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Douglas Kirkland"Mademoiselle Chanel in the Atelier, 1962" Ed. 9/24 signed by Douglas Kirkland1962
1962
$6,300
£4,816.69
€5,547.85
CA$8,828.23
A$9,855.89
CHF 5,164.34
MX$120,645.77
NOK 65,587.15
SEK 61,840.35
DKK 41,404.16
About the Item
"Mademoiselle Chanel in the Atelier, 1962" Ed. 9/24 signed by Douglas Kirkland
Hand signed by Douglas Kirkland
Medium: archival pigment print on Hahnemühle watercolor paper
Comes in white frame as shown in photos
Mademoiselle Chanel in the Atelier, in the mirror reflection are Jean, her right-hand "dresser" and model Jackie Rogers, House of Chanel, rue Cambon, Paris
Photographer Douglas Kirkland (1934-2022) captured a series of iconic photographs of Coco Chanel in 1962, including one titled "Mademoiselle Chanel in the Atelier". In this image, taken at the House of Chanel on rue Cambon in Paris, Chanel is depicted in her atelier. The reflection in the mirror reveals two other individuals: Jean, who was Chanel's right-hand "dresser" or fitter, and the American model and actress Jackie Rogers.
Rogers was a significant figure in Chanel's world during this time, serving as one of her top models. She was known for her broad shoulders, making her an ideal choice for showcasing Chanel's designs through draping. Chanel hired Rogers for a substantial sum of $700 per week. Rogers would later become a notable fashion designer herself, launching her own successful brand. She was known for her bold personality and direct manner.
About Douglas Kirkland:
Douglas Kirkland was born in Toronto Canada. He joined Look Magazine in his early twenties, and later Life Magazine during the golden age of 60’s/70’s photojournalism. Among his assignments were essays on Greece, Lebanon and Japan as well as fashion and celebrity work, photographing Marilyn Monroe, Elizabeth Taylor and Marlene Dietrich among others.
Through the years, Douglas Kirkland has worked on the sets of over one hundred motion pictures. Among them, “Butch Cassidy and the Sundance Kid”, “2001 A Space Odyssey”, “Sound of Music”, “Out of Africa”, “Titanic” “Moulin Rouge”, “Australia” and “The Great Gatsby” Baz Luhrmann’s film starring Leonardo DiCaprio and Tobey Maguire.
Some of his books are “Light Years”, “Icons”, “Legends”, “Body Stories”, “An Evening With Marilyn”, the best selling “James Cameron’s Titanic”, “Freeze Frame”, a decade by decade look behind the scenes from 50 years photographing the entertainment industry and “Coco Chanel, Three Weeks”. “Michael Jackson – the Making of Thriller” and his most recent monograph “A Life in Pictures”.
Douglas Kirkland’s fine arts photography has been exhibited all over the world. His exhibition of Freeze Frame is now in the permanent collection of Academy of Motion Picture Arts and Sciences in Beverly Hills. His work is also in the permanent collections of the Smithsonian, the National Portrait Gallery in Canberra Australia, the National Portrait Gallery in London, the Eastman House in Rochester and the Houston Center for Photography and the Annenberg Space for Photography in Los Angeles.
- Creator:Douglas Kirkland (1934 - 2022, Canadian, American)
- Creation Year:1962
- Dimensions:Height: 20 in (50.8 cm)Width: 24 in (60.96 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Culver City, CA
- Reference Number:1stDibs: LU1085116650802
Douglas Kirkland
Douglas Kirkland was born in Toronto, Canada. He joined Look magazine in his early 20s, and later LIFE magazine during the golden age of 1960s and 1970s photojournalism.
Kirkland's fine art photography has been exhibited all over the world. His exhibition, "Freeze Frame," is now in the permanent collection of Academy of Motion Picture Arts and Sciences in Beverly Hills. His work is also in the permanent collections of the Smithsonian, the National Portrait Gallery in Australia, the National Portrait Gallery in London, the Eastman House in Rochester, the Houston Center for Photography and the Annenberg Space for Photography in Los Angeles.
Find original Douglas Kirkland portrait photography, color photography and more today on 1stDibs.
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