Canvas Paintings

Marc Scheff's "American Dream" is a multi-layered resin painting that is made using art resin, acrylic, pan pastel, pencil, and gold leaf. Abo...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2023 Style: Impressionism, Subject: summer Palette, Size: 21" x 30....

Title: Blue Flower Medium: Oil on canvas Size: 23.5 x 20 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is...

SALE ONE WEEK ONLY Jennifer's "Untitled" piece appears to be a landscape with a colorful stripped form arising out of the grasses. It is an iconic image that she incorporates into her work. The following excerpt from her Artist Statement best describes her feeling about it: I stopped the slug imagery and started making purely abstract paintings. Eventually, abstract lines and forms evolved into “characters.” They lived in landscapes of a realistic sort. They were abstractions on a representational journey. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. They were the slugs transformed. Evolved slugs and broken out from their cocoons. They had become abstract “butterflies.” Jennifer Wynne Reeves was known for creating a body of paintings, drawings and photographs that speak to and confront formalist and humanist dilemmas. Beyond her achievements in the art world, Reeves enjoyed a considerable fan-base as a result of her astonishing Facebook presence where she chronicled and interwove her art and diaristic prose. Reeves solo exhibitions included Art & Public in Geneva, Gian Enzo Sperone in Rome; Max Protetch, Ramis Barquet and BravinLee programs, NYC. Reeves was also celebrated for her writing. She produced a graphic novel, The Anyway Ember and Soul Bolt, a book of images and prose. “Profoundly rewarding works” said LA Times writer, David Pagel, in a review her 2015 exhibition at CB1 Gallery. Reeves is a John Simon Guggenheim Fellow recipient. The following is an artist’s statement about her theory off work: “Twenty years ago, I called them slugs. In the beginning, they were like long lumps without arms or legs. Powerless. Difficult. Paralyzed. I thought maybe they were the symbols of sloth or depression or fear. They didn’t do anything. I wondered if I should stop making them? They were not beautiful. Nobody liked them. Nobody wanted to look at them. They were repellent and, worse, they were funny. I hated that. I wanted to be a “serious” artist. I was conflicted. I had to make the images that came to me but I was embarrassed. Maybe it wasn’t a fancy path but painting slugs was more honest than painting flowers (nothing against flower paintings, mind you). It came down to a moral choice. So, I determined to follow the slug road. Maybe it was a road that led somewhere? Or maybe not. After several years, I thought I hit a dead-end. I stopped the slug imagery and started making purely abstract paintings. Eventually, abstract lines and forms evolved into “characters.” They lived in landscapes of a realistic sort. They were abstractions on a representational journey. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. They were the slugs transformed. Evolved slugs and broken out from their cocoons. They had become abstract “butterflies.” Little kids liked them. I hated that. I wanted to be a “serious” artist. I’m not sure, exactly, who they are. They could be our conscience, our psychology, or simply the part inside us that yearns. They could be artists, modernists or the first of “us” that crawled out of the ocean. My best hunch is they are whatever it is that makes us want to make. I hope that’s a good thing and beautiful and seriously funny. Whatever the case, I’d like to know what it’s all about.” Jennifer Reeves...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

Rendered in a sophisticated and elegant palette, Elise's visionary landscape paintings interweave botanical elements with organic abstraction. With a background in graphic design an...

This artwork is shipping UNMOUNTED and ROLLED UP in a tube with FREE SHIPPING. A beautiful modern large landscape, semi-abstract, made with professional varnished acrylics and Amst...

This is a really good example of the talent of Peter Rossiter. In this Expressionist landscape painting he plays beautifully with the wide palette of colours found in the Welsh countryside...

This piece titled "CELLAR MUSIC" is an original artwork by Jim Houser and is made of assembled objects. This piece measures approximately 9.5”h x 8”w x 5.5”...

This piece is an abstract composition done with mixed media, oil and acrylic paints on linen. The artist explores an incredible world filled with color and expressive brush strokes. ...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

“Where Earth Meets Sky” is a 48 x 36 x 1.5 inch oil painting by artist Marcia Wise, and is a part of her more abstract paintings expressing the power of nature in luscious purples, o...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

Queen Horse - Oil Painting on Canvas 72 H X 48" W Rolled Artist Irena Orlov. Signed Certificate for authenticity.

In this painting, I sought to capture the vibrant yet transient essence of a field of lupines. Employing oil as my medium, I blended expressionism with touches of impressionism, real...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

Annieo Klaas Sifting the Sky into Layers 2024 Oil on Canvas 40 x 30 inches (101.6 x 30.48 cm) Signed lower right COA provided *On stretcher frame - gallery wrapped - ready to hang ...

An impressionist sunny painting is full of only positive energy. The artwork is created en plein air. The painting features a high texture. The picture is author's and original. It ...

CAMILLA CLARK - My abstract paintings are often an expression of a feeling or an emotion and using the paint to describe on the canvas. Both subtle and vibrant tones of greens and bl...

'Ebren Ha Dor, Shifting Sky'. Contemporary landscape painting, Cornwall Original Artwork, Unframed _________________ The dancing light and rapidly changing skies, hung high above the the landscape of West Cornwall: a harshly beautiful peninsula, jutting out into the wild tireless ocean, shaped and moulded by powerful salt laden Atlantic winds. Criss-crossed by ancient, tangled hedgerows marking the stories of the leathered, labour-roughened hands worn like the granite, coloured as the bronze bracken covered land they toiled endlessly to tame, carving spaces of sanctuary against the raw elements. A plein air painting from the series 'Ebren ha Dor' (Meaning 'Sky and Earth in Cornish). In this series, Sophia's fluid expressive style captures the immediacy of the changing light in the seasonal landscapes, whilst exploring flux and balance in the nature of all things: The freedom of the air and solidity of the soil; Of human narratives written in the wild landscapes; in the sensual interplay of light and shadow. They capture an essence of the equilibrium between wild raw energy and serene stillness; chaos and harmony; and the enduring and the effervescent. Acrylic ink on handmade rough edge watercolour paper Signed in pencil to the lower right corner 30 x 30cm / 12 x 12 inches __________________________ About The Artist Sophia Milligan is a contemporary multidisciplinary artist, exploring discourses on permanence & evanescence; the eternal, cyclical absolutes of birth & death; motherhood & childhood; and ancient immutable connections. With resonating ripples of intuition and instinct Sophia illuminates the presence of the ordinary, creating moments of sublime present. 'Born among the wild cliffs and tempestuous seas of west Cornwall, I grew with the intimate details in the twisting lanes and the intense changing light throughout the turbulent seasons. I formed a primordial connection with a deep instinctual sense of being part of the natural narrative, and wherever in the world I may be, this connectivity underpins my practice. Like the wind sculpted hawthorns and sensual coves of weather worn granite, I have been shaped by the powerful energy entwined in this ancient raw environment.’ ‘We are the stories of the journeys that came before. I weave into my work the tales of transitory circumstance; of struggle and survival; of forms and textures holding records of evolutionary millennia. I paint, I draw: with marks, mixtures, photography, words; the raw earth; the restless oceans; the whispered breeze. I work with time, and the immeasurable spaces of experience within, giving subtleties of existence a pause for contemplation. There is beauty in such poignant breaths. All moments are significant, every pebble of now forms the vast mountain of yesterday, and the great realm of tomorrow's possibilities'. Sophia has a 1st class honours Bachelor of Arts Degree in Visual Arts and World History, and a Masters Degree in Contemporary Visual Arts. Her work is held in prestigious international private collections, and exhibitions of her interactive, immersive installation, photography and mixed media works include 'Tabula Rasa', London; 'Superlative', Plymouth; 'Transition', Newlyn; The Eden Project, Cornwall; The European Parliament, Brussels; Kew Gardens, London; and 'The Cameraless Film Festival', Chicago. _________________________________ Modern . Landscape . Contemporary . landscape . Stone . Cornwall . Sky . Yellow . Blue . Green . Brown . Rural...

CAMILLA CLARK - My abstract paintings are often an expression of a feeling or an emotion and using the paint to describe on the canvas but Summer Song is a moment in time when the he...

Storm II – Large Neutral Textured Abstract Painting in Beige, Gray & White by Michelle Thomas. “Storm II” is an original, richly textured contemporary abstract painting by artist Mi...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

'Fall Fog, Approaching'. Contemporary landscape painting, Cornwall Original Artwork, Unframed _________________ Heavy skies moving in over the autumnal landscape of West Cornwall: a ...

On the slope of the day, the tired last ray breaks through the foliage of the trees near the Botanical Garden. The last days of May and the heat in the daytime hours are no longer un...

COBALT COLLISION Size: 32 x 42 cm (including frame) Oil on canvas A striking abstract composition that explores depth and tension through bold, jagged forms that evoke architectural...

Water,Swimmers, blue, light blue,sea Birgitte LYKKE MADSEN (Odense, Denmark, 1960) 1981-86, Educated from the Academy of Fine Arts, Odense First solo exhibition in 1983 Artist statement: “I am a painter. I am fascinated by the difference in cold and warm colors and the different atmospheres that it creates in our mind. My hereby presented oil paintings are describing people in water...

Sasha Rogers’ gorgeous contemporary paintings are often Inspired by the infinite beauty of the vast prairie landscape she grew up in. In this piece, colour, texture and light are use...

My Childhood, 2013 Acrylic on canvas (Signed front right corner) 79 1/2 H × 127 1/5 W in. 202 H × 323 W cm The artwork “My childhood” was part of the exhibition “Epic”(2013, see install shot) dedicated to the great adventurer Ulysses, a character that has the only desire to come back home. Returning home involves a series of adventures, memories, desires, tests. Heraclitus in Plato's "Cratylus" was saying: "Everything changes and nothing stays still [...] you cannot step twice in the same river." "My Childhood" is about remembering an ideal time, about sunny days full of warmth and freedom. It's about childhood, as we remember it over years, as a time and place with unprecedented perfumes. Rădvan wrote about this work: “It has happened that none of the places where I grew up exist anymore. Either they have disappeared, or they have changed so much that they have become a new place that does not mean anything for me, which I do not have a common history. I avoid them because it makes me sad not to recognize them and I do not want them to hate them. This painting is an old memory of my "Paradiso perduto".

In this painting, I've blended the raw emotions of expressionism, the gentle touch of impressionism, and the grounded reality of realism. Through the dance of acrylic and oil, I aime...

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2018 Style: Impressionism Title: Cows Size: 23.5" x 30" x 0.8'' inch,...

Jean Sanglar was born in France in 1926. He draws with taste and talent from an early age, however, his family will only consider this a mere hobby. After studying law, he later took...

Impressionist autumnal landscape, finished with gilded highlights. Presented in a large silver-effect frame. Illegibly signed. On board.

Cosmic Travelers - Visionary Psychedelic Composition on Wood Panel Surreal, psychedelic composition by an unknown artist (20th Century). The face on the left side of the composition...

A beautiful oil on canvas depicting a studio doorway by English contemporary artist Charles MacCarthy. The work is painted in soft moody tones and is very atmospheric. Presented in ...

This is a one-of-a-kind original textural abstract landscape artwork by San Diego artist, Alexander Arshansky. Its dimensions are 20"x16"x1.5". It is unframed. A Certificate of Authe...

Beautiful underwater world! each painting is 50-50 cm I like to look at the burrowing stream of the stream, watch the constantly changing bizarre forms of the oncoming wave and, look...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

Thelma Appel Sunset Island, 2011 Oil on canvas painting hand signed, titled and dated on the back of the canvas Unique This work was featured in the exhibition "Thelma Appel: Landsca...

The work of Santiago Garcia explores the wondrous, colorful and always intriguing world between figuration and abstraction. Through contextualization of reality, the Uruguayan artist...

The experience of nature and daily life feed my work. The materials I use are from the natural world: beeswax and cotton thread. The threads are untwined and dyed with things I consu...

My abstract paintings are often an expression of a feeling or an emotion and using the paint to describe on the canvas. This painting was in response to a walk around my garden seein...

San Fermín (2023) by French contemporary artist Christophe Dupety. Oil on canvas, H 115 x W 75 cm // 45.2 in x 29.5 in. Christophe Dupety focuses on the portrayal of the animal, whic...

The paintings are drawn with oil on the hardboard (back side made of the double cardboard). Evening in purple. This dream scene uses hues of purple, pink, blue, and blue. A gorgeous...

"Flowers Above The Rocks, Laguna" is a colorful example of Bryan Mark Taylor's modern approach to Impressionism. This beautiful oil on panel captures the mood and feel of the Califo...

Ming Ming Liang (Chinese, born 1964) "Sunlight After Storm" 2024 Oil Paint, Canvas, Stretcher Bars The artist signed the bottom right of the painting. In "Sunlight After Storm", Min...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2023 Style: Impressionism Subject: Morning Trees Size: 44" x 63.5" ...

An oil painting depicts a serene winter landscape, with a snow-covered path winding through a forest of trees. The scene is imbued with soothing shades of blues and golds, with the s...

Katrina Revenaugh Unexpected Blooms No. 13 Archival Pigment Ink, Acrylic, Spray Paint, Belgian Linen Year: 2023 Size: 29.5 x 67 Diptych Signed: On Verso COA provided The graffiti bo...

Bernard Taurelle, French (1931 - ) - Le Plan D'eau de Maintenon, Year: 1985, Medium: Oil on Canvas, signed lower left, Size: 38 x 51 in. (96.52 x 129.54 cm), Frame Size: 45.5 x ...

Do you remember that feeling when you had those wonderful dreams of rushing through beautiful worlds? And then during the flight, you feel like you can do anything! "Night" is part o...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting with acrylic with old techniques and in this way, h...

Artist: Alex Kalenyuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on canvas Year: 2017 Style: Impressionism Title: Worm Summer Day, Size: 27.5" x 31....

Artist: Oksana Kalenyuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on canvas Year: 2022 Style: Impressionism Title: Autumn Foliage Size: 6" x 8" x 0....

Signed with a monogram to the lower right. Presented in a wooden frame with a painted cove. On board.

An expressive male portrait by Clifford Hanley, captured in striking block colours and gestural brush strokes. The painting is signed and dated to the ...

Micah Crandall-Bear’s abstract landscape paintings examine Earth’s intrinsic resources and our disposition toward their accelerated transformation. His concept is infused with linear...

The landscape.Red mountains in the style of Paul Gauguin" original painting by Lilia Volskaya.Size:55x75 cm. Cotton canvas, mineral pigments, natural environmental paints. Painting i...

Signed with a monogram. Presented in a wooden frame. On paper.