Outdoors Landscape Photography

Skiers line up for a hike to ski resort Zurs from Lech, Austria, February 1979. Gorgeous print measuring 30 x 40" inches / ca 76.2 x 101.6 cm’s paper size. Estate Stamped Collec...

40 x 60 inches ed. of 10 $5,000 50 x 75 inches ed. of 5 $8,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentalit...

Fine Art paper Hahnemuhle 310 g + archival pigment ink, ed. 3/20 Shipping in a tube, artwork can be framed & delivery in a crate upon simple request Laurence Gallien is a French pho...

Lignite is still one of Germany's largest energy suppliers. Energy production from coal has enabled our civilization to make great economic and social progress, but at the same time ...

CURRENT EXHIBITION - runs through September 10th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer order...

After coal is burned in a fossil fuel power plant, the remains are pumped through pipelines into huge ponds. The ponds are used as a landfill to prevent the release of ash into the a...

'Verbier Vacation' 1964 Slim Aarons Limited Estate Edition Holiday-makers take the sun on a mountain top in Verbier, 1964. Slim Aarons Chromogenic C print Printed Later Slim Aar...

Hand Printed by artist Dry Mounted on Mat Over Matted 8ply Print Date 2000 Signed in pencil

The seaside swimming pool at the Hotel Taormina, Sicily, August 1975. Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Chromogenic...

The print is signed and dated in pencil on the front of the mount; titled, dated, stamped and labelled on the back of the mount. This rare vintage enlargement comes from the Museum...

"The Dark Forest" is a black & white landscape photograph measuring 16x24" unframed. All of Rick's photographs are printed on Hahnemühle Fine Art Paper using archival pigment-based inks. There are other edition sizes available, namely 11x17" and 6x10". Photographs are rolled carefully and shipped in a tube. Framing is optional and quoted separately. The Dark Forest emerged following a hike through the Orangeville Conservation Area as the last remnants of daylight cast an enchantment through this stand of trees. The photograph was exhibited as part of the Horizons Group show at Toronto’s Twist Gallery in January, 2023. Rick Bogacz...

Black and White Fine Art Waterscape Photography. Avenue of trees by a water ditch with reflections in the calm water. Archival pigment ink print, edition of 9. Signed, titled, dated ...

Hannes Schneider ski school instructor, Herman Ostermaier skiing on Cranmore Mountain, North Conway, New Hampshire, 1955. Gorgeous print measuring 30 x 40" inches / ca 76.2 x 101.6...

Bathers by a pool on the shore of Lake Tahoe, California, 1959. Fashionable bathers relax underneath parasols and on sun loungers beside the swimming pool, overlooking Lake Tahoe o...

Anna Archinger Sky Is The Limit (Equestrian Photography, Horse, Portrait, Monochrome) Archival Pigment Print on Canson® Infinity Platine Fibre R...

Bathers by the pool at the Hôtel du Cap Eden-Roc, Antibes, France, 1976. Complimentary dealer shipping to your framer, worldwide. Undercurrent Projects...

Elegant hand signed black & white photo highlighting the sharp contrast between the Yosemite mountain range of Mt. Lyell and the beautiful clouds above by Charles Cramer (American, b...

'Pool On Amalfi Coast' A view of the seaside pool at the Hotel St. Caterina, Amalfi, Italy, September 1984. Gorgeous blues in this image with the ocean and swimming pool, contrast...

Fifth Avenue, New York, New York, USA by Michael Kenna is a limited edition black and white photograph depicting an aerial view of a city street at night. Edition of 45 Signed, tit...

This peaceful coastal moment invited you to escape the chaos of daily life and experience a true relaxation. Perfect for any space that needs a touch of calm, this stunning artwork b...

Stu Levy's photographs often involve fragile landscapes that invoke a sense of timelessness. The landscape, is often his stimulus or point of departure, then asking the question, "Wh...

Selenium-toned gelatin silver print Signed, titled, dated, and numbered in pencil, verso Also blindstamped with artist's name and edition number, recto 8 x 8 inches, image size (Ed...

Artist: Geir Jordahl – American (1957- ) Title: Prehistoric Rain Forest, Oregon Year: 1988 Medium: Silver Gelatin photograph using infrared film Sight size: 8 x 19.75 inches. Framed size: 16.25 x 26.25 inches Signature: Signed on the mount Edition: 50. This one: 2/50. (Fewer than 50 were actually printed) Condition: Very good Frame: Framed in original metal frame. Frame in fair condition This photograph depicts a lush area in Oregon with many ferns and trees as well as a painted dinosaur head...

OIivier - Signed limited edition archival pigment print, Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid- and...

Dylan Gordon is a photographer from the Central Coast of California. A childhood spent raising horses, surfing and skating inspired him to tell stories of the people and places he ...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Minjin Kang and Mijoo Kim are a creative duo, who have been inspirin...

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Artist Reference YS-B-1G. Printed later by Col...

This vintage silver gelatin photograph, printed in the late 1920s on Kodak Vitava Athena paper, is signed in pencil beneath the image with a typeset title centered in the lower margi...

Rebecca Skinner’s “Lunds Valley” is a 12 x 18 inch color photograph of grain elevators in North Dakota. The rustic structures rest in the beautiful landscape with colors of blue, red...

Color fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limit...

This vintage silver gelatin photograph, printed in the late 1920s on Kodak Vitava Athena paper, is signed in pencil beneath the image with a typeset title centered in the lower margi...

In the Fog (San Francisco) - 2023 20x20cm, Edition of 7, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signed on back with Certificate. Not mounted. The City...

This vintage silver gelatin contact print is signed in pencil on the front of the mount, with Portfolio One stamp and numbering in red crayon on the back of the mount. This print com...

Alternative sizes and media available: 16 x 16 16 x 20 16 x 24 20 x 20 20 x 30 28 x 28 28 x 35 30 x 45 40 x 40 40 x 50 40 x 60 Matte photo paper or canvas available on...

St. Louis and the Arch Vintage Photograph St. Louis and the Arch: titled, initialed, dated 1981, copyright 1982, and editioned 4/20 to verso. Provenance: US Bank Visual Arts Department Images: 15 x 19 in. (16 X 20), frames: 22 1/2 x 28 1/2 in Meyerowitz first drew acclaim for his remarkable ability to capture subtle qualities of light with the 1978 publication of Cape Light, which went on to become a color photography classic. Joel Meyerowitz (born March 6, 1938) is a street photographer, and portrait and landscape photographer. He began photographing in color in 1962 and was an early advocate of the use of color during a time when there was significant resistance to the idea of color photography as serious art. In the early 1970s he taught the first color course at the Cooper Union in New York City where many of tod...

large format photography diptych by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Santa Ces...

Sentinel (Joshua Tree) - 2022 20x20cm, Edition of 7, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signed on back with Certificate. Not mounted. Erin Dougherty...

DEJAVU Trailer, captured on a sunny spring day, on one of Richard Heeps' many visits, capturing the trailer in the fen landscape as it changes with the seasons. Taken in 2018 is was...

ABOUT THIS ARTIST: Madeleine Gross is a Toronto-based artist who customizes her photographs with paint in a way designed to abstract landscapes but wit...

Climbing up Glacier to Zermatt to Theodal Pass - Italy 1956 by Toni Frissell 30 x 20" inches / 76 x 51 cm paper size Archival pigment print unframed (framing available see example...

Toned gelatin silver print Signed, titled, dated, and numbered, recto 14 x 11 inches, sheet (Edition of 25) 20 x 16 inches, sheet (Edition of 25) 24 x 20 inches, sheet (Edition of 15) 40 x 30 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. Michael Crouser's series, "Mountain Ranch," is a ten-year look at the disappearing world of cattle ranching...

Swiss Alps, 1964: This landscape photograph, captured by society photographer Slim Aarons, features holiday-makers taking in the sunset on a white sno...

Draught, 2017, Edition 2/7 plus 2 Artist Proof Based on an original Impossible film Digital C-print, not mounted. Signed on the back and with certificate. Artist inventory PL2017-307...

Explore the exclusive limited editions of Tal Paz-Fridman's collection, with each captivating piece available in four select sizes. Limited to just 10 editions each, you can choose f...

Homeward Bound, 2017, Edition 2/7 plus 2 Artist Proof Based on an original Instant Film Digital C-print, not mounted. Signed on the back and with certificate. Artist inventory PL2017...

"Charge" The Camargue horses enjoy the thrill of running through the water that populates their remote home in the South of France. The print series Band of Rebels: White Horses ...

Phragmites Study 1, Hungary - no. 18097 // Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed with ...

A rare silver gelatin black and white photograph by Poly-Press, Bonn, Germany. A view of Manhattan and the East River, circa 1975. Features: Original silver gelatin photography unfra...

Black and white fine art landscape photography. Avenue of hedges in the garden of Versailles palace in Paris, France. Archival pigment ink print, edition of 9. Signed, titled, dated ...

An original silver gelatin black and white photograph. The view shows Paris, the River Seine, and the Eiffel Tower, circa 1940. Features: Original silver gelatin print photography un...

ABOUT THIS ARTIST: Alex Purcell is an award winning mixed media visual artist and creative director. Most commonly blending photography and CGI, Alex is drawn to pockets of stillness...

An original silver gelatin photograph capturing a timeless black and white street scene in Paris, France, circa 1930—a rare and authentic glimpse into the rhythm of a bygone era. Fea...

There is a cinematic style to this artwork, Lone Pine, taken in a former movie town in California, many Western films were made there. Taken outside Richard's iconic interior photogr...

Archival pigment print (Edition of 11) Signed, dated, and numbered, verso This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editi...

Valley Vista (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 864. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Wood - Signed limited edition archival pigment print, 1981 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahnemühle Photo Rag® Baryta 315 gsm (Acid- and lignin-free paper, Museum quality for highest age resistance and a popular alternative to analogue baryta paper) using pigment inks which are known for their longevity. Please note. There are three sizes of this archival pigment print ; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested Signed + numbered by artist with certificate of authenticity, unframed Edition : 1/5 Archival pigment print available sizes : 40 x 53 cm / 15,75 x 20,87 in. - Edition of 5 56 x 75 cm / 22,05 x 29,53 in. - Edition of 5 75 x 100 cm / 29,53 x 39,37 in. - Edition of 5 Ian Sanderson (born 1951 Scotland, died 2020 Spain) was a Scottish photographer. He produced images over a 35 year career, and in recent years used archival techniques to produce his prints. For most of his career he worked as both a Commercial and Fine Art photographer, and during his last years concentrated on his personal imagery. Towards the end of his life journey, Ian was reviving with his partner two 19th century printing techniques in their studio, Platinum Palladium and Gum Bichromate ( one-of-a-kind pieces). This culminated in a large retrospective exhibition in Barcelona which was sponsored by the Nando and Elsa Peretti Foundation. The Platinum and Palladium prints are particularly interesting as they printed them onto vellum paper therefore transparent and bonded pure gold or silver to the back of the prints ( every print is therefore a unique and timeless piece of art). They have created rare and personalized pieces with an artisanal technique. Ian Sanderson was one of only a handful of artists worldwide producing this type of work. Nowadays, Ian’s partner continues their work, she’s still creating Platinum Palladium prints but also silver gelatin photographs. Please note that prices increase as editions sell. categories : Black and white photography, 20th. century, Archival pigment print, Hospitality, Forest, Monochromatic Landscape Art...

Farmland Study 3, Austria - no. 11524 Single tree in cornfield in stormy weather, international winning photography, Austria. Archival pigment ink print as part of a limited edition...

Edition 18 of 45 Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains hig...

Swimming in the Bahamas, 1959 - Nassau Bahamas Snorkelling Scuba Diving by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Digital C-Type print from 20th Century ...

Large scale photograph of PRADA MARFA, a permanently installed pop architectural land art project sculpture by artists Elmgreen and Dragset, inaug...