Still-life Photography

All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 Burdeny’s Russia imag...

All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 Burdeny’s Russia imag...

In the tondo photograph, Los Insectos Eternos, Fidel Santos conjures a fragile world of beauty and disintegration. At the heart of the composition lies a delicate web of fine thread,...

Title: Jordan Stairs I, State Hermitage, St Petersburg, Russia All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 Burden...

All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 Burdeny’s Russia imag...

All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 Burdeny’s Russia imag...

All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 Burdeny’s Russia imag...

All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 What makes Burdeny’s Cuba series different fro...

Title: Docent II, State Hermitage, St Petersburg, Russia All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edi...

All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 Burdeny’s Russia imag...

Title: Docent I, State Hermitage, St Petersburg, Russia All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edit...

All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 Burdeny’s Russia imag...

Since this item will be shipped directly from the publisher, the seller can only provide specific information to buyers at the actual point of sale. Please message the seller to requ...

Covid Vanitas: The Pandemic Still Lifes On the first day of quarantine I began photographing the people-less quiet of a home and studio in isolation. The still lifes are a visual j...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

Vacancy, 2019, Edition 1/10 plus 2 Artist Proof, 20x20cm. Digital C-Print based on a mixed-media collage of an original Polaroid on Hahnemuhle photo rag paper. Signature label and ...

Untitled Flower # 04 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

'Poppy' London, United Kingdom 2023 Limited edition of 20. Printed on Hahnemühle photo rag Baryta 308 Gsm fine art paper, these limited edition photographs are designed to withsta...

Title: Saffron Milk Cap (edible) Medium: Digital C-Print / Archival Pigment Print Edition of 5 per size Available sizes: 24" x 24" 36" x 36" 48" x 48" 60" x 60" "Mushrooms are diffe...

Sepia-toned gelatin silver print, mounted to archival board Signed, dated, and numbered, verso 9 x 9 inches (Edition of 50) 15 x 15 inches (Edition of 30) This artwork is offered ...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian photog...

ABOUT THIS PIECE: Let's not pretend that we don't enjoy 80's music. ABOUT THIS ARTIST: Floyd P. Stanley is an LA based photographer creating product shot photographs of mixed tapes....

'Peony no.2' 2023 97×120 cm printed on organic cotton canvas, limited edition of 5 + 1AP Canvas fixed on bamboo fixtures, to be and hanged as a scroll. Photograph is signed and ...

'Delphinium in cut' 100x100 cm Limited edition 2 of 5. Printed on Hahnemühle photo rag Baryta 308 Gsm fine art paper, these limited edition photographs are designed to withstand ...

" Macaw #9 ” - Signed limited edition archival pigment print - Edition of 10 The iconic Blue and Gold Macaw is a sociable and playful large pa...

Heidler & Heeps Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A bold mu...

From the transformative to the ephemeral, the birth and death of a butterfly with a broken wing is reimagined in a photo series by Roberta Fineberg inspired by a poem by the 13th Century Persian poet Rumi who wrote: ‘Whatever you know, or don’t - only love is real...

Orchid 2 - Signed limited edition archival pigment print - Edition of 8 Photography 1991 and Bichromate print : 2010 Pigment print : 2014 Several negatives was used to create ...

Toy Boat (Malibu) - 2004 Edition 1/5, 39x37cm. Analog C-Print, hand-printed by the artist, based on the Polaroid. Artist inventory Number 662.01. Mounted...

Deep Inside III #12 is a Giclée Print on Cotton Paper (Hahnemuhle Photo Rag 308g) print available in this size in a limited edition of 10 + 2 Artist Proofs. Born in Porqueres, a sm...

Vegetables from my garden #5 by Zoltan Gerliczki From the Vegetables from my garden series Archival Pigment Print Image size: 39 in H x 48 in W. Edition of 9 + 2AP Unframed 2021 "W...

"Tree Bottles for Two People" is an exclusive handprinted unique cyanotype made by layering paper cutouts of bottle silhouettes using uv-light and multiple exposures. This artwork ...

Untitled Flower # 115 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" ...

Not All Who Wander (Hands) - 2017, 40 x 40 cm, Edition 1/10. Digital C-Print based on a Polaroid. Numbered and signed on the back by the artist. Not mounted. Artist Statement “Si...

'Lily No.3' Lily was photographed using a large format 4x5 black and white film. From Limited edition of 15. Printed on archival Hahnemühle Photo Rag Baryta paper. Signed both fr...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian photog...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian photog...

'Lily '23' Lily was photographed using a large format 4x5 black and white film. From Limited edition of 10. Printed on archival Hahnemühle Photo Rag Baryta paper. Signed both fro...

Art Print, photographed in Asia, limited edition 10, signed.

Bi-Dhon, 2010 by Rodrigo Etem From the series Ser Cosa Archival pigment print on fine art paper Size: 26 H x 40 W inches. Edition of 7 Unframed …this se...

'Crookneck' Printed on Hahnemühle photo rag Baryta 308 Gsm fine art paper, these limited edition photographs are designed to withstand the test of time, preserving the beauty and em...

Care Home is a limited-edition photograph by contemporary artist Gina Soden. It is part of the “Retrogression” series. This photograph is sold unframed as a print only. It is availa...

Automobili II by Frank Schott 27 x 40 inches / 69cm x 102cm edition of 25 signed 48 x 72 inches / 122cm x 183cm edition of 7 signed archival quality fine art pigment print limited...

Deep Inside III #9 is a Giclée Print on Cotton Paper (Hahnemuhle Rag Paper 308g) print available in this size in an edition of 10 + 2 Artist Proofs. Born in Porqueres, a small vill...

This is an exclusive limited edition color Giclée print, printed on matte photographic paper. This exquisite still life photo, shows a classy bouquet beautifully lit with soft light. The print measures 36 x 24 inches total, with an image size of 32 x 20 in. and a 2 inch surrounding white border. Details: + Title: Flowers with Caravaggio Light...

Foliage I by Stuart Möller 2022 signed limited Oversize Print Limited to 10 only this size Archival pigment print Other Edition Sizes paper sizes...

The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal past and their personalities. Tapes are significant in both their live...

Rider’s Field Boot from Claremont Riding Academy on the Upper West Side of Manhattan in the 1990s was photographed for City Riders (Macmillan, 1997) by Roberta Fineberg. From the bo...

'Time Zero Flowers', 2017 Edition 1/7 plus 2 Artist Proof Based on a Polaroid, digital C-Print, not mounted. Signed on the back and with certificate. Artist inventory PL2017-188 Kir...

Deep Inside III #5 is a Giclée Print on Cotton Paper (Hahnemuhle Rag Paper 308g) print available in this size in a limited edition of 10 + 2 Artist Proofs. Born in Porqueres, a sma...

'Peony’ photographed in London, United Kingdom 2022. Printed on Hahnemühle photo rag Baryta 308 Gsm fine art paper, these limited edition photographs...

'Coupled Poppies' 2023 97×120 cm printed on organic cotton canvas, limited edition of 5 + 1AP Canvas fixed on bamboo fixtures, to be and hanged as a ...

Deep Inside III #4 is a Giclée Print on Cotton Paper (Hahnemuhle Rag Paper 308g) print available in this size in a limited edition of 10 + 2 Artist Proofs. Born in Porqueres, a sma...

"Double Vision Bar Scene" is an exclusive handprinted unique cyanotype made by layering paper cutouts of bottle silhouettes and wine glasses using uv...

White Orchid Bunch in Native Pot on Corrugated, fine art photography, still life "Flowers" is an ongoing series in which Pitts collects various flora and backdrops to set the stage ...

Please be aware that the US recently imposed an import duty on photographs printed in the last 20 years which may apply if you are purchasing and importing this to the US. Edition of 15. Lisa Creagh graduated from Goldsmiths in 1994, and more recently, with a Masters in Photography from Brighton University. Between 1997 and 2001 she lived and worked as an artist in New York, teaching digital imaging and curating exhibitions. Upon her return she founded The Brighton Photo Fringe in 2003, a network of photographers, still running in conjunction with the Brighton Photo Biennial. As a producer and curator she has delivered large-scale photographic projects for international artists and delivered talks at various colleges. In 2006 she received critical acclaim for the originality and collaborative nature of ‘Tidy Street’ where she transformed a street in Brighton in to a series of light-boxes utilizing the windows of small terraced houses. Prior to her MA she was awarded two Arts Council England Individual Artists Awards. Her current ongoing project, ‘The Instant Garden’ was begun in 2008 and is inspired by Dutch Flower paintings...

'Peony’ photographed in London, United Kingdom 2022. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. ...

Fruits from my garden #4, by Zoltan Gerliczki From the Vegetables from my garden series Archival Pigment Print Image size: 39 in H x 48 in W. Edition of 9 + 2AP Unframed 2021 "We e...

Geister or 'Ghost Ship' series from Nina Dietzel. Stunning on own, or paired with other images from the series. Surface mounted to polished plexiglass so that the photograph appears ...