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Medium: Dye Transfer
Jon Bon Jovi as Triple Elvis
Located in Long Island City, NY
Jon Bon Jovi in an homage to Andy Warhol's Triple Elvis.
Category

2010s Contemporary Dye Transfer Portrait Photography

Materials

Dye Transfer

Clint Eastwood
Located in Long Island City, NY
This is actually the first frame of the shoot as Clint just stepped on set and stared at the camera in the glare of the lights, not super excited about having his picture taken. Being a pro he quickly loosen up and there are plenty of other images of him smiling warmly from the session. However this first frame of Clint with the slight grimace and thousand mile stare is the most authentic and Clint we all know and love. This portrait of Clint Eastwood by Scott McDermott...
Category

2010s Contemporary Dye Transfer Portrait Photography

Materials

Dye Transfer

Portrait of Nick Offerman with Slinky Eye
Located in Long Island City, NY
Portrait of actor Nick Offerman with a slinky eye from Scott McDermott's portrait archive. Scott has photographed Nick on several occasions and for thi...
Category

2010s Contemporary Dye Transfer Portrait Photography

Materials

Dye Transfer

Felicity Then and Now
Located in New York, NY
Vintage dye transfer print from the portfolio "Transformations" (Edition of 50) Signed and numbered, verso 24 x 30 inches, mount size 15 x 22 inches, image size This artwork is off...
Category

Late 20th Century Other Art Style Dye Transfer Portrait Photography

Materials

Dye Transfer

Coco Chanel
Located in Palm Beach, FL
Dye-Sublimation print on aluminum
Category

2010s Contemporary Dye Transfer Portrait Photography

Materials

Metal

Tyler Shields - Hannah Colorized, Photography 2020
Located in Greenwich, CT
Series: Historical Fiction Dye Transfer All available sizes & editions for each size of this photograph: 18" x 18" Edition of 3 "Hannah Colorized is a new DYE transfer print, which I also used a brand new technique for this was shot on black and white film, then colored by hand using special paints to create a KODACHROME look. This is a process that took me years to perfect and will be immortalized in the DYE transfer printing process forever. These are the rarest color prints in existence and will each and everyone be museum pieces these masterworks are tailored only for top collectors. They are the longest-lasting highest-tone color images ever made. The Kodak company stopped making the chemicals in 1994 and these are the last remaining chemicals in the world, after my run, there will never be Dye Transfer prints again. The color process depends on superimposing three images in the subtractive colors: cyan, magenta, and yellow in the exact register facilitated using register pins mounted at the edge of a glass rolling bed...
Category

21st Century and Contemporary Contemporary Dye Transfer Portrait Photography

Materials

Dye Transfer

Tyler Shields - Cat Woman, Photography 2018
Located in Greenwich, CT
Series: Provocateur Dye Transfer Available Size & Edition Information: 18" x 18" Edition of 3 ONE LEFT There is something contagious about ideas, the more people you surround y...
Category

21st Century and Contemporary Contemporary Dye Transfer Portrait Photography

Materials

Paper, Dye, Archival Ink, Archival Paper, Photographic Paper, Dye Transf...

Mike Tyson's Fist
Located in Long Island City, NY
Mike Tyson's fist. Iconic. Some of the heaviest hands there ever were. Photographed in stark black and white and stunning detail it's a vivid depiction of raw power and strength.
Category

2010s Contemporary Dye Transfer Portrait Photography

Materials

Dye Transfer

Mike Tyson Blur
Located in Long Island City, NY
Portrait of Mike Tyson with a motion blur effect. Mike has had many chapters in his life, with dramatic highs and lows that most of us will never experienc...
Category

2010s Contemporary Dye Transfer Portrait Photography

Materials

Dye Transfer

Mike Tyson Peace
Located in Long Island City, NY
Mike Tyson showing the peace sign. The original intent was to just photograph his hand with the peace sign and include in the caption that it was indeed Mike Tyson's hand. However du...
Category

2010s Contemporary Dye Transfer Portrait Photography

Materials

Dye Transfer

Elaine in Mirror, Club Infinity, New York, NY
Located in Hudson, NY
Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...
Category

1970s Modern Dye Transfer Portrait Photography

Materials

Dye Transfer

‘The Mouth That Roared, 1970’, Photographic Print, Dye Sublimation on Aluminum
Located in Los Angeles, CA
Homage to Ali: Neil Leifer pays tribute to the legendary Muhammad Ali in an exclusive set of classic photographs. The Mouth That Roared, Miami Beach, October 9, 1970: “It was imposs...
Category

1970s Dye Transfer Portrait Photography

Materials

Dye Transfer

‘Clay vs. Liston I, 1964’ Color Photographic Print, Dye Sublimation on Aluminum.
Located in Los Angeles, CA
Homage to Ali: Neil Leifer pays tribute to the legendary Muhammad Ali in an exclusive set of classic photographs. Clay vs. Liston I, Convention Center, Miami Beach, February 25, 19...
Category

1960s Dye Transfer Portrait Photography

Materials

Dye Transfer

Studio 54 Opening Night, New York, NY, 1977
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...
Category

1970s Contemporary Dye Transfer Portrait Photography

Materials

Metal

Milton Greene, "Lauren Hutton, " dye-transfer print, hand signed
Located in Chatsworth, CA
This piece is an original dye-transfer print taken of Lauren Hutton by Milton Greene in 1966. It is hand signed by Greene and marked as an Artist's Proof...
Category

1960s Contemporary Dye Transfer Portrait Photography

Materials

Dye Transfer

Jones, Opening Night Studio 54, New York, NY, 1977
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 15 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...
Category

1970s Contemporary Dye Transfer Portrait Photography

Materials

Metal

Elaine in Mirror, Infinity, New York, NY, 1976
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...
Category

1970s Contemporary Dye Transfer Portrait Photography

Materials

Metal

Jenn S., Infinity, New York, NY, 1976
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...
Category

1970s Contemporary Dye Transfer Portrait Photography

Materials

Metal

Robin Shooting, Infinity, New York, NY, 1976
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin Rice. For decades, Robin has exhibited a wide variety of photographers at the gallery but never her own work. As the show’s title denotes, “It’s About Time.” The opening reception will be held on Wednesday, January 23rd from 6pm to 8pm. The exhibit runs through March 17, 2019. While her photography spans five decades and multiple continents, Rice maintains a cohesive, candid voice that carries throughout all of her work. Observing the world around her in a cinematic way, she possesses an uncanny ability to recognize and capture moments of beauty and the spontaneity of the human spirit. By evoking a wonderstruck sensibility, Rice expresses a deep-rooted love for both people and landscapes using her distinct bohemian style. In this salon-style retrospective, Rice uses an “old school” approach and shoots with her Nikon on Tri-X film. When creating her art, she insists, “the camera has a mind of its own.” The scenes captured in her photography are unedited and thus born purely from the magic of the in-camera composition. In the invitational image, “Tree Farm, Long Lane, East Hampton, NY”, 1999, a naked woman wearing nothing but a large straw hat is captured from behind, centered between a long line of trees on either side, as she bikes down the lane. In another image, “Bubbles, Piazza Rondanini, Roma”, 1995, friends linger before a vine-covered building, extending their arms up in joyful wonder, catching bubbles descending from above. Receiving her first camera at the age of 11, she has since been an avid fine art photographer. After moving from Philadelphia to New York in 1976, Rice was immediately swept up in the electrifying, fast-paced art world of the city. In 1977, Disco...
Category

1970s Contemporary Dye Transfer Portrait Photography

Materials

Metal

Jasper & Elaine, Infinity, New York, NY, 1976
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...
Category

1970s Contemporary Dye Transfer Portrait Photography

Materials

Metal

Warhol, Opening Night Studio 54, New York, NY, 1977
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...
Category

1970s Contemporary Dye Transfer Portrait Photography

Materials

Metal

Hemingway, Opening Night Studio 54, New York, NY, 1977
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...
Category

1970s Contemporary Dye Transfer Portrait Photography

Materials

Metal

Discoworld Magazine, Infinity, New York, NY, 1976
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...
Category

1970s Contemporary Dye Transfer Portrait Photography

Materials

Metal

Terisa [Tom as Carol]
Located in New York, NY
Vintage dye transfer print from the portfolio "Transformations" (Edition of 50) Signed and numbered, verso 30 x 24 inches, mount size 22 x 15 inches, image size This artwork is off...
Category

Late 20th Century Other Art Style Dye Transfer Portrait Photography

Materials

Dye Transfer

SILVER DOLLAR (COLOR)
Located in Aventura, FL
Dye-transfer print, flush-mounted. The photographer's copyright stamp, signed and dated in ink, and with title, date, and edition 'A. P. #D' in ink on the reverse. Frame size 30 x 33...
Category

1980s Photorealist Dye Transfer Portrait Photography

Materials

Dye Transfer

Golden Mask, Tenerife, 2014
Located in New York, NY
Signed by the photographer Edition 3/5
Category

2010s Dye Transfer Portrait Photography

Materials

Dye Transfer

Stans (from the series "On Duty")
Located in New York, NY
Stans (from the series “On Duty”) 1963/1965 Signed, titled, dated, and numbered on label, verso Dye coupler print (Edition of 15) 19.75 x 19.75 inche...
Category

1960s Contemporary Dye Transfer Portrait Photography

Materials

Dye Transfer

Stansstad (from the series “On Duty”)
Located in New York, NY
Stansstad (from the series “On Duty”) 1965 Signed, titled, dated, and numbered on label, verso Dye coupler print (Edition of 15) 19.75 x 19.75 inches...
Category

1960s Contemporary Dye Transfer Portrait Photography

Materials

Dye Transfer

Betty McLaughlin
Located in New York, NY
This photograph was printed in the 1950's and is stamped by the photographer's estate.
Category

1940s Dye Transfer Portrait Photography

Materials

Dye Transfer

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Andy and Dots signed, 1982
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'Poolside Pairs' Slim Aarons Limited Edition Estate Stamped Print
Located in London, GB
'Poolside Pairs' Slim Aarons Limited Edition Estate Stamped Print, Printed Later Former fashion model Helen Dzo Dzo Kaptur (in white lace) and Nelda Linsk (in yellow), wife of art dealer Joseph Linsk, at the Kaufmann Desert House in Palm Springs, California, January 1970. The Linsks are the current owners of the house. (Photo by Slim Aarons/Getty Images) C Print Produced from the original transparency Certificate of authenticity supplied Archive stamped THIS PRINT 60x40 inches / 152 x 101 cm paper size printed 2021 Various sizes and frame options available FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. We ship regularly using Fedex Express services and shipping to all international locations. Keywords 1970s 70s luxury monumental friends party women swimming pool garden...
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"Free Agent", 2008
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‘The Mouth That Roared, 1970’, Photographic Print, Dye Sublimation on Aluminum
Located in Los Angeles, CA
Homage to Ali: Neil Leifer pays tribute to the legendary Muhammad Ali in an exclusive set of classic photographs. The Mouth That Roared, Miami Beach, October 9, 1970: “It was imposs...
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Studio 54 Opening Night, New York, NY, 1977
Located in Hudson, NY
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"Saturday Night Fever" Original Vintage 1977 Movie Film Cinema Lobby Card
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"Saturday Night Fever" Original Vintage 1977 Movie Film Cinema Lobby Card
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Brian with Eyes Closed with Kim at Sunset, Miramer Beach, Montecito, CA, 2017
Located in Hudson, NY
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"Neiman Marcus, Derek #4", New York, NY, 1995
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Elaine in Mirror, Club Infinity, New York, NY
Located in Hudson, NY
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Previously Available Items
Frank Horvat Portfolio, 1980-1986, 11 Dye Transfer Prints, 1997
Located in Miami Beach, FL
Frank Horvat Portfolio, 1980-1986 11 Dye Transfer Prints (The overall wall size composition of the entire portfolio is 70in x 80in) Individual image size:...
Category

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Veronique P., Dye Transfer Print, 1980
Located in Miami Beach, FL
Veronique P., 1980 by Frank Horvat Dye Transfer Print Unframed Image size: 14 in. H x 9.38 in. W Sheet size: 22.63 in. H x 19.5 in. W Signed, titled and dated in pencil on verso. Frank Horvat (28 April 1928 – 21 October 2020) was an Italian photographer who lived and worked in France. He is best known for his fashion photography, published between the mid 1950s and the late 1980s. Horvat’s photographic opus includes photojournalism, portraiture, landscape, nature, and sculpture. He was the recipient of the Fondazione del Centenario Award in 2010 for his contributions to European culture. He has collaborated with fellow photographers such as Don McCullin, Robert Doisneau, Sarah Moon, Helmut Newton, and Marc Riboud. In the 1990s, he was one of the first major photographers to experiment with technology including photoshop. Horvat was born in Abbazia, Italy (now Opatija, Croatia), on 28 April 1928, into a Jewish family from Central Europe. His father, Karl, was a Hungarian general physician, and his mother, Adele, was a psychiatrist from Vienna. At the age of 11, in 1939, his family moved to Lugano in Switzerland, fleeing fascism in Italy. He went on to study fine art at Brera Academy in Milan. Horvat lived in several countries including Switzerland, Italy, Pakistan, India, England, and America) before settling in France in 1955. Horvat started his career in the mid 1950s as a photojournalist in Paris, working to capture the ‘sleaze and squalor’ of the city, before going on to fashion photography. He acknowledged having been strongly influenced by French humanist photographer Henri Cartier-Bresson. After meeting him in 1950, he followed his advice and replaced his Rollei with a Leica camera and embarked on a two-year journey through Asia as a free-lance photojournalist. His photographs from this trip were published by Life, Réalités, Match, Picture Post, Die Woche, and Revue. His photograph of an Indian bride under a veil, her face reflected in a mirror on her lap, was selected by Edward Steichen for The Family of Man exhibit at the Museum of Modern Art which toured the world to be seen by 9 million visitors. In 1955, Horvat moved from London to Paris and found that the mood of its streets and its inhabitants had little in common with the somewhat romantic vision of the so-called humanist photographers. In 1957, Horvat shot fashion photographs for Jardin des Modes using a 35-mm camera and available light, which formerly had rarely been used for fashion. This innovation was welcomed by ready-to-wear designers, because it presented their creations in the context of everyday life. In the following years, Horvat was commissioned to do similar work for Elle in Paris, Vogue in London, and Harper’s Bazaar in New York. Between 1962 and 1963, Horvat turned to photojournalism and took a trip around the world for the German magazine Revue. Then he experimented with cinema and video. In 1976, he decided to “become his own client” by producing three personal projects: Portraits of Trees (1976–82), Very Similar (1982-86) and New York Up and Down (1982–87), which he called his “triptych”. In this period, Horvat went on towards color photography including his series New York Up and Down, where he extensively shot portraits of passengers on New York’s subway systems and coffee shops. This was also period when his eyesight started to fail from an eye disease. It was then that he began a new project, a series of interviews with fellow photographers, such as Edouard Boubat, Robert Doisneau, Mario Giacomelli, Josef Koudelka, Don McCullin, Sarah Moon, Helmut Newton, Marc Riboud, Jeanloup Sieff and Joel-Peter Witkin. They were published in France under the title Entre Vues. In the 1990s, Horvat became interested in computer technology and produced Yao the Cat (1993), Bestiary (1994), and Ovid’s Metamorphoses (1995). He transgressed the Cartier-Bressonian rule of the “decisive moment” by combining parts of images shot at different times and in different places. Several years later, he produced A Trip to Carrara. This was also the period that he was one of the first photographers to experiment with Photoshop. Women played a central thematic role in his fashion journalistic works, with a focus on realism. Speaking about women in his photography and his emphasis on natural looks, he said, “I was interested in women. I wanted to show what I liked about them. They would spend two hours in the makeup chair...
Category

20th Century Modern Dye Transfer Portrait Photography

Materials

Archival Pigment, Dye Transfer, Color

Rebecca, Dye Transfer Print, Framed, 1980
Located in Miami Beach, FL
Rebecca, 1980 by Frank Horvat Dye Transfer Print Image size: 14 in. H x 9.38 in. W Sheet size: 22.63 in. H x 19.5 in. W Frame size: 31 in. H x 26 in. W x 1 in. D Signed, titled and dated in pencil on verso. ___________________________________ Frank Horvat (28 April 1928 – 21 October 2020) was an Italian photographer who lived and worked in France. He is best known for his fashion photography, published between the mid 1950s and the late 1980s. Horvat’s photographic opus includes photojournalism, portraiture, landscape, nature, and sculpture. He was the recipient of the Fondazione del Centenario Award in 2010 for his contributions to European culture. He has collaborated with fellow photographers such as Don McCullin, Robert Doisneau, Sarah Moon, Helmut Newton, and Marc Riboud. In the 1990s, he was one of the first major photographers to experiment with technology including photoshop. Horvat was born in Abbazia, Italy (now Opatija, Croatia), on 28 April 1928, into a Jewish family from Central Europe. His father, Karl, was a Hungarian general physician, and his mother, Adele, was a psychiatrist from Vienna. At the age of 11, in 1939, his family moved to Lugano in Switzerland, fleeing fascism in Italy. He went on to study fine art at Brera Academy in Milan. Horvat lived in several countries including Switzerland, Italy, Pakistan, India, England, and America) before settling in France in 1955. Horvat started his career in the mid 1950s as a photojournalist in Paris, working to capture the ‘sleaze and squalor’ of the city, before going on to fashion photography. He acknowledged having been strongly influenced by French humanist photographer Henri Cartier-Bresson. After meeting him in 1950, he followed his advice and replaced his Rollei with a Leica camera and embarked on a two-year journey through Asia as a free-lance photojournalist. His photographs from this trip were published by Life, Réalités, Match, Picture Post, Die Woche, and Revue. His photograph of an Indian bride under a veil, her face reflected in a mirror on her lap, was selected by Edward Steichen for The Family of Man exhibit at the Museum of Modern Art which toured the world to be seen by 9 million visitors. In 1955, Horvat moved from London to Paris and found that the mood of its streets and its inhabitants had little in common with the somewhat romantic vision of the so-called humanist photographers. In 1957, Horvat shot fashion photographs for Jardin des Modes using a 35-mm camera and available light, which formerly had rarely been used for fashion. This innovation was welcomed by ready-to-wear designers, because it presented their creations in the context of everyday life. In the following years, Horvat was commissioned to do similar work for Elle in Paris, Vogue in London, and Harper’s Bazaar in New York. Between 1962 and 1963, Horvat turned to photojournalism and took a trip around the world for the German magazine Revue. Then he experimented with cinema and video. In 1976, he decided to “become his own client” by producing three personal projects: Portraits of Trees (1976–82), Very Similar (1982-86) and New York Up and Down (1982–87), which he called his “triptych”. In this period, Horvat went on towards color photography including his series New York Up and Down, where he extensively shot portraits of passengers on New York’s subway systems and coffee shops. This was also period when his eyesight started to fail from an eye disease. It was then that he began a new project, a series of interviews with fellow photographers, such as Edouard Boubat, Robert Doisneau, Mario Giacomelli, Josef Koudelka, Don McCullin, Sarah Moon, Helmut Newton, Marc Riboud, Jeanloup Sieff and Joel-Peter Witkin. They were published in France under the title Entre Vues. In the 1990s, Horvat became interested in computer technology and produced Yao the Cat (1993), Bestiary (1994), and Ovid’s Metamorphoses (1995). He transgressed the Cartier-Bressonian rule of the “decisive moment” by combining parts of images shot at different times and in different places. Several years later, he produced A Trip to Carrara. This was also the period that he was one of the first photographers to experiment with Photoshop. Women played a central thematic role in his fashion journalistic works, with a focus on realism. Speaking about women in his photography and his emphasis on natural looks, he said, “I was interested in women. I wanted to show what I liked about them. They would spend two hours in the makeup chair...
Category

20th Century Modern Dye Transfer Portrait Photography

Materials

Archival Pigment, Dye Transfer, Color

Anne, Portrait. Fashion Color Photograph. Signed, titled and dated on verso
Located in Miami Beach, FL
Anne, 1983 by Frank Horvat Dye Transfer Print Unframed Image size: 14 in. H x 9.38 in. W Sheet size: 22.63 in. H x 19.5 in. W Signed, titled and dated in pencil on verso. Frank Horvat (28 April 1928 – 21 October 2020) was an Italian photographer who lived and worked in France. He is best known for his fashion photography, published between the mid 1950s and the late 1980s. Horvat’s photographic opus includes photojournalism, portraiture, landscape, nature, and sculpture. He was the recipient of the Fondazione del Centenario Award in 2010 for his contributions to European culture. He has collaborated with fellow photographers such as Don McCullin, Robert Doisneau, Sarah Moon, Helmut Newton, and Marc Riboud. In the 1990s, he was one of the first major photographers to experiment with technology including photoshop. Horvat was born in Abbazia, Italy (now Opatija, Croatia), on 28 April 1928, into a Jewish family from Central Europe. His father, Karl, was a Hungarian general physician, and his mother, Adele, was a psychiatrist from Vienna. At the age of 11, in 1939, his family moved to Lugano in Switzerland, fleeing fascism in Italy. He went on to study fine art at Brera Academy in Milan. Horvat lived in several countries including Switzerland, Italy, Pakistan, India, England, and America) before settling in France in 1955. Horvat started his career in the mid 1950s as a photojournalist in Paris, working to capture the ‘sleaze and squalor’ of the city, before going on to fashion photography. He acknowledged having been strongly influenced by French humanist photographer Henri Cartier-Bresson. After meeting him in 1950, he followed his advice and replaced his Rollei with a Leica camera and embarked on a two-year journey through Asia as a free-lance photojournalist. His photographs from this trip were published by Life, Réalités, Match, Picture Post, Die Woche, and Revue. His photograph of an Indian bride under a veil, her face reflected in a mirror on her lap, was selected by Edward Steichen for The Family of Man exhibit at the Museum of Modern Art which toured the world to be seen by 9 million visitors. In 1955, Horvat moved from London to Paris and found that the mood of its streets and its inhabitants had little in common with the somewhat romantic vision of the so-called humanist photographers. In 1957, Horvat shot fashion photographs for Jardin des Modes using a 35-mm camera and available light, which formerly had rarely been used for fashion. This innovation was welcomed by ready-to-wear designers, because it presented their creations in the context of everyday life. In the following years, Horvat was commissioned to do similar work for Elle in Paris, Vogue in London, and Harper’s Bazaar in New York. Between 1962 and 1963, Horvat turned to photojournalism and took a trip around the world for the German magazine Revue. Then he experimented with cinema and video. In 1976, he decided to “become his own client” by producing three personal projects: Portraits of Trees (1976–82), Very Similar (1982-86) and New York Up and Down (1982–87), which he called his “triptych”. In this period, Horvat went on towards color photography including his series New York Up and Down, where he extensively shot portraits of passengers on New York’s subway systems and coffee shops. This was also period when his eyesight started to fail from an eye disease. It was then that he began a new project, a series of interviews with fellow photographers, such as Edouard Boubat, Robert Doisneau, Mario Giacomelli, Josef Koudelka, Don McCullin, Sarah Moon, Helmut Newton, Marc Riboud, Jeanloup Sieff and Joel-Peter Witkin. They were published in France under the title Entre Vues. In the 1990s, Horvat became interested in computer technology and produced Yao the Cat (1993), Bestiary (1994), and Ovid’s Metamorphoses (1995). He transgressed the Cartier-Bressonian rule of the “decisive moment” by combining parts of images shot at different times and in different places. Several years later, he produced A Trip to Carrara. This was also the period that he was one of the first photographers to experiment with Photoshop. Women played a central thematic role in his fashion journalistic works, with a focus on realism. Speaking about women in his photography and his emphasis on natural looks, he said, “I was interested in women. I wanted to show what I liked about them. They would spend two hours in the makeup chair...
Category

20th Century Modern Dye Transfer Portrait Photography

Materials

Archival Pigment, Color, Dye Transfer

Kay (Ex-Green Beret)
Located in New York, NY
Vintage dye transfer print from the portfolio "Transformations" (Edition of 50) Signed and numbered, verso 24 x 30 inches, mount size 15 x 22 inches, image size This artwork is off...
Category

Late 20th Century Other Art Style Dye Transfer Portrait Photography

Materials

Dye Transfer

Claude, Dye Transfer Print, 1984
Located in Miami Beach, FL
Claude, 1984 by Frank Horvat Dye Transfer Print Unframed Image size: 14 in. H x 9.38 in. W Sheet size: 22.63 in. H x 19.5 in. W Signed, titled and dated i...
Category

20th Century Modern Dye Transfer Portrait Photography

Materials

Color, Archival Pigment, Dye Transfer

Monica Bellucci, Dye Transfer Print, 86
Located in Miami Beach, FL
Monica Bellucci, 86 by Hans Feurer Dye Transfer Print Unframed Image size: 16.75 in. H x 11 in. W Sheet size: 22.25 in. H x 19.25 W Stamped "Photo Hans...
Category

20th Century Contemporary Dye Transfer Portrait Photography

Materials

C Print, Archival Pigment, Dye Transfer

Queen Cover, Signed, Titled, Dated and Numbered in Pencil on Verso
Located in Miami Beach, FL
Queen Cover, 1967 by Hans Feurer Dye Transfer Print Unframed Image size: 16.75 in. H x 11 in. W Sheet size: 22.25 in. H x 19.25 W Stamped "Photo Hans Feure...
Category

20th Century Contemporary Dye Transfer Portrait Photography

Materials

Color, Archival Pigment, Dye Transfer

FRZ. Volume, Dye Transfer Print, 74
Located in Miami Beach, FL
FRZ. Volume, 74 by Hans Feurer Dye Transfer Print Unframed Image size: 18.5 in. H x 12.25 in. W Sheet size: 22.75 in. H x 19.25 W Stamped "Photo Hans Feur...
Category

20th Century Contemporary Dye Transfer Portrait Photography

Materials

Archival Pigment, Color, Dye Transfer

Collants Chesterfield, Signed, Titled, Dated and Numbered in Pencil on Verso
Located in Miami Beach, FL
Collants Chesterfield, 1975 by Hans Feurer Dye Transfer Print Unframed Image size: 10.75 in. H x 16.875 in. W Sheet size: 19.25 in. H x 22.5 W Stamped "Photo Hans Feurer", signed, ti...
Category

20th Century Contemporary Dye Transfer Portrait Photography

Materials

Dye Transfer, Color, Archival Pigment

Dye Transfer portrait photography for sale on 1stDibs.

Find a wide variety of authentic Dye Transfer portrait photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add portrait photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of pink, red, blue, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Robin Rice, Mariette Pathy Allen, Neil Leifer, and Rollin Leonard. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Dye Transfer portrait photography, so small editions measuring 0.63 inches across are also available

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