Kali

Blue Face and Leaves, CA

1972

Joan Marie Archibald was born in 1932 and raised on Long Island, New York. Wed and divorced by the age of 30, she left everything behind for California and a new life — and a new identity as "Kali."

While Kali had studied art and photography previously, no one knows exactly when and how her artistic practice and style developed. She began using an improvised darkroom in the master bath of her Palm Springs home to print 16 by 20 inch photographs. She chose her subjects carefully, which included friends, pets, acquaintances, children, her children’s friends (including a young Cindy Sherman), and surroundings. Late into the night, Kali then used dyes, screens, and organic material in the swimming pool to layer moody and psychedelic abstractions over the photographs and dried the textured prints in the desert sun.

The social and political turbulence of the 1960s and 1970s encouraged a more experimental artistic culture in the Los Angeles area. Artists began recontextualizing photographs as “objects” open to manipulation — rejecting the more straightforward and classical approach of photographers like Ansel Adams and Edward Weston. Kali was a prolific pioneer of this alternative photography and her vibrant images marry a bohemian sensuality indicative of the time period and her lifestyle with a more emotional spontaneity.

In the 1970s, Kali continued her practice with the Polaroid camera. Instead of manipulating the Polaroid prints, she used multiple exposures and projections of light in camera to startling, eerie effect — particularly on a series of haunting self-portraits. Much later in her life, Kali documented her fascination with UFOs and extraterrestrials by monitoring and photographing images of flickering transmissions and unexplained streaks and blobs of light from the security cameras surrounding her property in Pacific Palisades.

Despite her prolific artistic output, Kali revealed her work to few and seems to have retreated just when she may have started to gain recognition. The only known article featuring her work was in the November 1970 edition of Camera 35 magazine and the author noted that Kali’s “Artography” (her trademarked name) was “was beyond the capabilities of mere machines. In fact, there is not a way to reproduce one of her images; as a result each of them is an original.”

In her 80s, Kali began to suffer the effects of Parkinson’s disease and memory loss. Her daughter Susan helped her move in to a nursing home and at the same time discovered the immense collection of Kali’s artwork and writing. Soon after Kali’s death in 2019, the collection was organized and archived by Susan and Kali’s former son-in-law, photographer Len Prince.

Find original Kali art on 1stDibs.

(Biography provided by Staley-Wise Gallery)