Square Landscape Photography

James (Ghost Town) - 2020 Sketches of a downtown disappearing. 40x40cm, Edition of 7, plus 2 Artist proofs. Digital silver gelatin print based on a Polar...

Wander And Get Lost - 2016, 40 x 40 cm, edition 2/10, digital C-Print based on a Polaroid, hand-numbered and signed on the back by artist. Not mounted. Artist Statement “Since my childhood days I always loved taking photos, but for unknown reasons instant film never really caught my attention. After I saw the works of a friend who happened to be a gifted Polaroid photographer, I was totally mesmerized and the desire to shoot with instant film constantly grew in me. But for as long as I can think music has always been my main preoccupation. I somehow always feel the need to create, but my focus shifted more and more from making music to instant photography and it grew into something much more fulfilling and pure. Sometimes, these two passions even come together when I am able to provide my photos for album artworks – this makes me incredibly happy. As I always have been very introverted and reclusive I often drift off into my own inner world. The dreamlike landscapes and surreal atmospheres in my work are the visualization and the result of these imaginations. Another influence on my photography is my essential need to travel the world. But I am not interested in documenting the places I see like they are but rather love to create otherworldly scenes by adding the dreamlike texture of instant film, serving me as a needful escape from reality.” Artist Biography Julia Beyer is an analogue photographer from Germany. She mainly works with instant film to express her inner visions that often show dreamlike landscapes and surreal atmospheres. After being more known for her musical endeavors as the singer of the dreampop band Chandeen, she began to delve into this photographic art form in 2014 and since then expands her portfolio continuously. Her work has been published in various international print and online publications. Since 2017, she is a member of the renowned "12:12 Project", a worldwide collective of female Polaroid photographers. Selected Press and Publications: Feature in “Photodarium” Calendar 2016, 2017 and 2018 (Germany) Print feature in Monochrome Mag issue four: Instant (Australia) Print feature in Double Exposure Zine, Issue 2 // Vacancy (USA) Shoot Film UK, Issue #001 “Overexposed” (UK) Feature in The Impossible Project Magazine Artwork photography...

Gerald Berghammer - Limited Edition 1/9. Silver Gelatin Prints, Selenium Toned, Printed 2019. Signed, numbered, dated by Artis. Handmade wood frame, dark-brown, natural white archiva...

Walter Rudolph His photographs are reminiscent of the jet-set photographer Slim Aarons. Walter Rudolph discovered the world as a photographer on the idea, travel was his passion, hi...

Abruzzo, located in southern Italy, is known as the ‘green region of Europe’ because of the system of parks and nature reserves covering more than one-third of its territory. It has one of the highest biodiversity indexes in Europe, and one of the richest areas of flora in the world. In Abruzzo, Michael Kenna found a cultural identity that elsewhere, for the most part, has been lost to globalization and instant communication. Kenna photographed medieval ruins, ancient villages and a countryside rich in traditional cultivation. As curator Vincenzo de...

'Little House on the Prairie', 2018, 50x50cm, Edition 1/7 plus 2 Artist Proofs, Digital C-print, Based on an original Polaroid. Signed o...

Gerald Berghammer - Limited Edition 2/9 Silver Gelatin Prints, Selenium Toned, Printed 2019 Signed, numbered, dated by Artis. Handmade wood frame, dark-brown, natural white archival ...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

Taken By The Flood - 2016 40 x 40 cm, edition of 10, digital C-Print based on a Polaroid, hand-numbered and signed on the back by artist. Not mounted. Artist Statement “Since my childhood days I always loved taking photos, but for unknown reasons instant film never really caught my attention. After I saw the works of a friend who happened to be a gifted Polaroid photographer, I was totally mesmerized and the desire to shoot with instant film constantly grew in me. But for as long as I can think music has always been my main preoccupation. I somehow always feel the need to create, but my focus shifted more and more from making music to instant photography and it grew into something much more fulfilling and pure. Sometimes, these two passions even come together when I am able to provide my photos for album artworks – this makes me incredibly happy. As I always have been very introverted and reclusive I often drift off into my own inner world. The dreamlike landscapes and surreal atmospheres in my work are the visualization and the result of these imaginations. Another influence on my photography is my essential need to travel the world. But I am not interested in documenting the places I see like they are but rather love to create otherworldly scenes by adding the dreamlike texture of instant film, serving me as a needful escape from reality.” Artist Biography Julia Beyer is an analogue photographer from Germany. She mainly works with instant film to express her inner visions that often show dreamlike landscapes and surreal atmospheres. After being more known for her musical endeavors as the singer of the dreampop band Chandeen, she began to delve into this photographic art form in 2014 and since then expands her portfolio continuously. Her work has been published in various international print and online publications. Since 2017, she is a member of the renowned "12:12 Project", a worldwide collective of female Polaroid photographers. Selected Press and Publications: Feature in “Photodarium” Calendar 2016, 2017 and 2018 (Germany) Print feature in Monochrome Mag issue four: Instant (Australia) Print feature in Double Exposure Zine, Issue 2 // Vacancy (USA) Shoot Film UK, Issue #001 “Overexposed” (UK) Feature in The Impossible Project Magazine Artwork photography...

Chalet Costi, Zermatt, Estate Edition, Winter Landscape Photograph This late 1960s landscape photograph, captured by society photographer Slim Aarons, features skiers outside the Ch...

Occulas (Ghost Town) - 2021 Sketches of a downtown disappearing. 20x20cm, Edition of 7, plus 2 Artist proofs. Digital silver gelatin print based on a Po...

Yucca (The Desert in Sepia) - 2019 Where once there was water there is no more, the Oasis is gone. 20x20cm, Edition of 7, plus 2 Artist proofs. Archival C-Print based on a Polaro...

Artist Statement For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both i...

Spleen & Ideal - 2016 40 x 40 cm, edition of 10, digital C-Print based on a Polaroid, hand-numbered and signed on the back by artist. Not mounted. Artist Statement “Since my chil...

'Ryan Gossling' (Stay) - 2006, 20x20cm, Edition of 2/10, digital C-Print, based on a Polaroid Certificate and Signature label artist Inventory No. 2447.02 Not mounted. Stefanie Schneider: Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting star of the nineteen-nineties), not only takes into account the exponentially expanded significance of photography in the art market, but also attributes to photography an extreme degree of conformity to the “operating system” of the visual arts. This admittedly ironic equation of photography and the visual arts is new. It is repeated with much more earnestness in Lisa Chollondencko’s High Art (USA) from the same year. Artistic photography has finally become established in a cinematic context.

 
Stay Stay (USA, 2005) could have fitted in seamlessly here. Considering that the films High Art and Pecker establish photography as an ideal art form at the end of the millennium, director Marc Forster (Monster’s Ball, Finding Neverland) takes a step backward; he revives an anti-technical, intuitive concept of art, including the customary clichés about madness and genius. This choice documents less an anachronistic notion of art (especially considering that painting is currently experiencing a Renaissance) than instead the appraisal that paintings are more suitable for representing the free objectification of the mind. Stay is not an artist-film but rather a psycho-thriller in which the borders between dream and reality become blurred.
 The psychiatrist Sam Foster (Ewan McGregor) has saved his girlfriend, the artist Lila (played by Naomi Watts) from committing suicide. Now he is attempting to keep another patient, the art student Henry Letham (Ryan Gosling...

'Peaches', 2016, Edition 1/7 plus 2 Artist Proof Based on a Polaroid, digital C-print, not mounted. Signed on the back and with certificate. Artist inventory PL2016-186 Kirsten Thys...

Black and white fine art long exposure seascape - landscape photography - Rocks on the sandy beach of the impressive scottish coast, Scotland. Archival pigment ink print, edition of ...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's ...

Edge of the Sea, 2016, Edition 1/7 plus 2 Artist Proofs Based on an original Polaroid, Digital C-print, not mounted. Signed on the back and with certificate. Artist inventory PL2016-...

Crow Burial II (Sidewinder) 20 x 20 cm, 2005, Edition 4/10, digital C-Print based on a Polaroid, Artist Inventory 3505.04, not mounted Stefanie Schneider...

Edition of 3 1/3 The photograph comes with a certificate of authenticity and a letter of appraisal. Karim - 'Pyramids at dusk' Photography on paper. framed. Karim is a very unique...

Slim Aarons Estate Print - Carlton Hotel The entrance to the Carlton Hotel, Cannes, France, 1958. (Photo by Slim Aarons) Chromogenic print paper size 16 x 16" inches / 41 x 41 cm...

The awkward Age 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on a Medium format Negative. Signed on back with Certificate. Not mounted.

Earthquake (Deconstructivism) - 2015 - about the narrative potential of images. 20x20cm, Edition of 10, digital C-Print, based on a Polaroid, Artist Inventory 4599 Signature lab...

Fox (Ghost Town) - 2020 Sketches of a downtown disappearing. 40x40cm, Edition of 7, plus 2 Artist proofs. Digital silver gelatin print based on a Polaroid. Signed on back with Ce...

a Piece of Backflash (Pieces of Berlin), 2009, 3/10, Lambda C-Print, 30x30cm signed Certificate, unmounted INSTANTDREAMS Gallery presents Florian Reischauer's project 'Pieces of Ber...

coral brambles at the base of High Head, Truro 2004 Signed, dated, and numbered, verso Archival pigment print 6.5 x 6.5 inches (Edition of 11) $950.00 The first print in the edit...

Blue Sinaloa (Ghosts of Route 99) - 2021 Route 99 used to cut right through Bakersfield. The streets were filled with Motels for the weary traveler. In the 1970s the highway was mo...

'Bluebell Dream', 2017 Edition 1/7 plus 2 Artist Proof, 50x50cm, Based on a Polaroid, digital C-Print, not mounted. Signed on the back and with certificate. Artist inventory PL2017-...

Black and white fine art long exposure waterscape - landscape photography print. Rocks in the surf at the Atlantic Ocean in France. Archival pigment ink print, edition of 9. Signed, ...

Walter Rudolph His photographs are reminiscent of the jet-set photographer Slim Aarons. Walter Rudolph discovered the world as a photographer on the idea, travel was his passion, hi...

Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and evolving features of the western roadsi...

Black and white fine art long exposure waterscape - landscape photography print. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by artist. Certificate o...

The photographers note regarding this work is "With the Ford V8 on a wet street, Germany 1930s." This work comes to you as a new Fine Art Print on Hahnemühle William Turner, careful...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Palm Springs Palm Trees VII (Californication) - 2019 20x20cm, Edition of 10, digital C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory Number 22166...

Erin Eggerman ASB Railroad Bridge Lift Mechanism Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted ...

Hey Jack Kerouac, 2016, Edition 1/7 plus 2 Artist Proof Based on an original Impossible film Digital C-print, not mounted. Signed on the back and with ce...

ABOUT THIS ARTIST: Niall Staines is a digital artist based in Ireland. His work is graphic, vibrant and visually arresting. Nature is a consistent theme in his work, often turning se...

In this series, Zilberberg creates animal montages as an expression of self-therapy, drawing attention to mindfulness and nature conservation. As an urbanite, functioning day-to-day ...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Donald Leas Mr and Mrs Donald Leas with their Rolls Royce and two pet dogs outside The Flagler Museum in Palm Beach, Florida. Slim Aarons Archival Pigment Print. Printed 2024. Slim...

Selenium-toned gelatin silver print Signed, titled, dated, and numbered in pencil, verso Also blindstamped with artist's name and edition number, recto 8 x 8 inches, image size (Ed...

Bus (Ghost Town) - 2021 Sketches of a downtown disappearing. 20x20cm, Edition of 7, plus 2 Artist proofs. Digital silver gelatin print based on a Polaroid. Signed on back with C...

Ancient Bridge Views (Stay) - 2006 20x20cm, Edition of 2/5. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory # 2492. Not mounted. Torst...

Palm Springs Palm Trees (Californication) - 2021 20x20cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inv...

Black and White Fine Art long exposure waterscape Photography. Mountain lake in the highlands of Scotland. Archival pigment ink print, edition of 9. Signed, titled, dated and numbere...

ABOUT THIS ARTIST: Niall Staines is a digital artist based in Ireland. His work is graphic, vibrant and visually arresting. Nature is a consistent theme in his work, often turning se...

Skiing in Vail (1964) Limited Estate Stamped - Grande XL (Photo By Slim Aarons) A group of skiers stands in line waiting for the ski lift in Vail, Colorado, USA, 1964. Addition...

Slim Aarons Estate Print - Lucky For Some 1949: Sicilian-born gangster Charles ‘Lucky’ Luciano (1897 – 1962) walking down a street in his native Sicily, followed by local children mimicking his posture. Whilst in prison between 1936 and 1946, he founded the Crime Syndicate of Mafia families and reorganised crime in America. (Photo by Slim Aarons) silver gelatin print paper size 16 x 16" inches / 40 x 40 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. b/w black and white 1940 40s fashion...

'Untitled' (Oilfields) 2004, 60x60cm, Edition 5/10, Analog C-Print, based on a Polaroid Certificate and Signature label, artist Inventory Nr. 1221.05 unmounted The exhibition show...

Palm Tree Restaurant II (Stranger than Paradise) - 1999 50x50cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signature label and Certificate. Artis...

Imperial (Bombay Beach, CA), 2019, 20x20cm, Edition 1/7 plus 2 Artist Proofs. Digital C-print, based on an original Polaroid, not mounted. Signed on the back and with certificate. Ar...

'On Fire' 2020, 50x50cm, Edition 1/7 plus 2 Artist Proofs. Digital C-print, Based on an original Polaroid. Signed on the back and with certificate. Artist inventory PL2020-860. No...

Please be aware that all prints are produced to order and lead times are between 5-10 days. Mirando al Cielo 13 is a beautiful 30cm x 30cm Digital Print on 50cm x 50cm Cotton Paper....

Please be aware that all prints are produced to order and lead times are between 5-10 days. Mirando al Cielo 8 is a beautiful 30cm x 30cm Digital Print on 50cm x 50cm Cotton Paper. ...

Large-scale photographer Troy House celebrates people’s primordial attraction to the beach. He travels the world capturing iconic, breathtaking scenes – oft...

Walter Rudolph His photographs are reminiscent of the jet-set photographer Slim Aarons. Walter Rudolph discovered the world as a photographer on the idea, travel was his passion, hi...