Miniature Still-life Photography

'Lily in Charcoal no.3' 2023 From raw energy to sublime. 'Lily in Charcoal No.3' is an expression piece combining an abstract charcoal drawing with a live lily emerging from a gash....

Born in Porqueres, a small village in Catalonia, Llorens has lived by the lake Banyoles his entire life. Inspired by this unique body of water, Llorens’ photographs describe a unique...

Capturing the limpid liquid forms of water in Finland, Vuokatti, the skeletal outlines of autumnal trees, and glowing lights in the woodland, Llorens' real subject is the inner psych...

Black and white photographs that reveal the various facets and aesthetic searches of the legendary Colombian photographer, recognized as the creator of memorable realistic, abstract and avant-garde images. They turned Leo Matiz into one of the most original and innovative personalities of universal photography in the 20th century. Leo Matiz is considered one of the tenth most influential photographers of the 20th century. His work as a photojournalist led him to travel extensively around the world, meeting and making friends with some of the most relevant figures of the 20th century. Matiz was an artist who never waited for beauty to come looking for him. He looked for her with his camera, wherever she was, whether it was the face of a child lost on a city street, a landscape, architectural wonders or the now famous portraits of the legendary artist Frida Kahlo. From Black & White Series Selenium print...

9 x 12 inch images, matted at 16 x 20 inches, limited edition of 5, starting at $1,200 12 x 16 inch images matted at 20 x 24 inches, limited edition of 5, starting at $1,600 Each suc...

The colorful photographs by Spanish artist Leticia Felgueroso (1963) have a modern and layered, but at the same time traditional, character. With a ...

Clam 02- Signed limited edition archival pigment print - Edition of 5 This image was captured on film in 1984. The negative was scanned creating a digital file which was then p...

The picture is a part of photographs which Kallay done in 1965 for a German book publisher about NYC.

Sunset (Sidewinder) - 2006 Polaroid - Unique Piece 1/1, 8.8 x 7.5 cm (image area) 10.6 x 8.6 cm ( including white Polaroid frame) Artist Inv. #23636. Signed on verso. Not mounted...

'Lily No.2' Lily was photographed using a large format 4x5 black and white film. From Limited edition of 20. Printed on archival Hahnemühle Photo Rag Baryta paper. Signed both fr...

Sepia toned silver gelatin print, edition 4 of 25 Custom black stained wood molding with visible grain 8-ply antique white mat with AR non glare glass. 4.5 x 4.5 inches unframed, 17 x 17 inches framed This square sepia toned silver gelatin print of a Victorian spiraling staircase...

Heidler & Heeps Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A bold mu...

My love is poured upon the earth (Bleeding heart) 2023 Signed, titled, dated, and numbered on label, verso Archival pigment print 28 x 21 inches (Edition of 5 + 2 APs) $3,000 16 ...

'Lilly’ photographed in London, United Kingdom 2022. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée print on Hahnemühle phot...

Fish (Stay) - 2006, 20x24cm, Edition 4/5. Archival C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte surface, based on the Polaroid. Signature label and cer...

Butterfly Blue, 2016 by Roberta Fineberg is a 12.5” x 11,5” archival pigment print on Japanese paper mounted on clear plexiglass. Titled, dated, signed...

Playing in Heaven (Zuma Beach) - 2004 29x28cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #2...

Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A celebration of the vinyl record and analo...

Fine Art Print, limited editions.

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Yosemite #134 - from the series US Road trip Diary - 2007, 20x20cm, Edition of 10. Archival pigment print, based on an original Polaroid on beautiful PHOTO RAG ® ULTRA SMOOTH pap...

'Lily in Charcoal no.2' 2023 From raw energy to sublime. 'Lily in Charcoal No.2' is an expression piece combining an abstract charcoal drawing with a live lily emerging from a gash....

'These Boots are made for blending in' (Marfa, Texas), 2008 - Edition of 10, 20x30cm, Archival Pigment Print on Velvet Watercolor Paper, 310gsm, Bright ...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

Archival pigment print Signed and numbered, verso 8 x 10 inches, sheet (Edition of 15) This artwork is offered by ClampArt, located in New York City. Please note that prices increa...

Trumpet Plant is from Beth Moon's series The Savage Garden. Printed in rich platinum/palladium, these intricate and formal portraits depict the delicate but dangerous nature of carni...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

Printed in rich platinum/palladium, these intricate and formal portraits depict the delicate but dangerous nature of carnivorous plants. "The poetic sensibility of nature seems to h...

Lord Fauntleroy ILL 1408-08-152 Pigment Print Year: 2014 Visible Size: 9.25 x 9.25 inches Framed: 10.6 x 10.6 inches Signed: On Label Edition: 8 COA provided *White frame with stand...

Lord Fauntleroy ILL 1408-08-154 Pigment Print Year: 2014 Visible Size: 9.25 x 9.25 inches Framed: 10.6 x 10.6 inches Signed: On Label Edition: 8 COA provided *White frame with stand...

Lord Fauntleroy ILL 1408-08-161 Pigment Print Year: 2014 Visible Size: 9.25 x 9.25 inches Framed: 10.6 x 10.6 inches Signed: On Label Edition: 8 COA provided *White frame with stand...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

Motel Nights (29 Palms, CA) Edition 1/10, 20x20cm, 1999. Digital C-Print, based on an expired original Polaroid. Artist inventory Number 21038. Signature label and Certificate. Not m...

Yosemite #54 - from the series US Road trip Diary - 2007, 20x20cm, Edition of 10. Archival pigment print, based on an original Polaroid on beautiful PHOTO RAG ® ULTRA SMOOTH pape...

'Hand in hand' London, United Kingdom 2018 Limited edition of 20.

David Pugh Feeling Blue (Genuine, Expressions, Color, Emotion) Archival Pigment Print on Hahnemühle Photo Rag Baryta, 100% Cotton Fibre, 315 gsm, Acid and Lignin free, ISO 9706 confo...

Rebecca Skinner’s “Sunflower #11” is part of her "Simplicity" series of photographs taking an up close look at flowers and other botanical subjects. The 12 x 18 inch color photo is o...

4th of July #70 - from the series US Road trip Diary - 2007, 20x20cm, Edition of 10. Archival pigment print, based on an original Polaroid on beautiful PHOTO RAG ® ULTRA SMOOTH p...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

Chowchilla #131, 2007 [From the series US Road Trip Diary] Edition of 7 - numbers 1/7-3/7, 20x44x0,5cm. Photo compilation based on 2 expired Polaroids, printed on Plexiglass Dias...

Printed in rich platinum/palladium, these intricate and formal portraits depict the delicate but dangerous nature of carnivorous plants. "The poetic sensibility of nature seems to h...

Grand Canyon #35 - from the series US Road trip Diary - 2007, 20x20cm, Edition of 10. Archival pigment print, based on an original Polaroid on beautiful PHOTO RAG ® ULTRA SMOOTH ...

Ghost Story - 2020 Edition of 10 plus 2 Artist Proof, 20x25cm. Digital C-Print based on an original Polaroid on Hahnemuhle photo rag paper, not mounte...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

Humpty Dumpty and the Princess, features a collection of vintage book spines on a shelf in a photograph by Richard Heeps from his series In The Trea...

Whoopee! from Richard Heeps series 'In The Treasure Trove', featuring the multicolour spines of the iconic children's Annuals, photographed in a vintage bookshop...

Sparky, from Richard Heeps series 'In The Treasure Trove', featuring the multicolour spines of the iconic children's Annuals, photographed in a vintage bookshop...

Bryce Canyon #84 - from the series US Road trip Diary - 2007, 20x20cm, Edition of 10. Archival pigment print, based on an original Polaroid on beautiful PHOTO RAG ® ULTRA SMOOTH ...

The Colorado Kid, features a collection of vintage book spines on a shelf in a photograph by Richard Heeps from his series In The Treasure Trove. Ta...

Vacancy, 2019, Edition 1/10 plus 2 Artist Proof, 20x20cm. Digital C-Print based on a mixed-media collage of an original Polaroid on Hahnemuhle photo rag paper. Signature label and ...

This is a photograph of a stack of playing cards by Ralph Gibson. This image, produced as a chromogenic print, is offered by CLAMP in New York City.

'Late Afternoon', 2017, Edition 1/10 plus 2 Artist Proof, 20x20cm, Digital C-Print based on an original Polaroid on Hahnemuhle photo rag paper, not mounted. Signature label and cert...

2009, pigment print photograph, 14 x 11 inches, Edition of 12 signed and numbered by the artist on the reverse William Wegman is a renowned photographer famous for his unique and ar...

Maggie Taylor creates evocative single-scene narratives in her whimsical and often elaborate photomontages. Working intuitively, Taylor combines 19th Century photographs, found objec...

"My artwork is always in progress. There is not a goal. There is not a category for my work. It is all about enjoying the process of every moment. On a blank sheet of washi calli...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

Santa Monica #11 [ from the series US Road trip Diary ] 2007, 30x30cm Archival pigment print on canvas, Photo based on an expired Polaroid on beautiful PHOTO RAG ULTRA SMOOTH 305gsm ...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...