Square Landscape Photography

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

This late 1950s landscape photograph, captured by society photographer Slim Aarons, features a family enjoying a quiet beach on Andros Island. This is an estate stamped and hand num...

Childhood Memories (Stay) - 2006 - featuring Ryan Gosling- Polaroid 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inv...

Primo Tempo 3 is a 30cm x 30cm digital print on 50cm x 50cm cotton paper in a limited edition of 9 + 2 Artist Proofs. Rosa Basurto is a self-taught photographer from Spain who, wi...

Rebecca Swanson, Mirror Mirror VI, Limited Edition Photograph, 30x30 image on 34x34 paper. The image is 30x30 with a 2" white border all around. This stunning image is filled fushi...

Brooklyn Bridge Edition of 25 signed and numbered by the artist The world famous Brooklyn Bridge in New York at sunset. JJK is a pseudonym for one of the world's most successful ph...

Jurassic Park - 2017 30x30cm, Edition 1/10. Archival C-Print on Pearl photo paper, based on the original Polaroid, not mounted, Signed on the back. Whether in color and black ...

Conception (Till Death do us Part) - 2005 40x40cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist Inventory #9157. Not mounted. Stefanie Schneider's photographs evoke scintillating moments suspended between daydreams and waking reality. Each scene, captured in the southwestern United States, radiates a surreal enchantment. The artist's role appears minimal yet pivotal, providing the decisive impulse that sets the imagery into motion. The figures in her photographs remain as elusive as the motivations behind their actions, and the narratives woven through her sequences are tantalizingly open to interpretation. Atmospheric disturbances in Schneider's work emerge as the result of a deliberate narrative arrangement, compelling viewers to navigate between visual mementos and the gaps in memory they conjure. Yet, her artistry is no less purposeful in its engagement with medium. Despite the inherent unpredictability of expired Polaroid film, Schneider wields it with calculated intent. The photo-chemical self-developing process, altered by age and decay, transforms the initial exposure into something alien yet mesmerizing. This dysfunction is a cornerstone of MIND SCREEN, a multi-part work that explores the fragility of reality, authenticity, and comprehension. Schneider juxtaposes this brittleness with a magical realism steeped in chimeras, crafting dreamlike sequences that resist definitive narratives. She entrusts viewers with the responsibility of piecing together presumed storylines, refusing to offer a manual for interpretation. Instead, her work draws us into a realm where the unreal reigns—shimmering scenes that evoke the mirage of a road movie, a moment of violence, or a tragic self-sacrifice. Film genres are invoked and subverted in a single breath: Paris, Texas by Wim Wenders is reimagined through a rose-tinted lens, Thelma...

A moment in time In 2021, a gallery from Brussels contacted us. There, a photographic collection had been kept in tin boxes for decades, consisting of 6x6 glass slides in color. Th...

Walter Rudolph His photographs are reminiscent of the jet-set photographer Slim Aarons. Walter Rudolph discovered the world as a photographer on the idea, travel...

This image of the Mediterranean sea showcases and captures a moment in time of the beauty of water, sky, nature and its elements in beautiful light. Image can be paired with others ...

'Eleuthera Pool Party' by Slim Aarons LIMITED EDITION ESTATE STAMPED PRINT Numbered in ink to 150 only and emboss stamped on front. Guests at the French Leave...

Atlas Shrugged 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Not Mounted.

It's gonna get worse before it gets any better (Till Death Do Us Part) - 2005 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate an...

Phone Call (The Last Picture Show) - 2000 20x20m, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory...

A moment in time In 2021, a gallery from Brussels contacted us. There, a photographic collection had been kept in tin boxes for decades, consisting of 6x6 glass slides in color. Th...

Through photography, Michel Piquette creates captures of time, animated by a paradoxical quest for an image preceding any technique. By weaving together aspects of geometry and abstr...

Field of Sticks, Kamikawa Hokkaido, Japan by Michael Kenna is a 8 x 8 inch* silver gelatin print, available in an edition of 25. *Please note: the measurements of this print are appr...

The Atlantic Ocean series places a little contextual history of this scenic image with its maritime history at that spot with the interplay of the elements - wind, clouds, water - on...

The Atlantic Ocean series places a little contextual history of this scenic image with its maritime history at that spot with the interplay of th...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features some friends preparing for a day snorkelling by Andros Island, Bahamas. This is an estate ...

Strata II is a limited-edition photograph by contemporary artist Luca Marziale. This photograph is sold unframed as a print only. It is available in 2 dimensions: *76.2 cm × 76.2 c...

5.3x3.5" Image in a 16x16" Mat CLOUDS “This series began lying in bed lazily photographing the clouds tripping along the horizon of the Jemez Mountains of New Mexico, home to Los A...

ABOUT THIS ARTIST: Niall Staines is a digital artist based in Ireland. His work is graphic, vibrant and visually arresting. Nature is a consistent theme in his work, often turning se...

The photographers note regarding this work is "With the Ford V8 on a wet street, Germany 1930s." This work comes to you as a new Fine Art Print on Hahnemühle William Turner, careful...

Snorkeling In The Shallows (1959) Limited Estate Stamped - Grande XL (Photo By Slim Aarons) A group of people snorkeling off a small boat in Malta, circa 1959. Additional Informa...

Black and white fine art winter ice landscape photography print. Archival pigment ink print, edition of 7. Signed, titled, dated and numbered by artist. Certificate of authenticity i...

A moment in time In 2021, a gallery from Brussels contacted us. There, a photographic collection had been kept in tin boxes for decades, consisting of 6x6 glass slides in color. Th...

Guests at the Palm Beach Arts Festival in the grounds of Bethesda-by-the-Sea church, Palm Beach, Florida, 1964. Slim Aarons Palm Beach Arts Festival 1964 C-Print Estate signature s...

Plane blue sky - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4637. Not mounte...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Sc...

Black and White Fine Art Cityscape Photography. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed ...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

Days of Thunder (Bombay Beach, CA) - 2019 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signed on the back and with certificate. Artist In...

Mont Saint Michel Study 2, France - no. 21176 Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7....

Titled the 'Sundance Series', these artworks are a development of traditional landscape photographs and they have created a unique perspective as if captured through a telescope or a...

Selfie, Florence Italy. 2022 I love old photo booths. The real photo booths. Photo booths that take real photos that have to ...

Venice Gondolas (1957) Limited Estate Stamped (Photo By Slim Aarons) Gondolas moored in Venice, 1957. In the background is the Church of San Giorgio Maggiore, on San Giorgio Ma...

"Highway 26, Shoshoni, Wyoming; June 9, 2021" is a color photograph by Steve Fitch. This piece is printed by the artist using archival pigment inks and is signed. In American Motel Signs, Steve Fitch documents the changing landscape, capturing the bright neon motel signs littered across long highway expanses throughout the West. The delightful photographs in this series, map out Fitch’s extensive journey to seek out a typology of visual relics that are quickly fading into the American collective memory. For Fitch, these motel signs carry an unquestionable enchantment in their folk originality — the blocky fonts and garish designs. His work is a road trip to the past, down lonesome highways where these emblems of roadside American...

"Distant Trees Sorachi Hokkaido Japan, 2023 is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted to 20x16...

'Tram Turntable' A tram being manually rotated on a turntable in San Francisco, California, 1960. 20x20" inches / 51 x 51 cm paper size Estate Stamped Collection Edition to 150...

Black and white fine art long exposure waterscape - landscape photography print. Rocks in the surf at the Atlantic Ocean in France. Archival pigment ink print, edition of 9. Signed, ...

David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...

Blanco 4 is a 30cm x 30cm digital print on 50cm x 50cm cotton paper in a limited edition of 9 + 2 Artist Proofs. Rosa Basurto is a self-taught photographer from Spain who, within ...

Fairytale in Black and White, 2017, Edition 1/7 plus 2 Artist Proof. Digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL...

Tram Turntable A tram being manually rotated on a turntable in San Francisco, California, 1960. 48x48" inches / 122 x 122 cm paper size Estate Stamped Collection Edition to 150 ...

'Klosters' Skiers pass by the Hotel Chesa Grischuna in Klosters, 1963. 20x20" inches / 51 x 51 cm cm paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons...

Christmas Traffic (1953) Limited Estate Stamped (Photo by Slim Aarons) Red and white automobile lights on Park Avenue, New York at Christmas time. The rear and headlights at nigh...

Sudden Urge (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 809. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

California Sports Car Club Air Show (1965) - Silver Gelatin Fibre Print (Photo by W.R.C. Shedenhelm/The Enthusiast Network via Getty Images/Getty Images) UN...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Joshua's Muse II from the series Joshua Tales 30x30cm, Edition of 7, 2017. Archival Color Print on Pearl photo paper, based on the original Polaroid. Signed on the back with Certificate. Not mounted. Whether in color and black and white, van Driessche’s photos marry the atmospheric qualities of integral and instant pack films with the sensuality of his models. The effect is often painterly, intimate, delicate. The softness and vulnerability of the nude feminine form is often juxtaposed with untamed landscapes or graphic urban architecture. Other photos in the series read like fine art paintings, with luminous colors and classic compositions. Van Driessche has traveled all over the world, taking photos wherever he goes. These days, he often schedules photo shoots with models when he travels, working with both professionals and amateurs. Despite being a perfectionist in his photography, van Driessche likes the unpredictable nature of expired film. He embraces its inherent perfections. He says it is thrilling when an instant photo develops before your eyes, and it happens to be exactly what you were hoping for. And equally frustrating when, for whatever reason, the photo just doesn’t work. He says that you have to be very sure of everything, the composition, the lighting, the poses, before pushing the button. Instant photography requires more thought and more patience than other forms of photography, but the rewards are worth the effort. His work has been widely featured, having appeared in Dreck Magazine, Tata Magazine, 100 Volume 1, Latent Magazine, Hylas Magazine, and Fine Art Photo Magazine. He has been interviewed by the on-line magazines Whataroll and Kaltblut and he recently participated in a group exhibition at the Brick Lane Gallery in London in March 2017. Van Driessche cites these photographers as his influences: Anton Corbjin, for his square format and black and white images; Helmut Newton for his nudes; Stephanie Schneider...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

Palm Springs E-Type (Californication) - 2021 20x20cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Invento...

"Hillside Fence, Study 4, Teshikaga, Hokkaido, Japan" is a limited edition, 8x8" toned silver and comes matted to 20x16 in. Michael Kenna is a master of contemporary photography. Kn...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential am...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

'God is Love?', 2017, Edition of 7 plus 2 Artist Proofs Digital C-print, based on an original Polaroid, not mounted. Signed on the back and with certificat...