Dye Transfer Photography

Edition of 30 Signed, titled, dated, and numbered Artist Copyright Stamp Texas Wildflower Portfolio 1979

Ed. 7/15 Dye infused aluminum photograph Series: Portholes, abstract realism Jami Goldman is an American fine art photographer, with over 30 years experience behind the lens. She ...

Ed. 4/15 Dye infused aluminum photograph Series: Portholes, abstract realism Jami Goldman is an American fine art photographer, with over 30 years experience behind the lens. She ...

Franco Fontana (Italian, born 1933) Title: Los Angeles, California 1979 Edition 6/15 Medium: dye-transfer Dimensions: Frame 21.5 x 29.25. Sight 13 x 19.5 Provenance: Monique Goldstrom Gallery Franco Fontana (Italian, 1933) is an Italian photographer. He is best known for his Minimalist abstract colour landscapes. He was influenced by Minimalism and Abstract Expressionism. Franco Fontana was born in 1933 in Modena. He started taking photographs in the 1950s when he was working as a decorator in a furniture showroom. In 1961 he joined a local amateur club in Modena. The experience would be a turning point in his career, and Fontana went on to have his first solo exhibition in 1965 at the Società Fotografica Subalpina, Turin and at the Galleria della Sala di Cultura in Modena in 1968. Since then he has participated in more than 400 group and solo exhibitions including the exhibit Lines, Spheres and Glyphs at Robert Klein Gallery with works by photographers: Franco Fontana, Mario Giacomelli, Ernst Haas, Gyorgy Kepes and Aaron Siskind. Franco Fontana is considered one of the most relevant photographers of our time, In 1963 he exhibited his work at the Biennale of Color in Vienna, and in 1968 he held his first solo exhibition in Modena. Fontana often pares landscapes down to their essential elements, producing flat, geometric compositions reminiscent of the color field abstract expressionist paintings of Mark Rothko Ad Reinhardt and Barnett Newman, by underexposing his transparencies. Contrasting blue skies with green or yellow grass and the rigid lines of buildings with the softness of puffy clouds, he makes color and texture his primary subjects. He has also shot in Polaroid film, Cibachrome, C Print and chromogenic prints. His art has been acquired by some of the most important museums worldwide, including the Maison Européenne de la Photographie in Paris, MoMA in New York, Museum Ludwig in Cologne, Museum of Modern Art in Norman, Oklahoma, National Gallery in Beijing, Australian National Gallery in Melbourne, University of Texas in Austin, Stedelijk Museum in Amsterdam, Tokyo Metropolitan Museum, Israel Museum in Jerusalem, and Musée d’Art Moderne de la Ville in Paris. Fontana has photographed for advertising campaigns for brands such as Fiat, Volkswagen, Ferrovie dello Stato Italiane, Snam, Sony, Volvo, Versace, Canon, Kodak, Robe di Kappa, Swissair, and has been a magazine photographer for publications including Time, Life, Vogue (USA and France), Venerdì di Repubblica, Panorama, and with the Frankfurter Allgemeine Zeitung and The New York Times. Fontana's first book, Skyline, was published in 1978 in France by Contrejour and in Italy by Punto e Virgola with a text by Helmut Gernsheim. Fontana is the art director of the Toscana Foto Festival. He has received numerous awards, such as the 1989 Tokyo Photographer Society of Japan - The 150 Years of Photography - Photographer Award. Fontana is especially interested in the interplay of colours. His early innovations in colour photography in the 1960s were stylistically disruptive. According to art critic Giuliana Scimé, Fontana "destroyed all the structures, practices, and technical choices within the Italian tradition." Fontana uses 35mm cameras, and as noted by Iwan Zahar, deploys distant viewpoints with telephoto lenses to flatten contours in a landscape of crops and fields into bands of intense, saturated colour. This is an effect that Franco Lefèvre has described as 'dialectical landscapism'. Of his use of colour in his 2019 retrospective exhibition Sintesi ('Synthesis') at Fondazione Modena Arti Visive, curator Diana Baldon has observed; “His bold geometric compositions are characterised by shimmering colours, level perspectives and a geometric-formalist and minimal language, By adopting this approach during the 1960s, Fontana injected a new vitality into the field of creative colour photography for then multicolour was not in fashion in art photography., The way Fontana shoots, dematerializes the objects photographed, which loose three-dimensionality and realism to become part of an abstract drawing”. Aside from the rural landscape Fontana has applied his graphic sensibility to other subjects: city architecture, portraiture, fashion, still-life and the nude. He was included in the exhibition of the Helmut Newton Collection along with Brassaï, Diane Arbus, Franco Fontana, Horst P. Horst, Irving Penn, June Newton, Just Loomis, Man Ray, Mark Arbeit...

Franco Fontana (Italian, born 1933) Title: Landscape 1987 Edition 6/15 Medium: dye-transfer Dimensions: Frame 21.5 x 27.5. Sight 12 x 20. Provenance: Monique Goldstrom Gallery Franco Fontana (Italian, 1933) is an Italian photographer. He is best known for his Minimalist abstract colour landscapes. He was influenced by Minimalism and Abstract Expressionism. Franco Fontana was born in 1933 in Modena. He started taking photographs in the 1950s when he was working as a decorator in a furniture showroom. In 1961 he joined a local amateur club in Modena. The experience would be a turning point in his career, and Fontana went on to have his first solo exhibition in 1965 at the Società Fotografica Subalpina, Turin and at the Galleria della Sala di Cultura in Modena in 1968. Since then he has participated in more than 400 group and solo exhibitions including the exhibit Lines, Spheres and Glyphs at Robert Klein Gallery with works by photographers: Franco Fontana, Mario Giacomelli, Ernst Haas, Gyorgy Kepes and Aaron Siskind. Franco Fontana is considered one of the most relevant photographers of our time, In 1963 he exhibited his work at the Biennale of Color in Vienna, and in 1968 he held his first solo exhibition in Modena. Fontana often pares landscapes down to their essential elements, producing flat, geometric compositions reminiscent of the color field abstract expressionist paintings of Mark Rothko Ad Reinhardt and Barnett Newman, by underexposing his transparencies. Contrasting blue skies with green or yellow grass and the rigid lines of buildings with the softness of puffy clouds, he makes color and texture his primary subjects. He has also shot in Polaroid film, Cibachrome, C Print and chromogenic prints. His art has been acquired by some of the most important museums worldwide, including the Maison Européenne de la Photographie in Paris, MoMA in New York, Museum Ludwig in Cologne, Museum of Modern Art in Norman, Oklahoma, National Gallery in Beijing, Australian National Gallery in Melbourne, University of Texas in Austin, Stedelijk Museum in Amsterdam, Tokyo Metropolitan Museum, Israel Museum in Jerusalem, and Musée d’Art Moderne de la Ville in Paris. Fontana has photographed for advertising campaigns for brands such as Fiat, Volkswagen, Ferrovie dello Stato Italiane, Snam, Sony, Volvo, Versace, Canon, Kodak, Robe di Kappa, Swissair, and has been a magazine photographer for publications including Time, Life, Vogue (USA and France), Venerdì di Repubblica, Panorama, and with the Frankfurter Allgemeine Zeitung and The New York Times. Fontana's first book, Skyline, was published in 1978 in France by Contrejour and in Italy by Punto e Virgola with a text by Helmut Gernsheim. Fontana is the art director of the Toscana Foto Festival. He has received numerous awards, such as the 1989 Tokyo Photographer Society of Japan - The 150 Years of Photography - Photographer Award. Fontana is especially interested in the interplay of colours. His early innovations in colour photography in the 1960s were stylistically disruptive. According to art critic Giuliana Scimé, Fontana "destroyed all the structures, practices, and technical choices within the Italian tradition." Fontana uses 35mm cameras, and as noted by Iwan Zahar, deploys distant viewpoints with telephoto lenses to flatten contours in a landscape of crops and fields into bands of intense, saturated colour. This is an effect that Franco Lefèvre has described as 'dialectical landscapism'. Of his use of colour in his 2019 retrospective exhibition Sintesi ('Synthesis') at Fondazione Modena Arti Visive, curator Diana Baldon has observed; “His bold geometric compositions are characterised by shimmering colours, level perspectives and a geometric-formalist and minimal language, By adopting this approach during the 1960s, Fontana injected a new vitality into the field of creative colour photography for then multicolour was not in fashion in art photography., The way Fontana shoots, dematerializes the objects photographed, which loose three-dimensionality and realism to become part of an abstract drawing”. Aside from the rural landscape Fontana has applied his graphic sensibility to other subjects: city architecture, portraiture, fashion, still-life and the nude. He was included in the exhibition of the Helmut Newton Collection along with Brassaï, Diane Arbus, Franco Fontana, Horst P. Horst, Irving Penn, June Newton, Just Loomis, Man Ray, Mark Arbeit...

Franco Fontana (Italian, born 1933) Title: Varsavia, (Warsaw, Poland streetscape with buildings) 1977 Medium: dye-transfer Dimensions: Frame 28.5 x 20.5. Sight 20 x 13. Provenance: Monique Goldstrom Gallery Franco Fontana (Italian, 1933) is an Italian photographer. He is best known for his Minimalist abstract colour landscapes. He was influenced by Minimalism and Abstract Expressionism. Franco Fontana was born in 1933 in Modena. He started taking photographs in the 1950s when he was working as a decorator in a furniture showroom. In 1961 he joined a local amateur club in Modena. The experience would be a turning point in his career, and Fontana went on to have his first solo exhibition in 1965 at the Società Fotografica Subalpina, Turin and at the Galleria della Sala di Cultura in Modena in 1968. Since then he has participated in more than 400 group and solo exhibitions including the exhibit Lines, Spheres and Glyphs at Robert Klein Gallery with works by photographers: Franco Fontana, Mario Giacomelli, Ernst Haas, Gyorgy Kepes and Aaron Siskind. Franco Fontana is considered one of the most relevant photographers of our time, In 1963 he exhibited his work at the Biennale of Color in Vienna, and in 1968 he held his first solo exhibition in Modena. Fontana often pares landscapes down to their essential elements, producing flat, geometric compositions reminiscent of the color field abstract expressionist paintings of Mark Rothko Ad Reinhardt and Barnett Newman, by underexposing his transparencies. Contrasting blue skies with green or yellow grass and the rigid lines of buildings with the softness of puffy clouds, he makes color and texture his primary subjects. He has also shot in Polaroid film. His art has been acquired by some of the most important museums worldwide, including the Maison Européenne de la Photographie in Paris, MoMA in New York, Museum Ludwig in Cologne, Museum of Modern Art in Norman, Oklahoma, National Gallery in Beijing, Australian National Gallery in Melbourne, University of Texas in Austin, Stedelijk Museum in Amsterdam, Tokyo Metropolitan Museum, Israel Museum in Jerusalem, and Musée d’Art Moderne de la Ville in Paris. Fontana has photographed for advertising campaigns for brands such as Fiat, Volkswagen, Ferrovie dello Stato Italiane, Snam, Sony, Volvo, Versace, Canon, Kodak, Robe di Kappa, Swissair, and has been a magazine photographer for publications including Time, Life, Vogue (USA and France), Venerdì di Repubblica, Panorama, and with the Frankfurter Allgemeine Zeitung and The New York Times. Fontana's first book, Skyline, was published in 1978 in France by Contrejour and in Italy by Punto e Virgola with a text by Helmut Gernsheim. Fontana is the art director of the Toscana Foto Festival. He has received numerous awards, such as the 1989 Tokyo Photographer Society of Japan - The 150 Years of Photography - Photographer Award. Fontana is especially interested in the interplay of colours. His early innovations in colour photography in the 1960s were stylistically disruptive. According to art critic Giuliana Scimé, Fontana "destroyed all the structures, practices, and technical choices within the Italian tradition." Fontana uses 35mm cameras, and as noted by Iwan Zahar, deploys distant viewpoints with telephoto lenses to flatten contours in a landscape of crops and fields into bands of intense, saturated colour. This is an effect that Franco Lefèvre has described as 'dialectical landscapism'. Of his use of colour in his 2019 retrospective exhibition Sintesi ('Synthesis') at Fondazione Modena Arti Visive, curator Diana Baldon has observed; “His bold geometric compositions are characterised by shimmering colours, level perspectives and a geometric-formalist and minimal language, By adopting this approach during the 1960s, Fontana injected a new vitality into the field of creative colour photography for then multicolour was not in fashion in art photography., The way Fontana shoots, dematerializes the objects photographed, which loose three-dimensionality and realism to become part of an abstract drawing”. Aside from the rural landscape Fontana has applied his graphic sensibility to other subjects: city architecture, portraiture, fashion, still-life and the nude. He was included in the exhibition of the Helmut Newton Collection along with Brassaï, Diane Arbus, Franco Fontana, Horst P. Horst, Irving Penn, June Newton, Just Loomis, Man Ray, Mark Arbeit...

Andy Warhol's Wig and Glasses "Silkscreen" Marilyn Color Series 6x7 format film, NYC 1987 "Silkscreen" Series London 1997 Actual wig and glasses of Andy Warhol. Dye sublimation on...

Andy Warhol's Wig, Glasses and Watch "Silkscreen" Marilyn Color Series 6x7 format film, NYC 1987 "Silkscreen" Series London 1997 Actual wig, glasses, watch and money of Andy Warho...

Andy Warhol's Wig & Glasses "Silkscreen" Marilyn Color Series 6x7 format film, NYC 1987 "Silkscreen" Series London 1997 Actual wig of Andy Warhol. Dye sublimation on Aluminum 24...

Andy Warhol's Wig, Glasses and Watch "Silkscreen" Marilyn Color Series 6x7 format film, NYC 1987 "Silkscreen" Series London 1997 Actual wig, glasses and watch of Andy Warhol. Dye...

This is an exclusive handprinted limited edition cyanotype diptych of foamy gorgeous clouds. Details: + Title: Floating Clouds Diptych + Year: 2023 + Edition Size: 20 + Stamped and ...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the color saturated 1980's. "In My Life" featuring flowers, a lit candle, dice, an Oriental rug, music notes. a pocket watch and a small porcelain box...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the color saturated 1980's. "A course in miracles"" The title, taken from the 1976 book on New Age spiritual guidance encourages speculation about each element in this still life. The amount of roses--three--is a significant number in many religions and mythologies. Besides Jesus and Albert Einstein, Flack included the silent mystic Hindu philanthropist Shree Krishnaji, also known as Baba. Flack used the detail of his face with the roses, hovering above the ocean, in her monumental painting, Baba. Following an illness, she turned to mysticism, framing Christian and Hindu images with Jewish ones in A Course of Miracles of 1983: On the “west” side, a photograph of Albert Einstein and a European Jewish candlestick...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...

Each work Jackson makes is a one-of-one original using his proprietary silver and ink suspension technique - a process that unfolds over weeks of dedicated development through layers...

Each work Jackson makes is a one-of-one original using his proprietary silver and ink suspension technique - a process that unfolds over weeks of dedicated development through layers...

Series: Fairytale Yellow Brick Road a 30 by 30 inch Dye Transfer, only 3 of these prints will ever be made no other sizes no other editions. These prints go for a higher price then ...

Time to Save From: 12 Photographs: 1973-1983, Plate 8 of 12 Dye transfer photograph, 1979 Signed in ink Edition: 50, this example an Artist's Proof (7/10) Printer: Guy Stricherz Publisher: Prestige Art Ltd, 1984 Condition: Mint Image size: 20 x 18 1/2 inches Sheet size: 24 x 20 inches Frame size: 27 x 25 1/2 inches Note: “One of the first photorealist painters to be included in the Museum of Modern Art’s permanent collection, Audrey Flack focused the early years of her career on large-scale paintings of still lifes that drew from 17th-century Dutch vanitas painting—updated through a contemporary lens—and brought feminine identities under scrutiny. In meticulous, complex arrangements of fruit, flowers, candles, makeup, and ladies’ accouterments, Flack’s loaded symbolic tableaus address stereotypes of the female ideal. Since the 1980s, Flack has turned her focus to monumental sculpture: “Making sculpture attracted me because of its substantiality,” she has said. In her Neoclassical public sculptures of gilded bronze angels, muses, and goddesses, Flack mines Greek mythology, presenting the female in an array of archetypal guises. Though some critics have condemned her focus on the classical white female, Flack is an avowed feminist, and many of her sculptures seek to reinvent their subjects and source material.“ Courtesy of Artsy A pioneer of Photorealism and a nationally recognized painter and sculptor, Ms. Flack's work is in the collections of major museums around the world, including the Metropolitan Museum of Art, The Museum of Modern Art, the Solomon R. Guggenheim Museum, and Whitney Museum of American Art and the National Museum of Art in Canberra, Australia. She was the first photorealist painter to have work purchased by the Museum of Modern Art. Public Collections (Partial) ` Museum of Modern Art, New York, New York Solomon R. Guggenheim Museum, New York, New York Whitney Museum of American Art, New York, New York Metropolitan Museum of Art, New York, New York St. Louis Museum of Art, St. Louis, Missouri Dallas Museum of Fine Art, Dallas, Texas University of Arizona, Phoenix, Arizona Albright-Knox Art Gallery, Buffalo, New York Walker Art Center, Minneapolis, Minnesota Mint Museum of Art, Charlotte, North Carolina Rose Art Museum, Brandeis University, Waltham, Massachusetts Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio Stuart M. Speiser Collection, Smithsonian Institution, Washington, DC HHK Foundation for Contemporary Art, Inc., New York, New York Australian National Gallery, Canberra, Australia National Gallery of Victoria, Melbourne, Australia San Francisco Museum of Fine Art, San Francisco, California National Museum of American Art, Washington, DC University of Texas at Austin, Austin, Texas Wadsworth Athenaeum, Hartford, Connecticut Capricorn Gallery, Baltimore, Maryland Akron Art Museum, Akron, Ohio National Museum of Women in the Arts, Washington, DC New York University Collections, New York, New York Reynolda House Museum, Winston-Salem, North Carolina Art Museum of Western Virginia, Roanoke, Virginia Speed Museum of Art, Louisville, Kentucky Cornell Fine Arts Museum, Winter Park, Florida Butler Institute of American Art, Youngstown, Ohio Cameron Art Museum, Wilmington North Carolina The Tampa Museum of Art, Tampa Florida. Audrey Flack, A Feminist Pioneer of Photorealism, Dies at 93 Audrey Flack: May 30, 1931 – June 28, 2024 New York – Audrey Flack, a premier artist of the Photorealist movement known for her oversized vanitas paintings, died on June 28th in Southampton, New York. She was 93. Her death was announced by her longtime friend Louis K. Meisel. A founder of the Photorealist movement that emerged in the late 1960s, Audrey Flack is internationally recognized for her oversized still life...

A Course in Miracles Dye transfer photograph, 1978 From: 12 Photographs: 1973-1983, Plate 7 of 12 Signed in ink Edition: 50, this example an Artist's Proof (7/10) Printer: Guy Stricherz Publisher: Prestige Art Ltd, 1984 Condition: Mint Image size: 14 3/4 x 22 1/2 inches Sheet size: 20 x 24 inches Frame size: 22 x 29 1/2 inches A simple black gallery style frame Note: “One of the first photorealist painters to be included in the Museum of Modern Art’s permanent collection, Audrey Flack focused the early years of her career on large-scale paintings of still lifes that drew from 17th-century Dutch vanitas painting—updated through a contemporary lens—and brought feminine identities under scrutiny. In meticulous, complex arrangements of fruit, flowers, candles, makeup, and ladies’ accouterments, Flack’s loaded symbolic tableaus address stereotypes of the female ideal. Since the 1980s, Flack has turned her focus to monumental sculpture: “Making sculpture attracted me because of its substantiality,” she has said. In her Neoclassical public sculptures of gilded bronze angels, muses, and goddesses, Flack mines Greek mythology, presenting the female in an array of archetypal guises. Though some critics have condemned her focus on the classical white female, Flack is an avowed feminist, and many of her sculptures seek to reinvent their subjects and source material.“ Courtesy of Artsy A pioneer of Photorealism and a nationally recognized painter and sculptor, Ms. Flack's work is in the collections of major museums around the world, including the Metropolitan Museum of Art, The Museum of Modern Art, the Solomon R. Guggenheim Museum, and Whitney Museum of American Art and the National Museum of Art in Canberra, Australia. She was the first photorealist painter to have work purchased by the Museum of Modern Art. Public Collections (Partial) ` Museum of Modern Art, New York, New York Solomon R. Guggenheim Museum, New York, New York Whitney Museum of American Art, New York, New York Metropolitan Museum of Art, New York, New York St. Louis Museum of Art, St. Louis, Missouri Dallas Museum of Fine Art, Dallas, Texas University of Arizona, Phoenix, Arizona Albright-Knox Art Gallery, Buffalo, New York Walker Art Center, Minneapolis, Minnesota Mint Museum of Art, Charlotte, North Carolina Rose Art Museum, Brandeis University, Waltham, Massachusetts Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio Stuart M. Speiser Collection, Smithsonian Institution, Washington, DC HHK Foundation for Contemporary Art, Inc., New York, New York Australian National Gallery, Canberra, Australia National Gallery of Victoria, Melbourne, Australia San Francisco Museum of Fine Art, San Francisco, California National Museum of American Art, Washington, DC University of Texas at Austin, Austin, Texas Wadsworth Athenaeum, Hartford, Connecticut Capricorn Gallery, Baltimore, Maryland Akron Art Museum, Akron, Ohio National Museum of Women in the Arts, Washington, DC New York University Collections, New York, New York Reynolda House Museum, Winston-Salem, North Carolina Art Museum of Western Virginia, Roanoke, Virginia Speed Museum of Art, Louisville, Kentucky Cornell Fine Arts Museum, Winter Park, Florida Butler Institute of American Art, Youngstown, Ohio Cameron Art Museum, Wilmington North Carolina The Tampa Museum of Art, Tampa Florida. "Audrey Flack, A Feminist Pioneer of Photorealism, Dies at 93 Audrey Flack: May 30, 1931 – June 28, 2024 New York – Audrey Flack, a premier artist of the Photorealist movement known for her oversized vanitas paintings, died on June 28th in Southampton, New York. She was 93. Her death was announced by her longtime friend Louis K. Meisel. A founder of the Photorealist movement that emerged in the late 1960s, Audrey Flack is internationally recognized for her oversized still life...

When the cinematic Bond was born. The most complete account of the making of the first James Bond film, Dr. No (1962). “Bond, James Bond.” Since Sean Connery uttered those immortal...

When the cinematic Bond was born. The most complete account of the making of the first James Bond film, Dr. No (1962). “Bond, James Bond.” Since Sean Connery uttered those immortal...

Series: Historical Fiction Dye Transfer All available sizes & editions for each size of this photograph: 18" x 18" Edition of 3 "Hannah Colorized is a new DYE transfer print, which I also used a brand new technique for this was shot on black and white film, then colored by hand using special paints to create a KODACHROME look. This is a process that took me years to perfect and will be immortalized in the DYE transfer printing process forever. These are the rarest color prints in existence and will each and everyone be museum pieces these masterworks are tailored only for top collectors. They are the longest-lasting highest-tone color images ever made. The Kodak company stopped making the chemicals in 1994 and these are the last remaining chemicals in the world, after my run, there will never be Dye Transfer prints again. The color process depends on superimposing three images in the subtractive colors: cyan, magenta, and yellow in the exact register facilitated using register pins mounted at the edge of a glass rolling bed...

Series: Provocateur Dye Transfer Available Size & Edition Information: 18" x 18" Edition of 3 ONE LEFT There is something contagious about ideas, the more people you surround y...

Gallagher's Red is a limited edition photograph by Nancy C. Woodward. It is a photographic print on archival paper, 24x20 framed to 32x48. It is $1,400. This is an edition of 30. It was originally photographed in 2013. Also available printed directly onto Aluminum in a 30x30 size Nancy C. Woodward is an award winning photographic and mixed media artist. Her shadow portraits...

MARK JACKSON Kayro Four • on panel Black, Luxury, Pop Culture 20.00w x 20.00h x 2.00d in Each work Jackson makes is a one-of-one original using his proprietary silver and ink suspe...

Art Edition “Keith Haring” (No. 1–1,000). Hardcover volume in a slipcase, accompanied by a numbered, signed, and framed dye-sublimation ChromaLuxe aluminum print of Keith Haring, New...

Art Edition “David Byrne” (No. 1–275). Hardcover volume in a slipcase, accompanied by the portrait David Byrne, Los Angeles, 1986. For over 50 years, Annie Leibovitz has been creating a body of work that is unequaled in breadth and influence. From the viscerally immediate reportage made for Rolling Stone magazine in the 1970s and extending through the more stylized portraiture of her work for Vanity Fair and Vogue, her pictures make up what is essentially a family album of our time. In 2014, in close collaboration with Annie, TASCHEN published a SUMO edition of her work: over 200 photographs, many of them famous (the naked John Lennon entwined in a last embrace with Yoko Ono, Patti Smith on fire) and some rarely, if ever, seen before. In 2022, to accommodate a wider audience, this volume was recreated as an unlimited XXL edition. The XXL volume is now available as an Art Edition in four different versions, each accompanied by a signed, numbered and framed dye-sublimation ChromaLuxe aluminum print. David Byrne, Los Angeles, 1986 is included in an edition of 275 copies. In 1986, David Byrne wrote, directed and starred in his only feature film, True Stories. It was a quirky view of life in small-town rural Texas. Several of his collaborators on the project were from the downtown New York performing-arts world. Music was an integral element in the film and much of it was supplied by Byrne’s band, the Talking Heads...

He’s a four-time Mr. Universe, seven-time Mr. Olympia. His films have grossed four billion dollars worldwide. He won the California governor’s race by a landslide. He has one of the most recognizable faces in the world, an oft-imitated accent, and a physique still heralded as the most perfect ever built. He’s Arnold, the one and only, with first name recognition worldwide, and now with an Art Edition equal to his impressive size and unabashed ego. A decade of collaboration in the making, this photo tribute covers 75 years of Schwarzenegger, from the future Terminator’s impoverished childhood in Thal, Austria, to his rise as a young athlete, his journey to America to become the most celebrated bodybuilder of all time, to his career as the world’s leading action film star, then into the California governor’s mansion and beyond. Along the journey, Arnold’s muscular body, chiseled features, and charismatic personality made him a favorite subject of photographers, including Richard Avedon, Annie Leibovitz, Robert Mapplethorpe, Herb Ritts, Francesco Scavullo, and Andy Warhol. The big book includes them all, while the smaller companion volume gives you more intimate images, and exclusive interviews with Arnold and directors Ivan Reitman and Bob Rafelson, and top bodybuilding legends. The Art Edition comes with a nearly life-size print of Arnold on the ski slopes by Annie Leibovitz for the June 1997 cover of Vanity Fair...

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print ...

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print ...

DANIEL J. MARTINEZ (American, b. 1955) Portrait of Two Girls Dye-destruction, circa 1995 Paper: 20 x 19-1/2 inches (50.8 x 49.5 cm) Image: 19-3/4 x 19-1/4 inches (50.2 x 48.9 cm) State: unmounted. in a matting. Daniel Joseph Martinez (born 1957), is a Los Angeles based contemporary artist. Daniel J. Martinez work can be found in public collections in the United States and abroad including the Whitney Museum of American Art in New York; Los Angeles County Museum of Art (LACMA); the Orange County Museum of Art, Newport Beach, California; Cisneros Fontanals Art Foundation, Miami, Florida; Museum of Fine Arts, Houston, Texas; and the Pace Foundation, San Antonio, Texas. Daniel Martinez has received two National Endowment for the Arts (NEA) Individual Artist Fellowships (1990–91, 1995–96) and an NEA Project Support Grant (1990); a Getty Center Foundation Individual Artist Fellowship (1997–98); a Pollock-Krasner Foundation Individual Artist Fellowship (2001–02); a California Arts Council Individual Artist Fellowship (2003–04); an ArtPace Foundation Fellowship (2005); a Peter Norton Family Foundation Project Support Grant (1991) and five Norton Foundation Artist Fellowships (1997–2001); the First Prize Grant Award of the Tijuana Biennial (2000); and a Flintridge Foundation Individual Artist Fellowship (2000–01). In 2007 Martinez was awarded the United States Artists Fellowship, and in 2008–09, he received the Rasmuson Foundation Alaska Artist in Residence Award in 2009, the Fellows of Contemporary Art Fellowship in 2009; and the 2010 FOCA Fellowship Artist Grant and exhibition. In 2014 Martinez was awarded the Alpert Award in the Arts from the Herb Alpert Foundation in collaboration with the California Institute of the Arts. In 2016, Martinez participated in the American Academy in Berlin Fellowship, Berlin, Germany. "In Conversation: Daniel Joseph Martinez with Phong Bui". The Brooklyn Rail. March 2008. "Karen Finley...

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print ...

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print Unframed

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print ...

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print Unframed

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print Unframed

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print ...

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print ...

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print ...

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print Unframed

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print Unframed

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print Unframed

Julian Lennon’s photographs serve as allegorical vehicles in this time of heightened awareness for our planet’s peril. In surveilling these ever-changing skies, Atmospheria celebrate...

"Sunset Over Valley" is a contemporary color photograph on aluminum by Northern California artist Matt Chesebrough. The photograph captures a picturesque Valley in Northern California during sunset. With golden grasses in the foreground, rolling tree-covered hills turn to purple cloud-covered silhouettes in the distance. The photograph is taken from the top of Henry W. Coe State Park - the largest state park in Northern California. The photograph is printed via dye sublimation onto specially coated aluminum and is ready to hang. To view more of Matt's photographs and for new listings, please follow us at Colibri Gallery. Matt is a creative fine art landscape and commercial photographer based in the San Francisco Bay Area. He stepped away from a successful engineering career in the Midwest and moved to California to chase his dream of becoming a full-time professional photographer. Over the last several years, Matt has traveled the world chasing light...

With Midwestern resources at her disposal, artist Mary Block explores the beauty surrounding her. Here, Block uses a Red Bud tree to enhance its artistry by painstakingly adjusting each pixel to achieve a depth, brightness and clarity not found in nature alone. This piece is framed in a simple black frame measuring 32 x 43 x 1.75 inches. Mary Block The Night Sky dye sublimation print on aluminum 30h x 41w in 76.20h x 104.14w cm 2/20 MBK005 Mary Block b. 1951, St. Louis, MO Education 1975 Mechanical Engineering Department, Stainless Steel Casting in Cooperation with Alloy Casting Corporation. University of Illinois - Champaign 1974 Master of Fine Arts Candidate. School of Fine Arts. University of Iowa. 1973 Bachelor of Fine Arts. College of Fine Arts. University of Illinois – Champaign Exhibitions 2022 Kiss Me, Its Snowing, Gallery Victor Armendariz, Chicago, IL Illinois Artists’ List, Curator: K. Eaton. Mary Block Sculpture and Print: A Dialogue Between Form and Image. University of Illinois. School of Art and Design, Link Gallery. Champaign/Urbana. 1996 ASID Showcase, Chicago, IL 1995 New Glass Review, Corning Museum. Corning, NY. International Exhibition/Catalog featuring innovative glass sculpture. 1996 Solo Exhibition, Nina Own Gallery, Chicago, IL 1996 Gallery Artists, Nina Owen Gallery. Chicago, IL 1995 Gallery Artists, Nina Owen Gallery. Chicago, IL 1995 Sandy and Dave, Group Exhibition. North Shore/Skokie Sculpture Park. Skokie, IL 1994 Sandy and Dave, Group Exhibition. North Shore/Skokie Sculpture Park. Skokie, IL 1992 Twenty Women, Adler Cultural Center. Libertyville, IL 1991 The Discerning Eye-National Exhibition, Charles A. Wustum Museum. Racine, WI 1988 North Shore Skokie Sculpture Walk, Curator: J. Folise. McCormick Blvd, Skokie, IL Public Commissions 2022 Skyway Prints, Delta Airlines. Skyway Lounge, O’Hare Airport, Chicago, IL 2018 Mindfulness Center Sculpture, Roslyn Road School, Barrington. IL 2011 Grove School Children’s Amphitheater, Ft. Grove School, Barrington, IL 2007 Generations, Village Hall of Deerfield, Deerfield, IL 1999 Lifetime Learners, Danville Community College. Danville, IL 1997 Heroic Women Collection, Las Sendes Sculpture Park, Phoenix, AZ 1996 Wrapped Figure, Columbia College, Chicago, IL Book With Hands Memorial, Oak Grove...

Lennon’s photographs serve as allegorical vehicles in this time of heightened awareness for our planet’s peril.In surveilling these ever-changing skies, Atmospheria celebrates the be...

Lennon’s photographs serve as allegorical vehicles in this time of heightened awareness for our planet’s peril.In surveilling these ever-changing skies, Atmospheria celebrates the be...

Albert's Square is a limited edition photograph by Nancy C. Woodward. This is a dye sublimation print on Aluminum, 30x30 with a white, flush back frame. It is filled with Gold, White and Brown colors. It is $2,500. This is an edition of 30. It was originally photographed in 2012. Nancy C. Woodward is an award winning photographic and mixed media artist. Her shadow portraits, colorful trees and ethereal landscapes depict unique views of the natural world. Nancy photographs moments when the natural world appears changed. Through experimenting with different color palettes, papers, fibers, mediums and surfaces, she brings new realms into view. Ms. Woodward has a studio along with twenty other working artists, at Firing Circuits Artist Studios in Norwalk, Connecticut. She was an Artist in Residence at Silver Lake Conference Center in Sharon, Connecticut for ten years. She is a member of the Ridgefield Guild of Artists, The Katonah Museum Artists...

With Midwestern resources at her disposal, artist Mary Block explores the beauty surrounding her. Here, Block uses a Red Bud tree which is about to burst into a vibrant showy pink. To enhance the tree's natural beauty, the artist painstakingly adjusts each pixel to achieve a depth, brightness and clarity not found in nature alone. This piece is framed in a simple black frame measuring 32 x 47 x 1.75 inches. Mary Block A Shy Moon in Spring dye sublimation print on aluminum 30h x 45w in 76.20h x 114.30w cm 3/20 MBK004 Mary Block b. 1951, St. Louis, MO Education 1975 Mechanical Engineering Department, Stainless Steel Casting in Cooperation with Alloy Casting Corporation. University of Illinois - Champaign 1974 Master of Fine Arts Candidate. School of Fine Arts. University of Iowa. 1973 Bachelor of Fine Arts. College of Fine Arts. University of Illinois – Champaign Exhibitions 2022 Kiss Me, Its Snowing, Gallery Victor Armendariz, Chicago, IL Illinois Artists’ List, Curator: K. Eaton. Mary Block Sculpture and Print: A Dialogue Between Form and Image. University of Illinois. School of Art and Design, Link Gallery. Champaign/Urbana. 1996 ASID Showcase, Chicago, IL 1995 New Glass Review, Corning Museum. Corning, NY. International Exhibition/Catalog featuring innovative glass sculpture. 1996 Solo Exhibition, Nina Own Gallery, Chicago, IL 1996 Gallery Artists, Nina Owen Gallery. Chicago, IL 1995 Gallery Artists, Nina Owen Gallery. Chicago, IL 1995 Sandy and Dave, Group Exhibition. North Shore/Skokie Sculpture Park. Skokie, IL 1994 Sandy and Dave, Group Exhibition. North Shore/Skokie Sculpture Park. Skokie, IL 1992 Twenty Women, Adler Cultural Center. Libertyville, IL 1991 The Discerning Eye-National Exhibition, Charles A. Wustum Museum. Racine, WI 1988 North Shore Skokie Sculpture Walk, Curator: J. Folise. McCormick Blvd, Skokie, IL Public Commissions 2022 Skyway Prints, Delta Airlines. Skyway Lounge, O’Hare Airport, Chicago, IL 2018 Mindfulness Center Sculpture, Roslyn Road School, Barrington. IL 2011 Grove School Children’s Amphitheater, Ft. Grove School, Barrington, IL 2007 Generations, Village Hall of Deerfield, Deerfield, IL 1999 Lifetime Learners, Danville Community College. Danville, IL 1997 Heroic Women Collection, Las Sendes Sculpture Park, Phoenix, AZ 1996 Wrapped Figure, Columbia College, Chicago, IL Book With Hands Memorial, Oak Grove Jr. High School, Gurnie, IL 1994 Meditative Figure, 11th St. Park, Columbia College Chicago, IL Justice, Chicago Bar...

Lennon’s photographs serve as allegorical vehicles in this time of heightened awareness for our planet’s peril. In surveilling these ever-changing skies, 'Atmospheria' celebrates the...

Lennon’s photographs serve as allegorical vehicles in this time of heightened awareness for our planet’s peril. In surveilling these ever-changing skies, 'Atmospheria' celebrates the...