Miniature Still-life Photography

In Bloom - 2021 Archival C-Print based on a mixed-media collage of an original Polaroid on Hahnemuhle photo rag paper, not mounted. Edition of 10 plus 2 Artist Proofs. Signature ...

"The Beauty of the Uncommon Tools" is from Tony Chirinos' project entitled, "The Precipice", - also released as a book project by Gnomic Book in 2021 - which serves as a photographic...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian photog...

Bungalow B, Thailand, 1988 - 20x30cm, Edition of 10, digital C-Print based on a 35mm negative. Signed on back with Certificate. Not mounted.

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

Titel: Without Title (New York) Medium: Photograph Year: 1974/2014 Publisher: Griffelkunst Hamburg size: 7.4 × 10.7 on 11.5 × 15.4 inches After a photographer training at the photo ...

David Pugh Feeling Blue (Genuine, Expressions, Color, Emotion) Archival Pigment Print on Hahnemühle Photo Rag Baryta, 100% Cotton Fibre, 315 gsm, Acid and Lignin free, ISO 9706 confo...

Today's Heros - close-up (Suburbia) - 2004, 28x37cm, Edition of 10, digital C-Print based on an expired Polaroid. Artist Inventory #20959. Signature label with Certificate, unmount...

Portal - 2020 Edition of 10 plus 2 Artist Proof, 25x20cm, Digital C-Print based on an original Polaroid on Hahnemuhle photo rag paper, not mounted. Signed on back with certificate...

This photograph by Doris Mitsch is offered by CLAMP in New York City.

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

"The Beauty of the Uncommon Tools" is from Tony Chirinos' project entitled, "The Precipice", - also released as a book project by Gnomic Book in 2021 - which serves as a photographic...

Untitled from the Dwell Series, 2017 Edition 1/10 plus 2 Artist Proof, 20x24cm, Digital C-Print based on an original Polaroid on Hahnemuhle photo rag paper, not mounted. Signature la...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

Ghost Story - 2020 Edition of 10 plus 2 Artist Proof, 20x25cm. Digital C-Print based on an original Polaroid on Hahnemuhle photo rag paper, not mounted. Signed on back with certi...

Printed in rich platinum/palladium, these intricate and formal portraits depict the delicate but dangerous nature of carnivorous plants. "The poetic sensibility of nature seems to h...

'A Gift', 2020 Digital C-Print based on an original Polaroid on Hahnemuhle photo rag paper. Edition of 10 plus 2 Artist Proofs, 20x25cm, Signature label and certificate. Not mounted...

Yosemite #54 - from the series US Road trip Diary - 2007, 20x20cm, Edition of 10. Archival pigment print, based on an original Polaroid on beautiful PHOTO RAG ® ULTRA SMOOTH pape...

Sequoia #121 - from the series US Road trip Diary - 2007, 20x20cm, Edition of 10. Archival pigment print, based on an original Polaroid on beautiful PHOTO RAG ® ULTRA SMOOTH pape...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

The picture is a part of photographs which Kallay done in 1965 for a German book publisher about NYC.

'Still Life in Yellow', 2018 Edition 1/10 plus 2 Artist Proof, 30x22cm, Digital C-Print based on an original Polaroid on Hahnemuhle photo rag paper, not mounted. Signature label and...

Maggie Taylor creates evocative single-scene narratives in her whimsical and often elaborate photomontages. Working intuitively, Taylor combines 19th Century photographs, found objec...

9 x 12 inch images, matted at 16 x 20 inches, limited edition of 5, starting at $1,200 12 x 16 inch images matted at 20 x 24 inches, limited edition of 5, starting at $1,600 Each suc...

'Color Study', 2017 Edition 1/10 plus 2 Artist Proof, 20x24cm, Digital C-Print based on a mixed-media collage of an original Polaroid and glitter on Hahnemuhle photo rag paper, not ...

These days are also bringing "full windows", happily full with books. Done during a city walk. Hope you like the look, limited edition of 15. Signed by the author.

The picture of NYU was done in 1965 as a collection of photographs for a German book editor. Later a phonebook about NYU was published.

Black and white photograph of Edward Weston's desk, by Kim Weston (American, b. 1953). This photograph was taken in the former home of Edward Weston, Kim We...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

'In Bloom', 2020 Digital C-Print based on an original Polaroid on Hahnemuhle photo rag paper. Edition of 10 plus 2 Artist Proofs, 20x25cm, Signature label and certificate. Not mount...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

11 x 14 inch image is an edition of 45. Four other sizes are available. Mina Afshari was born in Tehran, Iran. Her life and art are shaped by her journey from oppression to freedom....

Archival pigment print Signed and numbered, verso 8 x 10 inches, sheet (Edition of 15) This artwork is offered by ClampArt, located in New York City. Please note that prices increa...

Motel Nights (29 Palms, CA) Edition 1/10, 20x20cm, 1999. Digital C-Print, based on an expired original Polaroid. Artist inventory Number 21038. Signature label and Certificate. Not m...

Untitled from the Dwell series, 2018, Edition 1/10 plus 2 Artist Proof, 24x20cm, Digital Print based on an original Polaroid on Hahnemühle photo rag paper, not mounted. Signature la...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

Sepia Toned Silver Gelatin Photograph of Clothing Making Tools from Ancient Tonga 17 x 17 inches, edition of 25 signature on face Tonga was once at the center of a vast trading empire stretching...

The past year afforded more time than normal for stillness and observation. I am thrilled to be alive and sentient. I love making things, whether it be building a guitar, cooking a m...

The past year afforded more time than normal for stillness and observation. I am thrilled to be alive and sentient. I love making things, whether it be building a guitar, cooking a m...

Self-portrait with Mirror, 2019, Edition 1/10 plus 2 Artist Proof, 24x20cm, Digital Print based on a Polaroid photograph on Hahnemühle photo rag paper, not mounted. Signature label...

'Burst', 2016 Edition 2/7 plus 2 Artist Proof Based on a Polaroid, digital C-Print, not mounted. Signed on the back and with certificate. Artist inventory PL2016-303 Kirsten Thys va...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

Printed in rich platinum/palladium, these intricate and formal portraits depict the delicate but dangerous nature of carnivorous plants. "The poetic sensibility of nature seems to h...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

Part of Richard Heeps 'Ordinary Places' Series, it captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at th...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

Sepia-toned gelatin silver print, mounted to archival board Signed, dated, and numbered, verso 9 x 9 inches (Edition of 50) 15 x 15 inches (Edition of 30) This artwork is offered ...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

Rebecca Skinner’s “Sunflower #11” is part of her "Simplicity" series of photographs taking an up close look at flowers and other botanical subjects. The 12 x 18 inch color photo is o...

The past year afforded more time than normal for stillness and observation. I am thrilled to be alive and sentient. I love making things, whether it be building a guitar, cooking a m...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...