when purchasing from us, the buyer has sixty days to determine if they want to keep it. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways. About Mark Schiff — Animated by photographs that reflect his personal life, Mark Schiff’s paintings are fueled by what makes him happy. Through his open touch and signature blending method, he lends his artistic perception to the original photographic compositions captured on his Leica. Mark’s creative vision has been alive since he was a boy. As a child he spent his summers observing life as he rode the trolley back and forth to art classes at the Pratt Institute. During his future travels to Europe, Mark’s eye for light and photography merged with his passion for painting at the Jeu de Paume in Paris; which triggered his career in photorealism. Mark is well known for painting objects that people can identify and emotionally connect with. His work is distinctly marked by a rich palette and the luminous range of light he paints into his compositions. Each painting is a true extension of his vision and can take up to 200 hours to complete. Mark Schiff’s work has been commissioned by the well-known brands The Hershey Company and Tropicana. His private collectors include A-list celebrities and also corporate collectors in the US and abroad. Possessing a strong philanthropic nature, Mark donates both his time and works to charitable organizations such as Big Brothers Big Sisters, The Ronald McDonald House, Make-A-Wish Foundation, The Humane Society and the Special Olympics. Photorealism is widely viewed as one of this century’s most exciting genres of art. When a photorealistic painting is viewed from afar, it looks like a photograph. Only when getting very close to the art does the viewer realize that it is in fact not a photo, but rather an oil painting. Photorealism can also refer to sculptures. Duane Hanson is known as the greatest photorealistic sculptor of all time. Some of the greatest photorealistic painters include Mark Schiff, Richard Estes, Ralph Goings, Charles Bell and Audrey Flack. Photorealist Mark Schiff was born in Bedford Stuyvesant, Brooklyn, in a neighborhood known as a kuchalane, a Yiddish word which Schiff defines as a place where everyone (from the Old Country) ended up living on the same street, and most likely knowing each other’s business. His Russian grandfather came to the US before the revolution and both his parents were first generation American. Even at five years of age, Mark showed exceptional talent. In the summer, his mother permitted him to travel by himself on the trolley for art classes at the Pratt institute. He continued studying there until he was eleven and the family moved to Great Neck. Except for a few art classes in high school and playing baritone horn in the band, Mark focused on other things besides art, especially when his mother worried for his financial future, kept insisting “that Jewish boys don’t starve to death.” His father made a good living as a production man in textiles so Mark, who had spent years doing the rounds of knitting mills with his father, decided to major in textile chemistry at North Carolina State. ROTC was mandatory on his campus and he did two years in order to be eligible for officer status. He won the Armed Forces Chemical Association award and thought for sure that he would be assigned chemical work, but instead was made a tank commander and stationed at Fort Knox. Not exactly what his heart yearned for, but a good job awaited him at Sandoz, a Swiss company that made dyestuff. What perfect training for someone who would soon be working in wonderful rich colors on canvas. He went on to receive his MBA degree from Hofstra University, left Sandoz and was hired to sell at a spinning mill. He liked it. In 1976 he joined Bennett Berman Associates and had an opportunity to buy the spinning mill Spun Fibers. But what of art? In the early days, Elsie, his wife of fifty-two years, had a problem with the large amount of space his canvases occupied in their one bedroom apartment. Mark took up photography instead, which only required a small darkroom. Photography was a natural ally for his eventual return to painting in the photorealistic style. It was on his second trip to Europe that Mark fell in love with painting all over again. The impressionistic museum, Jeu de Paume in Paris, renewed his passion and it’s been non-stop since then. Out came the brushes, but this time, he used his love and skill of photography, and built a style based on the photographs he had taken, bringing them to life with paint. Mark was still not painting to sell until in 1990 when someone discovered and desperately wanted his candy bar (Sweet Series) painting. Mark didn’t want to let go of that particular piece, but was finally convinced to sell it and a second candy painting to this ardent art and candy lover. Two years later, Mark was commissioned to make three paintings of this man’s new Ferrari. Some of the artists who have inspired his work are Richard Estes, Sandy Scott, Chuck Close, and Charles Bell. He appreciates the work of Ken Keeley, but unlike Keeley’s hard-lined/tape and ruler style, Mark prefers an open touch, using the blending method. Mark’s subject matters range from candy bars to spice racks to soda cans and soda bottles. He photographs with a Leica M-7 and each painting can take up to 200 or more hours to complete. His palette is rich; his subjects, be it a fire engine or a pretzel cart, take on a luminous quality, always photoreal, but even more beautiful. Mark developed his own technique for working with bottles by painting a canvas all black, so that the transparency of the bottles allows a wonderful range of light to filter through. The same light and reflection can be seen in the black rotary phone...

Artist: Jan de Ruth, Czech (1922 - 1991) Title: Young Dancer Year: circa 1964 Medium: Oil on Canvas, signed l.l. Size: 44 in. x 18 in. (111.76 cm x 45.72 ...

Artist: Harry Lane, American (1891 - 1973) Title: Barberry Bush Year: circa 1960 Medium: Oil on Board, signed Size: 24 in. x 30.5 in. (60.96 cm x 77.47 cm) Frame Size: 33 x 40 inches

An oil painting by American Realist Painter Steven J. Levin. Levin presents a neutral-toned interior, where a man sits comfortably in a chair, back against the wall, playing a guita...

Circle Cycle is a realist painting of the cycle of waves crashing onto the shore, returning to the expansive ocean, and crash again. Minoff translates the constant motion of the oce...

Christopher Clark's (US based) "The Silence of Light" is an mixed media painting that depicts a woman with full curly black hair with vivid fall leaves of orange, yellow and blue cas...

Christopher Clark's (US based) "Conjuring" is an oil painting that depicts a woman in profile with her red tinted hair blowing in the wind with golden light highlighting her hair and form. Biography & Artist Statement: Christopher has been an artist since early childhood, when he would watch Bob Ross on PBS and mimic the famed oil painter’s art with crayons. He considers himself a self-educated artist, with his studies ranging from personal training with contemporary masters, to classical academic art technique, with much inspiration from 19th Century art and the Impressionist Movement. Christopher lived in Italy for a time, immersing himself in Italian culture and art, which continues to influence his painting. His fan base has grown considerably since his return to the US, gaining the attention of Lucasfilm and Marvel Fine Art, which both signed him as an officially licensed artist in 2016. Other clients include George Lucas, Major League Baseball, Louisville Slugger, and Fender Guitars. Christopher’s painting skills are not his only talent in the arts. He has won several national swing dance championship competitions, and also studies tango and blues dancing. He has played guitar since the age of 12, and during his time as lead guitarist for a rock band, he opened for Blue Oyster Cult...

"Metamorphosis" features hues of vibrant blue, purple, navy, and yellow. Richard Thomas Scott is inspired by the work of Rembrandt, Andrew Wyeth, and Verm...

Patrick Nevin's (US based) "Rachel" is an oil painting that depicts a monochromatic feminine face in profile with a blank white background. Artist Bio...

Born in Harlem, William Waithe studied painting, drafting and architecture at New York University and Queens College. He was known for painting outdoors, and is particularly identifi...

Dr. Rowland S. Russell PhD. writes about his experience directly witnessing Greg's practice as a “plein air” artist: Whether he’s portraying quiet scenes from Brooklyn’s Prospect Park or the Botanical Gardens, intriguing remnants of New York’s varied industry (grain silos...

"Grandpa's Tool Shed Study" is an oil painting featuring hues of blue, green, yellow and brown. Marc Chatov is inspired by the work of Diego Velasquez, Édoua...

Nicholas George Sperakis (American, b. 1943) Standing Figure, n.d. Oil and paper on canvas 60 x 42 inches Signed and titled on the reverse Nicholas Sperakis, the youngest of the original Rhino Horn...

Bruce Adams is best known as a conceptually based figurative painter who references various (often historical) painting styles. In exploring the act of painting, Adams peels back the...

keywords; surrealism, car portrait, car accident, oil painting, representation painting, strangeness, contemporary surrealistic, unsettling, contemporary realist painting, dreams, symbolic composition, tonalist, grey, monochrome, nostalgic, vintage, early century, illustration, car, automobile, old car wreck...

Karl Hartman gives primacy to the sparsity of form in his Mid-Western prairie landscapes. Simple and earnest, saturated primary hues and decisive lines ad...

"Westview Avalon Harbor" is an American Realist seascape in California with blue tones. Set on Catalina Island, rolling hills make up the horizon. A valley of palm trees sweep toward the shoreline. Boats rest and sail forward in the harbor, a single sailor is seen standing in a small powerboat in the foreground. Framed. Signed. Carl Bretzke is a representational painter who specializes in urban scenes, nocturnes, and plein-air landscapes. He is a member of the Plein Air Painters of America since 2021. Carl's work has been exhibited extensively in Minnesota and California, including the Minneapolis Institute of Art. Carl's work has been described in the Washington Post as "simultaneously intimate and detached…The artist's unadorned style recalls Edward Hopper and The Ashcan school." Carl holds an MD degree from the University of Minnesota Medical School. His undergraduate degree is from the University of Colorado...

Painted from life, a grouping of irises stand tall against a black backdrop. A classical painting subject and style, with a fresh and intriguing touch. Iris blossoms range from buds ...

A classical structure is cast in a green hue as the sun sets on this surreal scene by John Hrehov. The perfectly balance scene, with its formal gardens and Italian cypress trees add to the overall aesthetic. This piece is floated in a white wooden frame measuring 26h x 32w x 2d inches. John Hrehov The Green House oil on canvas 24h x 30w in 60.96h x 76.20w cm JHR024 John Hrehov Education 1985 MFA-Painting, University of Illinois at Urbana-Champaign 1981 BFA-Painting, Cleveland Institute of Art, Cleveland, OH. Solo Exhibitions 2017 John Hrehov, Paintings and Drawings. Tom Thomas Gallery, Indiana University East, Richmond, IN. 2012 Shades from White to Black, New Drawings. Denise Bibro Fine Art, New York, NY. 2011 John Hrehov: Charcoal. Indiana University - Purdue University Fort Wayne...

"Poppy Promenade" is an American Realist still life that depicts bright and colorful poppy flowers against a neutral backdrop. Framed in a natural wood frame. Edwina Lucas was bor...

Kevin Weckbach's (US based) "The Grinder" is an original, hand made egg tempera painting that depicts an industrial Gristmill made up of metal buildings, a elevator and a grain silo ...

This striking fine art painting captures the stillness of an empty public pool at twilight, its vibrant blue water contrasting with the muted tones of the surrounding concrete deck a...

Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade: “Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..” Bob Stuth-Wade’s method of painting is uniquely his own, having taught himself technique; his only formal training was as a teenager with Dallas artist Perry Nichols...

Film noir crime drama painted in a single frame. In narrative art, telling a story in a single image is harder than doing it in episodes. "'That police officer...

Oil painting by Willard Dixon featuring flying above the scattered clouds. Willard Dixon, who is one of the finest American contemporary realist painters today, has painted coastal landscapes for 35 years, capturing the undeniable beauty of the West with its grand and humble spirit. The painting, with its atmospheric light and calm palette is contemporary and serene. Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Art, and the Metropolitan Museum of Art and his work is collected Internationally. Artist signed and dated. A classic Dixon that will sure to bring those who view it a life time of pleasure. At Thirty Thousand Feet no. I, painted in 2023. the canvas is 54 X 43 inches. Oil on canvas. Condition is new and excellent. Artist signed and dated. Ready to ship. Proudly presented by Andra Norris Gallery in California. Selected Collections The San Francisco Museum of Modern Art The Metropolitan Museum of Art The Oakland Museum The Utah Museum of Fine Art San Francisco Art Commission Shaklee Corporation Pacific Gas and Electric Company, San Francisco, CA Kemper Insurance Company, Long Grove, Il Morrison and Foerester, San Francisco, CA SSI Container Corporation, San Francisco, CA San Francisco International Airport Oxford Petroleum Company, Houston,TX California First Bank, San Francisco, CA United Pipeline, Houston, TX Security Pacific National Bank, S.F., CA Crocker Bank, Los Angeles, CA Visa Corporation, San Francisco, CA Atlantic Richfield Corporation Shell Oil, Houston, TX First National Bank of Seattle RREEF Corporation, San Francisco, CA Texas Heritage Society Genstar Corporation, San Francisco, CA Sohio Corporation Skidmore Owings and Merrill, N.Y.C., NY Chemical Bank...

This plein air painting was done on site at the Hotel Campiello in Venice, Italy. It is a watercolor on the finest paper available. It has a custom made frame. Gary Hernandez...

LOOK FOR FREE SHIPPING BY 1STDIBS AT CHECK OUT. Down a Shaded Lane was painted in August 2022and will be back from the framer very soon and ready to ship. This lane is typical of many of the country roads around Texas and many are just a few miles outside of the major cities.. Also included in the images are other available paintings by Gary Hernandez...

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer h...