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Massimo ListriQueluz Palace, Sintra, Portugal, 19922015
2015
About the Item
Massimo Listri
Queluz Palace, Sintra, Portugal, 1992
40 x 48 inches
100 x 120 cm
Edition of 5
48 x 60 inches
120 x 150 cm
Edition of 5
71 x 88.5 inches
180 x 225 cm
Edition of 5
Framing options available.
Whether imperial residences or public buildings, Massimo Listri excelled at chronicling intricate interiors. Florence-based Listri's works were shown in the collections of the Palazzo Reale, Milan, and the Morgan Library, New York, among others. Much like a portraitist, Listri used every nuance to support the complete narrative. Nothing is lost yet Listri's photographs somehow never overwhelm or seem cluttered. Every aspect is rendered precisely and clearly, showing us how each finely crafted feature contributes to the magnificence of the overall effect.
- Creator:Massimo Listri (1954, Italian)
- Creation Year:2015
- Dimensions:Height: 71 in (180.34 cm)Width: 88 in (223.52 cm)Depth: 2 in (5.08 cm)
- More Editions & Sizes:48 x 60 in, Edition of 5Price: $15,00071 x 88.5 in, Edition of 5Price: $23,500
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:New York City, NY
- Reference Number:1stDibs: LU101434228241
Massimo Listri
Massimo Listri travels his native Italy and the world with his camera, photographing grand interior spaces both iconic and unexpected.
Listri's landscape photography and large-scale color prints invite viewers into the settings he frames; these include ancient castles, villas, palaces, gardens, libraries, convents, monasteries, and universities. He has taken viewers into the ornate hallways of Versailles, as well as the treasure-laden galleries of the Vatican museums. From Brazil, Listri brought back images taken at art museums, a cathedral, and a theater designed by Oscar Niemeyer, among many other architecturally iconic sites.
Though Listri focuses on the grand, he has also homed in on details in an expressive series of closely framed photographs of sculpted faces. Captured frontally or in profile, these carved faces range from grotesque to idealized and serve to celebrate the power of the artist’s hand.
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