Dye Transfer Portrait Photography

Series: Historical Fiction Dye Transfer All available sizes & editions for each size of this photograph: 18" x 18" Edition of 3 "Hannah Colorized is a new DYE transfer print, which I also used a brand new technique for this was shot on black and white film, then colored by hand using special paints to create a KODACHROME look. This is a process that took me years to perfect and will be immortalized in the DYE transfer printing process forever. These are the rarest color prints in existence and will each and everyone be museum pieces these masterworks are tailored only for top collectors. They are the longest-lasting highest-tone color images ever made. The Kodak company stopped making the chemicals in 1994 and these are the last remaining chemicals in the world, after my run, there will never be Dye Transfer prints again. The color process depends on superimposing three images in the subtractive colors: cyan, magenta, and yellow in the exact register facilitated using register pins mounted at the edge of a glass rolling bed...

Series: Provocateur Dye Transfer Available Size & Edition Information: 18" x 18" Edition of 3 ONE LEFT There is something contagious about ideas, the more people you surround y...

Portrait of Mike Tyson with a motion blur effect. Mike has had many chapters in his life, with dramatic highs and lows that most of us will never experienc...

Jon Bon Jovi in an homage to Andy Warhol's Triple Elvis.

Mike Tyson's fist. Iconic. Some of the heaviest hands there ever were. Photographed in stark black and white and stunning detail it's a vivid depiction of raw power and strength.

Mike Tyson showing the peace sign. The original intent was to just photograph his hand with the peace sign and include in the caption that it was indeed Mike Tyson's hand. However du...

This is actually the first frame of the shoot as Clint just stepped on set and stared at the camera in the glare of the lights, not super excited about having his picture taken. Being a pro he quickly loosen up and there are plenty of other images of him smiling warmly from the session. However this first frame of Clint with the slight grimace and thousand mile stare is the most authentic and Clint we all know and love. This portrait of Clint Eastwood by Scott McDermott...

Portrait of actor Nick Offerman with a slinky eye from Scott McDermott's portrait archive. Scott has photographed Nick on several occasions and for thi...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

This piece is an original dye-transfer print taken of Lauren Hutton by Milton Greene in 1966. It is hand signed by Greene and marked as an Artist's Proof...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 15 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin Rice. For decades, Robin has exhibited a wide variety of photographers at the gallery but never her own work. As the show’s title denotes, “It’s About Time.” The opening reception will be held on Wednesday, January 23rd from 6pm to 8pm. The exhibit runs through March 17, 2019. While her photography spans five decades and multiple continents, Rice maintains a cohesive, candid voice that carries throughout all of her work. Observing the world around her in a cinematic way, she possesses an uncanny ability to recognize and capture moments of beauty and the spontaneity of the human spirit. By evoking a wonderstruck sensibility, Rice expresses a deep-rooted love for both people and landscapes using her distinct bohemian style. In this salon-style retrospective, Rice uses an “old school” approach and shoots with her Nikon on Tri-X film. When creating her art, she insists, “the camera has a mind of its own.” The scenes captured in her photography are unedited and thus born purely from the magic of the in-camera composition. In the invitational image, “Tree Farm, Long Lane, East Hampton, NY”, 1999, a naked woman wearing nothing but a large straw hat is captured from behind, centered between a long line of trees on either side, as she bikes down the lane. In another image, “Bubbles, Piazza Rondanini, Roma”, 1995, friends linger before a vine-covered building, extending their arms up in joyful wonder, catching bubbles descending from above. Receiving her first camera at the age of 11, she has since been an avid fine art photographer. After moving from Philadelphia to New York in 1976, Rice was immediately swept up in the electrifying, fast-paced art world of the city. In 1977, Disco...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Dye-Sublimation print on aluminum

Stans (from the series “On Duty”) 1963/1965 Signed, titled, dated, and numbered on label, verso Dye coupler print (Edition of 15) 19.75 x 19.75 inche...

Stansstad (from the series “On Duty”) 1965 Signed, titled, dated, and numbered on label, verso Dye coupler print (Edition of 15) 19.75 x 19.75 inches...