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Art Subject: Bird
Slim Aarons, Beach Hut Antibes
By Slim Aarons
Located in New York, NY
Slim Aarons
Beach Hut Antibes 1969
C print
Estate stamped and numbered edition of 150
with Certificate of authenticity
Guests at a beach hut at the Hotel du Cap-Eden-Roc in Antibe...
Category
1960s Modern Color Photography
Materials
C Print
Harpia (Brazilian Birds)
Located in New York City, NY
Araquém Alcântara
Harpia (Brazilian Birds), 2012
70 x 105 cm
27.5 x 41 inches
Edition of 10
Also available:
100 x 150cm
40 x 60 inches
Edition of 10
120 x 180 cm
47 x 71 inches
E...
Category
2010s Contemporary Black and White Photography
Materials
Black and White, Archival Pigment
Grey Crowned Cranes - Limited Edition Color Photograph, Woman Artist, Birds
By Cheryl Medow
Located in Denton, TX
Grey Crowned Cranes is a limited edition color photograph featuring two large birds perched on top of branches, against a pastel tinted sky with a mountain range visible on the horiz...
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
Rest
Located in New York, NY
49" x 70" Ed. of 8 $9,800 & larger
41" x 59" Ed. of 10 $6,800
36" x 50" Ed. of 6 $5,200
30" x 42" Ed. of 6 $3,600
In this photograph, Lenoir captures a calming seascape featuring a group of piping...
Category
2010s Naturalistic Landscape Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Digi...
Flock of sheep (Hungary)
Located in MADRID, ES
Hungary - Manipulated photography.
As the country where Wei Xiang has lived for more than 30 years, Hungary has become a continuous source of inspiration for the artist. Evocative la...
Category
2010s Photorealist Black and White Photography
Materials
Canvas, Mixed Media, Oil
Golden Gate Reflection, Original Landscape Photography, 2017
Located in Boston, MA
Golden Gate Reflection, Original Landscape Photography, 2017
19" x 10"
Photograph of San Francisco's Golden Gate Bridge.
Artist Commentary:
Classic San Francisco. The mood, the fog, the birds in flight and of course the Golden Gate Bridge.
Keywords: golden gate bridge, bridge, California, San Francisco, US Landmarks
Artist Biography:
William brings many years of creative experience to the table. He possesses an MFA in Cinematography from the Academy of Art University in San Francisco. His studies have taken him around the world. In the summer of 2008 he studied at the prestigious Film and Television School of the Academy of Performing Arts in Prague, the fifth oldest film school in the world. In 2011, while completing his masters, Will traveled to Dublin, to work on the Academy Award nominated film Albert Nobbs starring Glenn Close...
Category
21st Century and Contemporary Landscape Photography
Materials
Photographic Paper
Finding the Universe in Oaxaca, Night Sky
Located in San Francisco, CA
Gary Goldberg
Finding the Universe in Oaxaca, Night Sky, 2018
Archival pigmented print
30 x 20 in
Edition of 3
Gary Goldberg has been photographing the unique qualities of Oaxaca Ci...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Archival Pigment
La mariée - Blois, France
Located in New York, NY
The work is available as Silver gelatin print, by the artist, made in the darkroom, from the original 35 mm black and white negative and in a total edition of 25.
Available in 4 siz...
Category
1980s Contemporary Black and White Photography
Materials
Photographic Paper, Black and White, Silver Gelatin
"Something And/Or Nothing? - Circle" - Landscape Photography - Goldsworthy
Located in Atlanta, GA
"Something And/Or Nothing? - Circle" is a figurative landscape photograph with hues of green, yellow, and black.
Born in Philadelphia, Andrew Herzog is a multi-disciplinary artist and designer currently working in New York City. Herzog creates a variety of works that explore the relationship between the viewer and the artist with themes of accessibility and prioritized sight, often taking the form of photographs, books, films, site-specific sculptures and interactive performances, objects and drawings. Herzog defines “prioritized sight” as how we choose, consciously or unconsciously, the things we see; what we engage or empathize with; and what we understand or misinterpret, with varying degrees of implication.
Herzog received an MA in Graphic Design from the Savannah College of Art and Design. He was the co-founder and partner at the design and technology studio HAWRAF, and led projects at the Google Creative Lab focusing on AI, creative tools and accessibility. Also, Herzog is adjunct professor at the School of Visual Arts in New York. Herzog has lectured and exhibited works at the A4 Art Museum, Chengdu, Sichuan, China; The Franklin Institute, Philadelphia, PA; Q21 MuseumsQuartier Wien, Vienna, Austria; and The National Museum of Art of Romania; among others.
Andrew Herzog is inspired by the work of Andy Goldsworthy, Olafur Eliason...
Category
2010s Contemporary Figurative Photography
Materials
Inkjet
Sunset on the Lake (Hungary)
Located in MADRID, ES
Hungary - Manipulated photography.
As the country where Wei Xiang has lived for more than 30 years, Hungary has become a continuous source of inspiration for the artist. Evocative la...
Category
2010s Photorealist Black and White Photography
Materials
Canvas, Mixed Media, Oil
For life (Pour la Vie)
Located in New York, NY
For life
28.1" X 40" Ed. of 10, Unframed
We can frame it in a white wood shadow box. The frame price is 400$ as white lacquered Shadow box with UV Acrylic.
A resolutely minimalist a...
Category
2010s Naturalistic Landscape Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Digi...
Peacock in Tree with Iridescent Blue and Green Plumage
By Robert Funk
Located in Miami, FL
Art by God? If so, the peacock is his most magnificent creation. The bird's majestic and iridescent metallic blues and greens with an endlessly large train are on full display. Th...
Category
2010s Post-Impressionist Portrait Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
"Birds, Perry County, AL" - Southern Documentary Photography - Christenberry
By Jerry Siegel
Located in Atlanta, GA
Photographer Jerry Siegel was born and raised in Selma, Alabama and graduated from the Art Institute of Atlanta. His first monograph, “Facing South: Portraits of Southern Artists,” w...
Category
2010s Contemporary Landscape Photography
Materials
Inkjet
Thirty Six Birds, Isle of Skye, Scotland by Michael Kenna, 2005
Located in Denton, TX
Thirty Six Birds, Isle of Skye, Scotland by Michael Kenna depicts a flock of birds flying overhead against a bright sky.
Sepia toned gelatin silver print
Image size: 8 x 7.75 in.
Mo...
Category
Early 2000s Contemporary Black and White Photography
Materials
Silver Gelatin
Biguatinga 2, Pantanal (Brazilian Birds)
Located in New York City, NY
Araquém Alcântara
Biguatinga 2, Pantanal, Brazil (Brazilian Birds), 2007
70 x 105 cm
27.5 x 41 inches
Edition of 10
Also available:
100 x 150cm
40 x 60 inches
Edition of 10
120 x...
Category
2010s Contemporary Black and White Photography
Materials
Black and White, Archival Pigment
Grey Crowned Cranes - Limited Edition Color Photograph, Woman Artist, Birds
By Cheryl Medow
Located in Denton, TX
Edition of 10
Signed and numbered in pencil, and blind stamp on print margin.
Signed, titled, dated and print type in pencil on print verso.
Paper size: 25 x 20 in., Image size: 20 x...
Category
2010s Surrealist Color Photography
Materials
Archival Pigment
Boats, Sea Beach, Black & White Photography by Indian Artist "In Stock"
Located in Kolkata, West Bengal
Mohan L. Mazumder - Untitled - 24 x 36 inches (unframed size)
Archival Print on Hahnemuhles Photo Rag Bright White museum quality paper - 310 gsm Edition of 4 + 1 AP. This work is t...
Category
2010s Contemporary Landscape Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
Dawn of Change - NYC Skyline Photography, 36"x52", Signed Limited Edition of 5
By Viet Chu
Located in New York, NY
" The desaturation was done to create a cinematic feel that reflected my mood on current changes and upheavals there...pretty much around the world where some things just aren't maki...
Category
2010s Naturalistic Photography
Materials
Archival Pigment
Th Hermitage Occupation I
Located in Paris, FR
Digital Photography from the series Invasions.
Limited print no of 5.
Category
2010s Contemporary Color Photography
Materials
Photographic Paper
Pearl - Spotted Owlet
By Cheryl Medow
Located in Denton, TX
Edition of 10
Signed and numbered in pencil, and blind stamp on print margin
Signed, titled, dated, and print type in pencil on print verso.
Paper size: 25 x 20 in., Image size: 20 x...
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
Copper, wood and styrofoam #1 - Scandinavian landscape black and red photograph
Located in New York, NY
The series 'Trespassing' explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
C Print
"Something And/Or Nothing? - Flower" - Landscape Photography - Goldsworthy
Located in Atlanta, GA
"Something And/Or Nothing? - Flower" is a figurative landscape photograph with hues of green, yellow, and black.
Andrew Herzog is inspired by the work of Andy Goldsworthy, Olafur Eliason...
Category
2010s Contemporary Figurative Photography
Materials
Inkjet
Southern Right Whale Tail, Valdes Peninsula, Argentina, 2004 - Sebastião Salgado
Located in London, GB
Southern Right Whale Tail, Valdes Peninsula, Argentina, 2004 - Sebastião Salgado
Stamped with photographer’s copyright blind stamp
Signed, inscribed on r...
Category
21st Century and Contemporary Black and White Photography
Materials
Silver Gelatin
American Photograph by Sean Lotman, Morning Birdsong (Pulau Pangkor), 2010
Located in New York, NY
"A native of Los Angeles, California, Sean Lotman (b. California) grew up frequenting the movie theaters of southern California, dazzled by their stories, sets, and vivid colors. Ini...
Category
2010s Landscape Photography
Materials
C Print
Nature Abstraction #7, Ibicoara (Color Abstract Photography)
Located in New York City, NY
Rodrigo Katayama
Nature Abstraction #7, Ibicoara (Color Abstract Photography)
(Color Abstract Photography)
71 x 48 inches
Edition of 5
Archival Pigment Print
Framed
Category
2010s Contemporary Landscape Photography
Materials
Plexiglass, Archival Pigment
Copper, wood and styrofoam #1 - Scandinavian landscape black and red photograph
Located in New York, NY
The series 'Trespassing' explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
C Print
Biguatinga II, Pantanal, Mato Grosso do Sul, Brazilian Bird
Located in New York City, NY
Araquém Alcântara
Biguatinga II, Pantanal, Mato Grosso do Sul, Brazilian Bird, 2010
70 x 105 cm
27.5 x 41 inches
Edition of 10
100 x 150cm
40 x 60 inches...
Category
2010s Contemporary Black and White Photography
Materials
Black and White, Archival Pigment
Roadrunner by Nancy Baron, 2013, Archival Pigment Print, Photography
Located in Denton, TX
Roadrunner by Nancy Baron is listed as a 15 x 22 inch archival pigment print, available in an edition of 10. This photograph includes a signature label with title, edition, date, pri...
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
Black-headed Lapwing by Cheryl Medow, 2021, Archival Pigment Print, Photography
By Cheryl Medow
Located in Denton, TX
Black-headed Lapwing by Cheryl Medow features a black and white colored bird standing in a field of tiny yellow flowers. A stream of water leads back to the distant ocean, where another bird is seen flying over a barren tree.
Black-headed Lapwing is listed as a 25 x 20 inch archival pigment print, with the image size measuring 20 x 16 inches.
This size is available in an edition of 10.
This photograph is signed and numbered in pencil, and blind stamp on print margin and signed, titled, dated, and print type in pencil on print verso by Cheryl Medow
More sizes are available with varying edition sizes.
Santa Barbara art photographer Cheryl Medow creates images that entice the viewer to enter her world, both real and imagined.
Cheryl Medow's background in the arts is diverse, but interconnected.
Medow studied ceramics at the famed Chouinard Institute and received a BA in Art from UCLA, concentrating on life drawing with charcoal and pastels. Continuing her art education, she studied printmaking at Hand Graphics in Santa Fe, New Mexico.
With a wealth of materials and techniques, Medow layers her photographs and weaves them together to create visual narratives.
There have been numerous articles written about her work. Avian Alchemy by Becca Cudmore was published by Audubon News/Culture on June 5, 2015, Proof. National Geographic - An Altered Reality by Becky Harlan...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
Secretarybirds by Cheryl Medow, 2020, Archival Pigment Print, Photography
By Cheryl Medow
Located in Denton, TX
Secretarybirds by Cheryl Medow is a 16 x 20 inch archival pigment print, with the sheet size measuring 21 x 26 inches.
Available in an edition of 10.
This photograph is signed and numbered in pencil, and blind stamp on print margin. It is also signed, titled, dated, and print type in pencil on print verso. This image is available in multiple sizes.
Secretarybirds by Cheryl Medow depicts two large secretary birds in a green grassy field, dominating the landscape. A herd of zebras is seen in the background, with one looking over its shoulder at the towering birds.
Santa Barbara art photographer Cheryl Medow creates images that entice the viewer to enter her world, both real and imagined.
Cheryl Medow's background in the arts is diverse, but interconnected.
Medow studied ceramics at the famed Chouinard Institute and received a BA in Art from UCLA, concentrating on life drawing with charcoal and pastels. Continuing her art education, she studied printmaking at Hand Graphics in Santa Fe, New Mexico.
With a wealth of materials and techniques, Medow layers her photographs and weaves them together to create visual narratives.
There have been numerous articles written about her work. Avian Alchemy by Becca Cudmore was published by Audubon News/Culture on June 5, 2015, Proof. National Geographic - An Altered Reality by Becky Harlan along with National Geographics Sunday Stills, Sunday, July 12, 2015 and an article in Inspire Adobe Photoshop For The Birds by Alyssa Coppelman in August.
In 2016, Medow was included in the SLIDESHOW Night at the Annenberg Space for Photography in Century City, California. She received the Juror's Award at PhotoPlace Gallery in Middlebury Vermont for Great Blue Heron With Chicks Revisited and her print will be exhibited from March 23 through April 22 and White Ibis With Fish will be part of the Online Gallery Annex at PhotoPlace.
Medow was a finalist in the 89th Annual International Competition at The Print Center in Philadelphia given the Olcott Family Award. She is also a finalist at the LensCulture Earth Awards 2015.
In 2015, Medow's images were exhibited at The G2 Gallery in Venice, CA and at Flock: Birds On The Brink / Ganna Walksa Lotusland, curated by Nancy Gifford...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
"Clark's Nutcracker"
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
"Yellow-throated Vireo" - original bird photography by Matt Tillett
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
"Common Redpoll"
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
"Blue-winged Warbler"
Located in New York, NY
22" x 17" edition of 7 + 2 AP $1,400 unframed
36" x 24" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
"White-throated Sparrow"
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
"Pine Siskin"
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
Java Heron Spies a Red-Eyed Tree Frog
By Cheryl Medow
Located in Denton, TX
Edition of 10
Signed and numbered in pencil, and blind stamp on print margin by Cheryl Medow
Signed, titled, dated, and print type in pencil on print verso by Cheryl Medow
Paper size...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
Helmeted Guineafowls
By Cheryl Medow
Located in Denton, TX
Edition of 10
Signed and numbered in pencil, and blind stamp on print margin by Cheryl Medow
Signed, titled, dated, and print type in pencil on print verso by Cheryl Medow
Paper size...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
Venise
Located in PARIS, FR
"Venise", Bellec, 20x30 cm tirage seul.
Tirage pigmentaire sur papier baryté, édition 2/20.
Photographie de paysage prise lors d'un des nombreux voyages du photographe ; vue de Veni...
Category
1990s Contemporary Landscape Photography
Materials
Photographic Paper
Night Heron in Tucson
By Cheryl Medow
Located in Denton, TX
Edition of 10
Signed and numbered in pencil, and blind stamp on print margin
Signed, titled, dated, and print type in pencil on print verso.
Paper size: 25 x 20 in., Image size: 20 x...
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
Saddle-Billed Storks
By Cheryl Medow
Located in Denton, TX
Edition of 10
Signed and numbered in pencil, and blind stamp on print margin
Signed, titled, dated, and print type in pencil on print verso.
Paper size: 21 x 24 in., Image size: 16 x...
Category
2010s Surrealist Color Photography
Materials
Archival Pigment
South Texas: Sorghum field with blackbirds near Falfurrias
By Peter Brown
Located in Denton, TX
Edition of 25
Signed and numbered in black ink on print margin by Peter Brown
Paper size: 18 x 22 in., Image size: 13 1/4 x 20 in.
Series: Hometown Texas
Available in additional siz...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Archival Pigment
Pembrokeshire Seagulls
By Pete Kelly
Located in Hudson, NY
CURRENT EXHIBITION - runs through June 25th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph.
The Robin Rice Gallery announces a solo photography exhibition by Pete Kelly. The opening reception will be held May 3, 2017 with the show running through June 25, 2017.
Pete Kelly’s latest show admirably showcases the lush greenness, diverse landscape, and ever-fleeting light of the British terrain. We are invited to join his excursions throughout the country as he brings light to the captivating, idiosyncratic characteristics of the land. He captures the oddities of the landscape; solitary figures bathing in sunlight, silhouette of a frolicking Great Dane in the mist, and subtle remnants of a bygone era. Kelly’s incredibly unique, picturesque editing style further mythologizes his subjects, he meddles with an air of mystery that defines the viewers experience.
Kelly employs a mixture of a single image with layers of photographs of textures. The feel and look of the end result pay homage to English romanticist landscape painters such as J.M.W Turner and Constable. Kelly applies varnish and then uses Photographic Encaustic wax over the print. He encases the archival pigment print in beeswax and damar resin; tree sap in its purest form. These organic components have been found to have preserving qualities by ancient Egyptians, which replace the need for glass over the photograph. The impersonality of a raw digital file is alleviated through this process and makes the image a ‘one off. Combining modern photographic and printing technology with ancient crafting techniques, Kelly
is the originator of art that is tactile, archival and organic.
In one image entitled ‘Brabyns Autumn” examines man’s contemporaneously interruptive and complimentary relationship with the surrounding land, and zeros in on a serenity only manifested when man and nature successfully coexist. Small figures, animals, and dwellings found in the landscape are essential points of interest for Kelly. Using nature as a tool for fortifying scale and perspective, Kelly magnificently reinforces the grandiose essence of nature as opposed to the insignificant disposition of man. Kelly’s tiny...
Category
2010s Contemporary Color Photography
Materials
Pigment
Social Club
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 10.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
In her ninth solo show at the Robin Rice Gallery, veteran artist Patricia Heal documents her visual narrative of their enchanted home in upstate New York. Hidden within untouched forests lies Peabrook, a babbling brook running through the property. The classic architecture of the house is offset by uniquely quirky interiors designed by the English-born Patricia and her husband, Anthony Cotsifas, which generate an otherworldly existence within the estate. “Peabrook is my Neverland,” Heal states, in reference to J.M. Barrie’s Peter Pan. “It is a fictional place often described as a metaphor for eternal childhood.” Heal hopes that, with just a visit to the gallery and a little imagination, you, too, can see Peabrook.
Her use of the large format, now-extinct Polaroid film for her black and white photographs, and the warm soft colors found in many of the other pieces of the collection, contribute to the sense of antiquity and fantasy surrounding Peabrook. The whimsical subject matter, including mythical creatures and extensive taxidermy, complete the “magical” representation of Heal’s home that she strove to depict. The simply framed 4” x 5”, 5” x 7” and 8” x 10” photographs sit within large mattes, in keeping with the classical quality of her images. “I really wanted to work in film again, and this project seemed the right one to do it with,” says Heal, who lists Sarah Moon and André Kertesz as artistic inspirations.
The dark and mysterious invitational image, “Willow”, depicts a portrait of a hooded woman, her downward gaze partially obstructed by the soft branches of a fern from the surrounding garden.
The earth-toned image contains the unpredictable streaked effect of developed instant film.
In another image, entitled “Sitting Room”, we see a positive image of a film negative. Most notable is the hanging rhinoceros head towering impressively over two antique sitting chairs...
Category
21st Century and Contemporary Landscape Photography
Materials
Giclée
Beautiful Nature Colorful Duck Swims in a Pond of Blue and Yellow
Located in Miami, FL
A red-billed duck swims in a pond of impressionist yellow and blue colors that please the viewer's optic nerve and soothe one's mood. The image is as abstract as it is representation...
Category
2010s Post-Impressionist Landscape Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
American Contemporary Photo by M.K. Yamaoka - Dove, San Luis Obispo
Located in Paris, IDF
Digital Photograph from Film Original ed. 2 of 9 HP Premium Satin Photo Paper with archival inks
Born in Japan in 1940 and educated at The Art Center College of Design in California...
Category
Late 20th Century Contemporary Color Photography
Materials
Ink, Photographic Paper, Digital
Eternal - ETHEREAL 1 by Alexandre Manuel (Black and white minimalist)
Located in New York City, NY
Series: ETERNAL
All available sizes and editions:
20" x 20" editions of 10
40" x 40" editions of 7
60" x 60" editions of 5
Archival Pigment Print on Fine Art Baryta paper
Mounted a...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment
Bird Party on a New York Water Tower
Located in Miami, FL
This is a long lens selective focus shot of a "Pigeon Party" atop one of Manhattan's many wood water towers. Like all of Funk's street photography, he designs his pictures with the...
Category
Early 2000s Post-Impressionist Landscape Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
'Barrier Island, Study No. 15, Pine Island Sound, Florida' southern photography
Located in Atlanta, GA
This unique object features a wet plate collodion print framed in a handmade wooden frame lined with gold leaf. Frame measures 12 by 9 inches.
Cecilia Montalvo & Charlie McCullers are a collaborative team.
Characterized by the dynamic nature of the land-sea interaction, barrier islands are places with many shape narratives, and inversions. A barrier island is ephemeral, an instance of simultaneity, above and below what we call the surface. Mangroves straddle these mirror worlds, walking on water, making something out of nothing. Light rushes through every keyhole and seam in palm forest...
Category
2010s Contemporary Landscape Photography
Materials
Metal, Gold Leaf
White Doves over New York City Bethesda Fountain in the Snow Romantic
Located in Miami, FL
Snow scene in Central Park in blue and white. White Doves over New York City Bethesda Fountain in the Snow. This is an image about the interaction between winged creatures.. .some are birds, and some are statues. The birds are in flight and the bronze with outstretched wings is poised to flight. Circling the bronze, the birds seem to be egging on the bronze statue to join them. Funk employs a blur effect of the birds combined with soft snow that envelops the fountain sculpture designed by Emma...
Category
1990s Post-Impressionist Landscape Photography
Materials
Archival Pigment
"Bahamas 0113" Seascape Photography 36" x 44" Edition of 12 by Ben Cope
By Ben Cope
Located in Culver City, CA
"Bahamas 0113" Seascape Photography 36" x 44" Edition of 12 by Ben Cope
Unframed - ships rolled in a tube
Ben Cope is a Los Angeles based portrait artist with a BFA in ceramic sc...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Archival Pigment
"Bahamas 0113" Landscape Photography 18" x 24" Edition of 20 by Ben Cope
By Ben Cope
Located in Culver City, CA
"Bahamas 0113" Landscape Photography 18" x 24" Edition of 20 by Ben Cope
Unframed - ships rolled in a tube
Ben Cope is a Los Angeles based portrait artist with a BFA in ceramic s...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Archival Pigment
Posing Pigeons. Manhattan in Neutral Colors Grey and Gray Birds
Located in Miami, FL
A formal and highly balanced composition based on the random positions of pigeons caught the eye of street photographer Mitchell Funk. Each pigeon has it's own pose and personality. ...
Category
2010s Contemporary Color Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
Flock of Golden Birds over Moody Manhattan Skyline at Dusk
Located in Miami, FL
A moody Manhattan Skyline in blue serves as a backdrop to a flock of seagulls caressed in magical light.
Signed, dated, numbered 3/15 lower right recto, unframed, other sizes avail...
Category
1990s Post-Impressionist Color Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
"Something And/Or Nothing? - Nike" - Landscape Photography - Goldsworthy
Located in Atlanta, GA
"Something And/Or Nothing? - Nike" is a figurative landscape photograph with hues of green, yellow, and black.
Born in Philadelphia, Andrew Herzog is a multi-disciplinary artist and designer currently working in New York City. Herzog creates a variety of works that explore the relationship between the viewer and the artist with themes of accessibility and prioritized sight, often taking the form of photographs, books, films, site-specific sculptures and interactive performances, objects and drawings. Herzog defines “prioritized sight” as how we choose, consciously or unconsciously, the things we see; what we engage or empathize with; and what we understand or misinterpret, with varying degrees of implication.
Herzog received an MA in Graphic Design from the Savannah College of Art and Design. He was the co-founder and partner at the design and technology studio HAWRAF, and led projects at the Google Creative Lab focusing on AI, creative tools and accessibility. Also, Herzog is adjunct professor at the School of Visual Arts in New York. Herzog has lectured and exhibited works at the A4 Art Museum, Chengdu, Sichuan, China; The Franklin Institute, Philadelphia, PA; Q21 MuseumsQuartier Wien, Vienna, Austria; and The National Museum of Art of Romania; among others.
Andrew Herzog is inspired by the work of Andy Goldsworthy, Olafur Eliason...
Category
2010s Contemporary Figurative Photography
Materials
Inkjet
L'enigma dell Punklichkeit #1 Hamburg, Germany, 2008
Located in Santa Monica, CA
Jay Mark Johnson
L'enigma dell Punklichkeit #1
Hamburg, Germany, 2008
Archival pigment, paper, aluminum
23” x 48” (framed)
Edition 6/9
$10,500
Category
2010s Post-Modern Landscape Photography
Materials
Paper, Archival Pigment
Biguatinga 1, Pantanal (Brazilian Birds)
Located in New York City, NY
Araquém Alcântara
Biguatinga 1, Pantanal, Brazil (Brazilian Birds), 2007
70 x 105 cm
27.5 x 41 inches
Edition of 10
Also available:
100 x 150cm
40 x 60 inches
Edition of 10
120 x...
Category
2010s Contemporary Black and White Photography
Materials
Black and White, Archival Pigment
Pink Bird Pastel Colors
By Robert Funk
Located in Miami, FL
Pink Bird Pastel Colors - The Beady-Eye of the Bird is echoed in the lens reflections. Just to the left of the wing, there is a wide circle with and smaller...
Category
2010s Post-Impressionist Landscape Photography
Materials
Inkjet
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