Tree Landscape Photography

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Michael Kenna travels the world, attuned to the aesthetic, emotional, and spiritual resonance of natural and urban landscapes, which he seeks to capture in his exquisite black-and-wh...

"Sea Stacks" With their minimal, geometric form, these rocks play the perfect counterpart to the organic design of the Pacific Coast, soft sand, and clouds. Explore the National P...

"Swiss Ritz n°2", color photograph by Patrick Lajoie. Patrick Lajoie, born in 1969, lives and works in Caledon, Ontario, Canada. In Patrick Lajoie's universe, commonly recurring the...

Holidaymakers in sun loungers on the slopes at at Gstaad, Switzerland, March 1961. SLIM AARONS Lounging in Gstaad Chromogenic Lambda print Printed Later Slim Aarons Estate Edition ...

CURRENT EXHIBITION - runs through June 25th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. The Robin Rice Gallery announces a solo photography exhibition by Pete Kelly. The opening reception will be held May 3, 2017 with the show running through June 25, 2017. Pete Kelly’s latest show admirably showcases the lush greenness, diverse landscape, and ever-fleeting light of the British terrain. We are invited to join his excursions throughout the country as he brings light to the captivating, idiosyncratic characteristics of the land. He captures the oddities of the landscape; solitary figures bathing in sunlight, silhouette of a frolicking Great Dane in the mist, and subtle remnants of a bygone era. Kelly’s incredibly unique, picturesque editing style further mythologizes his subjects, he meddles with an air of mystery that defines the viewers experience. Kelly employs a mixture of a single image with layers of photographs of textures. The feel and look of the end result pay homage to English romanticist landscape painters such as J.M.W Turner and Constable. Kelly applies varnish and then uses Photographic Encaustic wax over the print. He encases the archival pigment print in beeswax and damar resin; tree sap in its purest form. These organic components have been found to have preserving qualities by ancient Egyptians, which replace the need for glass over the photograph. The impersonality of a raw digital file is alleviated through this process and makes the image a ‘one off. Combining modern photographic and printing technology with ancient crafting techniques, Kelly 
is the originator of art that is tactile, archival and organic. In one image entitled ‘Brabyns Autumn” examines man’s contemporaneously interruptive and complimentary relationship with the surrounding land, and zeros in on a serenity only manifested when man and nature successfully coexist. Small figures, animals, and dwellings found in the landscape are essential points of interest for Kelly. Using nature as a tool for fortifying scale and perspective, Kelly magnificently reinforces the grandiose essence of nature as opposed to the insignificant disposition of man. Kelly’s tiny subjects painted against a vast landscape offer a point of reference for our own trifling experiences and memories. Kelly's fascination with photography began at an early age. Born in England in 1966, grew up in West Germany. After leaving school he enrolled in a photography course with the Royal Air Force Photographic Unit, based in Wildenrath, Germany. Although this initial training lasted only six months, it established a life long passion and dedication to photography. Already an avid traveler, Kelly initially decided to return to the UK, to study Graphic Design and Advertising at Stockport College, before moving to America in 1987. After completing an Internship at an innovative commercial photography studio in the United States, worked as a Photographers Assistant; working closely with a range of photographers allowed him to intrinsically develop his own refined sense of aesthetic as well as develop and master photographic theory and technique. Pete has taught Photo Encaustic...

This loose albumen silver print is signed and numbered in the negative. Printed c. 1880s.

A group of people relaxing by a pool near Lake Tahoe, California, 1959. Relaxing at Lake Tahoe Slim Aarons Estate Edition 48x48 inches Numbered and stamped by the Slim Aarons Estat...

Palace Hotel (1961) Limited Estate Stamped - Grande XL (Photo By Slim Aarons) The Palace Hotel in Gstaad, 1961. Additional Information: Unframed Pap...

Campbell Falls Picnic (1959) Limited Estate Stamped - Grande XL (Photo By Slim Aarons) A family enjoy a picnic on the bank of the Whiting River near Campbell Falls, Massachusetts...

This late 1960s portrait photograph, captured by society photographer Slim Aarons, features guests at a party at the home of Sebastiano Bergese in Marbella, Spain. This is an estate...

A giant game of chess in Saint Lucia, in the Lesser Antilles, February 1993. 40 x 60 inches $3950 30 x 40 inches $3350 20 x 30 inches $3000 Estate stamped and hand numbered edit...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

Wood - Signed limited edition archival pigment print - Edition of 8 Photography and Bichromate print : 2012 Pigment print : 2018 Several negatives was used to create a handma...

Cyanotype. Signed 'Lorin' in pencil lower right, numbered '1/8' lower left and with the blindstamp 'Atelier Gilles Lorin'. On Arches Platine.

In this process the sun burns its path onto the light sensitive negative. After hours of exposure, the sky, as a result of the extremely intense light exposure, reacts in an effect c...

Kellie Sullivan Swope Park Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minima...

Patricia Galagan’s photography often concerns the aftermath of upheaval in the landscape. Her work has been shown at Blue Sky Gallery in Portland, Oregon, the New Mexico Museum of Ar...

Patricia Galagan’s photography often concerns the aftermath of upheaval in the landscape. Her work has been shown at Blue Sky Gallery in Portland, Oregon, the New Mexico Museum of Ar...

Patricia Galagan’s photography often concerns the aftermath of upheaval in the landscape. Her work has been shown at Blue Sky Gallery in Portland, Oregon, the New Mexico Museum of Ar...

Philip Metcalf creates black-and-white infrared images of the landscape, most notably in the American Southwest. In 2015, he was an artist-in-residence at Bandelier National Monument...

Philip Metcalf creates black-and-white infrared images of the landscape, most notably in the American Southwest. In 2015, he was an artist-in-residence at Bandelier National Monument...

Philip Metcalf creates black-and-white infrared images of the landscape, most notably in the American Southwest. In 2015, he was an artist-in-residence at Bandelier National Monument...

Philip Metcalf creates black-and-white infrared images of the landscape, most notably in the American Southwest. In 2015, he was an artist-in-residence at Bandelier National Monument...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

This loose albumen silver print is signed and numbered in the negative. Printed c. 1880s.

This unique object features a wet plate collodion print framed in a handmade wooden frame lined with gold leaf. 12 by 9 inches framed. Cecilia Montalvo & Charlie McCullers are a collaborative team. Characterized by the dynamic nature of the land-sea interaction, barrier islands are places with many shape narratives, and inversions. A barrier island is ephemeral, an instance of simultaneity, above and below what we call the surface. Mangroves straddle these mirror worlds, walking on water, making something out of nothing. Light rushes through every keyhole and seam in palm forest...

CURRENT EXHIBITION - runs through June 25th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. The Robin Rice Gallery announces a solo photography exhibition by Pete Kelly. The opening reception will be held May 3, 2017 with the show running through June 25, 2017. Pete Kelly’s latest show admirably showcases the lush greenness, diverse landscape, and ever-fleeting light of the British terrain. We are invited to join his excursions throughout the country as he brings light to the captivating, idiosyncratic characteristics of the land. He captures the oddities of the landscape; solitary figures bathing in sunlight, silhouette of a frolicking Great Dane in the mist, and subtle remnants of a bygone era. Kelly’s incredibly unique, picturesque editing style further mythologizes his subjects, he meddles with an air of mystery that defines the viewers experience. Kelly employs a mixture of a single image with layers of photographs of textures. The feel and look of the end result pay homage to English romanticist landscape painters such as J.M.W Turner and Constable. Kelly applies varnish and then uses Photographic Encaustic wax over the print. He encases the archival pigment print in beeswax and damar resin; tree sap in its purest form. These organic components have been found to have preserving qualities by ancient Egyptians, which replace the need for glass over the photograph. The impersonality of a raw digital file is alleviated through this process and makes the image a ‘one off. Combining modern photographic and printing technology with ancient crafting techniques, Kelly 
is the originator of art that is tactile, archival and organic. In one image entitled ‘Brabyns Autumn” examines man’s contemporaneously interruptive and complimentary relationship with the surrounding land, and zeros in on a serenity only manifested when man and nature successfully coexist. Small figures, animals, and dwellings found in the landscape are essential points of interest for Kelly. Using nature as a tool for fortifying scale and perspective, Kelly magnificently reinforces the grandiose essence of nature as opposed to the insignificant disposition of man. Kelly’s tiny...

Sometimes there is a hazy, almost tropical light that falls over the Bay Area. The moisture in the air falls on the landscape and makes it appear as a series of two-dimensional plane...

This silver gelatin print is signed in pencil on the front of the mount. Titled pencil and stamped on the back of the mount. Printed in 1987.

A group of people relaxing by a pool near Lake Tahoe, California, 1959. Relaxing at Lake Tahoe Slim Aarons Estate Edition Printed later 40x40 inches Numbered and stamped by the Sli...

All photographs are platinum/palladium prints. These metals are hand coated on 100% rag cotton water color paper with natural deckled edges and contact printed. Since platinum, like ...

All photographs are platinum/palladium prints. These metals are hand coated on 100% rag cotton water color paper with natural deckled edges and contact printed. Since platinum, like ...

All photographs are platinum/palladium prints. These metals are hand coated on 100% rag cotton water color paper with natural deckled edges and contact printed. Since platinum, like ...

Austin’s minimal and atmospheric landscapes are portraits of the sun while it traverses the sky on a specific day at a specific time.

As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. Leafless branches reach for the light. On the opposite side of the sky, Earth’s shadow is ri...

As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. Leafless branches reach for the light. On the opposite side of the sky, Earth’s shadow is ri...

As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. Leafless branches reach for the light. On the opposite side of the sky, Earth’s shadow is ri...

As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. Leafless branches reach for the light. On the opposite side of the sky, Earth’s shadow is ri...

As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. Leafless branches reach for the light. On the opposite side of the sky, Earth’s shadow is ri...

As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. Leafless branches reach for the light. On the opposite side of the sky, Earth’s shadow is ri...

As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. Leafless branches reach for the light. On the opposite side of the sky, Earth’s shadow is ri...

David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognition. He has also photographed extensi...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

Shiprock Storm, limited edition photograph, signed and numbered, archival. *No more than 50 prints of this image will be made, all three sizes combined. For nearly a decade, Mitch D...

Abruzzo, located in southern Italy, is known as the ‘green region of Europe’ because of the system of parks and nature reserves covering more than one-third of its territory. It has one of the highest biodiversity indexes in Europe, and one of the richest areas of flora in the world. In Abruzzo, Michael Kenna found a cultural identity that elsewhere, for the most part, has been lost to globalization and instant communication. Kenna photographed medieval ruins, ancient villages and a countryside rich in traditional cultivation. As curator Vincenzo de...

Abruzzo, located in southern Italy, is known as the ‘green region of Europe’ because of the system of parks and nature reserves covering more than one-third of its territory. It has ...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognit...

1957—Cars parked outside the Beverly Hills Hotel on Sunset Boulevard in California. Beverly Hills Hotel Slim Aarons Estate Edition 40x40 inches Numbered and stamped by the Slim Aar...

A former student of the American landscape photographer Ansel Adams, Neil Folberg is known for his color landscapes of the Middle East and black-and-white techniques that champion the wizardry of his master teacher. Born in San Francisco, Folberg became a pupil of Adams at age 17, followed by his education at the University of California at Berkeley and individualized study with landscape photographer William Garnett. By 1976, Folberg had relocated to Jerusalem, where he began producing color landscapes throughout the deserts of Israel, Egypt, and Jordan. Folberg was commissioned by Aperture to document synagogues across the world, followed by a return to black-and-white in a series of night skies among ancient ruins of the Middle East. He used that same lighting to evoke the colors and light of the French Impressionists in his innovative re-creation of their world (“Travels with Van Gogh and the Impressionists”, Abbeville Press). His current project places man on the stage of nature in brilliantly lit scenes. SELECTED SOLO EXHIBITIONS 2015 Celestial Nights, The Dryansky Gallery, San Francisco 2012 Topography/Time/Israel, Flomenhaft Gallery, New York 2008 Celestial Nights: An Aperture Traveling Exhibition, Yeshiva University Museum, New York 2007 Celestial Nights: An Aperture Traveling Exhibition, Hammond Art Gallery, Fitchburg, MA Celestial Nights: An Aperture Traveling Exhibition, Miller Jewish Museum, Tulsa, Oklahoma Celestial Nights: An Aperture Traveling Exhibition, Museum of the Southwest, Midland, TX 2006 The Impressionists' Salon, Holden Luntz Gallery...

Edition 3 of 25 Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains high...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential am...

Hand printed silver gelatin photograph dry mounted on board. Mat with a texture. Signed in pencil lower right.

Archival pigment print

Alternative sizes and media available: 16 x 16 16 x 20 16 x 24 20 x 20 20 x 30 28 x 28 28 x 35 30 x 45 40 x 40 40 x 50 40 x 60 Matte photo paper or canvas available on...