Land Landscape Photography

The photographs in Nest are about a primal need to create a home wherever we are. In San Francisco, there are pockets of nature where people and animals seek refuge. Belcher is attracted to wild places, particularly the caves and nests that appear in the overgrown areas of Golden Gate Park...

The photographs in Nest are about a primal need to create a home wherever we are. In San Francisco, there are pockets of nature where people and animals seek refuge. Belcher is attracted to wild places, particularly the caves and nests that appear in the overgrown areas of Golden Gate Park...

"Rio - Forêt de Tijuca", photograph of a Brasilian landscape by Didier Fournet. Didier Fournet is a contemporary "painter" thanks to photography: he chose pixels instead of brushes...

Portofino 1985, The most exclusive fishing village in Italy, Portofino, on Italy’s Ligurian coast. 30x40" inches / 76 x 101 cm paper size Estate Stamped Collection Edition to 1...

Hand printed by the artist. Considered one of the best platinum printers of the 21st C. Printed 2006 Gum over Platinum

Archival Black and White Pigment print, from an Analogue Negative ABOUT THE ARTIST Nicolas Auvray was born in France. After several years living in various countries around the wor...

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

The seaside swimming pool at the Hotel Taormina, Sicily, August 1975. Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Slim Aaro...

Artificial Lake in Brazil- Vintage b/w Photo realized in the 1970s. With some handwriting on the rear. Stamped on the rear. Good conditions.

Rinko KAWAUCHI (*1972, Japan) Untitled, from the series 'the eyes, the ears', 2005 Lambda print Sheet 30,5 x 25,4 cm (12 x 10 in.) Frame 31,5 x 26,5 x 2,5 cm (12 3/8 x 10 3/8 x 1 in....

Land is a photograph taken by Amanda Ludovisi in 2018. It represents a desolated immense flat land in Iceland, with a sharp horizon. This is a giclée ...

Daniel Mansur WALD 1, 2019 60 x 88.5 inches 150 x 225 cm Also available in: 47 x 71 inches 120 x 180cm 60 x 88.5 inches 150 x 225 cm Edition of 6 copies overall Archival Pigm...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is p...

Edition of 10. Fujicolour / DMEL: professional photo paper (from Kodak).

Albania - Lukova - Photograph is a vintage photograph in color. Good conditions. the landscape of Albania through the art of photography is captured aesthetically through precise l...

Albania - Lukova - Photograph is a vintage photograph in color. Good conditions. the landscape of Albania through the art of photography is captured aesthetically through precise l...

This silver gelatin print is signed and dated in pencil on the front of the mount. Titled, dated and numbered "#7" in pencil on the back of the mount.

This is a black and white photograph by Jay Zuckerkorn. Moanacua III 1999 Signed, titled, dated, and numbered in pencil, verso Gelatin silver print 8 x 10 inches (20.3 x 25.4 cm)

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. The show will run through January 5, 2020. At 1000 Feet is Boaz’s first solo exhibition at the Robin Rice Gallery. As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above. Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track. As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease. Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz...

Balloon Tree 2018 Signed and numbered, verso Archival pigment print This photograph by Adam Ekberg is offered by CLAMP in New York City. Adam Ekberg (b. 1975, Boston, MA) is an a...

This is the unframed price listed. Inquire about our framing. The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening recep...

This art work, as all of Marek`s pieces can be custom size. It is part of an edition of 5 and comes ready to hang. It was taken place in Croatia. I use the medium of photography freely and instinctively, at times beyond its conventional role, form and expectations. Constantly experimenting, discovering new meanings. Attempting to move imaginations. From sharp, colourful geometric shots to soft and calming landscapes. From intensely minimalist to intensely complex. Looking for beauty and poetry in the mundane. Hunting for treasures. Photographs chosen to present in collaboration with Contempop Gallery...

Landscape of Brazil side of iguazu falls, expired film technique, medium format film camera, digital print on hahnemuhle photo rag Solo Exhibitions: 2013 - Rome (Italy) Auditorium...

Red Stripes is one of the best photo on canvas realized by Giuseppe Marani in 2010. Always passionate about landscapes and photography, the artist the...

Garden of Italy is one of the best photo on canvas realized by Giuseppe Marani in 2010. Always passionate about landscapes and photography, the artist then devoted himself to landsc...

Giovanna is one of the best photo on canvas realized by Giuseppe Marani in 2010. Always passionate about landscapes and photography, the artist then d...

Red slopes is one of the best photo on canvas realized by Giuseppe Marani in 2010. Always passionate about landscapes and photography, the artist the...

Trees, Yosemite, California, USA by Michael Kenna presents tall, slender trees against a stark white background. This photograph is listed as a 6 x 8.75 inch sepia toned silver gelat...

Ham Land By Justin Pumfrey Archival pigment print Paper size: 20 x 16" / 51 x 41 cm edition of 25 unframed note other print sizes and framing options are available, please enqui...

North Texas: Plowed Field, Patricia by Peter Brown presents a sublime scene. The plowed, warm toned dirt stretches far into the horizon, leading to the bright blue sky. Lush green grass frames the edge of the soil. North Texas: Plowed Field, Patricia by Peter Brown is listed as a 19.25 x 24 inch archival pigment print, with the paper size measuring 22 x 26 inches. This photograph is available in an edition of 25. This photograph is signed and numbered in black ink on print margin by Peter Brown. North Texas: Plowed Field, Patrica is from Peter Brown's series, Hometown Texas. This photograph is available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

This early silver gelatin print is signed in pencil on the front of the mount, with the artist's stamp, numbering and title in pencil in the artist's hand on the back of the mount. T...

51 x 63 inch type-c print, framed to 52 x 66 inches. Edition 7. Signed, titled, dated and editioned on label verso. Other sizes available - please inquire. In a persistent search fo...

Slim Aarons Freeport Beach 1969 (printed later) Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. A beach i...

Rodrigo Katayama Nature Abstraction #3, Rainforest (Color Abstract Photography) 71 x 48 inches Edition of 5 Archival Pigment Print Framed

The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. Th...

Artist Commentary: This image was taken in Michigan on a frozen lake. I like how the texture of the ice plays against the black lines of the tree branches Keywords: water, winter, o...

A Boat In Nassau 1960 by Toni Frissell A single boat drifts across the sea at the Lyford Club, Nassau, the Bahamas, 1960. (Toni Frissell) 40x30 inches / 101 x 76 cm paper size A...

'The River Calls' is a black and white landscape photograph taken near the Chattahoochee River. Additional sizes are available. This listing is for an unframed print, edition 1/10. ...

"Rocks in Shallow Water" is a black & white landscape photograph measuring 36x30" unframed. All of Rick's photographs are printed on Hahnemühle Fine Art Paper using archival pigment-based inks. There are other edition sizes available, namely 17x14" and 10x8.5". Photographs are rolled carefully and shipped in a tube. Framing is optional and quoted separately. A trip to Goderich, Ontario inspired this photograph of a group of rocks peaking above the surface of the beach. A long exposure revealed the silky texture of the water from Lake Huron. Rick Bogacz...

"Black Rocks, Lake Superior" is a black & white landscape photograph measuring 17.5x15.5" unframed. All of Rick's photographs are printed on Hahnemühle Fine Art Paper using archival pigment-based inks. There are other edition sizes available, namely 14x12.5" and 10x8". Photographs are rolled carefully and shipped in a tube. Framing is optional and quoted separately. Black Rocks, Lake Superior is from a series that was taken in and around Lake Superior Provincial Park near Wawa, Ontario. The rocks are along the shoreline near Michipicoten. Rick Bogacz...

Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition. Edition 1 of 15. If the...

Black-headed Lapwing by Cheryl Medow features a black and white colored bird standing in a field of tiny yellow flowers. A stream of water leads back to the distant ocean, where another bird is seen flying over a barren tree. Black-headed Lapwing is listed as a 25 x 20 inch archival pigment print, with the image size measuring 20 x 16 inches. This size is available in an edition of 10. This photograph is signed and numbered in pencil, and blind stamp on print margin and signed, titled, dated, and print type in pencil on print verso by Cheryl Medow More sizes are available with varying edition sizes. Santa Barbara art photographer Cheryl Medow creates images that entice the viewer to enter her world, both real and imagined. Cheryl Medow's background in the arts is diverse, but interconnected. Medow studied ceramics at the famed Chouinard Institute and received a BA in Art from UCLA, concentrating on life drawing with charcoal and pastels. Continuing her art education, she studied printmaking at Hand Graphics in Santa Fe, New Mexico. With a wealth of materials and techniques, Medow layers her photographs and weaves them together to create visual narratives. There have been numerous articles written about her work. Avian Alchemy by Becca Cudmore was published by Audubon News/Culture on June 5, 2015, Proof. National Geographic - An Altered Reality by Becky Harlan...

Edition of 10. Fujicolour / DMEL: professional photo paper (from Kodak).

CURRENT EXHIBITION - runs through June 25th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. The Robin Rice Gallery announces a solo photography exhibition by Pete Kelly. The opening reception will be held May 3, 2017 with the show running through June 25, 2017. Pete Kelly’s latest show admirably showcases the lush greenness, diverse landscape, and ever-fleeting light of the British terrain. We are invited to join his excursions throughout the country as he brings light to the captivating, idiosyncratic characteristics of the land. He captures the oddities of the landscape; solitary figures bathing in sunlight, silhouette of a frolicking Great Dane in the mist, and subtle remnants of a bygone era. Kelly’s incredibly unique, picturesque editing style further mythologizes his subjects, he meddles with an air of mystery that defines the viewers experience. Kelly employs a mixture of a single image with layers of photographs of textures. The feel and look of the end result pay homage to English romanticist landscape painters such as J.M.W Turner and Constable. Kelly applies varnish and then uses Photographic Encaustic wax over the print. He encases the archival pigment print in beeswax and damar resin; tree sap in its purest form. These organic components have been found to have preserving qualities by ancient Egyptians, which replace the need for glass over the photograph. The impersonality of a raw digital file is alleviated through this process and makes the image a ‘one off. Combining modern photographic and printing technology with ancient crafting techniques, Kelly 
is the originator of art that is tactile, archival and organic. In one image entitled ‘Brabyns Autumn” examines man’s contemporaneously interruptive and complimentary relationship with the surrounding land, and zeros in on a serenity only manifested when man and nature successfully coexist. Small figures, animals, and dwellings found in the landscape are essential points of interest for Kelly. Using nature as a tool for fortifying scale and perspective, Kelly magnificently reinforces the grandiose essence of nature as opposed to the insignificant disposition of man. Kelly’s tiny...

RISAKU SUZUKI (*1963, Japan) Water Mirror 15, WM-272, 270 (Diptych), 2015 Chromogenic print (2x) Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5 (#3/5) Print only A Label signed b...

Hand printed by artist. Part of a limited edition book and print set (Winter) Framed in a gorgeous wood frame with high quality plexiglass.

A boy runs through a thickly wooded forest that looks fresh out of a fairy tale book. The sky is covered with foliage and the lines of trees seem to go...

Wood - Signed limited edition archival pigment print, 1981 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahnemühle Photo Rag® Baryta 315 gsm (Acid- and lignin-free paper, Museum quality for highest age resistance and a popular alternative to analogue baryta paper) using pigment inks which are known for their longevity. Please note. There are three sizes of this archival pigment print ; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested Signed + numbered by artist with certificate of authenticity , unframed Edition : 1/5 Archival pigment print available sizes ( Image size , the white margin is not counted): 40 x 53 cm / 15,75 x 20,87" - Edition of 5 56 x 75 cm / 22,05 x 29,53" - Edition of 5 75 x 100 cm / 29,53 x 39,37" - Edition of 5 Ian Sanderson (born 1951 Scotland, died 2020 Spain) was a Scottish photographer. He produced images over a 35 year career, and in recent years used archival techniques to produce his prints. For most of his career he worked as both a Commercial and Fine Art photographer, and during his last years concentrated on his personal imagery. Towards the end of his life journey, Ian was reviving with his partner two 19th century printing techniques in their studio, Platinum Palladium and Gum Bichromate ( one-of-a-kind pieces). This culminated in a large retrospective exhibition in Barcelona which was sponsored by the Nando and Elsa Peretti Foundation. The Platinum and Palladium prints are particularly interesting as they printed them onto vellum paper therefore transparent and bonded pure gold or silver to the back of the prints ( every print is therefore a unique and timeless piece of art). They have created rare and personalized pieces with an artisanal technique. Ian Sanderson was one of only a handful of artists worldwide producing this type of work. Nowadays, Ian’s partner continues their work, she’s still creating Platinum Palladium prints but also silver gelatin photographs. Please note that prices increase as editions sell. categories : Black and white Photography, 20th. Century, Archival Pigment Print, Hospitality, Forest, Monochromatic Landscape Art...

This photograph is unframed. Jerry Siegel is inspired by the work of William Christenberry, Sally Mann, Andrew Moore, Walker Evans and Jim Dow. ...

South Texas: Cash Creek and coastal prairie, Matagorda County by Peter Brown presents a sublime scene. A calm river cuts through the green grass field, leading to a tree in the distance. White fluffy clouds fill the bright blue sky. The prairie field is painted with a soft glowing light, creating a tranquil scene. South Texas: Cash Creek and coastal prairie, Matagorda County by Peter Brown is listed as a 16 x 24 inch archival pigment print, with the paper size measuring 22 x 26 inches. This photograph is available in an edition of 25 and is signed and numbered in black ink on print margin. South Texas: Cash Creek is from Peter Brown's series, Hometown Texas Available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

Edition of 10. Fujicolour / DMEL: professional photo paper (from Kodak).

"Rock, Mirror, Lake, Yosemite" is an original photograph created by Thomas Ferderbar. Ferderbar shows us a striking photo of a large rock sitting in a mirror still lake. The flow of nature takes the viewers eyes all around the image and back again with it's beautiful features. Ferderbar signed and dated the piece. This work is archivally framed with acid free foam board backing, museum glass, and a silver finished frame. Art: 34.63" x 24.88" Frame: 42.5" x 32.5" Titled, dated, and signed by the artist Interview With the Artist: "I wanted to become a photographer at the age of 12, when my sister Grace gave me a Kodak Box Brownie camera...

Landscape, water, black and white, pastoral, bridge, nature, river, England, United Kingdom, UK, countryside, stream, calm, forest, mountainous, remote, bridge, nature, photography, ...

Pete Kelly finds his inspiration in nature and the landscape. Specifically focusing on, "The reclamation by nature of urban settings", Kelly finds a particularly strong aesthetic and...

Edition of 10. Fujicolour / DMEL: professional photo paper (from Kodak).

In expressing his narrative of “The Western Abandon” Cody concentrates his focus on abandoned farms, crumbling homes, neglected churches, aging cemeteries, forgotten cars and other o...

Slim Aarons View From Il Pellicano, 1991 C print Estate stamped and numbered edition of 150 with Certificate of authenticity Aerial view with sunbather...